Discount applied successfully
| Title |
|
Pages / Words |
Save |
|
Antigone
|
|
3 / 719 |
|
|
Change of Jem and Scout
|
|
3 / 588 |
|
|
Cloning
|
|
3 / 771 |
|
|
Cupidity's Stupidity
|
|
7 / 1842 |
|
|
Duffy “Little Red Cap” poem
|
|
7 / 1802 |
|
|
Ender's Shadow or Ender's Game
|
|
12 / 3149 |
|
|
Ernest Hemingway
|
|
4 / 858 |
|
|
Forthcoming of American Literature
|
|
5 / 1352 |
|
|
Frends Forever
|
|
4 / 1038 |
|
|
Hamlet: Soliloquies
|
|
4 / 1111 |
|
|
Hemingway: Writer or Dreamer?
|
|
28 / 7782 |
|
|
Home Schooling
|
|
2 / 530 |
|
|
How successful is Dickens in his presentation of female characters?
|
|
4 / 924 |
|
|
How the Colonization Era affected Authors
|
|
4 / 1044 |
|
|
Importance of Fathers
|
|
2 / 366 |
|
|
Innocent Victim of Love
|
|
3 / 678 |
|
|
Kerouac and Tyler, On the Road and Saint Maybe
|
|
8 / 1977 |
|
|
Kindergarteners
|
|
4 / 998 |
|
|
Literature?
|
|
8 / 2078 |
|
|
Lord of the Files
|
|
2 / 484 |
|
|
Lord of the Flies - Savagery
|
|
4 / 929 |
|
|
Maggie Girl of the Streets & Huck Finn - Family Life
|
|
4 / 888 |
|
|
Mary Shelley and Parallels
|
|
4 / 990 |
|
|
Misdirection of Anger
|
|
5 / 1313 |
|
|
Mother Courage and Capitulation
|
|
2 / 427 |
|
|
Much Ado About Nothing
|
|
13 / 3465 |
|
|
Nietzsche on Religion: Rhetorical Devices
|
|
3 / 793 |
|
|
Odysseus: Epic Hero?
|
|
3 / 603 |
|
|
Oedipus MD
|
|
6 / 1635 |
|
|
Oedipus
|
|
6 / 1491 |
|
|
On the Unfairness of A Teacher
|
|
7 / 1695 |
|
|
Orwell and Foucault
|
|
5 / 1359 |
|
|
Play called Absent Friends
|
|
5 / 1205 |
|
|
Primal Instinct
|
|
3 / 771 |
|
|
Racism in "Master Harold"
|
|
7 / 1727 |
|
|
Scene Seven
|
|
2 / 379 |
|
|
Similarities and Difference between Oceania in 1984 and the USA
|
|
6 / 1535 |
|
|
Strindberg's Miss Julie and Beckett's Waiting for Godot
|
|
9 / 2340 |
|
|
Sun Bear Bile Extraction
|
|
4 / 915 |
|
|
Syllabus vs Curriculum
|
|
15 / 3986 |
|
|
Symbology in Ethan Frome
|
|
1 / 244 |
|
|
Tess of the D'Urbervilles
|
|
4 / 1083 |
|
|
The Chrysalids
|
|
2 / 552 |
|
|
The Courtroom
|
|
6 / 1449 |
|
|
The Credibility of Expository Texts RE 'Unzipped' - Bronwyn Donaghy
|
|
3 / 760 |
|
|
The Echoing Green
|
|
3 / 705 |
|
|
The Giver: Analysis of Jonas
|
|
2 / 309 |
|
|
The Glass Menagerie
|
|
3 / 701 |
|
|
The Jilting of Granny Weatherall
|
|
3 / 822 |
|
|
The Last of the Mohicans as a Mixture of Genres
|
|
10 / 2573 |
|
|
The Moral Maturation of Huckelberry Finn
|
|
5 / 1186 |
|
|
The role of the Inspector in 'An Inspector Calls.'
|
|
17 / 4682 |
|
|
The Sentiment, Mood, and Philosophy of “The Best Slow Dancer”
|
|
4 / 973 |
|
|
The Storm, The Yellow Wallpaper, Young Goodman Brown
|
|
5 / 1141 |
|
|
The Stranger
|
|
5 / 1131 |
|
|
Trip to United States
|
|
5 / 1205 |
|
|
Understanding Drama!
|
|
1 / 59 |
|
|
Unzipped
|
|
5 / 1186 |
|
|
What Happens to a Dream Deferred?
|
|
3 / 771 |
|
|
Which One, the Better One?
