Discount applied successfully
Title |
|
Pages / Words |
Save |
CHARACTER INTRODUCTION
|
|
6 / 1511 |
|
Candide
|
|
3 / 636 |
|
Cannery Row
|
|
5 / 1356 |
|
Capital Punishment
|
|
4 / 935 |
|
Carpe Diem in Cavalier Poetry
|
|
3 / 794 |
|
Cask of Amontillado, Analysis
|
|
2 / 555 |
|
Cast Away
|
|
3 / 836 |
|
Castles
|
|
2 / 554 |
|
Cat on the Hot Tin Roof
|
|
2 / 292 |
|
Catcher In The Rye
|
|
5 / 1399 |
|
Catcher in the Rye
|
|
3 / 804 |
|
Cathedral Summary
|
|
7 / 1779 |
|
Censorship of rap music
|
|
2 / 327 |
|
Ceremonies In The Waste Land By T. S. Eliot
|
|
5 / 1234 |
|
Change of Edmund in Lion the witch and the wardrobe
|
|
3 / 769 |
|
Changes From The Paleolithic To The Neolithic Age
|
|
2 / 551 |
|
Character Development of Santiago by Paulo Coelho
|
|
7 / 1848 |
|
Character Sketch of the Narrator in "Was it a Dream?" by Guy de Maupassant
|
|
3 / 602 |
|
Characters and Values
|
|
2 / 428 |
|
Charles Dickens Biography
|
|
6 / 1445 |
|
Chickamauga
|
|
3 / 806 |
|
Child Sex Tourism Bill In Australia
|
|
8 / 2025 |
|
Cinnamon stained Dawn
|
|
7 / 1930 |
|
Classification essay
|
|
2 / 481 |
|
Coleridge
|
|
5 / 1283 |
|
College - Is it Worth it?
|
|
4 / 1111 |
|
College Cost
|
|
3 / 715 |
|
College as a Freshman: Fresh Meat
|
|
3 / 646 |
|
College
|
|
2 / 518 |
|
Colonies
|
|
6 / 1439 |
|
Columbus
|
|
19 / 5252 |
|
Commentary on the poem “Ozymandias King of Egypt” by Percy Bysshe Shelley
|
|
4 / 899 |
|
Communicaton between animals and humans
|
|
8 / 2061 |
|
Communist Manifesto
|
|
7 / 1872 |
|
Comparative Essay On Lamott'S 'Perfectionism' And 'Shitty First Drafts&Amp;Quot;
|
|
2 / 413 |
|
Comparative study of
|
|
6 / 1510 |
|
Compare the speaker in Night of the Scorpion by Nissin Ezekiel and Nothing's Changed by Tatamkhulu Afrika.
|
|
4 / 978 |
|
Comparing Anthem To Fountainhead
|
|
4 / 1000 |
|
Comparison Between “Mother” And “Before You Were Mine” Simon Armitage And Carol Ann Duffy
|
|
2 / 496 |
|
Comparison Of Lord Of The Flies,"the Lottery","the White Circle" And "
|
|
3 / 703 |
|
Comparison of a Classic and Contemporary Work The Amazing Maurice and His Educated Rats, and The Lion the Witch and the Wardrobe
|
|
6 / 1527 |
|
Comparisons and Contrasts Between the Bible and the Koran
|
|
11 / 2976 |
|
Conflicted
|
|
3 / 800 |
|
Congress And The Change In Term Limits
|
|
7 / 1721 |
|
Content and Formal Schemata in ESL Reading
|
|
29 / 8082 |
|
Contratries in Marriage of Heaven and Hell
|
|
5 / 1332 |
|
Coral Reef Tourism
|
|
3 / 626 |
|
Creative Writing: The County Courthouse
|
|
2 / 466 |
|
Creative Writing: Under The Spell - A Travel Tale By Danny O'brien
|
|
18 / 4952 |
|
Critical Analysis Of &Quot;Fire And Ice&Quot;
|
|
8 / 1966 |
|
Critical Analysis of Raymond Carver's "Neighbors"
|
|
3 / 721 |
|
Critical Analysis of "The Lottery"
|
|
7 / 1844 |
|
Cultural Effect on Perception of Beauty
|
|
2 / 525 |
|
Culture Shock
|
|
3 / 592 |
|
D.H. Lawrence
|
|
5 / 1172 |
|
Dark and Light Imagery Within The Hobbit
|
|
5 / 1400 |
|
Darkness in the Service of Manifest Destiny as Portrayed by Cormac McCarthy in Blood Meridian
|
|
10 / 2654 |
|
Death By Landscape
|
|
5 / 1142 |
|
Death of a Toad
|
|
1 / 278 |
|
Deceitful Relationships in The Secret Agent
|
|
4 / 1018 |
|
Design
|
|
6 / 1528 |
|
Desiree's Baby Analysis
|
|
5 / 1388 |
|
Detective Story
|
|
16 / 4307 |
|
Detective Story
|
|
16 / 4478 |
|
Different Ending To Romeo And Juilet
|
|
2 / 516 |
|
Diomedes
|
|
2 / 375 |
|
Discovered: The New Harry Potter
|
|
3 / 815 |
|
Dismantling the Da Vinci Code
|
|
14 / 3807 |
|
Disney Movies Leave A Bad Influence On The Younger Generation
|
|
8 / 1979 |
|
Disproving Evolution
|
|
18 / 5015 |
|
Do Good Fenses Really Make Good Neighbours
|
|
3 / 750 |
|
Does Society Rely on Bridges?
