Discount applied successfully
| Title |
|
Pages / Words |
Save |
|
Celebration of Multiculturalism
|
|
2 / 403 |
|
|
Competition is a Bane
|
|
2 / 297 |
|
|
Eternal Creativity
|
|
3 / 823 |
|
|
Family Education
|
|
4 / 986 |
|
|
Garbage Laws
|
|
3 / 686 |
|
|
Genesis
|
|
19 / 5318 |
|
|
He Loves Me
|
|
2 / 356 |
|
|
Heroes Must Die
|
|
4 / 941 |
|
|
Hunting is not the Answer
|
|
3 / 607 |
|
|
John Di Pippo
|
|
4 / 1029 |
|
|
King Leopold's Ghost
|
|
4 / 930 |
|
|
Learning the Writing Business from Book Agents and Editors
|
|
8 / 2078 |
|
|
Making Career Decision
|
|
13 / 3548 |
|
|
Midnight Blues
|
|
1 / 215 |
|
|
My Father's Life
|
|
6 / 1460 |
|
|
November Rain
|
|
4 / 886 |
|
|
Oprah Winfrey
|
|
3 / 701 |
|
|
Organizational Safety Concerns and Measures
|
|
4 / 849 |
|
|
Persona
|
|
2 / 302 |
|
|
Personal Reflective on a Photo
|
|
4 / 958 |
|
|
Realization
|
|
6 / 1433 |
|
|
Relationship: Before and After Marriage
|
|
3 / 769 |
|
|
Sylvia's Use of Senses in Ariel
|
|
8 / 2141 |
|
|
The Cuban Change
|
|
2 / 482 |
|
|
The Mirrors
|
|
5 / 1203 |
|
|
The Secrets of "Hunters in the Snow"
|
|
3 / 778 |
|
|
The Waiting Room
|
|
11 / 2819 |
|
|
A Cream Cracker Under the Settee
|
|
5 / 1122 |
|
|
A Feminist Approach on Jonathan Swift's "Gulliver Travels"
|
|
7 / 1730 |
|
|
A Prayer for Owen Meany
|
|
5 / 1277 |
|
|
A Streetcar Named Desire
|
|
6 / 1449 |
|
|
A View from the Bridge
|
|
27 / 7334 |
|
|
An Inspector Calls
|
|
3 / 830 |
|
|
An Inspector Calls
|
|
4 / 997 |
|
|
Animal farm - Communism
|
|
2 / 315 |
|
|
Antigone
|
|
4 / 903 |
|
|
Antigone
|
|
5 / 1189 |
|
|
Before The Law
|
|
3 / 647 |
|
|
Books are not Dying
|
|
3 / 764 |
|
|
Change of Jem and Scout
|
|
3 / 588 |
|
|
Civilization: Savagery, Power, Fear
|
|
5 / 1297 |
|
|
Crime and Punishment
|
|
5 / 1281 |
|
|
Different Types of Criticism and Literary Movements in Short Stories
|
|
8 / 2059 |
|
|
Dr Faustus - Ambition
|
|
5 / 1236 |
|
|
Duffy “Little Red Cap” poem
|
|
7 / 1802 |
|
|
Educating Rita
|
|
4 / 1050 |
|
|
Emerson's Individualism
|
|
3 / 835 |
|
|
Emily Dickinson
|
|
13 / 3502 |
|
|
Etymology of Court
|
|
4 / 1029 |
|
|
Exploring the Use of Time as a Manipulative Variable
|
|
4 / 1099 |
|
|
Faustus: Renaissance Martyr or Tragic Hero
|
|
11 / 2899 |
|
|
Forthcoming of American Literature
|
|
5 / 1352 |
|
|
Gregorik Andras
|
|
12 / 3357 |
|
|
Grendel: Apples and Pain
|
|
4 / 883 |
|
|
Hamlet: Soliloquies
|
|
4 / 1111 |
|
|
Heart of Darkness
|
|
4 / 878 |
|
|
Hemingway: Writer or Dreamer?
|
|
28 / 7782 |
|
|
Hope
|
|
4 / 935 |
|
|
Human Consciousness
|
|
7 / 1734 |
|
|
Immortal Hopes of Animal Farm
|
|
6 / 1638 |
|
|
Immortal Life vs. Immortal Name: Gilgamesh and Beowulf
|
|
5 / 1242 |
|
|
Innocent Victim of Love
|
|
3 / 678 |
|
|
Journey's End by R.C Sherriff
|
|
3 / 705 |
|
|
Kerouac and Tyler, On the Road and Saint Maybe
|
|
8 / 1977 |
|
|
Kindergarteners
|
|
4 / 998 |
|
|
Knowledge in Name of the Rose
|
|
8 / 2015 |
|
|
Leiningen Versus The Ants
|
|
3 / 578 |
|
|
Les Miserables
|
|
1 / 141 |
|
|
Literature?
