Discount applied successfully
| Title |
|
Pages / Words |
Save |
|
The Sniper
|
|
3 / 836 |
|
|
The Theme of Uncertain Journey in the Bean Trees
|
|
3 / 663 |
|
|
The Themes of Childhoods In 'Jane Eyre' and 'To Kill A Mockingbird'
|
|
5 / 1294 |
|
|
The Zen of Zinn: A look at the first 3 chapters of A People's History
|
|
8 / 2101 |
|
|
To Kill A Mocking bird
|
|
4 / 972 |
|
|
To Kill a Mocking-Bird Journals
|
|
14 / 3889 |
|
|
To Kill a Mockingbird
|
|
11 / 2856 |
|
|
To Kill A Mockingbird
|
|
3 / 579 |
|
|
To Kill a Mockingbird
|
|
8 / 1995 |
|
|
To Kill a Mockingbird: Theme and Metaphor Analysis
|
|
4 / 1009 |
|
|
Twisted Alice in Dark Wonderland
|
|
3 / 716 |
|
|
Two Cities
|
|
4 / 1016 |
|
|
Two Empires In Japan
|
|
7 / 1861 |
|
|
View of the World From Different Ages
|
|
3 / 810 |
|
|
Why My Lips Don't Want to Kiss Again
|
|
3 / 584 |
|
|
A Warning to Society
|
|
3 / 734 |
|
|
Being My Own Advocate
|
|
2 / 493 |
|
|
Celebration of Multiculturalism
|
|
2 / 403 |
|
|
Daffyd's Journey
|
|
3 / 708 |
|
|
Detective Story
|
|
16 / 4307 |
|
|
Eradication of Corruption
|
|
2 / 543 |
|
|
Family Education
|
|
4 / 986 |
|
|
Frends forever
|
|
4 / 1038 |
|
|
Friends
|
|
3 / 709 |
|
|
Genesis
|
|
19 / 5318 |
|
|
Hero
|
|
2 / 372 |
|
|
Impostor of Prosperity
|
|
3 / 827 |
|
|
Infinity in a Moment
|
|
4 / 916 |
|
|
Katherine Mansfield's "Her First Ball"
|
|
4 / 1052 |
|
|
Learning the Writing Business from Book Agents and Editors
|
|
8 / 2078 |
|
|
Mega Rex
|
|
13 / 3402 |
|
|
Native Son
|
|
4 / 928 |
|
|
Open Mine Eyes
|
|
2 / 462 |
|
|
Slain
|
|
9 / 2265 |
|
|
Sylvia's Use of Senses in Ariel
|
|
8 / 2141 |
|
|
Taken Over By A Computer Game
|
|
4 / 1095 |
|
|
The Beast is Silent
|
|
14 / 3771 |
|
|
The Best and The Proud
|
|
3 / 721 |
|
|
The Duel
|
|
9 / 2512 |
|
|
The Unattended Graveyard
|
|
15 / 3985 |
|
|
The Waiting Room
|
|
11 / 2819 |
|
|
U.F.O and Aliens
|
|
3 / 644 |
|
|
What's up!
|
|
3 / 812 |
|
|
When the birds hit the windows.
|
|
7 / 1884 |
|
|
When The World Came to An End
|
|
2 / 507 |
|
|
Dance and Body Expression
|
|
1 / 203 |
|
|
‘Saying’ as ‘Inventing’
|
|
13 / 3552 |
|
|
1984 vs Brave New World
|
|
5 / 1206 |
|
|
A Prayer for Owen Meany
|
|
5 / 1277 |
|
|
A Revelation of Granny’s Story
|
|
6 / 1440 |
|
|
A View from the Bridge
|
|
27 / 7334 |
|
|
An Analysis of Gatsby’s Success and Failure
|
|
4 / 868 |
|
|
An Examination of Southern Dialect
|
|
10 / 2794 |
|
|
Andrew Carnegie
|
|
1 / 280 |
|
|
Animal Farm
|
|
3 / 754 |
|
|
Bob Marley
|
|
5 / 1178 |
|
|
Comparision of Duddy Kravitz and Jay Gatsby
|
|
7 / 1852 |
|
|
Crime and Punishment
|
|
4 / 921 |
|
|
Cupidity's Stupidity
|
|
7 / 1842 |
|
|
Dickens’ Sense of Theatre
|
|
1 / 89 |
|
|
Different Types of Criticism and Literary Movements in Short Stories
|
|
8 / 2059 |
|
|
Dr Faustus - Ambition
|
|
5 / 1236 |
|
|
Dr Faustus and Seven Sins
|
|
6 / 1553 |
|
|
Emerson's Individualism
|
|
3 / 835 |
|
|
Emily Dickinson
|
|
13 / 3502 |
|
|
Ernest Hemingway
|
|
4 / 858 |
|
|
Eveline by James Joyce
|
|
2 / 417 |
|
|
Faustus: Renaissance Martyr or Tragic Hero
|
|
11 / 2899 |
|
|
Forthcoming of American Literature
|
|
5 / 1352 |
|
|
Frankenstein: Shelley Use of Mascuine and Feminine Roles
|
|
8 / 2008 |
|
|
Frends Forever
|
|
4 / 1038 |
|
|
Friendship Theme in Gilgamesh
|
|
4 / 944 |
|
|
Gregorik Andras
|
|
12 / 3357 |
|
|
Hamlet: Soliloquies
|
|
4 / 1111 |
|
|
Healthcare in the US
|
|
5 / 1234 |
|
|
Hemingway: Writer or Dreamer?
