Discount applied successfully
| Title |
|
Pages / Words |
Save |
|
To Kill a Mockingbird
|
|
2 / 401 |
|
|
To Kill a Mockingbird: Summary
|
|
30 / 8382 |
|
|
Touch Wood
|
|
3 / 798 |
|
|
Twisted Alice in Dark Wonderland
|
|
3 / 716 |
|
|
Two Empires In Japan
|
|
7 / 1861 |
|
|
Witch of Blackbird Pond
|
|
2 / 551 |
|
|
“Where Are You Going? Where Have You Been?”
|
|
4 / 962 |
|
|
A Decision To Make
|
|
4 / 1077 |
|
|
All Quiet on the Western Front
|
|
2 / 470 |
|
|
Are You Really In Love?
|
|
2 / 349 |
|
|
Boys Will Be Boys
|
|
2 / 420 |
|
|
Detective Story
|
|
16 / 4307 |
|
|
Don Jose of Merimee’s Carmen
|
|
2 / 535 |
|
|
Eradication of Corruption
|
|
2 / 543 |
|
|
Family Education
|
|
4 / 986 |
|
|
Flowers for Algernon
|
|
2 / 430 |
|
|
Genesis
|
|
19 / 5318 |
|
|
How People Remember Events
|
|
4 / 847 |
|
|
John Di Pippo
|
|
4 / 1029 |
|
|
Journalism, Real Creativity and Reactionary Creativity
|
|
3 / 801 |
|
|
Katherine Mansfield's "Her First Ball"
|
|
4 / 1052 |
|
|
Love story set in WWI
|
|
18 / 4942 |
|
|
Making Career Decision
|
|
13 / 3548 |
|
|
Oprah Winfrey
|
|
3 / 701 |
|
|
Personal Reflective on a Photo
|
|
4 / 958 |
|
|
Ribbon
|
|
11 / 2941 |
|
|
Six Weeks
|
|
3 / 722 |
|
|
Slain
|
|
9 / 2265 |
|
|
The Adventures of Tom Sawyer
|
|
2 / 546 |
|
|
The Beast is Silent
|
|
14 / 3771 |
|
|
The Rewards of Homeschooling
|
|
2 / 462 |
|
|
The Unattended Graveyard
|
|
15 / 3985 |
|
|
The Waiting Room
|
|
11 / 2819 |
|
|
Through Trials and Tears
|
|
3 / 685 |
|
|
To Be Ready or Not to Be Ready?: What a Stupid Question
|
|
2 / 527 |
|
|
U.F.O and Aliens
|
|
3 / 644 |
|
|
When the birds hit the windows.
|
|
7 / 1884 |
|
|
‘Saying’ as ‘Inventing’
|
|
13 / 3552 |
|
|
A Feminist Approach on Jonathan Swift's "Gulliver Travels"
|
|
7 / 1730 |
|
|
A Goodness in Humankind
|
|
5 / 1222 |
|
|
A Prayer for Owen Meany
|
|
5 / 1277 |
|
|
A Streetcar Named Desire
|
|
6 / 1449 |
|
|
A View from the Bridge
|
|
27 / 7334 |
|
|
An Analysis of Gatsby’s Success and Failure
|
|
4 / 868 |
|
|
An Examination of Southern Dialect
|
|
10 / 2794 |
|
|
An Inspector Calls
|
|
4 / 997 |
|
|
Bob Marley
|
|
5 / 1178 |
|
|
Change of Jem and Scout
|
|
3 / 588 |
|
|
Civilization: Savagery, Power, Fear
|
|
5 / 1297 |
|
|
Class Consciousness in Pride and Prejudice
|
|
4 / 1060 |
|
|
Comparision of Duddy Kravitz and Jay Gatsby
|
|
7 / 1852 |
|
|
Cupidity's Stupidity
|
|
7 / 1842 |
|
|
Duffy “Little Red Cap” poem
|
|
7 / 1802 |
|
|
Ender's Shadow or Ender's Game
|
|
12 / 3149 |
|
|
Ernest Hemingway
|
|
4 / 858 |
|
|
Eveline by James Joyce
|
|
2 / 417 |
|
|
Faustus: Renaissance Martyr or Tragic Hero
|
|
11 / 2899 |
|
|
Forthcoming of American Literature
|
|
5 / 1352 |
|
|
Gregorik Andras
|
|
12 / 3357 |
|
|
Hemingway: Writer or Dreamer?
|
|
28 / 7782 |
|
|
How successful is Dickens in his presentation of female characters?
