Discount applied successfully
| Title |
|
Pages / Words |
Save |
|
A Rose for Emily
|
|
4 / 1096 |
|
|
A Separate Peace
|
|
4 / 1069 |
|
|
A Stranger In The Wood
|
|
3 / 748 |
|
|
A Streetcar Named Desire
|
|
8 / 2046 |
|
|
A Study on English Euphemism
|
|
6 / 1614 |
|
|
A TRULY HAWTHORNE NATION
|
|
7 / 1737 |
|
|
A Tale of Christianity
|
|
7 / 1700 |
|
|
A Thematic Analysis of “The Lottery” and “Two Kinds”
|
|
3 / 701 |
|
|
A True Patriot: Walt Whitman
|
|
4 / 1066 |
|
|
A View From The Bridge
|
|
3 / 814 |
|
|
A White Heron
|
|
2 / 510 |
|
|
A Worn Path
|
|
3 / 813 |
|
|
A Worn Path
|
|
2 / 505 |
|
|
A pair of tickets
|
|
3 / 785 |
|
|
A seperate peace essay
|
|
2 / 370 |
|
|
A strretcar named desire
|
|
8 / 2123 |
|
|
A study of Katherine Mansfield's Bliss
|
|
9 / 2478 |
|
|
A truly Hawthorne Nation
|
|
7 / 1875 |
|
|
ALL YOU ZOMBIES
|
|
2 / 491 |
|
|
ALLEN GINSBERG, ?§HOWL?? AND THE LITERATURE OF PROTEST
|
|
5 / 1383 |
|
|
Abe
|
|
5 / 1206 |
|
|
Act 2 Scenes 8-10
|
|
4 / 948 |
|
|
Adam's Curse
|
|
4 / 944 |
|
|
Adulery and Death
|
|
3 / 691 |
|
|
African American success
|
|
6 / 1561 |
|
|
Ahab's Evil Quest: Melville's Symbols In Moby-Dick
|
|
7 / 1927 |
|
|
Alfonso Cuaron's use of symbolism and film techniques in Great Expectations
|
|
5 / 1202 |
|
|
Alienation And Discrimination: Of Mice And Men
|
|
3 / 760 |
|
|
Allegory and Symbolism in \
|
|
5 / 1164 |
|
|
Allegoryofthecave
|
|
6 / 1440 |
|
|
Allen Ginsberg
|
|
3 / 776 |
|
|
Allusion
|
|
3 / 722 |
|
|
American Dream in The Great Gatsby
|
|
5 / 1372 |
|
|
American Falg Burning
|
|
5 / 1190 |
|
|
American Naturalism: Romantic Or Realistic?
|
|
16 / 4427 |
|
|
American Psycho: Analysis Of Novel And Movie Production
|
|
6 / 1574 |
|
|
American Renaissance (Literature)
|
|
6 / 1517 |
|
|
American Short Fiction
|
|
8 / 2166 |
|
|
American Writers And Their Works: Hawthorne, Poe, And Whitman
|
|
13 / 3634 |
|
|
American Writers
|
|
10 / 2764 |
|
|
An Analysis of Jorge Luis Borges'
|
|
6 / 1450 |
|
|
An Analysis of Theme in "The Horse Dealer's Daughter"
|
|
5 / 1183 |
|
|
An Analysis of "The Snows of Kilimanjaro"
|
|
7 / 1696 |
|
|
An Inferential Analysis Of Hemingway's "Hills Like White Elephants."
|
|
4 / 874 |
|
|
An Occurrence At Owl Creek Bridge
|
|
4 / 1117 |
|
|
An Occurrence on Owl Creek Bridge
|
|
3 / 606 |
|
|
An Unconventional Identity
|
|
2 / 478 |
|
|
An "A" on His Breast (An Analysis of the Reverend Arthur Dimmsdale)
|
|
4 / 1037 |
|
|
An unfolding of the symbolism in William Wordsworth’s
|
|
2 / 430 |
|
|
Analys Of The Black Cat
|
|
9 / 2281 |
|
|
Analyse michele robers 'YOUR SHOES' in detail discussing symbol, structure etc
|
|
12 / 3296 |
|
|
Analysis Of George Orwell'S 'Shooting An Elephant'
|
|
4 / 1019 |
|
|
Analysis Of Morality
|
|
5 / 1137 |
|
|
Analysis Of Sir Gawain
|
|
10 / 2566 |
|
|
Analysis Of The Interior Architecture Of Thornfield Hall In The Light Of Nightingale’S Analysis Of The Victorian Country House.