|
|
28 / 7782 |
|
|
Hierarchy and the Disorder of Separation in the Bible
|
|
5 / 1355 |
|
|
Home Schooling
|
|
2 / 530 |
|
|
Hope
|
|
4 / 935 |
|
|
How Plot, Setting and Characters Influence Readers Response
|
|
3 / 837 |
|
|
How successful is Dickens in his presentation of female characters?
|
|
4 / 924 |
|
|
How the Colonization Era affected Authors
|
|
4 / 1044 |
|
|
Human Consciousness
|
|
7 / 1734 |
|
|
Human Heart
|
|
4 / 1028 |
|
|
Immortal Life vs. Immortal Name: Gilgamesh and Beowulf
|
|
5 / 1242 |
|
|
Impact of setting on EAP's House of Usher
|
|
2 / 313 |
|
|
Innocent Victim of Love
|
|
3 / 678 |
|
|
Inspector Calls
|
|
7 / 1818 |
|
|
Juliet Capulet
|
|
2 / 442 |
|
|
Kerouac and Tyler, On the Road and Saint Maybe
|
|
8 / 1977 |
|
|
Knowledge in Name of the Rose
|
|
8 / 2015 |
|
|
Logic of the Absurds
|
|
6 / 1452 |
|
|
Loman & the American Dream
|
|
4 / 1022 |
|
|
Lord of the Files
|
|
2 / 484 |
|
|
Macbeth Symbolism
|
|
4 / 939 |
|
|
MacBeth
|
|
4 / 865 |
|
|
Masculinity in Hemingway
|
|
5 / 1195 |
|
|
Matrix
|
|
2 / 505 |
|
|
Milton’s Paradise Lost
|
|
15 / 4162 |
|
|
My Ambition
|
|
2 / 343 |
|
|
Oedipus MD
|
|
6 / 1635 |
|
|
Oedipus
|
|
6 / 1491 |
|
|
Of Mice and Men
|
|
2 / 353 |
|
|
Racism in "Master Harold"
|
|
7 / 1727 |
|
|
Resplendent Rivendel
|
|
3 / 579 |
|
|
Russian Revolution and Orwell (Animal Farm)
|
|
2 / 519 |
|
|
Say it, Write it, Defend it and Judge it – in English!
|
|
14 / 3676 |
|
|
Stoker and Wilde
|
|
9 / 2336 |
|
|
Syllabus vs Curriculum
|
|
15 / 3986 |
|
|
The Chosen
|
|
6 / 1581 |
|
|
The Great American Illusion
|
|
3 / 781 |
|
|
The Great Gatsby
|
|
7 / 1728 |
|
|
The Internet a Blessing or a Curse
|
|
2 / 452 |
|
|
The Jilting of Granny Weatherall
|
|
3 / 822 |
|
|
The Last of the Mohicans as a Mixture of Genres
|
|
10 / 2573 |
|
|
The Macbeth Witches
|
|
3 / 727 |
|
|
The Paradox of Perfection
|
|
4 / 873 |
|
|
The role of the Inspector in 'An Inspector Calls.'
|
|
17 / 4682 |
|
|
The Storm, The Yellow Wallpaper, Young Goodman Brown
|
|
5 / 1141 |
|
|
Trip to United States
|
|
5 / 1205 |
|
|
We the People
|
|
2 / 499 |
|
|
What Happens to a Dream Deferred?
