Discount applied successfully
| Title |
|
Pages / Words |
Save |
|
Explore How Kafka Opens The Novella And Its Importance To The Text As A Whole.
|
|
4 / 928 |
|
|
Explore Shakespeare’S Presentation Of The Themes Of Forgiveness And Reconciliation In “The Tempest”.
|
|
9 / 2275 |
|
|
Exploring Alienation and Conformity in The Metamorphosis
|
|
0 / 0 |
|
|
F.Scott Fitsgerald's "The Great Gatsby"-The surface and deeper readings that are presented
|
|
10 / 2565 |
|
|
Flannery O' Connor Story
|
|
3 / 829 |
|
|
Flannery O'Connor's "Good Country People" and
|
|
3 / 708 |
|
|
Flannery O'Connor: A Twentieth Century Fiction Writer
|
|
3 / 771 |
|
|
Forbidden Fruit
|
|
7 / 1874 |
|
|
Foreshadowing And Flashback
|
|
5 / 1143 |
|
|
Francis Bacon (Nonfiction, British Author)
|
|
3 / 723 |
|
|
Frank Kafka
|
|
9 / 2493 |
|
|
Frankenstein Kickass Paper
|
|
9 / 2506 |
|
|
Frankenstein interpretation Essay
|
|
4 / 866 |
|
|
Frankenstein, the Novel
|
|
6 / 1598 |
|
|
Frankenstein
|
|
4 / 948 |
|
|
Frankenstein
|
|
6 / 1411 |
|
|
Frankenstein
|
|
3 / 587 |
|
|
Frankenstein
|
|
4 / 1037 |
|
|
Frankenstein
|
|
4 / 1107 |
|
|
Frankenstein: Judgements Faults
|
|
3 / 779 |
|
|
Frankenstein: The Memorable Monster
|
|
4 / 1057 |
|
|
Franz Kafka & his relationship with his father revealed in his writing
|
|
10 / 2776 |
|
|
Franz Kafka's Themes
|
|
5 / 1239 |
|
|
Franz Kafka
|
|
2 / 543 |
|
|
Franz Kafka
|
|
1 / 194 |
|
|
Garden Party: When heaven and Hell Collide
|
|
4 / 1049 |
|
|
Gatsby Read
|
|
2 / 301 |
|
|
Gatsby's sacrifices
|
|
7 / 1769 |
|
|
Genocide In A Photo: An Essay Describing The Societal And Emotional Impacts Of Photographs From The Civil War In Darfur
|
|
5 / 1158 |
|
|
George'S Steps To Maturation
|
|
8 / 1971 |
|
|
German Literature
|
|
12 / 3313 |
|
|
Goblin Market - Poetry
|
|
4 / 1007 |
|
|
Greasy Lake
|
|
2 / 509 |
|
|
Great Gatsby Thesis
|
|
7 / 1747 |
|
|
Great Gatsby
|
|
4 / 1009 |
|
|
Great Gatsby
|
|
7 / 1939 |
|
|
Great Gatsby: Decline of American Dream
|
|
5 / 1254 |
|
|
Greek Bases
|
|
14 / 3749 |
|
|
Gulliver's Travels and Self
|
|
2 / 343 |
|
|
HEart Of Darkness
|
|
5 / 1285 |
|
|
Hamlet Vs Macbeth
|
|
2 / 373 |
|
|
Hamlet
|
|
19 / 5117 |
|
|
Hamlet
|
|
4 / 962 |
|
|
Hamlet
|
|
4 / 1102 |
|
|
Handmaid's Tale Essay
|
|
6 / 1584 |
|
|
Hardy?s Ability To Create Mood And Atmosphere In The Return Of The Nat
|
|
4 / 999 |
|
|
Harlem Renaissance
|
|
7 / 1881 |
|
|
Hawthorne’s “Artist of the Beautiful”
|
|
8 / 2075 |
|
|
Heart Of A Dog: A Change Of System, Not Fo Ways
|
|
9 / 2340 |
|
|
Heart of Darkness
|
|
10 / 2751 |
|
|
History--Historical Analysis Of Jerzy Kosinski's The Painted Bird
|
|
9 / 2459 |
|
|
How Does Mary Shelley use Chapters 15 and 16 of "Frankenstein" to Evoke the Reader's Sympathy for the Creature?