|
|
4 / 1102 |
|
|
Analysis Of The Scarlet Letter
|
|
2 / 504 |
|
|
Analysis Of “The Rages Of Mrs. Torrens” By Olga Masters
|
|
3 / 659 |
|
|
Analysis On The Bride Comes To Yellow Sky
|
|
3 / 602 |
|
|
Analysis of A Rose for Emily
|
|
4 / 877 |
|
|
Analysis of A midsummer nights dream
|
|
21 / 5817 |
|
|
Analysis of Edwin Arlington Robinson's "The Mill"
|
|
2 / 318 |
|
|
Analysis of Poems by Tennyson and Wilfred Owen
|
|
3 / 652 |
|
|
Analysis of The Child by Tiger
|
|
3 / 798 |
|
|
Analysis of "Dream Deferred" by Langston Hughes
|
|
3 / 611 |
|
|
Analysis of a poem
|
|
4 / 877 |
|
|
Analysis on The Man to Send rain Clouds
|
|
6 / 1600 |
|
|
Analysis on "We Real Cool" by Gwendolyn Brooks
|
|
5 / 1302 |
|
|
Analyzing Emily Dickenson in "Because I Could Not Stop for Death"
|
|
3 / 614 |
|
|
Analyzing Short Stories
|
|
14 / 3852 |
|
|
Analyzing Symbols in Chaucer
|
|
5 / 1380 |
|
|
Analyzing "The Storm."
|
|
4 / 960 |
|
|
Angela Carter's Exploration of Masks and Society
|
|
8 / 2171 |
|
|
Animal Farm
|
|
4 / 1079 |
|
|
Animal Farm
|
|
6 / 1427 |
|
|
Animal Rights
|
|
4 / 861 |
|
|
Animal farm
|
|
6 / 1526 |
|
|
Anna Karenina Booknotes
|
|
11 / 2960 |
|
|
Annotated
|
|
3 / 731 |
|
|
Anthem For Doomed Youth
|
|
2 / 548 |
|
|
Anthony and Cleopatra Powerplay
|
|
5 / 1242 |
|
|
Antigone and A Rasin in the Sun
|
|
7 / 1815 |
|
|
Antitranscendentalists
|
|
3 / 771 |
|
|
Araby Knight
|
|
6 / 1638 |
|
|
Araby
|
|
5 / 1201 |
|
|
Archetypes In Siddhartha
|
|
4 / 859 |
|
|
Arguments Against Banning Catcher in the Rye
|
|
4 / 1066 |
|
|
Art of Poets
|
|
3 / 572 |
|
|
Arthur Dimmesdale: Tragic Hero Or Merely Tragic?
