Discount applied successfully
Title |
|
Pages / Words |
Save |
Hamlet- Suicide
|
|
9 / 2252 |
|
Hamlet
|
|
8 / 2010 |
|
Hamlet:was He Mad
|
|
6 / 1466 |
|
Handful of dates
|
|
6 / 1617 |
|
Handmaid's Tale
|
|
9 / 2353 |
|
Happy Endings
|
|
5 / 1171 |
|
Hard Times
|
|
6 / 1656 |
|
Hard Times
|
|
7 / 1899 |
|
Harrison Bergeron
|
|
2 / 441 |
|
Heart of Darkness
|
|
4 / 928 |
|
Hemingway
|
|
2 / 352 |
|
Hemmingway
|
|
24 / 6502 |
|
Henry Flemming and then Red Badge of Courage
|
|
6 / 1529 |
|
Henry Ford
|
|
5 / 1325 |
|
Henry Wadsworth Longfellow An American Writing Icon
|
|
7 / 1777 |
|
Her Guardian
|
|
3 / 817 |
|
Hills Like White Elephants - Symbolism
|
|
2 / 497 |
|
Hills Like White Elephants
|
|
1 / 266 |
|
Hills Like white Elephants, Ernest Hemmingway
|
|
3 / 649 |
|
History In The Making
|
|
4 / 916 |
|
History--Historical Analysis Of Jerzy Kosinski's The Painted Bird
|
|
9 / 2459 |
|
Hits and Misses of Frances Ford Coppola
|
|
5 / 1224 |
|
Holistic Therapy
|
|
3 / 711 |
|
Homer-Comparison And Contrast Of The Gods In Homer's Epics With The G
|
|
11 / 3012 |
|
House Of The Seven Gables
|
|
11 / 2916 |
|
How High-Stakes Tests Are Hurting Our Children's Future
|
|
4 / 981 |
|
How can i learn
|
|
3 / 592 |
|
How does Dickens use the first four chapters of ?Hard Times' to introduce the characters and themes of the novel?
|
|
4 / 1086 |
|
How does Dickens use the theme of deception in Hard Times?
|
|
6 / 1401 |
|
How does Jane Austen create negative feelings towards Mr. Darcy in the first few chapters of Pride and Prejudice?
|
|
10 / 2616 |
|
How does Patrick Kavanagh address the concept of landscape in his poetry?
|
|
6 / 1480 |
|
How does Shakespeare portray the nature
|
|
5 / 1231 |
|
How does Steven Spielberg make the opening scene of Jaws so dramatic?
|
|
5 / 1370 |
|
How has James Cameron presented and adapted the true story of the Titanic?
|
|
6 / 1413 |
|
How to Read Lit like a Prof Notes
|
|
13 / 3445 |
|
How to be Vain
|
|
3 / 830 |
|
How to be good
|
|
12 / 3136 |
|
How to improve your writing
|
|
18 / 4848 |
|
How to memorize vocabulary
|
|
1 / 274 |
|
Huck Finn
|
|
13 / 3602 |
|
Huck Finn
|
|
3 / 641 |
|
Huck Finn: An American Masterpiece
|
|
4 / 1049 |
|
Huckleberry Finn- survival
|
|
5 / 1334 |
|
Hume's Influences
|
|
36 / 10027 |
|
Hypocrisy Revealed In Canterbury Tales
|
|
2 / 507 |
|
I Felt A Funeral In My Brain
|
|
4 / 1066 |
|
I Know why the Caged Bird Sings
|
|
4 / 1039 |
|
I Started Early-took My Dog
|
|
4 / 914 |
|
I'm Not Scared
|
|
2 / 439 |
|
I'm Not Scared
|
|
3 / 778 |
|
IPOD case study
|
|
5 / 1198 |
|
If You Have An Imagination, Let It Run Free.
|
|
8 / 2048 |
|
Illusions of Reality
|
|
5 / 1348 |
|
Imagery In Macbeth
|
|
5 / 1398 |
|
Imagery and Allegory
|
|
8 / 2038 |
|
Imagery in Macbeth
|
|
5 / 1309 |
|
Imagined Reality: Ultima Thule
|
|
8 / 2027 |
|
In A Dry Season
|
|
2 / 480 |
|
In Bad Blood, find the passage which begins in chapter 8 with ?My mother felt?' (p.125) and finishes in chapter 9 with ?I found a place to hide.' (p.131).
|
|
4 / 1112 |
|
In Cold Blood
|
|
8 / 2079 |
|
In Mary Shelley's ?Frankenstein', how does the creator's feeling towards the monster change throughout the novel?
