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                    | Title |  | Pages / Words | Save | 
                
                
                                    
                        | Entirely By Louis Macneice, A Commentary |  | 3 / 585 |  | 
                                    
                        | Epic of Gilgamesh: A Hero |  | 6 / 1498 |  | 
                                    
                        | Ernest Hemingway, A legacy for American Literature |  | 6 / 1474 |  | 
                                    
                        | Essay to Graduate School |  | 2 / 413 |  | 
                                    
                        | Essay |  | 4 / 1056 |  | 
                                    
                        | Essay |  | 19 / 5269 |  | 
                                    
                        | Evaluation Essays- Ruff Ryders And Cash Money Millionaire Concert |  | 3 / 587 |  | 
                                    
                        | Everything Happens For A Reason |  | 9 / 2422 |  | 
                                    
                        | Experience Through Language (Image) |  | 8 / 2105 |  | 
                                    
                        | Explications Of Poems |  | 14 / 3891 |  | 
                                    
                        | Explore through comparison Plath’s presentation of mental instability in The Bell Jar and Ariel. |  | 10 / 2713 |  | 
                                    
                        | Failure |  | 4 / 877 |  | 
                                    
                        | Fate and Counter Fate in the Aeneid |  | 6 / 1406 |  | 
                                    
                        | Fate |  | 12 / 3284 |  | 
                                    
                        | Fate: Would Homer And Virgil Be The Same Without It? |  | 4 / 1065 |  | 
                                    
                        | Faulkner |  | 29 / 7923 |  | 
                                    
                        | Feminism in The Story of an Hour |  | 8 / 2226 |  | 
                                    
                        | Feminist Theory and "The Awakening" |  | 7 / 1939 |  | 
                                    
                        | Femme Fatales of English Literature |  | 13 / 3614 |  | 
                                    
                        | Film Realism |  | 4 / 958 |  | 
                                    
                        | Fly away peter |  | 6 / 1641 |  | 
                                    
                        | Food Review |  | 2 / 544 |  | 
                                    
                        | Forbidden Fruit |  | 7 / 1874 |  | 
                                    
                        | Foreshadowing of Death in Moby Dick |  | 2 / 556 |  | 
                                    
                        | Francisco Goya |  | 6 / 1564 |  | 
                                    
                        | Frankenstein And Schizoprenia (My Teacher LOVED This Paper) |  | 5 / 1193 |  | 
                                    
                        | Frankenstein and the Science of Cloning |  | 5 / 1148 |  | 
                                    
                        | Frankenstein, Dracula and Spiritualism |  | 6 / 1591 |  | 
                                    
                        | Frankenstein |  | 4 / 1042 |  | 
                                    
                        | Frankenstein |  | 6 / 1577 |  | 
                                    
                        | Frankenstein |  | 3 / 745 |  | 
                                    
                        | Frankenstein |  | 3 / 756 |  | 
                                    
                        | Frankenstein |  | 2 / 545 |  | 
                                    
                        | Frankenstein |  | 16 / 4289 |  | 
                                    
                        | Franklin |  | 4 / 1113 |  | 
                                    
                        | Franklin |  | 5 / 1285 |  | 
                                    
                        | Franky |  | 5 / 1286 |  | 
                                    
                        | Freedom |  | 3 / 704 |  | 
                                    
                        | Fugitive Pieces |  | 2 / 474 |  | 
                                    
                        | GRAMMER |  | 8 / 2212 |  | 
                                    
                        | GREAT GATSBY: Symbolism |  | 6 / 1623 |  | 
                                    
                        | GSCE essay on othello and own soliloquie |  | 7 / 1946 |  | 
                                    
                        | Garden Party: When heaven and Hell Collide |  | 4 / 1049 |  | 
                                    
                        | Gardens symbolism |  | 8 / 2123 |  | 
                                    
                        | Gatsby's sacrifices |  | 7 / 1769 |  | 
                                    
                        | Gattaca Essay |  | 4 / 1103 |  | 
                                    
                        | Gattaca |  | 12 / 3174 |  | 
                                    
                        | Gattaca |  | 2 / 358 |  | 
                                    
                        | Gattaca |  | 3 / 812 |  | 
                                    
                        | Gattaca |  | 3 / 822 |  | 
                                    
                        | Gattaca |  | 5 / 1128 |  | 
                                    
                        | Gattaca |  | 5 / 1128 |  | 
                                    