|
|
5 / 1280 |
|
|
As You Like It Play
|
|
82 / 22699 |
|
|
As You Like it function of Act 1
|
|
5 / 1297 |
|
|
Atonement Literary Elements
|
|
5 / 1272 |
|
|
Atonement Study Questions
|
|
12 / 3360 |
|
|
Avarice in Canterbury Tales
|
|
3 / 738 |
|
|
Awakening
|
|
3 / 604 |
|
|
Babylon Revisited
|
|
6 / 1533 |
|
|
Ballad of Birmingham
|
|
4 / 1120 |
|
|
Barbarity versus Civility
|
|
6 / 1617 |
|
|
Barn Burning
|
|
7 / 1742 |
|
|
Barn Burning
|
|
4 / 1017 |
|
|
Beaty Is Within
|
|
6 / 1438 |
|
|
Behind The Gare Saint-Lazare
|
|
4 / 901 |
|
|
Beloved: The Human Condition
|
|
3 / 691 |
|
|
Beowulf and Gilgamesh
|
|
8 / 1987 |
|
|
Beowulf
|
|
7 / 1822 |
|
|
Beowulf
|
|
3 / 577 |
|
|
Biblical Symbolism In "Rime Of The Ancient Mariner"
|
|
4 / 888 |
|
|
Bitterness
|
|
4 / 942 |
|
|
Black
|
|
2 / 466 |
|
|
Blanche
|
|
3 / 623 |
|
|
Bliss
|
|
2 / 494 |
|
|
Blood imagery in macbeth
|
|
4 / 848 |
|
|
Blood in Macbeth
|
|
3 / 828 |
|
|
Blue Jeans, Black Leather Jackets,
|
|
21 / 5665 |
|
|
Bo
|
|
5 / 1227 |
|
|
Borrowed paper
|
|
2 / 540 |
|
|
Boy's Life Analysis
|
|
2 / 320 |
|
|
Bradbury Explores The Idea Of Ignorance
|
|
3 / 577 |
|
|
Broken Dreams and Fallen Themes: The corruption of the american dream in the Great Gatsby
|
|
6 / 1435 |
|
|
By Rik Wyatt The Symbolism Of Houses And Cars In The Great Gatsby
|
|
4 / 1089 |
|
|
CRITICS ON SLAUGHTER HOUSE-FIVE
|
|
4 / 852 |
|
|
Cannery Row
|
|
5 / 1356 |
|
|
Cars
|
|
3 / 835 |
|
|
Cask of Amontillado
|
|
4 / 932 |
|
|
Catcher In The Rye And Huck Finn
|
|
3 / 714 |
|
|
Catcher in the Rye
|
|
1 / 271 |
|
|
Catcher in the Rye
|
|
5 / 1346 |
|
|
Character Analysis of Hester Prynne
|
|
9 / 2488 |
|
|
Character Analysis of Roger ChillingWorth
|
|
3 / 621 |
|
|
Character Essay
|
|
3 / 804 |
|
|
Character Letter to Author Dimmesdale; Scarlet Letter
|
|
2 / 354 |
|
|
Characterization in Salinger's Nine Stories
|
|
3 / 639 |
|
|
Characters and Values
|
|
2 / 428 |
|
|
Charactor Analysis Fleur Pillager
|
|
4 / 956 |
|
|
Charlotte Perkins Gilman
|
|
4 / 900 |
|
|
Chaucer's Canterbury Tales
|
|
9 / 2338 |
|
|
Chillingworth's Views
|
|
3 / 627 |
|
|
Chopin's Short Stories
|
|
8 / 2144 |
|
|
Christian Symbolism in Beowulf
|
|
5 / 1376 |
|
|
Christian Symbolism in James Joyce's The Sisters
|
|
3 / 672 |
|
|
Christian Values in Sir Gawain and the Green Knight
|
|
4 / 1003 |
|
|
Christian Views in Flanneruy O'Connors work
|
|
6 / 1406 |
|
|
Chrysanthemums
|
|
2 / 391 |
|
|
Circle of Gold
|
|
3 / 724 |
|
|
Citizen Kane's summary
|
|
4 / 968 |
|
|
Cliff
|
|
2 / 556 |
|
|
Close Reading of Narrative of the life of Frederick Douglass1
|
|
2 / 300 |
|
|
Close Study Of Wilfred Owen
|
|
6 / 1437 |
|
|
Clueless A Transformation Of Emma
|
|
16 / 4416 |
|
|
Color Symbolism in the Great Gatsby
|
|
3 / 667 |
|
|
Coming of Age through Investigation of Sexual Identity
|
|
5 / 1244 |
|
|
Comments on Waiting for Godot
|
|
16 / 4374 |
|
|
Common Source
|
|
4 / 1035 |
|
|
Comparative Analysis Of Dante's Inferno And Purgatorio
|
|
11 / 2887 |
|
|
Comparative Analysis
|
|
3 / 785 |
|
|
Comparative Essay - Catcher in The Rye vs. Igby Goes Down
|
|
6 / 1486 |
|
|
Compare and contrast protagonists from "The Way Up To Heaven" and "The Story of An Hour"
|
|
5 / 1259 |
|
|
Compare and contrast ‘Cousin Kate’ by Christina Rossetti with ‘The Seduction’ by Eileen McAuley.