|
|
8 / 2078 |
|
|
Lord of the Files
|
|
2 / 484 |
|
|
Lord of the Flies - Savagery
|
|
4 / 929 |
|
|
Macbeth Symbolism
|
|
4 / 939 |
|
|
Milton’s Paradise Lost
|
|
15 / 4162 |
|
|
Misdirection of Anger
|
|
5 / 1313 |
|
|
Mr Collins: Character Review
|
|
4 / 1077 |
|
|
Nietzsche on Religion: Rhetorical Devices
|
|
3 / 793 |
|
|
Oedipus MD
|
|
6 / 1635 |
|
|
Oedipus
|
|
6 / 1491 |
|
|
On the Unfairness of A Teacher
|
|
7 / 1695 |
|
|
Orwell and Foucault
|
|
5 / 1359 |
|
|
Paid Term Paper Sites Exposed!
|
|
6 / 1513 |
|
|
Play called Absent Friends
|
|
5 / 1205 |
|
|
Racism in "Master Harold"
|
|
7 / 1727 |
|
|
Reflections of a Culture Past
|
|
2 / 508 |
|
|
Rhinoceros
|
|
2 / 488 |
|
|
Say it, Write it, Defend it and Judge it – in English!
|
|
14 / 3676 |
|
|
Scene Seven
|
|
2 / 379 |
|
|
Snap Shot of a Dog
|
|
3 / 752 |
|
|
Stoker and Wilde
|
|
9 / 2336 |
|
|
Strindberg's Miss Julie and Beckett's Waiting for Godot
|
|
9 / 2340 |
|
|
Syllabus vs Curriculum
|
|
15 / 3986 |
|
|
Symbology in Ethan Frome
|
|
1 / 244 |
|
|
The Chosen
|
|
6 / 1581 |
|
|
The Echoing Green
|
|
3 / 705 |
|
|
The Glass Menagerie
|
|
3 / 701 |
|
|
The Great Gatsby
|
|
7 / 1728 |
|
|
The Paradox of Perfection
|
|
4 / 873 |
|
|
The Participial Adjective Part of English
|
|
5 / 1191 |
|
|
The role of the Inspector in 'An Inspector Calls.'
|
|
17 / 4682 |
|
|
The Sentiment, Mood, and Philosophy of “The Best Slow Dancer”
|
|
4 / 973 |
|
|
The Stranger
|
|
5 / 1131 |
|
|
The Suffering of the Proud
|
|
2 / 541 |
|
|
Truth
|
|
2 / 503 |
|
|
Truth
|
|
2 / 481 |
|
|
Understanding Drama!
|
|
1 / 59 |
|
|
What Are Adjectives?
|
|
5 / 1300 |
|
|
What Dilemma Did to Him
|
|
4 / 961 |
|
|
What Happens to a Dream Deferred?
|
|
3 / 771 |
|
|
Berlin Wall
|
|
9 / 2519 |
|
|
British Foreign Relationships
|
|
8 / 2135 |
|
|
Germany: The answer to an old Question
|
|
9 / 2343 |
|
|
Greece
|
|
6 / 1561 |
|
|
Impact of the Proposed Devolution for Scotland
|
|
8 / 2217 |
|
|
Industrial Revolution
|
|
4 / 1027 |
|
|
Industrialization Effects on Workers of GB
|
|
2 / 506 |
|
|
Inspector Calls Coursework
|
|
8 / 1977 |
|
|
Kissinger, Metternich, Realism
|
|
4 / 887 |
|
|
Mary, Queen of Scots
|
|
3 / 756 |
|
|
Policy Proposal for Economic Reform in Russia
|
|
10 / 2642 |
|
|
Revolution
|
|
6 / 1480 |
|
|
Stonehenge
|
|
4 / 964 |
|
|
The Corset
|
|
4 / 965 |
|
|
The Most Effective Absolute Rulers in my Opinion
|
|
4 / 1072 |
|
|
Voltaire: A History That Never Moved
|
|
12 / 3225 |
|
|
Was The Industrial Revolution Good or Bad For Society?
|
|
2 / 373 |
|
|
Why was Karl Marx so disparaging of the utopian socialists
|
|
8 / 2156 |
|
|
1960's
|
|
18 / 4933 |
|
|
Architecture of Transition and Production of Meaning
|
|
13 / 3593 |
|
|
Australia's Involvement in the Vietnam War
|
|
5 / 1159 |
|
|
Basic Greek History
|
|
6 / 1501 |
|
|
British Monarchy
|
|
21 / 5772 |
|
|
Canadian Flag
|
|
3 / 810 |
|
|
Causes of WW1
|
|
8 / 2226 |
|
|
Collapse of the Soviet Union
|
|
4 / 933 |
|
|
Cyprus
|
|
14 / 3668 |
|
|
Did the 1920's Roar for Canada?