|
|
8 / 1966 |
|
In Nathaniel Hawthorne's short story Dr. Heidegger's Experiment, one of
|
|
3 / 751 |
|
In the skin of a lion
|
|
2 / 486 |
|
Incontinent
|
|
6 / 1483 |
|
Indian writing in English
|
|
5 / 1361 |
|
Individualist
|
|
2 / 529 |
|
Indolence, Keats's muse of guilt
|
|
16 / 4328 |
|
Innovation & Strangeness; or, Dialogue and Monologue in the 1798 Lyric
|
|
15 / 4022 |
|
Interpretation of the Poem \
|
|
3 / 622 |
|
Intervie
|
|
4 / 921 |
|
Intramuros
|
|
2 / 425 |
|
Introductory Lecture On Shakespeare's Hamlet
|
|
43 / 12028 |
|
Inventing Wonderland- the extern influences on Lewis Carroll
|
|
14 / 3728 |
|
Invisible Cities-Calvino
|
|
3 / 723 |
|
Invisible Man
|
|
38 / 10583 |
|
Is Jay Gatsby Tragic?
|
|
3 / 663 |
|
Isaac Asimov, Mind of a Child
|
|
4 / 963 |
|
Isaac Asimov
|
|
7 / 1728 |
|
Issue Of Mortality: “naiv Is Bliss And Maturity Is Egocentric”
|
|
7 / 1949 |
|
It's a Utopia?
|
|
9 / 2287 |
|
I’m Not Scared
|
|
2 / 557 |
|
Jack London The Fire
|
|
5 / 1308 |
|
Jack London and Nature
|
|
8 / 2081 |
|
Jacqui
|
|
21 / 5754 |
|
James Thurber-Humor in Fiction
|
|
6 / 1433 |
|
Jane Austen Person And Lover
|
|
5 / 1129 |
|
Jane Austen critical analysis
|
|
8 / 2184 |
|
Jane Austen’s novels and the contemporary social and literary conventions.
|
|
46 / 12664 |
|
Jane Eyre
|
|
6 / 1423 |
|
Jane Eyre
|
|
38 / 10602 |
|
Jay Gatsby
|
|
3 / 831 |
|
Jealous Husband Returns in Form of Parrot
|
|
3 / 637 |
|
John Berger
|
|
4 / 872 |
|
John Cheever
|
|
2 / 551 |
|
John Donne
|
|
24 / 6511 |
|
John Keats
|
|
4 / 1099 |
|
John Keats
|
|
11 / 2995 |
|
Join
|
|
10 / 2588 |
|
Jose Arcadio Buendia
|
|
5 / 1350 |
|
Jose Saramago
|
|
7 / 1852 |
|
Journey of the Magi
|
|
4 / 957 |
|
Journeys
|
|
5 / 1327 |
|
Joyce's Beloved
|
|
11 / 3014 |
|
Jude C. Okpala analyzes Things Fall Apart
|
|
2 / 538 |
|
Judith Ortiz Cofer: Understanding a Writer
|
|
5 / 1147 |
|
Jules Verne
|
|
4 / 920 |
|
KATE CHOPIN: BOLD WRITER ? AHEAD OF HER TIME
|
|
9 / 2377 |
|
Kangaroo, An Australian Icon
|
|
3 / 747 |
|
Karma
|
|
4 / 1056 |
|
Kate Chopin, "The Story of an Hour" on Mrs. Mallard
|
|
7 / 1716 |
|
King Lear
|
|
3 / 705 |
|
King Lear
|
|
6 / 1532 |
|
King Lear
|
|
4 / 1057 |
|
Kubla Khan
|
|
3 / 623 |
|
Lacnian examanation of Dont Ask Dont Tell
|
|
18 / 4804 |
|
Lady
|
|
8 / 2220 |
|
Langston Hughes
|
|
4 / 938 |
|
Langston Hughes: In the beginning there was language
|
|
4 / 1031 |
|
Language Acquisition
|
|
15 / 4183 |
|
Language Is A Virus
|
|
2 / 399 |
|
Language and text
|
|
32 / 8751 |
|
Laurence Yep
|
|
8 / 2040 |
|
Lear -Christian Vs Nihilist
|
|
7 / 1879 |
|
Learning From Two Women
|
|
4 / 853 |
|
Leda and the Swan
|
|
17 / 4605 |
|
Les Miserables
|
|
3 / 623 |
|
Life And Works Of George Orwell
|
|
13 / 3447 |
|
Life of Pi
|
|
2 / 520 |
|
Liiterre Review
|
|
9 / 2323 |
|
Literacy Event
|
|
1 / 175 |
|
Literature - A Mirror Of Society
|
|
5 / 1232 |
|
Literature In Modern Times
|
|
8 / 2197 |
|
Literature and I
|
|
2 / 467 |
|
Live Like A Dog, Alone
|
|
3 / 823 |
|
Liverpool
|
|
7 / 1916 |
|
?A Midsummer Night's Dream' is one of Shakespeare's best-known comedies. With close reference to two scenes, show and discuss the variety of different kinds of comedy possible to be found in the play
|
|
7 / 1857 |
|
"All Those Things That 'Aren't Evidence' Are What Convice Me" How G. K. Chesterton's Father Brown Broke the Rules of Detective Fiction
|
|
20 / 5522 |
|
"Be a governess! Better be a slave at once!" - The Governess in the Victorian Age. A comparative analysis of a passage of Agnes Grey by Anne Bronte (1847) and No Name by William Collins (1862), The Governess by Rebecca Solomon (1854) and The Po...
