Discount applied successfully
| Title |
|
Pages / Words |
Save |
|
Deceit-based relationships
|
|
3 / 765 |
|
|
Descriptive Essay - About Iceland
|
|
5 / 1370 |
|
|
Different Responses to War of Four WW1 Poets.
|
|
8 / 2142 |
|
|
Discuss representations of one of the following social identities in the work of Austen; sisters.
|
|
8 / 2118 |
|
|
Do Literary Works Have an Unconscious
|
|
7 / 1912 |
|
|
Douglass, Brent and human nature
|
|
4 / 970 |
|
|
Dress Code
|
|
3 / 597 |
|
|
Dub Poetry in and from Jamaica
|
|
35 / 9794 |
|
|
During The Course Of The Initial Three Scenes In ‘Othello’ We See The Character Of Othello Turn From “Valiant Othello” (I.3 .48) A Character Of True Principles And Values Into A Vengeful And Mistrusting ‘Monster.’
|
|
2 / 325 |
|
|
Dying to Survive : An Analysis of Edith Wharton's The House of Mirth
|
|
15 / 4023 |
|
|
EMMA
|
|
8 / 1966 |
|
|
Early Feminism in Jane Eyre
|
|
20 / 5530 |
|
|
Early Twentieth-Century Literature – Modernist Literature In Particular – Is Never More Of Its Time Than When Aspiring To Appear Timeless, Or At Least To Evoke Ideas Of Timelessness. Discuss With Reference To Your Chosen Texts.
|
|
6 / 1605 |
|
|
Edgar Allan Poe and Stephen King: A Comparison and Contrast of Their W
|
|
10 / 2572 |
|
|
Edna Pontellier: Selfish, Adulterous, and Suicidal
|
|
5 / 1289 |
|
|
Effects of the Industrial Revolution - Leeds, UK
|
|
10 / 2759 |
|
|
Emotional Appeal Used in Visual Advertising
|
|
3 / 638 |
|
|
English Comparrison
|
|
7 / 1791 |
|
|
English Grammar
|
|
16 / 4450 |
|
|
English Literature
|
|
17 / 4588 |
|
|
English Mystery Palys: The Killing of Abel
|
|
7 / 1927 |
|
|
Ernest Hemingway
|
|
26 / 7191 |
|
|
Essay #1: Analysis of an Argument
|
|
5 / 1131 |
|
|
Essays
|
|
22 / 6024 |
|
|
Eugene Onegin
|
|
3 / 712 |
|
|
Examine the significance of blank spaces in Conrad's 'Heart of Darkness'?
|
|
10 / 2721 |
|
|
Fantasia
|
|
3 / 838 |
|
|
Festivals
|
|
1 / 280 |
|
|
Fifth Business
|
|
8 / 2091 |
|
|
Fight Club
|
|
3 / 677 |
|
|
Fight Club
|
|
4 / 1096 |
|
|
Film adaptations of Charlie & the Chocolate Factory
|
|
14 / 3821 |
|
|
First Journal Response: Sense and Sensibility
|
|
7 / 1737 |
|
|
First Paragraphs in Short Stories
|
|
2 / 400 |
|
|
Frankenstein and Crary
|
|
3 / 684 |
|
|
Frankenstein, Dracula and Spiritualism
|
|
6 / 1591 |
|
|
Frankenstein, The Modern Prometheus?