|
|
6 / 1493 |
|
|
How Lust Drove The Great Gatsby
|
|
4 / 970 |
|
|
How Victor's Parents Tutelage Affected How Role as a Father
|
|
5 / 1131 |
|
|
How the Setting Affected The Narrator of "The Yellow Wallpaper"
|
|
3 / 739 |
|
|
How to Read Lit like a Prof Notes
|
|
13 / 3445 |
|
|
Huck Fin Synthesis
|
|
6 / 1458 |
|
|
Huck Finn
|
|
13 / 3602 |
|
|
In the novel Frankenstein, by Mary Shelley, Victor Frankenstein is the true monster, not the creature himself.
|
|
7 / 1893 |
|
|
Interaction: Metamorphically
|
|
3 / 580 |
|
|
Invisible man
|
|
5 / 1180 |
|
|
Irony
|
|
2 / 417 |
|
|
Is Frankenstein Modern?
|
|
3 / 644 |
|
|
Is The Ending Of The Wall By Jean Paul Sartre Ironic?
|
|
4 / 1002 |
|
|
Is lolita a love story or pornography?
|
|
11 / 2971 |
|
|
Is the Metamorphosis a Tragedy?
|
|
2 / 449 |
|
|
Jane Eyre Tone And Diction
|
|
4 / 956 |
|
|
John Berger
|
|
7 / 1919 |
|
|
John Keats
|
|
11 / 2995 |
|
|
Journeys- My Place
|
|
3 / 655 |
|
|
Joy Luck Club
|
|
3 / 598 |
|
|
Joyful Noise
|
|
3 / 688 |
|
|
Kafka was the Rage
|
|
3 / 709 |
|
|
Kafka's Metamorphosis
|
|
5 / 1263 |
|
|
Kafka's "A Hunger Artist"
|
|
3 / 798 |
|
|
Kafka
|
|
18 / 5038 |
|
|
King Lear vs. The Stone Angel
|
|
6 / 1661 |
|
|
Lady
|
|
8 / 2220 |
|
|
Lear -Christian Vs Nihilist
|
|
7 / 1879 |
|
|
Leda and the Swan
|
|
17 / 4605 |
|
|
Letter To His Father: Franz Kafka’s Traumatic Experience With His Father As A Child Led To Kafka’s Confused Development.
|
|
0 / 0 |
|
|
Life Of Robert Frost
|
|
6 / 1440 |
|
|
Lines 96-113 (poem) In Doctor Faustus
|
|
4 / 997 |
|
|
Literature
|
|
15 / 4015 |
|
|
"Be a governess! Better be a slave at once!" - The Governess in the Victorian Age. A comparative analysis of a passage of Agnes Grey by Anne Bronte (1847) and No Name by William Collins (1862), The Governess by Rebecca Solomon (1854) and The Po...