|
|
21 / 5850 |
|
"Call of the Wild" Book Review
|
|
4 / 855 |
|
"Disney World: A Controlled Society
|
|
2 / 516 |
|
"How to Build a House" Process Analysis
|
|
5 / 1264 |
|
"I'm Not Scared is about the loss of innocence and adult cruelty." Would you agree?
|
|
3 / 563 |
|
"Sailing to Byzantium": Appreciation of Life and the Struggle Between the Ages
|
|
5 / 1169 |
|
"rules of the game" by Amy Tan and "sweet sixteen and never been kissed" by Ioda Munn
|
|
3 / 599 |
|
`Lo cop mortal': The evil eye and the origins of courtly love.
|
|
19 / 5123 |
|
a comparative study of willa cather's literary technique
|
|
9 / 2329 |
|
alalala
|
|
25 / 6780 |
|
american society in death of a salesman
|
|
7 / 1733 |
|
amy tan
|
|
9 / 2512 |
|
analysis of Shelley's "ode to the west wind"
|
|
6 / 1459 |
|
analysis of "She Walks in Beauty"
|
|
4 / 1052 |
|
analysis of cargoes john masefield
|
|
4 / 871 |
|
analysis on ode to the west wind
|
|
7 / 1905 |
|
artist statement
|
|
2 / 328 |
|
balzac and the chinese seamstress
|
|
4 / 986 |
|
bankim
|
|
7 / 1751 |
|
basics of studying literature
|
|
13 / 3381 |
|
bob
|
|
8 / 2078 |
|
censorship
|
|
3 / 803 |
|
censorship
|
|
3 / 835 |
|
charles dickens
|
|
5 / 1351 |
|
childrens literature
|
|
6 / 1539 |
|
chronicle of a death foretold
|
|
5 / 1180 |
|
coleridge
|
|
7 / 1760 |
|
college acceptance
|
|
5 / 1205 |
|
comparative narrative
|
|
5 / 1181 |
|
comparing keats odes
|
|
3 / 834 |
|
conective text essay
|
|
27 / 7507 |
|
critism on othello
|
|
8 / 2199 |
|
cruise
|
|
6 / 1509 |
|
dead stars
|
|
22 / 5943 |
|
death of a salesman - a dead end dream
|
|
4 / 869 |
|
dickens
|
|
28 / 7740 |
|
edgar allan poe
|
|
5 / 1398 |
|
english patient
|
|
14 / 3710 |
|
english
|
|
26 / 7206 |
|
facts vs imagination
|
|
2 / 396 |
|
fairytales
|
|
1 / 232 |
|
faulkner
|
|
4 / 999 |
|
fear in lord of the flies
|
|
5 / 1194 |
|
fern hill
|
|
2 / 509 |
|
field of study
|
|
2 / 431 |
|
flannery o'conner: queen of irony
|
|
7 / 1752 |
|
forever
|
|
2 / 334 |
|
frank lloyd wright
|
|
3 / 807 |
|
girl
|
|
3 / 810 |
|
glass menagerie
|
|
5 / 1235 |
|
gone with the wind
|
|
7 / 1910 |
|
great expectations and oliver twist
|
|
7 / 1787 |
|
hamlet
|
|
8 / 2087 |
|
hard rock
|
|
2 / 480 |
|
harry potter banned?
|
|
7 / 1683 |
|
heart of darkness white lies
|
|
18 / 4854 |
|
helen of troy
|
|
10 / 2661 |
|
hello
|
|
1 / 220 |
|
hills like white elephants
|
|
5 / 1383 |
|
history of genre
|
|
9 / 2329 |
|
human reason
|
|
4 / 872 |
|
im not scared questions
|
|
6 / 1664 |
|
image in society
|
|
5 / 1388 |
|