|
|
5 / 1332 |
|
|
Frankenstein
|
|
4 / 932 |
|
|
Fraudulent Activity in Baseball History
|
|
6 / 1567 |
|
|
From Pilate to Pilate and Song to Song
|
|
9 / 2367 |
|
|
GERONIMO
|
|
12 / 3162 |
|
|
GOALS OF TECHNOLOGY IN BRAVE NEW WORLD
|
|
7 / 1955 |
|
|
Galax Arena and the cultural issues
|
|
7 / 1857 |
|
|
Gatsby-biography
|
|
8 / 1987 |
|
|
Geoffrey Chauser
|
|
9 / 2357 |
|
|
Gilgamesh and Odysseus
|
|
4 / 909 |
|
|
Global-War-On-Terrorism-Religious-War
|
|
36 / 9841 |
|
|
Glory: A Review
|
|
8 / 1968 |
|
|
Good A Places
|
|
4 / 1115 |
|
|
Gothic, Not Ideal Form In The Hound Of The Baskervilles
|
|
3 / 789 |
|
|
Gwyn Thomas
|
|
15 / 4016 |
|
|
Hamlet and his problems
|
|
8 / 2053 |
|
|
Hawthorne's Symbolism In The House Of Seven Gables
|
|
10 / 2664 |
|
|
Hawthorne?s "Rappaccini?s Daughter"
|
|
32 / 8880 |
|
|
Henry Wadsworth Longfellow
|
|
3 / 731 |
|
|
Hero Archetypes and Epic Conventions in The Odyssey and Beowulf
|
|
11 / 3048 |
|
|
Hillary Rodham Clinton for President
|
|
10 / 2725 |
|
|
Historiographic metafiction in \
|
|
5 / 1366 |
|
|
History In The Making
|
|
4 / 916 |
|
|
History of Breakdancing
|
|
3 / 577 |
|
|
Homecoming By Bruce Dawe
|
|
2 / 456 |
|
|
Honor
|
|
3 / 763 |
|
|
Hope and Futility in Of Mice and Men
|
|
7 / 1837 |
|
|
How Does Shakespeare Represent Same-Sex and Opposite-Sex Relationships in the Much Ado About Nothing and Twelfth Night
|
|
6 / 1496 |
|
|
How successfully does Forster hang his meta-physical and philosophical ideas on the narrative framework of A Passage to India?
|
|
4 / 969 |
|
|
How to Please Your Comp 1 Professors
|
|
3 / 569 |
|
|
How to be good
|
|
12 / 3136 |
|
|
Hysteria and The Crucible
|
|
6 / 1669 |
|
|
I wandered lonely as a cloud
|
|
3 / 671 |
|
|
Identity
|
|
11 / 2943 |
|
|
If You Have An Imagination, Let It Run Free.
|
|
8 / 2048 |
|
|
In Bad Blood, find the passage which begins in chapter 8 with ?My mother felt?' (p.125) and finishes in chapter 9 with ?I found a place to hide.' (p.131).
|
|
4 / 1112 |
|
|
Indian lit. in english - Untouchable
|
|
12 / 3336 |
|
|
Inherit the Wind- Freedom to Think
|
|
9 / 2357 |
|
|
Interview With A Marine
|
|
3 / 575 |
|
|
Invitation Languague
|
|
53 / 14771 |
|
|
Is George A Failure?
|
|
3 / 663 |
|
|
Isaac Asimov: Contemporary American Mythmaker
|
|
7 / 1898 |
|
|
Italian Renaissance Art
|
|
8 / 2189 |
|
|
Jack Kerouac
|
|
10 / 2550 |
|
|
James Joyce annotated bibliography
|
|
12 / 3352 |
|
|
James Thurber-Humor in Fiction
|
|
6 / 1433 |
|
|
Jane Austen’s novels and the contemporary social and literary conventions.
