Discount applied successfully
Title |
|
Pages / Words |
Save |
The Sniper
|
|
3 / 836 |
|
The Sniper
|
|
3 / 836 |
|
The Theme of Uncertain Journey in the Bean Trees
|
|
3 / 663 |
|
The Themes of Childhoods In 'Jane Eyre' and 'To Kill A Mockingbird'
|
|
5 / 1294 |
|
The Turn of A Screw
|
|
2 / 543 |
|
To Kill A Mocking bird
|
|
4 / 972 |
|
To Kill a Mocking-Bird Journals
|
|
14 / 3889 |
|
To Kill a Mockingbird
|
|
11 / 2856 |
|
To Kill a Mockingbird
|
|
8 / 1995 |
|
To Kill a Mockingbird
|
|
4 / 1006 |
|
To Kill a Mockingbird: Theme and Metaphor Analysis
|
|
4 / 1009 |
|
Touch Wood
|
|
3 / 798 |
|
Two Cities
|
|
4 / 1016 |
|
Two Empires In Japan
|
|
7 / 1861 |
|
All Quiet on the Western Front
|
|
2 / 470 |
|
Are You Really In Love?
|
|
2 / 349 |
|
Eradication of Corruption
|
|
2 / 543 |
|
Eternal Creativity
|
|
3 / 823 |
|
I Think I'm Pretty Sure I Remember What You Did Last Summer
|
|
15 / 4033 |
|
Journalism, Real Creativity and Reactionary Creativity
|
|
3 / 801 |
|
King Leopold's Ghost
|
|
4 / 930 |
|
Learning the Writing Business from Book Agents and Editors
|
|
8 / 2078 |
|
Making Career Decision
|
|
13 / 3548 |
|
My Goals
|
|
3 / 787 |
|
Native Son
|
|
4 / 928 |
|
Relationship: Before and After Marriage
|
|
3 / 769 |
|
Sylvia's Use of Senses in Ariel
|
|
8 / 2141 |
|
T.P.
|
|
4 / 1119 |
|
The Adventures of Tom Sawyer
|
|
2 / 546 |
|
The Beast is Silent
|
|
14 / 3771 |
|
The Crucible
|
|
2 / 465 |
|
The Red Shoes
|
|
3 / 830 |
|
Way to Rainy Mountain
|
|
3 / 595 |
|
1984 vs Brave New World
|
|
5 / 1206 |
|
A Cream Cracker Under the Settee
|
|
5 / 1122 |
|
A Goodness in Humankind
|
|
5 / 1222 |
|
A Prayer for Owen Meany
|
|
5 / 1277 |
|
A Revelation of Granny’s Story
|
|
6 / 1440 |
|
A View from the Bridge
|
|
27 / 7334 |
|
An Analysis of Gatsby’s Success and Failure
|
|
4 / 868 |
|
An Examination of Southern Dialect
|
|
10 / 2794 |
|
An Inspector Calls
|
|
4 / 997 |
|
Animal farm - Communism
|
|
2 / 315 |
|
Antigone
|
|
2 / 494 |
|
Biblical Allusions in Lord of the Flies
|
|
3 / 669 |
|
Change of Jem and Scout
|
|
3 / 588 |
|
Civilization: Savagery, Power, Fear
|
|
5 / 1297 |
|
Class Consciousness in Pride and Prejudice
|
|
4 / 1060 |
|
Comparision of Duddy Kravitz and Jay Gatsby
|
|
7 / 1852 |
|
Crime and Punishment
|
|
5 / 1281 |
|
Crime and Punishment
|
|
4 / 921 |
|
Cupidity's Stupidity
|
|
7 / 1842 |
|
Different Types of Criticism and Literary Movements in Short Stories
|
|
8 / 2059 |
|
Doppleganger Effect
|
|
3 / 685 |
|
Dr Faustus - Ambition
|
|
5 / 1236 |
|
Dr Faustus and Seven Sins
|
|
6 / 1553 |
|
Dr Faustus
|
|
7 / 1849 |
|
Duffy “Little Red Cap” poem
|
|
7 / 1802 |
|
Educating Rita
|
|
4 / 1050 |
|
Emily Dickinson
|
|
13 / 3502 |
|
Exploring the Use of Time as a Manipulative Variable
|
|
4 / 1099 |
|
Forthcoming of American Literature
|
|
5 / 1352 |
|
Frankenstein: Shelley Use of Mascuine and Feminine Roles
|
|
8 / 2008 |
|
Gregorik Andras
|
|
12 / 3357 |
|
Harry Potter
|
|
3 / 651 |
|
Heart of Darkness
|
|
4 / 878 |
|
Hemingway: Writer or Dreamer?