|
|
4 / 924 |
|
|
How the Colonization Era affected Authors
|
|
4 / 1044 |
|
|
How to Write an Essay
|
|
2 / 377 |
|
|
Human Consciousness
|
|
7 / 1734 |
|
|
Immortal Hopes of Animal Farm
|
|
6 / 1638 |
|
|
Innocent Victim of Love
|
|
3 / 678 |
|
|
Inspector Calls
|
|
7 / 1818 |
|
|
Ironman
|
|
2 / 374 |
|
|
Journey's End by R.C Sherriff
|
|
3 / 705 |
|
|
Juliet Capulet
|
|
2 / 442 |
|
|
Kindergarteners
|
|
4 / 998 |
|
|
Knowledge in Name of the Rose
|
|
8 / 2015 |
|
|
Literature?
|
|
8 / 2078 |
|
|
Loman & the American Dream
|
|
4 / 1022 |
|
|
Maggie Girl of the Streets & Huck Finn - Family Life
|
|
4 / 888 |
|
|
Mary Shelley and Parallels
|
|
4 / 990 |
|
|
Masculinity in Hemingway
|
|
5 / 1195 |
|
|
Milton’s Paradise Lost
|
|
15 / 4162 |
|
|
Misdirection of Anger
|
|
5 / 1313 |
|
|
Mr Collins: Character Review
|
|
4 / 1077 |
|
|
Much Ado About Nothing
|
|
13 / 3465 |
|
|
My Papas Waltz
|
|
1 / 267 |
|
|
Oedipus MD
|
|
6 / 1635 |
|
|
Orwell and Foucault
|
|
5 / 1359 |
|
|
Personal Statement
|
|
2 / 386 |
|
|
Racism in "Master Harold"
|
|
7 / 1727 |
|
|
Romeo & Juliet
|
|
9 / 2316 |
|
|
Romulus and Remus
|
|
3 / 633 |
|
|
Say it isn't so...
|
|
2 / 465 |
|
|
Say it, Write it, Defend it and Judge it – in English!
|
|
14 / 3676 |
|
|
Similarities and Difference between Oceania in 1984 and the USA
|
|
6 / 1535 |
|
|
Smoking
|
|
6 / 1428 |
|
|
Stoker and Wilde
|
|
9 / 2336 |
|
|
Strindberg's Miss Julie and Beckett's Waiting for Godot
|
|
9 / 2340 |
|
|
Technology
|
|
3 / 743 |
|
|
Tess of the D'Urbervilles
|
|
4 / 1083 |
|
|
The Credibility of Expository Texts RE 'Unzipped' - Bronwyn Donaghy
|
|
3 / 760 |
|
|
The Crucible
|
|
5 / 1222 |
|
|
The Giver: Analysis of Jonas
|
|
2 / 309 |
|
|
The Glass Menagerie
|
|
3 / 701 |
|
|
The Great Gatsby
|
|
7 / 1728 |
|
|
The Jilting of Granny Weatherall
|
|
3 / 822 |
|
|
The Last of the Mohicans as a Mixture of Genres
|
|
10 / 2573 |
|
|
The Life and Writings of St. Paul
|
|
3 / 684 |
|
|
The Moral Maturation of Huckelberry Finn
|
|
5 / 1186 |
|
|
The Participial Adjective Part of English
|
|
5 / 1191 |
|
|
The Passage for Nietzsche on Religion: Rhetorical Devices
|
|
2 / 340 |
|
|
The role of the Inspector in 'An Inspector Calls.'
|
|
17 / 4682 |
|
|
The Scarlet Letter "A": Meanings and Connections
|
|
3 / 612 |
|
|
The Sentiment, Mood, and Philosophy of “The Best Slow Dancer”
|
|
4 / 973 |
|
|
The Storm, The Yellow Wallpaper, Young Goodman Brown
|
|
5 / 1141 |
|
|
The Suffering of the Proud
|
|
2 / 541 |
|
|
Things that will Help you through College
|
|
2 / 520 |
|
|
Tragedy
|
|
8 / 2224 |
|
|
Unzipped
|
|
5 / 1186 |
|
|
What Happens to a Dream Deferred?