|
|
46 / 12664 |
|
|
Jane Eyre, Hamlet And Keats
|
|
6 / 1566 |
|
|
Jane Eyre: Ambiguities of Equality, Servitude and Independence
|
|
5 / 1127 |
|
|
Jay Gatsby and the American Dream
|
|
4 / 893 |
|
|
Jeffersontown
|
|
4 / 1075 |
|
|
John Berger and History
|
|
5 / 1295 |
|
|
John Updikes A&P
|
|
2 / 530 |
|
|
Judy Garland
|
|
1 / 263 |
|
|
King Lear
|
|
4 / 1040 |
|
|
Kjfsdhf
|
|
2 / 470 |
|
|
Knighthood and Courtly Love in the Time of King Arthur
|
|
6 / 1635 |
|
|
Lady Mary
|
|
2 / 413 |
|
|
Left V Right Wing Politics
|
|
4 / 1035 |
|
|
Letter from Biringham Jail
|
|
1 / 102 |
|
|
Letter from Birmingham jail
|
|
2 / 286 |
|
|
Life
|
|
14 / 3863 |
|
|
Light but Sound - Kitsch and Desire in the works of Marguerite Duras and Milan Kundera
|
|
9 / 2509 |
|
|
Literacy
|
|
4 / 1032 |
|
|
Little Pot of Hope
|
|
3 / 801 |
|
|
"All Those Things That 'Aren't Evidence' Are What Convice Me" How G. K. Chesterton's Father Brown Broke the Rules of Detective Fiction
|
|
20 / 5522 |
|
|
"Honor" In Henry IV, Part I ? Falstaff vs. Hotspur
|
|
6 / 1514 |
|
|
?Writers chose the Gothic mode to convey the idea that evil was within humans, "as a distortion, warping [the] mind", and not as an external malevolent force.' (Jacqueline Howard) Discuss the treatment of evil in two or three gothic novels studie...
|
|
6 / 1591 |
|
|
`Lo cop mortal': The evil eye and the origins of courtly love.
|
|
19 / 5123 |
|
|
artist throughout history that have sefldisrtucted
|
|
6 / 1456 |
|
|
arts of the contact zone
|
|
17 / 4559 |
|
|
bell jar
|
|
2 / 286 |
|
|
black boy
|
|
6 / 1406 |
|
|
bluest eye
|
|
7 / 1861 |
|
|
bob
|
|
8 / 2078 |
|
|
caesar
|
|
11 / 2809 |
|
|
chaucer
|
|
14 / 3779 |
|
|
cheats
|
|
11 / 2899 |
|
|
chekhov's inspirations
|
|
5 / 1153 |
|
|
childrens storys bibliography
|
|
4 / 1058 |
|
|
dickens
|
|
28 / 7740 |
|
|
dora
|
|
46 / 12857 |
|
|
emma - possibiliies of life.
|
|
7 / 1892 |
|
|
evolution
|
|
7 / 1842 |
|
|
fate human agency n reason
|
|
5 / 1343 |
|
|
getting to yes
|
|
10 / 2750 |
|
|
great expectations
|
|
6 / 1654 |
|
|
greek gods and goddess
|
|
4 / 847 |
|
|
hamlet,a tragedy of failure
|
|
4 / 987 |
|
|
he man
|
|
5 / 1218 |
|
|
heart of darkness white lies
|
|
18 / 4854 |
|
|
huck finn
|
|
7 / 1696 |
|
|
i stand here ironing
|
|
6 / 1629 |
|
|
james bond book vs movie
|
|
4 / 1039 |
|
|
james boswel
|
|
4 / 978 |
|
|
life with a puppy
|
|
3 / 664 |
|
|
life
|
|
2 / 547 |
|
|
LONG WORK, SHORT LIFE
|
|
14 / 3700 |
|
|
Lord Of Flies
|
|
12 / 3151 |
|
|
Lord Of The Flies
|
|
10 / 2685 |
|
|
Love In The Time of Cholera
|
|
16 / 4424 |
|
|
Macbeth Blood Essay
|
|
9 / 2406 |
|
|
Macbeth Plot Synopsis
|
|
19 / 5092 |
|
|
Macbeth Vs. The Chrysalids Essay
|
|
6 / 1488 |
|
|
Macbeth
|
|
21 / 5628 |
|
|
Macbeth
|
|
7 / 1960 |
|
|
Madame Bovary
|
|
6 / 1548 |
|
|
Madness in King Lear
|
|
4 / 1004 |
|
|
Maniac Magee
|
|
2 / 446 |
|
|
Maxx Barry- Syrup, Jennifer Government, Company
|
|
9 / 2428 |
|
|
Memoirs of a Metaphorical Notebook
|
|
1 / 260 |
|
|
Merchant Of Venice
|
|
91 / 25243 |
|
|
Moliere Love is the Doctor
|
|
2 / 532 |
|
|
Morality as a Social Construct in The Adventures of Huckleberry Finn, The Rise of Silas Lapham and The Awakening
|
|
7 / 1853 |
|
|
Mr. Flood's party
|
|
35 / 9663 |
|
|
Mr.