|
|
28 / 7782 |
|
Hope
|
|
4 / 935 |
|
How Plot, Setting and Characters Influence Readers Response
|
|
3 / 837 |
|
How successful is Dickens in his presentation of female characters?
|
|
4 / 924 |
|
Human Consciousness
|
|
7 / 1734 |
|
Human Heart
|
|
4 / 1028 |
|
Immortal Life vs. Immortal Name: Gilgamesh and Beowulf
|
|
5 / 1242 |
|
Impact of setting on EAP's House of Usher
|
|
2 / 313 |
|
Inspector Calls
|
|
7 / 1818 |
|
It's Raining in Mango
|
|
4 / 1110 |
|
Ivan Denisovich and Humanity
|
|
4 / 1108 |
|
Jane Eyre: Religion
|
|
2 / 408 |
|
Journey's End by R.C Sherriff
|
|
3 / 705 |
|
Kerouac and Tyler, On the Road and Saint Maybe
|
|
8 / 1977 |
|
Kindergarteners
|
|
4 / 998 |
|
Knowledge in Name of the Rose
|
|
8 / 2015 |
|
Literature?
|
|
8 / 2078 |
|
Logic of the Absurds
|
|
6 / 1452 |
|
Loman & the American Dream
|
|
4 / 1022 |
|
Lord of the Files
|
|
2 / 484 |
|
MacBeth
|
|
4 / 865 |
|
Masculinity in Hemingway
|
|
5 / 1195 |
|
Matrix
|
|
2 / 505 |
|
Milton’s Paradise Lost
|
|
15 / 4162 |
|
Mindless Existence in Fahrenheit 451
|
|
2 / 530 |
|
Much Ado About Nothing
|
|
13 / 3465 |
|
Oedipus MD
|
|
6 / 1635 |
|
Oedipus the King
|
|
10 / 2601 |
|
Oedipus
|
|
6 / 1491 |
|
On the Unfairness of A Teacher
|
|
7 / 1695 |
|
Ordinary Men
|
|
3 / 568 |
|
Orwell and Foucault
|
|
5 / 1359 |
|
Play called Absent Friends
|
|
5 / 1205 |
|
Present Provoking Past
|
|
5 / 1327 |
|
Romeo & Juliet
|
|
9 / 2316 |
|
Russian Revolution and Orwell (Animal Farm)
|
|
2 / 519 |
|
Say it isn't so...
|
|
2 / 465 |
|
Say it, Write it, Defend it and Judge it – in English!
|
|
14 / 3676 |
|
Scene Seven
|
|
2 / 379 |
|
Social Ostracism in Adventures of Huckleberry Finn
|
|
5 / 1126 |
|
Stoker and Wilde
|
|
9 / 2336 |
|
Symbology in Ethan Frome
|
|
1 / 244 |
|
Tess of the D'Urbervilles
|
|
4 / 1083 |
|
The Chosen
|
|
6 / 1581 |
|
The Crucible
|
|
5 / 1222 |
|
The Glass Menagerie
|
|
3 / 701 |
|
The Great American Illusion
|
|
3 / 781 |
|
The Great Gatsby
|
|
7 / 1728 |
|
The Last of the Mohicans as a Mixture of Genres
|
|
10 / 2573 |
|
The Life and Writings of St. Paul
|
|
3 / 684 |
|
The Poison Wood Bible
|
|
1 / 253 |
|
The role of the Inspector in 'An Inspector Calls.'
|
|
17 / 4682 |
|
The Sentiment, Mood, and Philosophy of “The Best Slow Dancer”
|
|
4 / 973 |
|
The Storm, The Yellow Wallpaper, Young Goodman Brown
|
|
5 / 1141 |
|
The Stranger
|
|
5 / 1131 |
|
Tragedy
|
|
8 / 2224 |
|
Unzipped
|
|
5 / 1186 |
|
Volpone Ben Jonson
|
|
5 / 1123 |
|
What Happens to a Dream Deferred?
