Discount applied successfully
Title |
|
Pages / Words |
Save |
A dolls house
|
|
3 / 824 |
|
A good man is hard to find
|
|
4 / 851 |
|
A hero for the freedom of Scotland
|
|
4 / 922 |
|
A hero in disguise
|
|
4 / 941 |
|
A new view of the war
|
|
4 / 1001 |
|
A person in love will sacrifice all for the object of that love.
|
|
2 / 359 |
|
A rose for emily
|
|
4 / 1085 |
|
ACT I notes: King Lear
|
|
6 / 1541 |
|
ALLEN GINSBERG, ?§HOWL?? AND THE LITERATURE OF PROTEST
|
|
5 / 1383 |
|
ANTIGONE analysis
|
|
3 / 672 |
|
AP Literary Analysis of Catch-22
|
|
7 / 1779 |
|
Abduction
|
|
3 / 755 |
|
Abortion
|
|
9 / 2318 |
|
Abortion: A Basic Right
|
|
7 / 1855 |
|
Abuse
|
|
13 / 3368 |
|
Abusive Evidence
|
|
4 / 930 |
|
Achilles: a hero no more
|
|
4 / 1003 |
|
Acronyms, Idioms And Slang: The Evolution Of The English Language.
|
|
5 / 1201 |
|
Action Will Be Taken
|
|
10 / 2620 |
|
Adam's Curse
|
|
4 / 944 |
|
Adam: The Ultimate Epic Hero
|
|
5 / 1163 |
|
Adventures Of Huck Finn
|
|
13 / 3486 |
|
Aeneas
|
|
3 / 799 |
|
African-American Discourse Styles in
|
|
7 / 1820 |
|
Agememnon: Out of the fire and into the pot
|
|
6 / 1644 |
|
Ages of Faith, Reason, and Romantics
|
|
3 / 788 |
|
Alaskas Gold Rush
|
|
6 / 1459 |
|
Albert Camus
|
|
5 / 1391 |
|
Alcoholism and Drugs: The Effects on Childhood
|
|
4 / 1019 |
|
Alex vs. Beowulf: The Antithesis of a Lifetime
|
|
13 / 3551 |
|
All Fur
|
|
3 / 735 |
|
All Quiet On The Western Front
|
|
24 / 6505 |
|
All Quiet on the Western Front
|
|
5 / 1350 |
|
All Quiet on the Western Front
|
|
2 / 496 |
|
All my Sons
|
|
4 / 938 |
|
Allusive idioms from Greek myths and English learning
|
|
9 / 2519 |
|
Alphonse Mucha & Art Nouveau
|
|
4 / 1024 |
|
Already Responsible
|
|
16 / 4280 |
|
Ambiguity & Equivocation In Macbeth
|
|
4 / 925 |
|
Ambition
|
|
3 / 561 |
|
America The Beautiful
|
|
2 / 351 |
|
American Dream
|
|
6 / 1464 |
|
An Analysis Of The Indomitable Spirit Of Man In Henry Wadsworth Longfe
|
|
6 / 1564 |
|
An Analysis Of “Hamlet”
|
|
5 / 1253 |
|
An Analysis of 'A Rose for Emily'
|
|
18 / 4815 |
|
An Analysis of Anne Bradstreet's "The Prologue"
|
|
6 / 1510 |
|
An Analytical Essay of William Shakespeare's The Tragedy of Hamlet, Prince of Denmark
|
|
5 / 1151 |
|
An Angel
|
|
5 / 1378 |
|
An Aristotelian interpretation of Othello
|
|
3 / 616 |
|
An Assessment of the Poetry of Robert Frost
|
|
10 / 2727 |
|
An Autobiography Through Fiction-Based Prose
|
|
12 / 3320 |
|
An Examination of the Fairy Tale in Literature
|
|
10 / 2572 |
|
An analysis about \
|
|
6 / 1616 |
|
Anagnorisis and Existence (Rosencrantz and Guildenstern)
|
|
4 / 935 |
|
Analyse the dramatic uses of the Chorus in Greek tragedy; in what ways do traces of the choric function occur in twentieth-century drama?
|
|
12 / 3197 |
|
Analyse the ways in which the work of two contemporary British poets respond to and examine historical characters and events that took place in the first half of the twentieth century.