|
|
2 / 512 |
|
|
Inspector Calls Coursework
|
|
8 / 1977 |
|
|
Lives of Women in the Renaissance
|
|
9 / 2408 |
|
|
The Alamo
|
|
8 / 2126 |
|
|
The Italian Wars
|
|
7 / 1756 |
|
|
Voltaire: A History That Never Moved
|
|
12 / 3225 |
|
|
Why was Karl Marx so disparaging of the utopian socialists
|
|
8 / 2156 |
|
|
Aboriginal Customary Laws and Australian Contemporary Laws
|
|
2 / 551 |
|
|
Basic Greek History
|
|
6 / 1501 |
|
|
British Monarchy
|
|
21 / 5772 |
|
|
Cyprus
|
|
14 / 3668 |
|
|
Martin Luther King Jr. and Malcolm X
|
|
4 / 852 |
|
|
Roosevelt's Response to the Great Depression
|
|
5 / 1362 |
|
|
Salem/European Witch Trials Compared to the McCarthy Hearings
|
|
6 / 1606 |
|
|
Somalia vs United States
|
|
6 / 1439 |
|
|
Styal Mill
|
|
4 / 972 |
|
|
Tale Of Two Cities
|
|
4 / 898 |
|
|
Walt Disney and Disneyland
|
|
6 / 1584 |
|
|
Israel P.L.O. Peace Treaty
|
|
12 / 3132 |
|
|
Pakistan
|
|
6 / 1428 |
|
|
Alienation in Modern Society
|
|
5 / 1263 |
|
|
If Someone Did You a Favor
|
|
8 / 2115 |
|
|
Luc Besson
|
|
11 / 2855 |
|
|
Man with a Movie Camera vs Run Lola Run
|
|
12 / 3083 |
|
|
Matrix Reloaded
|
|
14 / 3755 |
|
|
Meet me in St. Louis
|
|
2 / 421 |
|
|
Once Were Warriors
|
|
16 / 4422 |
|
|
Reservoir Dogs
|
|
3 / 624 |
|
|
Save the Last Dance
|
|
4 / 873 |
|
|
Save the Last Dance
|
|
2 / 557 |
|
|
Saving Private Ryan
|
|
4 / 1019 |
|
|
Smoke Signals - Personal Reflection
|
|
2 / 450 |
|
|
The Breakfast Club
|
|
4 / 921 |
|
|
The Magnificent Ambersons
|
|
9 / 2302 |
|
|
The Matrix
|
|
31 / 8428 |
|
|
British Poetry
|
|
15 / 4006 |
|
|
Donne
|
|
8 / 1981 |
|
|
Friendship in Wordsworth's Tintern Abbey
|
|
4 / 975 |
|
|
Immortal Poetry
|
|
6 / 1453 |
|
|
Jim Morisson
|
|
24 / 6621 |
|
|
Poetry Intertextual
|
|
9 / 2331 |
|
|
Porphyria’s Lover
|
|
16 / 4295 |
|
|
Quote the Parrot, “Nevermore”
|
|
2 / 558 |
|
|
Resurrection of Nature and Modernity in Merwin's Drunk in the Furnace
|
|
6 / 1532 |
|
|
Seven Ages
|
|
1 / 149 |
|
|
Sylvia Plath
|
|
8 / 1984 |
|
|
Ted Hughes' 'The Jaguar'
|
|
9 / 2414 |
|
|
The Echoing Green
|
|
3 / 705 |
|
|
The Flea
|
|
3 / 684 |
|
|
The Tatyana-caste
|
|
7 / 1826 |
|
|
Theme of Beowulf
|
|
3 / 649 |
|
|
A View From The Bridge
|
|
10 / 2731 |
|
|
Analysing Shylock's Dual-Role as Villain and Victim
|
|
6 / 1476 |
|
|
As you like it - Act 1
|
|
5 / 1277 |
|
|
Biography and Theatre
|
|
8 / 2043 |
|
|
Brutus
|
|
7 / 1945 |
|
|
Classical Imagery in Shakespeare's Much Ado About Nothing
|
|
13 / 3449 |
|
|
Comedy in Shakespeare
|
|
8 / 2176 |
|
|
Fate on Juliet in William Shakespeare's Romeo and Juliet
|
|
8 / 2240 |
|
|
Gender Roles And Macbeth
|
|
7 / 1884 |
|
|
Gloucester Subplot in King Lear.
|
|
6 / 1452 |
|
|
Hamlet - Cultural Identity
|
|
6 / 1669 |
|
|
Imagery, and It's Impact in the Play Macbeth
|
|
2 / 369 |
|
|
Julius Ceasar
|
|
26 / 7125 |
|
|
King Lear
|
|
5 / 1219 |
|
|
King Lear Act 1 Scene
|
|
5 / 1255 |
|
|
King Richard II & King Henry IV
|
|
4 / 886 |
|
|
Macbeth, King Lear and Much Ado About No
|
|
4 / 926 |
|
|
MacBeth
|
|
3 / 629 |
|
|
Macbeth
|
|
4 / 902 |
|
|
Motiff of King Lear
|
|
2 / 554 |
|
|
Othello
|
|
7 / 1853 |
|
|
Romeo & Juliet Vs. West Side Story
|
|
2 / 554 |
|
|
Taming of the Shrew: Male Domination
|
|
4 / 965 |
|
|
The Hamlet Paradigm
|
|
17 / 4541 |
|
|
The Ultimate Disguise
|
|
6 / 1603 |
|
|
Theme of Appearance Vs Reality in Merchant Of Venice
|
|
7 / 1877 |
|
|
Troubled Years
|
|
4 / 891 |
|
|
Who do you blame most for King Duncan's Death?
