Discount applied successfully
| Title |
|
Pages / Words |
Save |
|
Literature?
|
|
8 / 2078 |
|
|
Live at Home
|
|
3 / 568 |
|
|
Logic of the Absurds
|
|
6 / 1452 |
|
|
Love Your Enemies
|
|
2 / 496 |
|
|
MacBeth
|
|
4 / 865 |
|
|
Maggie Girl of the Streets & Huck Finn - Family Life
|
|
4 / 888 |
|
|
Mary Shelley and Parallels
|
|
4 / 990 |
|
|
Masculinity in Hemingway
|
|
5 / 1195 |
|
|
Milton’s Paradise Lost
|
|
15 / 4162 |
|
|
Mindless Existence in Fahrenheit 451
|
|
2 / 530 |
|
|
Misdirection of Anger
|
|
5 / 1313 |
|
|
Much Ado About Nothing
|
|
13 / 3465 |
|
|
My Papas Waltz
|
|
1 / 267 |
|
|
Odysseus: Epic Hero?
|
|
3 / 603 |
|
|
Oedipus MD
|
|
6 / 1635 |
|
|
Oedipus
|
|
6 / 1491 |
|
|
On the Unfairness of A Teacher
|
|
7 / 1695 |
|
|
Ordinary Men
|
|
3 / 568 |
|
|
Orwell and Foucault
|
|
5 / 1359 |
|
|
Our Town
|
|
2 / 365 |
|
|
Paid Term Paper Sites Exposed!
|
|
6 / 1513 |
|
|
Play called Absent Friends
|
|
5 / 1205 |
|
|
Present Provoking Past
|
|
5 / 1327 |
|
|
Racism in "Master Harold"
|
|
7 / 1727 |
|
|
Reflections of a Culture Past
|
|
2 / 508 |
|
|
Response to "Self-Reliance" by Ralph Waldo Emerson
|
|
3 / 712 |
|
|
Romeo & Juliet
|
|
9 / 2316 |
|
|
Say it isn't so...
|
|
2 / 465 |
|
|
Similarities and Difference between Oceania in 1984 and the USA
|
|
6 / 1535 |
|
|
Social Ostracism in Adventures of Huckleberry Finn
|
|
5 / 1126 |
|
|
Stoker and Wilde
|
|
9 / 2336 |
|
|
Strindberg's Miss Julie and Beckett's Waiting for Godot
|
|
9 / 2340 |
|
|
Technology
|
|
3 / 743 |
|
|
The Chrysalids
|
|
2 / 552 |
|
|
The Courtroom
|
|
6 / 1449 |
|
|
The Credibility of Expository Texts RE 'Unzipped' - Bronwyn Donaghy
|
|
3 / 760 |
|
|
The Crucible
|
|
5 / 1222 |
|
|
The Glass Menagerie
|
|
3 / 701 |
|
|
The Great American Illusion
|
|
3 / 781 |
|
|
The Great Gatsby
|
|
7 / 1728 |
|
|
The Handmaid's Tale
|
|
4 / 878 |
|
|
The Hound of the Baskervilles - Women of the 18th Century
|
|
2 / 546 |
|
|
The Jilting of Granny Weatherall
|
|
3 / 822 |
|
|
The Last of the Mohicans as a Mixture of Genres
|
|
10 / 2573 |
|
|
The Macbeth Witches
|
|
3 / 727 |
|
|
The Participial Adjective Part of English
|
|
5 / 1191 |
|
|
The role of the Inspector in 'An Inspector Calls.'
|
|
17 / 4682 |
|
|
The Scarlet Letter "A": Meanings and Connections
|
|
3 / 612 |
|
|
The Sentiment, Mood, and Philosophy of “The Best Slow Dancer”
|
|
4 / 973 |
|
|
The Servants of Twilight
|
|
3 / 626 |
|
|
The Storm, The Yellow Wallpaper, Young Goodman Brown
|
|
5 / 1141 |
|
|
The Stranger
|
|
5 / 1131 |
|
|
Things that will Help you through College
|
|
2 / 520 |
|
|
Tragedy
|
|
8 / 2224 |
|
|
Unzipped
|
|
5 / 1186 |
|
|
Volpone Ben Jonson
|
|
5 / 1123 |
|
|
What Are Adjectives?
|
|
5 / 1300 |
|
|
What Dilemma Did to Him
|
|
4 / 961 |
|
|
What Do You Find Interesting About The Ways The Writer Presents?
|
|
4 / 878 |
|
|
Which One, the Better One?