|
|
12 / 3178 |
|
Analysis Of Doll House Play
|
|
7 / 1873 |
|
Analysis On Mostellaria
|
|
4 / 916 |
|
Analysis of A midsummer nights dream
|
|
21 / 5817 |
|
Analysis of Juliet from Romeo and Juliet
|
|
4 / 1109 |
|
Analysis of Paul’s Case
|
|
3 / 666 |
|
Analysis of Poems by Tennyson and Wilfred Owen
|
|
3 / 652 |
|
Analysis of The YellowWallpaper
|
|
6 / 1429 |
|
Analysis of "Of Mice and Men" by john Steinbeck
|
|
6 / 1481 |
|
Analysis of "The Jewbird"
|
|
4 / 876 |
|
Analysis of major characters in 1984
|
|
4 / 1112 |
|
Analysis of major characters in Romeo and Juliet
|
|
5 / 1248 |
|
Analysis of the Crucible
|
|
12 / 3278 |
|
Analysis on "We Real Cool" by Gwendolyn Brooks
|
|
5 / 1302 |
|
Analyzing Short Stories
|
|
14 / 3852 |
|
Ancient Greek Olympics
|
|
5 / 1140 |
|
Angel And Tess
|
|
6 / 1423 |
|
Angela Carter's use of language in Bloody Chamber
|
|
4 / 1010 |
|
Anime
|
|
20 / 5403 |
|
Anne Bradstreet
|
|
4 / 1116 |
|
Anthony and Cleopatra
|
|
7 / 1810 |
|
Antigone Analisys
|
|
4 / 1090 |
|
Antigone Tragic Hero
|
|
3 / 622 |
|
Antigone and Aristotle
|
|
2 / 469 |
|
Antigone and Trifles
|
|
4 / 1009 |
|
Antigone as a Hero
|
|
4 / 1034 |
|
Antigone character analysis
|
|
3 / 594 |
|
Antigone vs. Ismene
|
|
2 / 551 |
|
Antigone- theme of family loyalty
|
|
6 / 1445 |
|
Antigone--Who is the REAL tragic Hero?
|
|
2 / 451 |
|
Antigone
|
|
6 / 1578 |
|
Antigone
|
|
5 / 1326 |
|
Antigone
|
|
2 / 427 |
|
Antigone
|
|
2 / 560 |
|
Antigone
|
|
7 / 1816 |
|
Antigone
|
|
4 / 890 |
|
Antigone
|
|
2 / 500 |
|
Antigone
|
|
5 / 1392 |
|
Antigone
|
|
5 / 1318 |
|
Antigone
|
|
2 / 483 |
|
Antigone
|
|
7 / 1711 |
|
Antigone
|
|
3 / 758 |
|
Anton Chekov: A Brief Biographical Sketch
|
|
5 / 1255 |
|
Antony & Cleopatra
|
|
19 / 5119 |
|
Antony and Cleopatra
|
|
9 / 2436 |
|
Antony and Cleopatra
|
|
7 / 1848 |
|
Antony and Cloepatra
|
|
7 / 1701 |
|
Aphrodite
|
|
4 / 1015 |
|
Appearance Vs. Reality In Macbeth
|
|
4 / 842 |
|
Archetypes
|
|
3 / 758 |
|
Are Prisoners Not Human?
|
|
8 / 1965 |
|
Are sports stars grossly overpaid?
|
|
2 / 328 |
|
Arhuna and Ravana
|
|
2 / 464 |
|
Aristotle and the Irony of Guilt
|
|
6 / 1450 |
|
Aristotle and the Tragic Hero
|
|
4 / 1051 |
|
Aristotle
|
|
2 / 559 |
|
Aristotleian Tragedy In Hamlet And Macbeth
|
|
7 / 1849 |
|
Art vs. Poetry
|
|
8 / 2140 |
|
Arthur Dimmesdale: Tragic Hero Or Merely Tragic?
|
|
5 / 1280 |
|
Arthur Henry Hallam:His Death Inspires Poetic Brilliance
|
|
4 / 1042 |
|
Artistic Form in King Lear
|
|
4 / 1032 |
|
Artistic License in Soyinka?¦s Death and the Kings Horseman
|
|
6 / 1434 |
|
Assisted Suicide
|
|
4 / 1078 |
|
At The End Of The Play The Prince Says: “Some Shall Be Pardon’D And Some Punished…” Whom Would You Blame For The Tragic Deaths Of Romeo And Juliet?