|
|
3 / 771 |
|
|
A History of Poland
|
|
4 / 986 |
|
|
Berlin Wall
|
|
9 / 2519 |
|
|
British Foreign Relationships
|
|
8 / 2135 |
|
|
Elizabethan Music, Dance, and Food
|
|
2 / 358 |
|
|
Greece
|
|
6 / 1561 |
|
|
Inspector Calls Coursework
|
|
8 / 1977 |
|
|
Italian Mafia
|
|
5 / 1227 |
|
|
Kissinger, Metternich, Realism
|
|
4 / 887 |
|
|
Napoleon
|
|
13 / 3381 |
|
|
Poland
|
|
4 / 986 |
|
|
The "Phenomenon" of Greece
|
|
20 / 5380 |
|
|
The Alamo
|
|
8 / 2126 |
|
|
The Seven Years War
|
|
9 / 2354 |
|
|
Voltaire: A History That Never Moved
|
|
12 / 3225 |
|
|
1960's
|
|
18 / 4933 |
|
|
American/French Revolution
|
|
2 / 330 |
|
|
Architecture of Transition and Production of Meaning
|
|
13 / 3593 |
|
|
British Monarchy
|
|
21 / 5772 |
|
|
Canadian Flag
|
|
3 / 810 |
|
|
Clara Barton
|
|
2 / 518 |
|
|
Collapse of the Soviet Union
|
|
4 / 933 |
|
|
Colonization of America
|
|
3 / 667 |
|
|
Did the 1920's Roar for Canada?
|
|
7 / 1705 |
|
|
Documents Reflect History
|
|
2 / 497 |
|
|
Education in the 1800's
|
|
3 / 631 |
|
|
Iraq War Is Both Necessary and Justified
|
|
6 / 1526 |
|
|
Is it Constitutional to Bare Arms?
|
|
3 / 583 |
|
|
Italian Immigration
|
|
6 / 1509 |
|
|
Latin American Independence
|
|
3 / 602 |
|
|
Martin Luther King Jr. and Malcolm X
|
|
4 / 852 |
|
|
Muhammad Ibn Abdullah: Good or Bad? You Decide
|
|
6 / 1516 |
|
|
Roosevelt's Response to the Great Depression
|
|
5 / 1362 |
|
|
Somalia vs United States
|
|
6 / 1439 |
|
|
The Alamo
|
|
8 / 2078 |
|
|
The Manhattan Project
|
|
6 / 1570 |
|
|
The Manhattan Project
|
|
6 / 1504 |
|
|
The Nation-State, Core and Periphery: A Brief sketch of Imperialism
|
|
7 / 1901 |
|
|
The Paris Peace Treaties
|
|
6 / 1634 |
|
|
Urbanization
|
|
4 / 936 |
|
|
Walt Disney and Disneyland
|
|
6 / 1584 |
|
|
Washington D.C: Our Nation’s Capital
|
|
3 / 615 |
|
|
Weapons of the Middle Ages
|
|
2 / 444 |
|
|
A Small Look Inside Lebanon
|
|
12 / 3244 |
|
|
Israel P.L.O. Peace Treaty
|
|
12 / 3132 |
|
|
Lebanese Awakening
|
|
3 / 735 |
|
|
The Balkans
|
|
17 / 4737 |
|
|
Blade Runner
|
|
3 / 570 |
|
|
Citizen Kane: An Accurate Portrayal of William Randolph Hearst?
|
|
14 / 3847 |
|
|
Critique La Ventura
|
|
3 / 813 |
|
|
Heathers and Shame
|
|
9 / 2323 |
|
|
Lord of the Rings
|
|
3 / 598 |
|
|
Luc Besson
|
|
11 / 2855 |
|
|
Meet me in St. Louis
|
|
2 / 421 |
|
|
Once Were Warriors
|
|
16 / 4422 |
|
|
Remember The Titans - On Leadership
|
|
2 / 374 |
|
|
Reservoir Dogs
|
|
3 / 624 |
|
|
Save the Last Dance
|
|
4 / 873 |
|
|
Save the Last Dance
|
|
2 / 557 |
|
|
Saving Private Ryan
|
|
4 / 1019 |
|
|
Smoke Signals - Personal Reflection
|
|
2 / 450 |
|
|
The Intent of Forrest Gump
|
|
4 / 932 |
|
|
The Magnificent Ambersons
|
|
9 / 2302 |
|
|
The Matrix
|
|
31 / 8428 |
|
|
The Matrix
|
|
2 / 388 |
|
|
"Design"
|
|
1 / 276 |
|
|
At Cooloola
|
|
2 / 469 |
|
|
British Poetry
|
|
15 / 4006 |
|
|
Compare the Poems “Havisham” and “The Laboratory”.
|
|
2 / 544 |
|
|
Donne
|
|
8 / 1981 |
|
|
Dulce et Deorum Est
|
|
8 / 2120 |
|
|
Ginsberg's Howl: A Counterculture Manifesto
|
|
14 / 3788 |
|
|
I Am Someone
|
|
2 / 453 |
|
|
If
|
|
2 / 492 |
|
|
Jim Morisson
|
|
24 / 6621 |
|
|
Poems for the Eye
|
|
7 / 1789 |
|
|
Poetry Intertextual
|
|
9 / 2331 |
|
|
Porphyria’s Lover
|
|
16 / 4295 |
|
|
Quote the Parrot, “Nevermore”
|
|
2 / 558 |
|