|
|
7 / 1705 |
|
|
Formation of the Triple Alliance
|
|
3 / 744 |
|
|
Indutrial Revolution
|
|
4 / 988 |
|
|
Intellectual Life of the Painters of the Early Renaissance
|
|
8 / 2191 |
|
|
Italian City
|
|
4 / 1031 |
|
|
Jean-Louis David + Jean-Jacques Rousseau
|
|
5 / 1357 |
|
|
Otto Von Bismarck
|
|
3 / 568 |
|
|
Ramases II
|
|
14 / 3845 |
|
|
Roosevelt's Response to the Great Depression
|
|
5 / 1362 |
|
|
The Manhattan Project
|
|
6 / 1504 |
|
|
The Nation-State, Core and Periphery: A Brief sketch of Imperialism
|
|
7 / 1901 |
|
|
The Paris Peace Treaties
|
|
6 / 1634 |
|
|
The Roman games
|
|
4 / 1068 |
|
|
Unification of Italy and Germany
|
|
2 / 521 |
|
|
Walt Disney and Disneyland
|
|
6 / 1584 |
|
|
Analysis of Kurdish Geopolitics Past and Present
|
|
8 / 1989 |
|
|
Israel P.L.O. Peace Treaty
|
|
12 / 3132 |
|
|
Lebanese Awakening
|
|
3 / 735 |
|
|
The Balkans
|
|
17 / 4737 |
|
|
Alienation in Modern Society
|
|
5 / 1263 |
|
|
Citizen Kane: An Accurate Portrayal of William Randolph Hearst?
|
|
14 / 3847 |
|
|
Congo: The Novel and the Movie
|
|
2 / 542 |
|
|
Glory
|
|
2 / 283 |
|
|
Heathers and Shame
|
|
9 / 2323 |
|
|
If Someone Did You a Favor
|
|
8 / 2115 |
|
|
Joy Luck Club
|
|
4 / 985 |
|
|
Luc Besson
|
|
11 / 2855 |
|
|
Matrix Reloaded
|
|
14 / 3755 |
|
|
Once Were Warriors
|
|
16 / 4422 |
|
|
Rainman
|
|
4 / 937 |
|
|
Saving Private Ryan
|
|
4 / 1019 |
|
|
Star Wars: Episode I: The Phantom Menace
|
|
2 / 331 |
|
|
The Breakfast Club
|
|
4 / 921 |
|
|
The Matrix
|
|
31 / 8428 |
|
|
At Cooloola
|
|
2 / 469 |
|
|
Bad Apples
|
|
3 / 655 |
|
|
Before I Die
|
|
5 / 1284 |
|
|
Beowulf Young and Old
|
|
3 / 675 |
|
|
Donne
|
|
8 / 1981 |
|
|
Friendship in Wordsworth's Tintern Abbey
|
|
4 / 975 |
|
|
Ginsberg's Howl: A Counterculture Manifesto
|
|
14 / 3788 |
|
|
I Am Someone
|
|
2 / 453 |
|
|
Immortal Poetry
|
|
6 / 1453 |
|
|
Inferno
|
|
6 / 1465 |
|
|
Jim Morisson
|
|
24 / 6621 |
|
|
Odyssey
|
|
4 / 1045 |
|
|
Poems, their subject and purpose
|
|
3 / 639 |
|
|
Poetry Intertextual
|
|
9 / 2331 |
|
|
Porphyria’s Lover
|
|
16 / 4295 |
|
|
Quote the Parrot, “Nevermore”
|
|
2 / 558 |
|
|
Resurrection of Nature and Modernity in Merwin's Drunk in the Furnace
|
|
6 / 1532 |
|
|
Revenge of Beowulf
|
|
4 / 1092 |
|
|
Sylvia Plath
|
|
8 / 1984 |
|
|
The Echoing Green
|
|
3 / 705 |
|
|
The Hawk Essay
|
|
4 / 961 |
|
|
The Life of William Carlos Williams
|
|
4 / 957 |
|
|
To Autumn by John Keates - Critical Analysis
|
|
3 / 575 |
|
|
A View From The Bridge
|
|
10 / 2731 |
|
|
Ambition
|
|
3 / 691 |
|
|
Analysing Shylock's Dual-Role as Villain and Victim
|
|
6 / 1476 |
|
|
Androgyny: Will of Shakespeare's Female Characters
|
|
6 / 1437 |
|
|
Baz Luhrman?s Version of Romeo and Juliet
|
|
3 / 721 |
|
|
Benedick Transformed
|
|
6 / 1600 |
|
|
Brutus
|
|
7 / 1945 |
|
|
Brutus
|
|
2 / 415 |
|