|
|
13 / 3604 |
|
|
Cases of Violence in Sports and How They Should Be Handled
|
|
4 / 930 |
|
|
How The Simpsons Affects Kids
|
|
9 / 2505 |
|
|
Reality TV
|
|
2 / 538 |
|
|
The Over-Reaction Toward Bart
|
|
8 / 1991 |
|
|
Too Much TV?
|
|
1 / 239 |
|
|
Important presidential elections
|
|
12 / 3289 |
|
|
King Philip’s War: America's Most Devastating Conflict
|
|
16 / 4399 |
|
|
Klu Klux Klan
|
|
5 / 1137 |
|
|
McCarthyism and the Media
|
|
9 / 2343 |
|
|
Social Changes in the 60’s
|
|
9 / 2418 |
|
|
The Day The World Cried
|
|
4 / 861 |
|
|
George Washington in the Revolution
|
|
5 / 1200 |
|
|
Spanish-Amerincan War
|
|
4 / 1002 |
|
|
The Role of Food in Times of War
|
|
5 / 1159 |
|
|
War
|
|
2 / 319 |
|
|
Why Are You Here?
|
|
12 / 3095 |
|
|
12 angry men
|
|
2 / 530 |
|
|
12 angry men
|
|
4 / 913 |
|
|
1776 Book Review
|
|
4 / 945 |
|
|
1793
|
|
8 / 1982 |
|
|
1800s
|
|
2 / 311 |
|
|
1920'S
|
|
2 / 348 |
|
|
1920's Flappers - Good Role Models?
|
|
2 / 363 |
|
|
1920's free response question
|
|
2 / 522 |
|
|
1920s
|
|
3 / 665 |
|
|
1920’s
|
|
4 / 1038 |
|
|
1950s
|
|
7 / 1875 |
|
|
1960-present
|
|
6 / 1523 |
|
|
1960s
|
|
4 / 1120 |
|
|
1968: A Year of American Transformation
|
|
6 / 1458 |
|
|
19th Century Women
|
|
6 / 1622 |
|
|
2 accounts of WWII
|
|
3 / 612 |
|
|
2005 State of the Union Address
|
|
6 / 1418 |
|
|
3 Kings The Realities of the Gulf War
|
|
2 / 427 |
|
|
60s politics and woodstock
|
|
12 / 3221 |
|
|
911
|
|
20 / 5517 |
|
|
9/11
|
|
2 / 298 |
|
|
"rock pile" analysis
|
|
2 / 525 |
|
|
“Christopher Columbus”
|
|
5 / 1397 |
|
|
“The Horrifying Effects of Child Labor during the Industrial Revolution Era”
|
|
7 / 1877 |
|
|
A Biography on Martin Luther King Jr.
|
|
6 / 1476 |
|
|
A Brief History of African Music through The Colonial Period
|
|
6 / 1438 |
|
|
A Crippled Nation Stands Tall
|
|
5 / 1354 |
|
|
A Dream Come True
|
|
3 / 647 |
|
|
A Giant Leap
|
|
3 / 811 |
|
|
A History of New York City Skyscrapers (With Bibliography)
|
|
17 / 4547 |
|
|
A History of Tennessee's Horse
|
|
3 / 748 |
|
|
A Hollow Argument
|
|
21 / 5678 |
|
|
A Journey from Slavery to Freedom
|
|
3 / 664 |
|
|
A Lot to Do with Nothing
|
|
4 / 934 |
|
|
A Midwife’s Tale: Understanding the Time Period of Martha Maud Ballard
|
|
2 / 433 |
|
|
A Narrative Of The American War For Independence
|
|
8 / 2047 |
|
|
A Perspective on: Lyndon H. LaRouche, Jr.
|
|
8 / 1999 |
|
|
A SPEECH
|
|
12 / 3154 |
|
|
A Shot Against Freedom: The Assassination of Martin Luther King
|
|
7 / 1713 |
|
|
A letter from jail
|
|
25 / 6862 |
|
|
AFAM
|
|
5 / 1375 |
|
|
AMERICAN HERITAGE AND OUR RESPONSIBILITY FOR PRESERVING IT
|
|
4 / 939 |
|
|
APA Style
|
|
7 / 1700 |
|
|
APUSH Chapter 1 Notes
|
|
12 / 3302 |
|
|
Aaron Burr
|
|
7 / 1937 |
|
|
Abe Lincoln
|
|
6 / 1442 |
|