|
|
6 / 1519 |
|
Atwood Paper
|
|
4 / 1020 |
|
Audience And Critics Have Said The Crucible Is Deeply Moving And Exciting. Discuss How Millers Stagecraft In Particular At The Begining And Ends Of The Acts Contributes To The Overall Drama Of The Texts
|
|
4 / 1093 |
|
Australian poems
|
|
7 / 1694 |
|
Awakening
|
|
3 / 604 |
|
Away- narrative elements
|
|
16 / 4373 |
|
BEOWULF'S HEROES AND TODAY'S HEROES
|
|
3 / 617 |
|
BLood Imagery in Macbeth
|
|
7 / 1933 |
|
Bakhtin Nad T S Eliot
|
|
5 / 1232 |
|
Barbie Doll
|
|
8 / 2034 |
|
Barkov's Hamlet: A Tragedy of Errors
|
|
25 / 6774 |
|
Barn Burning
|
|
3 / 615 |
|
Bartleby The Scrivener
|
|
4 / 874 |
|
Bartleby the Scrivener
|
|
3 / 715 |
|
Bartleby, the Scrivener
|
|
4 / 959 |
|
Base Details
|
|
2 / 421 |
|
Batman Begins Research Paper
|
|
6 / 1444 |
|
Bei Dao: Traditions Shattered and Reinvented
|
|
9 / 2384 |
|
Being A Good Father
|
|
3 / 663 |
|
Beliefs About Blood
|
|
2 / 541 |
|
Beloved
|
|
3 / 724 |
|
Beloved: Analysis
|
|
25 / 6879 |
|
Beowulf - The Ideal Hero
|
|
7 / 1872 |
|
Beowulf Essay
|
|
4 / 876 |
|
Beowulf Vs. Sir Gawain
|
|
2 / 475 |
|
Beowulf and Christianity
|
|
3 / 831 |
|
Beowulf and Odysseus Hero Comparison
|
|
2 / 412 |
|
Beowulf as a epic hero
|
|
4 / 952 |
|
Beowulf as a hero
|
|
3 / 612 |
|
Beowulf is a hero
|
|
4 / 862 |
|
Beowulf versus Indiana Jones
|
|
3 / 840 |
|
Beowulf vs. Harry Potter
|
|
2 / 354 |
|
Beowulf vs. Sir Gawain
|
|
3 / 581 |
|
Beowulf's Superiority
|
|
3 / 832 |
|
Beowulf, Too Good To Be True
|
|
11 / 3065 |
|
Beowulf, the epic hero
|
|
3 / 812 |
|
Beowulf; A True Hero
|
|
5 / 1326 |
|
Beowulf
|
|
2 / 558 |
|
Beowulf
|
|
2 / 413 |
|
Beowulf
|
|
2 / 442 |
|
Beowulf
|
|
4 / 876 |
|
Beowulf
|
|
2 / 464 |
|
Beowulf
|
|
3 / 660 |
|
Beowulf
|
|
3 / 659 |
|
Beowulf
|
|
2 / 540 |
|
Beowulf
|
|
2 / 336 |
|
Beowulf
|
|
3 / 565 |
|
Beowulf
|
|
9 / 2434 |
|
Beowulf: An Epic Hero
|
|
4 / 964 |
|
Beowulfs Culture Compared to Society Today
|
|
1 / 264 |
|
Betrayal To Avoid Consequences
|
|
5 / 1143 |
|
Beyond Denotations
|
|
3 / 635 |
|
Bilbo Baggins; Zero to Hero
|
|
4 / 1082 |
|
Billy Budd Sailor
|
|
8 / 2034 |
|
Billy Budd, Sailor, by Herman Melville
|
|
3 / 582 |
|
Bingo
|
|
2 / 332 |
|
Bioghraphy -- Emily Bronte
|
|
4 / 883 |
|
Birthmark
|
|
5 / 1335 |
|
Bizet, Georges
|
|
3 / 739 |
|
Black Humor
|
|
8 / 2069 |
|
Blind Ambition in Macbeth
|
|
5 / 1121 |
|
Boo
|
|
7 / 1751 |
|
Book - waiting for the mahatma - plot vs style
|
|
5 / 1184 |
|
Both Mary Shelley's ?Frankenstein' And Bram Stoker's ?Dracula' Are Co
|
|
7 / 1799 |
|
Bowling for Columbine Analysis
|
|
3 / 603 |
|
Boy's Don't Cry
|
|
4 / 869 |
|
Brecht
|
|
8 / 2109 |
|
Brendan Behan:Biography
|
|
12 / 3163 |
|
Bridge to Terabithia Summaries
|
|
5 / 1214 |
|
Bridge to Terabithia
|
|
3 / 672 |
|
Bronte's Wuthering Heights: Apollonian and Daemonic Influences
|
|
9 / 2267 |
|
Brutus and Idealism
|
|
2 / 357 |
|
Brutus-Tragic Hero
|
|
2 / 501 |
|
CHARACTERIZATION OF DEATH IN DICKINSON'S POETRY
|
|
8 / 2137 |
|
COMPARISON OF "RAGTIME", "THE STRANGER" AND "ROSENCRANTZ AND GUILDENSTERN ARE DEAD"
|
|
12 / 3160 |
|
Cabaret Information
|
|
49 / 13447 |
|
Cacther In The Rye
|
|
4 / 1014 |
|
Caesar Info
|
|
40 / 10989 |
|
Caesar's Ambition lead to his downfall
|
|
10 / 2723 |
|
Caesar
|
|
5 / 1287 |
|
California Highway Patrol: Honor, Trust, and Dedication
|
|
8 / 2155 |
|
Candide, By Voltaire
|
|
6 / 1474 |
|