|
|
21 / 5850 |
|
|
"My Inner Shrimp" & "Dying to Be Bigger" analysis and comparison
|
|
2 / 417 |
|
|
a country doctor
|
|
3 / 693 |
|
|
alice and wonderland
|
|
1 / 62 |
|
|
alienation and confirmity in the metamorphosis
|
|
0 / 0 |
|
|
black boy
|
|
6 / 1406 |
|
|
catch 22
|
|
4 / 953 |
|
|
clockwork orange
|
|
6 / 1475 |
|
|
comparrison of dr jekyll and mr hyde, and the picture of dorian grey
|
|
7 / 1755 |
|
|
confessionla poets
|
|
4 / 903 |
|
|
crane
|
|
4 / 853 |
|
|
day of locust
|
|
2 / 460 |
|
|
dickens
|
|
28 / 7740 |
|
|
dream defered
|
|
2 / 538 |
|
|
ee Cummings poetry
|
|
3 / 699 |
|
|
existentialism in camus and kafka
|
|
6 / 1662 |
|
|
fairies in a midsummers nights dream
|
|
3 / 813 |
|
|
flannery o'conner: queen of irony
|
|
7 / 1752 |
|
|
gay enuendo in heart is a lonely hunter
|
|
6 / 1668 |
|
|
gothic in Frankenstein
|
|
4 / 934 |
|
|
hamlet: critical analysis
|
|
7 / 1711 |
|
|
heart of darkness white lies
|
|
18 / 4854 |
|
|
hidden benefits of Azhar park project
|
|
3 / 730 |
|
|
iroujgr
|
|
10 / 2584 |
|
|
jacksonian man of parts
|
|
26 / 7018 |
|
|
james bond book vs movie
|
|
4 / 1039 |
|
|
jane eyre, a passage to india , and the tempest
|
|
3 / 584 |
|
|
kafa's metamorphasis
|
|
4 / 909 |
|
|
kafka - metamorphsis
|
|
8 / 2206 |
|
|
literature
|
|
3 / 594 |
|
|
LONG WORK, SHORT LIFE
|
|
14 / 3700 |
|
|
Lolita
|
|
18 / 4882 |
|
|
Long Day’s Journey into Night
|
|
2 / 502 |
|
|
Love In The Time of Cholera
|
|
16 / 4424 |
|
|
Macbeth's Character Development
|
|
4 / 969 |
|
|
Macbeth: ACT I
|
|
2 / 361 |
|
|
Machiavellian evaluation of Hamlet
|
|
9 / 2497 |
|
|
Mad Girl's Love Song
|
|
2 / 511 |
|
|
Male Body Image
|
|
1 / 255 |
|
|
Manhhod
|
|
4 / 898 |
|
|
Mapping Imaginary Spaces in Salman Rushdie's Fiction
|
|
15 / 4195 |
|
|
Mark Twains views on society
|
|
10 / 2627 |
|
|
Marta
|
|
5 / 1123 |
|
|
Mary Shelley
|
|
9 / 2506 |
|
|
Mcteague and the mayor of casterbridge
|
|
8 / 2065 |
|
|
Medea
|
|
10 / 2701 |
|
|
Merchant Of Venice
|
|
91 / 25243 |
|
|
Merchant of venice - Shylock
|
|
3 / 831 |
|
|
Mercutio and Romeo’s Differing Views of Love
|
|
4 / 875 |
|
|
Metamorhosis
|
|
4 / 855 |
|
|
Metamorphisis
|
|
2 / 534 |
|
|
Metamorphisis
|
|
2 / 361 |
|
|
Metamorphosis Analysis
|
|
6 / 1555 |
|
|
Metamorphosis By Franz Kafka Interpretaion
|
|
3 / 706 |
|
|
Metamorphosis-alienation
|
|
3 / 568 |
|
|
Metamorphosis
|
|
4 / 876 |
|
|
Metamorphosis
|
|
3 / 784 |
|
|
Metamorphosis
|
|
47 / 13143 |
|
|
Midsummer Night's Dream 5.1.2-22 Interpretation
|
|
2 / 355 |
|
|
Mood Essay Return Of The Native
|
|
4 / 903 |
|
|
More significant character in Great Gatsby: Nick Carraway
|
|
4 / 910 |
|
|
Mr
|
|
5 / 1149 |
|
|
Ms.