|
|
2 / 507 |
|
Donne, Herbert and Crashaw's Biblical References In the poetry of the 17th century
|
|
9 / 2331 |
|
Dr. Seuss
|
|
5 / 1365 |
|
Drama Review-Dracula
|
|
3 / 776 |
|
Drive in
|
|
2 / 294 |
|
Druids
|
|
4 / 929 |
|
Edgar Allen Poe
|
|
8 / 2152 |
|
Elegy
|
|
6 / 1444 |
|
Elements of Maggie (the first two chapters)
|
|
6 / 1488 |
|
Emily Dickinson's Poetry
|
|
4 / 1062 |
|
Emily Dickinson
|
|
9 / 2407 |
|
Emily Dickinson
|
|
4 / 1119 |
|
Emily Dickinson
|
|
3 / 832 |
|
Emma Goldman
|
|
6 / 1502 |
|
Englih
|
|
2 / 309 |
|
English Literature
|
|
5 / 1318 |
|
English Proverbs
|
|
36 / 9967 |
|
English
|
|
3 / 592 |
|
Entrance Essay
|
|
14 / 3889 |
|
Epic of Gilgamesh
|
|
3 / 641 |
|
Eragon
|
|
4 / 919 |
|
Essay on One Hundred Years of solitude
|
|
3 / 807 |
|
Essay
|
|
10 / 2708 |
|
Euthanasia: A Hot Topic
|
|
6 / 1528 |
|
Everest
|
|
2 / 525 |
|
Ezra Pound and Dorothy Shakespear: Their Letters, 1909-1914
|
|
10 / 2573 |
|
FEMINIST CRITISM OF THE STONE CARVERS
|
|
3 / 566 |
|
Facing It
|
|
1 / 187 |
|
Faulkner
|
|
4 / 957 |
|
Feminism in the works Medea and Hedda Gabbler
|
|
7 / 1777 |
|
Femme Fatales of English Literature
|
|
13 / 3614 |
|
Fire Shaddow
|
|
5 / 1294 |
|
Flim Review Saving Pivate Ryan Draft
|
|
3 / 682 |
|
Frankenstein
|
|
5 / 1359 |
|
Freedom Songs
|
|
6 / 1436 |
|
Freshman
|
|
2 / 482 |
|
From The Lord To The Devis Hands
|
|
3 / 657 |
|
Fugitive Pieces
|
|
2 / 474 |
|
Fun
|
|
3 / 593 |
|
Function of setting in man of la mancha
|
|
4 / 1003 |
|
Funpix
|
|
77 / 21509 |
|
GAy rights
|
|
9 / 2324 |
|
GRENDEL & FRANKENSTEIN
|
|
9 / 2520 |
|
GallBladder
|
|
4 / 961 |
|
Genetic Engineering
|
|
3 / 819 |
|
Girl With A Pearl Earring Journal
|
|
17 / 4635 |
|
Glasswell's Trifle
|
|
4 / 1075 |
|
Globe theater
|
|
2 / 553 |
|
God in a Grocery Store
|
|
7 / 1698 |
|
Godard
|
|
27 / 7463 |
|
Going After Cacciato
|
|
4 / 944 |
|
Goo Earth
|
|
3 / 735 |
|
Good Blood Bad Blood
|
|
4 / 1036 |
|
Gopin after cacciatri
|
|
4 / 862 |
|
Gray
|
|
2 / 437 |
|
Great Expectations Questions
|
|
3 / 618 |
|
Great Expectations continued
|
|
8 / 1978 |
|
Great Expectations
|
|
4 / 984 |
|
Greed
|
|
7 / 1764 |
|
Greed
|
|
6 / 1597 |
|
Greek And Roman Architecture
|
|
8 / 2070 |
|
Greek Bases
|
|
14 / 3749 |
|
Green Stone
|
|
4 / 906 |
|
Greene Destructors
|
|
20 / 5562 |
|
Gringos in Wonderland
|
|
3 / 814 |
|
Guide to Conducting Literary Research
|
|
30 / 8291 |
|
HRM Functions
|
|
3 / 621 |
|
HRM
|
|
14 / 3773 |
|
Hamlet Notes
|
|
16 / 4269 |
|
Hamlet as a Tragic Hero
|
|
9 / 2297 |
|
Hamlet
|
|
4 / 914 |
|
Hamlet
|
|
5 / 1178 |
|
Hard Times/Charles Dickens
|
|
2 / 555 |
|
Harlem Renaissance
|
|
7 / 1881 |
|
Harold Bloom
|
|
4 / 905 |
|
Harry Potter Vs. Where The Red Fern Grows
|
|
3 / 717 |
|
Harry Potter and the Philosophers stone
|
|