                        | Gattaca |  | 3 / 725 |  | 
                                    
                        | Gattaca |  | 2 / 407 |  | 
                                    
                        | Gattaca |  | 2 / 469 |  | 
                                    
                        | Geat Vs. Greek |  | 4 / 963 |  | 
                                    
                        | Gender Differences |  | 4 / 875 |  | 
                                    
                        | Gender Identities in Tragedy and Romance |  | 8 / 2059 |  | 
                                    
                        | Germaine Greer |  | 5 / 1200 |  | 
                                    
                        | Gg |  | 4 / 985 |  | 
                                    
                        | Gilgamesh And Oddysey |  | 5 / 1137 |  | 
                                    
                        | Gilgamesh Vs Bible |  | 5 / 1285 |  | 
                                    
                        | Gilgamesh a Hero |  | 6 / 1610 |  | 
                                    
                        | Gilgamesh and Odysseus |  | 4 / 909 |  | 
                                    
                        | Gilgamesh and Sohrab and Rostam |  | 4 / 868 |  | 
                                    
                        | Gilgamesh overview |  | 2 / 468 |  | 
                                    
                        | Gilgamesh |  | 2 / 399 |  | 
                                    
                        | God in a Grocery Store |  | 7 / 1698 |  | 
                                    
                        | God |  | 5 / 1130 |  | 
                                    
                        | God: Mans greatest Creation |  | 6 / 1530 |  | 
                                    
                        | Goddess |  | 5 / 1202 |  | 
                                    
                        | Gods of Greek Mythology |  | 4 / 972 |  | 
                                    
                        | Gods vs. Mortals in Oedipus Rex & The Bacchae |  | 6 / 1426 |  | 
                                    
                        | Good Man is Hard to Find |  | 4 / 950 |  | 
                                    
                        | Goodnight Sweet Ladies |  | 7 / 1955 |  | 
                                    
                        | Great Expectations- Character Analysis |  | 37 / 10108 |  | 
                                    
                        | Great Expectations |  | 6 / 1635 |  | 
                                    
                        | Great Gatsby |  | 6 / 1663 |  | 
                                    
                        | Greeds Negative Consequences |  | 5 / 1214 |  | 
                                    
                        | Greek Mythology |  | 4 / 1022 |  | 
                                    
                        | Grendel |  | 3 / 628 |  | 
                                    
                        | Gulliver's Travels: Satire's Paradise |  | 11 / 3056 |  | 
                                    
                        | Hamlet Essay |  | 3 / 660 |  | 
                                    
                        | Hamlet Evolution |  | 4 / 842 |  | 
                                    
                        | Hamlet Soliloquy Act 4 Scene 4 |  | 4 / 899 |  | 
                                    
                        | Hamlet'S Ghost |  | 9 / 2246 |  | 
                                    
                        | Hamlet's Soliloquy - To be, or not to be |  | 9 / 2296 |  | 
                                    
                        | Hamlet's famous soliloquy |  | 3 / 645 |  | 
                                    
                        | Hamlet |  | 5 / 1364 |  | 
                                    
                        | Hamlet |  | 4 / 1048 |  | 
                                    
                        | Hamlet |  | 6 / 1413 |  | 
                                    
                        | Hamlet |  | 3 / 697 |  | 
                                    
                        | Hamlet |  | 11 / 2876 |  | 
                                    
                        | Hamlet |  | 4 / 1011 |  | 
                                    
                        | Hamlet |  | 3 / 591 |  | 
                                    
                        | Hamlet |  | 4 / 992 |  | 
                                    
                        | Hamlet |  | 6 / 1506 |  | 
                                    
                        | Hardy?s Ability To Create Mood And Atmosphere In The Return Of The Nat |  | 4 / 999 |  | 
                                    
                        | Harrison Bergeron |  | 4 / 1045 |  | 
                                    
                        | Hawthorne's Imagery |  | 1 / 216 |  | 
                                    
                        | Hawthorne’s “Artist of the Beautiful” |  | 8 / 2075 |  | 
                                    
                        | Hektor and Penelope: Virtuous Characters |  | 4 / 1099 |  | 
                                    
                        | Hercules |  | 5 / 1319 |  | 
                                    
                        | Heroic Code in the Iliad and the Odyssey |  | 4 / 948 |  | 
                                    
                        | Heroism main theme in Beowulf |  | 11 / 2887 |  | 
                                    
                        | Homer's Imagery |  | 2 / 357 |  | 
                                    
                        | Homer-Comparison And Contrast Of The Gods In Homer's Epics With The G |  | 11 / 3012 |  | 
                                    