|
|
7 / 1745 |
|
|
My Friend Hamilton -Who I shot
|
|
24 / 6645 |
|
|
My love
|
|
8 / 1974 |
|
|
Myrtle Wilson as the Wasteland Figure in the Great Gatsby
|
|
6 / 1543 |
|
|
Mystery Comparison
|
|
5 / 1269 |
|
|
Mythological Realism in Fifth Business
|
|
4 / 919 |
|
|
Newspapers: More Than Just Words
|
|
5 / 1337 |
|
|
Nick Carraway in Great Gatsby
|
|
4 / 1025 |
|
|
Nightmare - Creative writing
|
|
3 / 615 |
|
|
Nihilism in O'Conner
|
|
8 / 2210 |
|
|
Oedipis
|
|
6 / 1618 |
|
|
Othello
|
|
5 / 1210 |
|
|
Pandoras Box: Have Postmodern Artists Gone too Far?
|
|
6 / 1410 |
|
|
Physical Journeys
|
|
6 / 1497 |
|
|
Poe Compare to Manson
|
|
2 / 507 |
|
|
Poe Decoder
|
|
14 / 3706 |
|
|
Poe's Sea Tales
|
|
2 / 514 |
|
|
Poe's "the Conqueror Worm": Deeper Meaning To The Poem
|
|
3 / 759 |
|
|
Poe
|
|
3 / 624 |
|
|
Power In Novels
|
|
3 / 707 |
|
|
Priest And Chaplain
|
|
2 / 461 |
|
|
Prufrock
|
|
6 / 1419 |
|
|
Reality and Truth
|
|
4 / 1042 |
|
|
Red Badge Of Courage
|
|
4 / 998 |
|
|
Red Badge of Courage
|
|
8 / 2118 |
|
|
Review: Fasting, Feasting by Anita Desai
|
|
7 / 1933 |
|
|
Rime and the Mariner
|
|
3 / 625 |
|
|
Roald Dahl
|
|
6 / 1566 |
|
|
Roald Dahl: Realism and Fantasy
|
|
9 / 2268 |
|
|
Roethke's Root Cellar
|
|
3 / 706 |
|
|
Romeo And Juliet Fate And Free Will
|
|
60 / 16707 |
|
|
Sad, Bad, Or Mad? Do You Consider Macbeth To Be A Tragic Hero, Evil, Or Bewitched?
|
|
17 / 4566 |
|
|
Salem Witch Trials of 1692 and the McCarthy Hearings in the 1950's
|
|
5 / 1152 |
|
|
Second Earl Of Rochester
|
|
9 / 2398 |
|
|
Separate and Alone: Alienation as a Central Theme in Tolstoy's The Death of Ivan Ilyich and Kafka's Metamorphosis
|
|
5 / 1385 |
|
|
Sexuality In Wiseblood
|
|
5 / 1219 |
|
|
Short Summary of The Great Gatsby
|
|
40 / 10957 |
|
|
Simplistic death of kafka
|
|
3 / 572 |
|
|
Social Monsters: A Social View of Mary Shelley’s Frankenstein and David Fincher’s Fight Club
|
|
3 / 627 |
|
|
Social Ostracisation Within Frankenstein
|
|
6 / 1619 |
|
|
Sorrow of Young Werther
|
|
6 / 1483 |
|
|
Spread Your Love
|
|
2 / 478 |
|
|
Standardization Of The English Language
|
|
7 / 1790 |
|
|
Style Analysis of Kurt Vonnegut on Slaughterhouse Five
|
|
6 / 1460 |
|
|
Suicide among college students
|
|
10 / 2670 |
|
|
Sylvia Plath: The woman behind the word
|
|
8 / 2025 |
|
|
THE CASK OF AMONTILADO
|
|
9 / 2458 |
|
|
THE THEME OF CLASS AND THE EVOLUTION OF THE AMERICAN DREAM IN THE GREAT GATSBY
|
|
9 / 2470 |
|
|
Tess Of The D' Urberviles
|
|
3 / 793 |
|
|
The Alienation of Emily Grierson
|
|
3 / 699 |
|
|
The Apple Doesn’t Fall Far From The Tree
|
|
3 / 805 |
|
|
The Awakening
|
|
6 / 1594 |
|
|
The Awakening
|
|
4 / 959 |
|
|
The Blind Obedience in “The Lottery”
|
|
9 / 2392 |
|