5 / 1196 |
|
Harry Potter and the Sorceror's Stone Follows Mythological Hero Model
|
|
4 / 966 |
|
Harry Potter and the goblet of fire
|
|
8 / 2193 |
|
Harry Potter vs. Neverwhere
|
|
11 / 2909 |
|
Heart of Darkness, Things Fall Apart and Apocalypse Now Comparison
|
|
8 / 2079 |
|
Helena Monolouge - A midsummer-ight's Dream
|
|
3 / 626 |
|
Hero's Journey
|
|
8 / 2109 |
|
Heroes
|
|
2 / 480 |
|
Heroes
|
|
4 / 968 |
|
Hints to Young Wives
|
|
2 / 445 |
|
History of the Sonnet and History of Shakespeare
|
|
4 / 985 |
|
History of writing
|
|
6 / 1447 |
|
History--Historical Analysis Of Jerzy Kosinski's The Painted Bird
|
|
9 / 2459 |
|
Holgrave's challenges
|
|
7 / 1709 |
|
Hollow Men ANalysis
|
|
4 / 954 |
|
Homer-Comparison And Contrast Of The Gods In Homer's Epics With The G
|
|
11 / 3012 |
|
How Does Shakespeare Present Relationship Between Men And Women And How Might A Modern Day Audience Respond?
|
|
7 / 1813 |
|
How Does Shakespeare present ophelia
|
|
6 / 1405 |
|
How History Changes Southern History & Southern Literature
|
|
12 / 3113 |
|
How I Learned To Drive
|
|
2 / 499 |
|
How Would You Wrap That?
|
|
4 / 981 |
|
How does Willy Russell us the separation of the twins in Blood Brothers to good dramatic effect?
|
|
3 / 586 |
|
How has your understanding of the concept of “New Found Lands” been extended by the comparative study of your two texts?
|
|
3 / 597 |
|
How is contrast used in ?Two Scavengers in a truck, Two Beautiful people in a Mercedes', compared to the use of contrast in ?Nothing's Changed'?
|
|
6 / 1449 |
|
How successful is Chinua Achebe in representing an image of Africa that "writes back" to the European coloniser?
|
|
11 / 2890 |
|
How to go broke
|
|
6 / 1560 |
|
How to improve your writing
|
|
18 / 4848 |
|
Hr Development
|
|
6 / 1656 |
|
HuckleBerry Finn
|
|
5 / 1135 |
|
Huckleberry Finn development
|
|
7 / 1749 |
|
I know why the caged bird sings
|
|
3 / 749 |
|
I'M So Bad
|
|
2 / 447 |
|
I'm Not Scared
|
|
3 / 699 |
|
Ian Crichton Smith
|
|
3 / 708 |
|
Identity in Lancelot
|
|
8 / 2018 |
|
Ignorance is Knowledge as Knowledge is Power
|
|
4 / 969 |
|
Imagery and Allegory
|
|
8 / 2038 |
|
In Harry's Name We Pray
|
|
4 / 958 |
|
In The Orchard
|
|
5 / 1227 |
|
In the Orchard by Muriel Stuart
|
|
2 / 415 |
|
In this culture
|
|
4 / 909 |
|
Individuality vs. Community
|
|
5 / 1318 |
|
Insignificance Of Human Beings To The Passage Of Time
|
|
4 / 936 |
|
Interpretation of "We Wear A Mask"
|
|
7 / 1796 |
|
Interpretation of ``Ozymandias``
|
|
3 / 619 |
|
Intramuros
|
|
2 / 425 |
|
Introduction
|
|
2 / 371 |
|
Is Anyone Without Sin
|
|
4 / 1115 |
|
Is Violence Now the Family Way?
|
|
3 / 787 |
|
JR THEME
|
|
4 / 912 |
|
JUDE THE SHALLOW
|
|
6 / 1609 |
|
Jacqui
|
|
21 / 5754 |
|
Jane Eyre, Hamlet And Keats
|
|
6 / 1566 |
|