|
|
2 / 512 |
|
|
Impact of the Proposed Devolution for Scotland
|
|
8 / 2217 |
|
|
Joan of Arc
|
|
4 / 967 |
|
|
Kissinger, Metternich, Realism
|
|
4 / 887 |
|
|
Lives of Women in the Renaissance
|
|
9 / 2408 |
|
|
Mary, Queen of Scots
|
|
3 / 756 |
|
|
Medieval Castles
|
|
6 / 1456 |
|
|
Napoleon
|
|
13 / 3381 |
|
|
School in Romania
|
|
2 / 304 |
|
|
Southern Cyprus
|
|
16 / 4284 |
|
|
Voltaire: A History That Never Moved
|
|
12 / 3225 |
|
|
1960's
|
|
18 / 4933 |
|
|
Australia
|
|
5 / 1161 |
|
|
British Monarchy
|
|
21 / 5772 |
|
|
Colonization of America
|
|
3 / 667 |
|
|
Czarist Regime
|
|
7 / 1934 |
|
|
Indutrial Revolution
|
|
4 / 988 |
|
|
Italian City
|
|
4 / 1031 |
|
|
Muhammad Ibn Abdullah: Good or Bad? You Decide
|
|
6 / 1516 |
|
|
Religious Festivals
|
|
5 / 1160 |
|
|
Roosevelt's Response to the Great Depression
|
|
5 / 1362 |
|
|
Styal Mill
|
|
4 / 972 |
|
|
Tale Of Two Cities
|
|
4 / 898 |
|
|
The Black Plague
|
|
3 / 584 |
|
|
The Manhattan Project
|
|
6 / 1570 |
|
|
The Mystery of Dunkeld
|
|
5 / 1349 |
|
|
The Roman Colosseum + Modern Football Stadia
|
|
2 / 350 |
|
|
To what extent is Germany responsible for World War I and II?
|
|
4 / 1094 |
|
|
Walt Disney and Disneyland
|
|
6 / 1584 |
|
|
Weapons of the Middle Ages
|
|
2 / 444 |
|
|
A Small Look Inside Lebanon
|
|
12 / 3244 |
|
|
Smoking
|
|
3 / 626 |
|
|
The Balkans
|
|
17 / 4737 |
|
|
Alienation in Modern Society
|
|
5 / 1263 |
|
|
Analysis of Easy Rider
|
|
4 / 915 |
|
|
Bowling for Columbine
|
|
1 / 81 |
|
|
Citizen Kane: An Accurate Portrayal of William Randolph Hearst?
|
|
14 / 3847 |
|
|
Critique La Ventura
|
|
3 / 813 |
|
|
General Patton Part V
|
|
1 / 198 |
|
|
Heathers and Shame
|
|
9 / 2323 |
|
|
If Someone Did You a Favor
|
|
8 / 2115 |
|
|
Luc Besson
|
|
11 / 2855 |
|
|
Man with a Movie Camera vs Run Lola Run
|
|
12 / 3083 |
|
|
Meet me in St. Louis
|
|
2 / 421 |
|
|
Movies
|
|
2 / 463 |
|
|
Once Were Warriors
|
|
16 / 4422 |
|
|
Rainman
|
|
4 / 937 |
|
|
Remember The Titans - On Leadership
|
|
2 / 374 |
|
|
Save the Last Dance
|
|
4 / 873 |
|
|
Saving Private Ryan
|
|
4 / 1019 |
|
|
Smoke Signals - Personal Reflection
|
|
2 / 450 |
|
|
The Breakfast Club
|
|
4 / 921 |
|
|
The Intent of Forrest Gump
|
|
4 / 932 |
|
|
The Matrix
|
|
31 / 8428 |
|
|
Analysis of "My Papa's Waltz"
|
|
2 / 342 |
|
|
Beowolf - The Ideal Epic Hero
|
|
3 / 616 |
|
|
British Poetry
|
|
15 / 4006 |
|
|
Compare the Poems “Havisham” and “The Laboratory”.