|
|
3 / 771 |
|
|
A History of Poland
|
|
4 / 986 |
|
|
Berlin Wall
|
|
9 / 2519 |
|
|
Cause and Effect: Industrial Revolution
|
|
1 / 139 |
|
|
Industrial Revolution
|
|
3 / 747 |
|
|
Industrial Revolution
|
|
4 / 1027 |
|
|
Italian Mafia
|
|
5 / 1227 |
|
|
Joan of Arc
|
|
4 / 967 |
|
|
Lives of Women in the Renaissance
|
|
9 / 2408 |
|
|
Mary, Queen of Scots
|
|
3 / 756 |
|
|
Napoleon
|
|
13 / 3381 |
|
|
Poland
|
|
4 / 986 |
|
|
Southern Cyprus
|
|
16 / 4284 |
|
|
The "Phenomenon" of Greece
|
|
20 / 5380 |
|
|
The Articles of Confederation
|
|
3 / 774 |
|
|
The Corset
|
|
4 / 965 |
|
|
Three Most significant Absolute Monrchs in European History
|
|
2 / 348 |
|
|
Voltaire: A History That Never Moved
|
|
12 / 3225 |
|
|
1960's
|
|
18 / 4933 |
|
|
Aboriginal Customary Laws and Australian Contemporary Laws
|
|
2 / 551 |
|
|
Ancient Olympics in Greek
|
|
4 / 1041 |
|
|
Architecture of Transition and Production of Meaning
|
|
13 / 3593 |
|
|
Basic Greek History
|
|
6 / 1501 |
|
|
British Monarchy
|
|
21 / 5772 |
|
|
Costa Rica
|
|
2 / 453 |
|
|
Cyprus
|
|
14 / 3668 |
|
|
Damascus
|
|
1 / 125 |
|
|
Documents Reflect History
|
|
2 / 497 |
|
|
Intellectual Life of the Painters of the Early Renaissance
|
|
8 / 2191 |
|
|
Iraq War Is Both Necessary and Justified
|
|
6 / 1526 |
|
|
Jean-Louis David + Jean-Jacques Rousseau
|
|
5 / 1357 |
|
|
Ramases II
|
|
14 / 3845 |
|
|
Somalia vs United States
|
|
6 / 1439 |
|
|
Styal Mill
|
|
4 / 972 |
|
|
Tale Of Two Cities
|
|
4 / 898 |
|
|
The Italian Wars
|
|
7 / 1720 |
|
|
The Manhattan Project
|
|
6 / 1570 |
|
|
The Manhattan Project
|
|
6 / 1504 |
|
|
The Mystery of Dunkeld
|
|
5 / 1349 |
|
|
The Roman games
|
|
4 / 1068 |
|
|
Urbanization
|
|
4 / 936 |
|
|
Walt Disney and Disneyland
|
|
6 / 1584 |
|
|
Lebanese Awakening
|
|
3 / 735 |
|
|
Pakistan
|
|
6 / 1428 |
|
|
Smoking
|
|
3 / 626 |
|
|
Superstitious Beliefs
|
|
2 / 493 |
|
|
The Balkans
|
|
17 / 4737 |
|
|
Citizen Kane: An Accurate Portrayal of William Randolph Hearst?
|
|
14 / 3847 |
|
|
Critique on Open City
|
|
4 / 1101 |
|
|
Heathers and Shame
|
|
9 / 2323 |
|
|
If Someone Did You a Favor
|
|
8 / 2115 |
|
|
Luc Besson
|
|
11 / 2855 |
|
|
Once Were Warriors
|
|
16 / 4422 |
|
|
Sleepy Hollow: "Heads Will Roll"
|
|
3 / 601 |
|
|
The Effect of Opening Scenes on Plot Setting and Characters
|
|
3 / 784 |
|
|
The Magnificent Ambersons
|
|
9 / 2302 |
|
|
The Matrix
|
|
31 / 8428 |
|
|
Analysis of "My Papa's Waltz"
|
|
2 / 342 |
|
|
Before I Die
|
|
5 / 1284 |
|
|
Beowulf Young and Old
|
|
3 / 675 |
|
|
British Poetry
|
|
15 / 4006 |
|
|
Donne
|
|
8 / 1981 |
|
|
Friendship in Wordsworth's Tintern Abbey
|
|
4 / 975 |
|
|
Ginsberg's Howl: A Counterculture Manifesto
|
|
14 / 3788 |
|
|
If
|
|
2 / 492 |
|
|
Immortal Poetry
|
|
6 / 1453 |
|
|
Inferno
|
|
6 / 1465 |
|
|
Jim Morisson
|
|
24 / 6621 |
|
|
Odyssey
|
|
4 / 1045 |
|
|
Poems for the Eye
|
|
7 / 1789 |
|
|
Poetry Intertextual
|
|
9 / 2331 |
|
|
Porphyria’s Lover
|
|
16 / 4295 |
|
|
Sylvia Plath
|
|
8 / 1984 |
|
|
The Life of William Carlos Williams
|
|
4 / 957 |
|
|
The Tatyana-caste
|
|
7 / 1826 |
|
|
Theme of Beowulf
|
|
3 / 649 |
|
|
Appearance vs. Reality
|
|
4 / 1034 |
|
|
As you like it - Act 1
|
|
5 / 1277 |
|
|
Baz Luhrman?s Version of Romeo and Juliet
|
|
3 / 721 |
|
|
Brutus
|
|
7 / 1945 |
|
|
Brutus
|
|
2 / 415 |
|
|
Classical Imagery in Shakespeare's Much Ado About Nothing
|
|
13 / 3449 |
|
|
Comedy in Shakespeare
|
|
8 / 2176 |
|
|
Falstaff + Hotspur = Prince Hal: Their Actions on the Battlefield
|
|
4 / 941 |
|
|
Fate on Juliet in William Shakespeare's Romeo and Juliet
|
|
8 / 2240 |
|