|
|
24 / 6697 |
|
|
Mrs. Dalloway Themes
|
|
3 / 695 |
|
|
Mvp
|
|
3 / 623 |
|
|
My Friend Hamilton -Who I shot
|
|
24 / 6645 |
|
|
Mystery Plays
|
|
2 / 534 |
|
|
Napoleon
|
|
6 / 1454 |
|
|
Nietzsche and Gandhi, Society
|
|
5 / 1267 |
|
|
No One
|
|
5 / 1301 |
|
|
Nobility of Soul: Simon Andresson and Honor in Kristin Lavransdatter
|
|
8 / 2144 |
|
|
Northanger Abbey and the Bildungsroman
|
|
6 / 1672 |
|
|
Oedipis
|
|
6 / 1618 |
|
|
Oedipus And The Gods
|
|
8 / 2144 |
|
|
Oedipus
|
|
6 / 1491 |
|
|
Of Mice and Men
|
|
3 / 688 |
|
|
Of Mice of Men
|
|
3 / 586 |
|
|
On Heathcliff’S Revenge
|
|
15 / 4022 |
|
|
On The Road With Huck Finn
|
|
7 / 1938 |
|
|
On "Distant View of a Minaret"
|
|
3 / 579 |
|
|
Ophelia
|
|
6 / 1544 |
|
|
Ordinary People
|
|
4 / 1111 |
|
|
Orlando Lights
|
|
5 / 1200 |
|
|
Paradise Lost
|
|
7 / 1899 |
|
|
Partition Literature of India
|
|
8 / 2065 |
|
|
Phoniness was Holden's Downfall
|
|
12 / 3268 |
|
|
Physical Journeys
|
|
6 / 1497 |
|
|
Poem: Home Coming (Bruce Dawe)
|
|
3 / 745 |
|
|
Poetry Note Boook
|
|
18 / 4977 |
|
|
Polar Opposites: Upper Class vs Lower Class
|
|
8 / 1994 |
|
|
Poor Parenting Techniques Displayed in Maurice Sendaks "Where The Wild Things Are"
|
|
12 / 3332 |
|
|
Pot
|
|
3 / 788 |
|
|
Pride and Prejudice and Modern Film
|
|
9 / 2316 |
|
|
Pride and Prejudice
|
|
3 / 698 |
|
|
Prometheus Bound As Tragedy
|
|
3 / 725 |
|
|
Psychological Profile: Roderick Usher
|
|
5 / 1284 |
|
|
Pyramids
|
|
5 / 1314 |
|
|
Questionare
|
|
11 / 2855 |
|
|
Questions in 'No Sugar'
|
|
3 / 766 |
|
|
Race/class/Gender
|
|
3 / 824 |
|
|
Ralph Waldo Emerson- Self Reliance
|
|
5 / 1218 |
|
|
Reality: The Connection Between Life And Fantasy
|
|
6 / 1560 |
|
|
Recovering Identity through Myth, History and Place
|
|
15 / 4029 |
|
|
Red Badge of Courage
|
|
5 / 1253 |
|
|
Redefining Patriotism
|
|
5 / 1197 |
|
|
Reflection On The Merchant Of Venice
|
|
5 / 1366 |
|
|
Reflections of a mirror
|
|
10 / 2581 |
|
|
Renaissance Literature - Romeo and Juliet
|
|
7 / 1791 |
|
|
Response paper on the heart of darkness
|
|
2 / 340 |
|
|
Responsibilities
|
|
2 / 511 |
|
|
Revision of Master Narratives within Jane Eyre and Wide Sargasso Sea
|
|
8 / 2115 |
|