|
|
2 / 544 |
|
|
Desert Places - A Journey of a Human Mind
|
|
4 / 844 |
|
|
Difficulties of Identifying Sexual Status in Donne's 'The Flea'
|
|
5 / 1226 |
|
|
Donne
|
|
8 / 1981 |
|
|
Friendship in Wordsworth's Tintern Abbey
|
|
4 / 975 |
|
|
Ginsberg's Howl: A Counterculture Manifesto
|
|
14 / 3788 |
|
|
I Am Someone
|
|
2 / 453 |
|
|
If
|
|
2 / 492 |
|
|
Inferno
|
|
6 / 1465 |
|
|
Jim Morisson
|
|
24 / 6621 |
|
|
Muslims and Christians
|
|
1 / 103 |
|
|
My Life is like A Red Rose
|
|
2 / 522 |
|
|
My Papa's Waltz
|
|
1 / 208 |
|
|
Poems for the Eye
|
|
7 / 1789 |
|
|
Porphyria’s Lover
|
|
16 / 4295 |
|
|
Quote the Parrot, “Nevermore”
|
|
2 / 558 |
|
|
Resurrection of Nature and Modernity in Merwin's Drunk in the Furnace
|
|
6 / 1532 |
|
|
Sylvia Plath
|
|
8 / 1984 |
|
|
The Flea
|
|
3 / 684 |
|
|
The Tatyana-caste
|
|
7 / 1826 |
|
|
To My Books
|
|
2 / 348 |
|
|
A Mid Overlook of Shakespeare
|
|
2 / 336 |
|
|
A View From The Bridge
|
|
10 / 2731 |
|
|
Ambition
|
|
3 / 691 |
|
|
Analysing Shylock's Dual-Role as Villain and Victim
|
|
6 / 1476 |
|
|
Analysis of Othello and Iago in Act 1
|
|
3 / 612 |
|
|
Androgyny: Will of Shakespeare's Female Characters
|
|
6 / 1437 |
|
|
Appearance vs. Reality
|
|
4 / 1034 |
|
|
As you like it - Act 1
|
|
5 / 1277 |
|
|
Baz Luhrman?s Version of Romeo and Juliet
|
|
3 / 721 |
|
|
Benedick Transformed
|
|
6 / 1600 |
|
|
Biography and Theatre
|
|
8 / 2043 |
|
|
Brutus
|
|
7 / 1945 |
|
|
Character Analysis of Macbeth
|
|
4 / 978 |
|
|
Character Profile of Friar Lawrence
|
|
3 / 613 |
|
|
Classical Imagery in Shakespeare's Much Ado About Nothing
|
|
13 / 3449 |
|
|
Comedy in Shakespeare
|
|
8 / 2176 |
|
|
Comparing and Contrasting Macbeth and Lady Macbeth
|
|
2 / 395 |
|
|
Evil character of Lady Macbeth
|
|
4 / 1117 |
|
|
Falstaff + Hotspur = Prince Hal: Their Actions on the Battlefield
|
|
4 / 941 |
|
|
Fate on Juliet in William Shakespeare's Romeo and Juliet
|
|
8 / 2240 |
|
|
Fate Playing a Role
|
|
6 / 1642 |
|
|
Fools and Foolishness in King Lear
|
|
6 / 1504 |
|
|
Gloucester Subplot in King Lear.
|
|
6 / 1452 |
|
|
Hamlet - Cultural Identity
|
|
6 / 1669 |
|
|
Hamlet (Use of Minor Characters)
|
|
2 / 516 |
|
|
Hamlet and Isolation
|
|
5 / 1272 |
|
|
Hamlet
|
|
4 / 876 |
|
|
Hamlet
|
|
4 / 1043 |
|
|
Hamlet
|
|
4 / 1002 |
|
|
Hamlet: Act II
|
|
2 / 343 |
|
|
Hamlet's Alienation of Characters
|
|
3 / 579 |
|
|
Henry IV Part One
|
|
3 / 645 |
|
|
Honesty: Characters of Othello
|
|
3 / 739 |
|
|
Humanity's Fate in King Lear
|
|
7 / 1728 |
|
|
Iago’s opinion of women.
|
|
3 / 773 |
|
|
Is Hamlet Sane or Insane...
|
|
5 / 1394 |
|
|
Julius Caesar - Was the Murder of Caesar Right?
|
|
2 / 298 |
|
|
Julius Caesar : An Analysis of Brutus' Character
|
|
3 / 758 |
|
|
Julius Ceasar
|
|
2 / 282 |
|
|
Julius Ceasar
|
|
26 / 7125 |
|
|
King Hamlet: The Devil in Disguise
|
|
5 / 1392 |
|
|
King Lear
|
|
5 / 1219 |
|
|
King Lear Act 1 Scene
|
|
5 / 1255 |
|
|
King Lear
|
|
3 / 728 |
|
|
King Lear
|
|
5 / 1121 |
|
|
King Lear
|
|
2 / 425 |
|
|
King Lear: A Lesson in Loyalty
|
|
3 / 793 |
|
|
Lady Macbeth
|
|
4 / 965 |
|
|
Love and Lies
|
|
4 / 886 |
|
|
Love In Midsummer Night's Dream
|
|
3 / 757 |
|
|
Love: Looks or Words?
|
|
4 / 886 |
|
|
Macbeth - What was beyond his control?
|
|
5 / 1174 |
|
|
Macbeth vs. Lady Macbeth
|
|
13 / 3413 |
|
|
Macbeth, King Lear and Much Ado About No
|
|
4 / 926 |
|
|
Macbeth
|
|
3 / 595 |
|
|
Macbeth: A Tragic Hero?
|
|
3 / 657 |
|
|
Macbeth: Not a Play of Fate
|
|
3 / 755 |
|
|
Macbeth: The consequences of Evil
|
|
7 / 1707 |
|
|
Madness in Shakespeare's Hamlet
|
|
3 / 725 |
|
|
Merchant of Venice
|
|
4 / 946 |
|
|
Merchant of Venice: Shylock, victim or villain?
|
|
3 / 684 |
|
|
Midsummer Night's Dream Act 2 Scene 2
|
|
3 / 764 |
|
|
Motiff of King Lear
|
|
2 / 554 |
|