|
|
18 / 4863 |
|
|
Compare and contrastn Essay
|
|
5 / 1247 |
|
|
Compare the methods used to present a similar theme in TWO short stories you have studied
|
|
5 / 1125 |
|
|
Compare/Contrast: "A Good Man is Hard to Find" with "Hills like White Elephants"
|
|
4 / 892 |
|
|
Comparing Jewett, Chopin, and Freeman
|
|
5 / 1309 |
|
|
Comparing Robert Frost's "After Apple-picking" to "Apples" by Laurie Lee
|
|
9 / 2396 |
|
|
Comparison Of 'Absolution' And 'The Great Gatsby'
|
|
4 / 855 |
|
|
Comparison Of Apollo From The Portonaccio Temple And Aule Metele
|
|
2 / 337 |
|
|
Comparison of Monkeys Paw
|
|
2 / 458 |
|
|
Comparison of Nathaniel Hawthrone’s
|
|
6 / 1490 |
|
|
Comparison- Flight/Your Shoes/Chemistry
|
|
10 / 2785 |
|
|
Conflict In Nathaniel Hawthorne'S The Scarlet Letter
|
|
4 / 973 |
|
|
Conflicts Between Colors
|
|
4 / 905 |
|
|
Count of Monte Cristo
|
|
3 / 710 |
|
|
Cowardice and Redemption As Seen in The Scarlet Letter
|
|
3 / 838 |
|
|
Creative Writing: John Griffith Biography
|
|
3 / 734 |
|
|
Critical Analysis Of &Quot;Fire And Ice&Quot;
|
|
8 / 1966 |
|
|
Critical Analysis of White Heron
|
|
6 / 1461 |
|
|
Critical Literacy
|
|
6 / 1637 |
|
|
Critical analysis on "A good man is hard to find"
|
|
9 / 2347 |
|
|
Critics On Slaughter House-5
|
|
4 / 852 |
|
|
Critique of Ralph Ellison's Battle Royal
|
|
4 / 918 |
|
|
Critique of \
|
|
3 / 757 |
|
|
Cummings
|
|
5 / 1334 |
|
|
D.H. Lawrence: Critique Of Social Practices (References Snake, The North Country, And The Triumph Of The Machine)
|
|
5 / 1208 |
|
|
DO YOU SPEAK AMERICAN?
|
|
15 / 3950 |
|
|
Dangerous Traditions
|
|
3 / 658 |
|
|
Dante's Inferno
|
|
7 / 1787 |
|
|
Dantes Inferno
|
|
2 / 432 |
|
|
Dantes Inferno
|
|
5 / 1157 |
|
|
Dante’S Inferno And The Swimmer
|
|
3 / 641 |
|
|
Dark Overtones And Their Contrasts In My Antonia
|
|
5 / 1299 |
|
|
Dead Poets Society ? O Captain! My Captain!
|
|
2 / 287 |
|
|
Death And the Maiden
|
|
1 / 257 |
|
|
Death of a Salesman Symbolism
|
|
3 / 622 |
|
|
Deconstruction
|
|
5 / 1267 |
|
|
Dee versus Maggie: A Struggle for Self-Understanding
|
|
5 / 1127 |
|
|
Depression: A Minefield of the Mind
|
|
6 / 1506 |
|
|
Descriptive essay
|
|
3 / 635 |
|
|
Design of Darkness": A Study of Frost's "Design
|
|
4 / 1075 |
|
|
Desiree's Baby Analysis
|
|
5 / 1388 |
|
|
Destructors
|
|
3 / 646 |
|
|
Different Cultures, Different Rhetoric
|
|
3 / 627 |
|
|
Different Styles In The Grapes Of Wrath
|
|
2 / 476 |
|