|
|
3 / 771 |
|
A History of Poland
|
|
4 / 986 |
|
Anti-Semitism
|
|
1 / 101 |
|
February Russian Revolution
|
|
5 / 1235 |
|
Inspector Calls Coursework
|
|
8 / 1977 |
|
Italian Mafia
|
|
5 / 1227 |
|
Joan of Arc
|
|
4 / 967 |
|
Mycenaean Civilization
|
|
6 / 1598 |
|
Poland
|
|
4 / 986 |
|
Policy Proposal for Economic Reform in Russia
|
|
10 / 2642 |
|
Stonehenge
|
|
4 / 964 |
|
The Corset
|
|
4 / 965 |
|
The Effect of One Tribe on an Entire Nation
|
|
3 / 764 |
|
The Italian Wars
|
|
7 / 1756 |
|
The Protestant Reformation
|
|
1 / 166 |
|
The Reformation of the Church of England
|
|
1 / 128 |
|
Three Most significant Absolute Monrchs in European History
|
|
2 / 348 |
|
Was The Industrial Revolution Good or Bad For Society?
|
|
2 / 373 |
|
American/French Revolution
|
|
2 / 330 |
|
Canadian Flag
|
|
3 / 810 |
|
Damascus
|
|
1 / 125 |
|
Hinduism
|
|
7 / 1877 |
|
Indutrial Revolution
|
|
4 / 988 |
|
Intellectual Life of the Painters of the Early Renaissance
|
|
8 / 2191 |
|
Interview with Lenin
|
|
2 / 458 |
|
Is it Constitutional to Bare Arms?
|
|
3 / 583 |
|
Italian Immigration
|
|
6 / 1509 |
|
Knights
|
|
2 / 285 |
|
Muhammad Ibn Abdullah: Good or Bad? You Decide
|
|
6 / 1516 |
|
Otto Von Bismarck
|
|
3 / 568 |
|
Religious Festivals
|
|
5 / 1160 |
|
Roosevelt's Response to the Great Depression
|
|
5 / 1362 |
|
The Italian Wars
|
|
7 / 1720 |
|
The Nation-State, Core and Periphery: A Brief sketch of Imperialism
|
|
7 / 1901 |
|
The Roman games
|
|
4 / 1068 |
|
A Small Look Inside Lebanon
|
|
12 / 3244 |
|
Analysis of Kurdish Geopolitics Past and Present
|
|
8 / 1989 |
|
Israel P.L.O. Peace Treaty
|
|
12 / 3132 |
|
Israel-Palestine Conflict
|
|
4 / 1091 |
|
Origins of Islamic Policy
|
|
4 / 862 |
|
Pakistan
|
|
6 / 1428 |
|
The Balkans
|
|
17 / 4737 |
|
Alienation in Modern Society
|
|
5 / 1263 |
|
Congo: The Novel and the Movie
|
|
2 / 542 |
|
Critique La Ventura
|
|
3 / 813 |
|
Critique on Open City
|
|
4 / 1101 |
|
George of the Jungle
|
|
2 / 521 |
|
Glory
|
|
2 / 283 |
|
Heathers and Shame
|
|
9 / 2323 |
|
If Someone Did You a Favor
|
|
8 / 2115 |
|
Joy Luck Club
|
|
4 / 985 |
|
Luc Besson
|
|
11 / 2855 |
|
Man with a Movie Camera vs Run Lola Run
|
|
12 / 3083 |
|
Matrix Reloaded
|
|
14 / 3755 |
|
Meet me in St. Louis
|
|
2 / 421 |
|
Movies
|
|
2 / 463 |
|
Once Were Warriors
|
|
16 / 4422 |
|
Reservoir Dogs
|
|
3 / 624 |
|
Save the Last Dance
|
|
4 / 873 |
|
Save the Last Dance
|
|
2 / 557 |
|
Smoke Signals - Personal Reflection
|
|
2 / 450 |
|
Star Wars: Episode I: The Phantom Menace
|
|
2 / 331 |
|
The Effect of Opening Scenes on Plot Setting and Characters
|
|
3 / 784 |
|
The Magnificent Ambersons
|
|
9 / 2302 |
|
The Matrix
|
|
31 / 8428 |
|
The Matrix
|
|
2 / 388 |
|
Before I Die
|
|
5 / 1284 |
|
Beowulf
|
|
3 / 804 |
|
British Poetry
|
|
15 / 4006 |
|
Death Be Not Proud
|
|
3 / 810 |
|
Donne
|
|
8 / 1981 |
|
Ginsberg's Howl: A Counterculture Manifesto
|
|
14 / 3788 |
|
Jim Morisson
|
|
24 / 6621 |
|
Muslims and Christians
|
|
1 / 103 |
|
Porphyria’s Lover
|
|
16 / 4295 |
|
Revenge of Beowulf
|
|
4 / 1092 |
|