                        | How Fiend Like Is Lady Macbeth |  | 5 / 1128 |  | 
                                    
                        | How To Apply Make Up |  | 4 / 849 |  | 
                                    
                        | How Victor's Parents Tutelage Affected How Role as a Father |  | 5 / 1131 |  | 
                                    
                        | How Young Goodman Brown Became Old Badman Brown |  | 6 / 1437 |  | 
                                    
                        | How to be Vain |  | 3 / 830 |  | 
                                    
                        | Huck Finn: An American Masterpiece |  | 4 / 1049 |  | 
                                    
                        | Humanism |  | 7 / 1705 |  | 
                                    
                        | Hurculas Life Story |  | 8 / 1967 |  | 
                                    
                        | I Wish I Knew |  | 3 / 761 |  | 
                                    
                        | I am someone |  | 2 / 366 |  | 
                                    
                        | IF - a victim of its own success |  | 3 / 636 |  | 
                                    
                        | IPHIGENIA AT AULIS: VICTIM OF CIRCUMSTANCES |  | 4 / 1017 |  | 
                                    
                        | Identifying the tone of Shakespeare's "Shall I Compare Thee to a Summer's Day?" |  | 3 / 689 |  | 
                                    
                        | Iliad's conflict |  | 3 / 678 |  | 
                                    
                        | Iliad, Homer |  | 3 / 743 |  | 
                                    
                        | Iliad |  | 8 / 2123 |  | 
                                    
                        | Imagery and Allegory |  | 8 / 2038 |  | 
                                    
                        | Impact of Advertisements |  | 4 / 1055 |  | 
                                    
                        | In An Antique Land |  | 3 / 697 |  | 
                                    
                        | In The First Three Chapters Of “The Great Gatsby” How Does F. Scott Fitzgerald Introduce His Readers To The Character Of Gatsby? |  | 3 / 731 |  | 
                                    
                        | Insignificance Of Human Beings To The Passage Of Time |  | 4 / 936 |  | 
                                    
                        | Interior Monologue on Lady Macbeth |  | 3 / 651 |  | 
                                    
                        | Interpertation |  | 4 / 945 |  | 
                                    
                        | Interpretation And Importance Of Allegories In Dante’S Inferno |  | 3 / 817 |  | 
                                    
                        | Interpretations of Art on an Urn |  | 2 / 417 |  | 
                                    
                        | Intertextuality |  | 9 / 2429 |  | 
                                    
                        | Interview with Joan of Arc |  | 4 / 1116 |  | 
                                    
                        | Interview with the vampire |  | 4 / 1080 |  | 
                                    
                        | Irony, Arrogance, And Oedipus |  | 6 / 1571 |  | 
                                    
                        | Is Anton right when he tells Vincent "You've gone as far as you can go"? |  | 3 / 702 |  | 
                                    
                        | Is Cinderella Feasible For All Women Of Different Backgrounds? |  | 2 / 350 |  | 
                                    
                        | Is Falling Failure or Freedom? |  | 5 / 1258 |  | 
                                    
                        | Is lolita a love story or pornography? |  | 11 / 2971 |  | 
                                    
                        | Isolation Within The Scarlet Letter |  | 4 / 1061 |  | 
                                    
                        | Israfel By Edgar Allan Poe |  | 7 / 1708 |  | 
                                    
                        | Ivan Illych |  | 7 / 1769 |  | 
                                    
                        | Jane Austen’s novels and the contemporary social and literary conventions. |  | 46 / 12664 |  | 
                                    
                        | Jane Erye |  | 8 / 2128 |  | 
                                    
                        | Jane Eyre Thematic |  | 5 / 1183 |  | 
                                    
                        | Jane Eyre |  | 38 / 10602 |  | 
                                    
                        | Jane Eyre |  | 2 / 308 |  | 
                                    
                        | Jason And Medea |  | 4 / 848 |  | 
                                    
                        | Jay Gatsby |  | 3 / 831 |  | 
                                    
                        | Jay Gatsby |  | 2 / 547 |  | 
                                    
                        | John Keats: Permanance vs Temporality |  | 4 / 894 |  | 
                                    
                        | John Updike’S “A&P” |  | 2 / 420 |  | 
                                    
                        | Joseph From Genesis & Odyseeus From The Odyssey |  | 2 / 553 |  | 
                                    
                        | Journey into the Puritan Heart: Nathaniel's Hawthorne's Young Goodman |  | 12 / 3188 |  | 
                                    
                        | Judith Guest's Ordinary People: Internal & External Conflicts As They Result from the Suppression of Emotions |  | 5 / 1257 |  | 
                                    
                        | Judith Wright |  | 5 / 1200 |  | 
                                    
                        | Julius Cearer |  | 8 / 2098 |  | 
                                    
                        | Kant: The Pursuit of Fundamental Freedom |  | 2 / 431 |  | 
                                    
                        | Karma |  | 4 / 1056 |  | 
                                    
                        | Kate Chopin |  | 3 / 672 |  | 
                                    
                        | Katherine Manfeild's Her First Ball |  | 3 / 820 |  | 
                                    
                        | Keats |  | 5 / 1144 |  | 
                                    
                        | Ken Kesey |  | 2 / 336 |  | 
                                    
                        | King Authur |  | 7 / 1795 |  | 
                                    
                        | King Lear |  | 4 / 959 |  | 
                                    
                        | King Solomon's Mines |  | 3 / 746 |  | 
                                    
                        | Kipling and The Pre-Raphaelites |  | 2 / 426 |  | 
                                    
                        | Kite Runner Summary |  | 41 / 11304 |  | 
                                    
                        | Kubla Kahn |  | 2 / 285 |  | 
                                    
                        | L.a. confidential |  | 2 / 388 |  | 
                                    
                        | Lady Macbeth In Scotland, Pa |  | 7 / 1749 |  | 
                                    
                        | Lady Macbeth Seduces Macbeth In Many Ways |  | 3 / 669 |  | 
                                    
                        | Lady Macbeth's Downfall |  | 3 / 654 |  | 
                                    
                        | Lady Macbeth |  | 1 / 244 |  | 
                                    
                        | Lady Macbeth |  | 3 / 748 |  | 
                                    
                        | Lady Macbeth |  | 2 / 415 |  | 
                                    
                        | Lady Macbeth: A Wife In Support Of Her Husband |  | 5 / 1177 |  | 
                                    
                        | Lady Mcbeth |  | 2 / 459 |  | 
                                    
                        | Lady of the Manor |  | 5 / 1148 |  | 
                                    
                        | Language Acquisition |  | 15 / 4183 |  | 
                                    
                        | Leadership |  | 17 / 4547 |  | 
                                    
                        | Levis Strategies |  | 13 / 3597 |  | 
                                    
                        | Life, Through Death |  | 4 / 1025 |  | 
                                    
                        | Literature |  | 15 / 4015 |  | 
                                    
                        | Litreture |  | 10 / 2793 |  | 
                                    
                        | Live Mask; The Con's of Cosmetic Surgery |  | 5 / 1366 |  | 
                                    
                        | "Beefburger" by Ogden Nash |  | 2 / 330 |  | 
                                    
                        | ?In her preface to Mary Barton, Gaskell writes "I know nothing of political economy of the theories of trade. I have tried to write truthfully." What kinds of truths does she attempt to convey? |  | 5 / 1363 |  | 
                                    
                        | "Ode on a Grecian Urn" Analysis |  | 2 / 328 |  | 
                                    
                        | ?One of the hardest things to accept in classic texts is their limited or dated attitudes to women.' Discuss with references to any of the core texts and/or a sequel or prequel. |  | 2 / 335 |  | 
                                    
                        | "Sailing to Byzantium": Appreciation of Life and the Struggle Between the Ages |  | 5 / 1169 |  | 
                                    
                        | `Lo cop mortal': The evil eye and the origins of courtly love. |  | 19 / 5123 |  | 
                                    
                        | a perfect world is non-existant in Brave New World |  | 3 / 581 |  | 
                                    
                        | advertising dissertation paper |  | 6 / 1449 |  | 
                                    
                        | advertizing how they make there product sell |  | 5 / 1353 |  | 
                                    
                        | among school children |  | 3 / 697 |  | 
                                    
                        | among the school children notes |  | 6 / 1444 |  | 
                                    
                        | anorexia |  | 3 / 590 |  | 
                                    
                        | anorexia |  | 3 / 743 |  |