Discount applied successfully
| Title |
|
Pages / Words |
Save |
|
Beloved: Analysis
|
|
25 / 6879 |
|
|
Benjamin Franklin Norris
|
|
2 / 366 |
|
|
Beowulf
|
|
7 / 1822 |
|
|
Biography Of Nataniel Hawthorne
|
|
5 / 1352 |
|
|
Bizet, Georges
|
|
3 / 739 |
|
|
Black White
|
|
6 / 1575 |
|
|
Blade runner
|
|
6 / 1460 |
|
|
Blood Relation
|
|
3 / 623 |
|
|
Blue Hotel
|
|
3 / 642 |
|
|
Blue Hotel
|
|
3 / 651 |
|
|
Blue Jeans, Black Leather Jackets,
|
|
21 / 5665 |
|
|
Body awareness in Thoreau?s Walden
|
|
19 / 5163 |
|
|
Book Review: An Introduction to Systemic Functional Linguistics, 2nd Edition
|
|
7 / 1801 |
|
|
Both stories bestow us characters for whom the reader feels sympathy for. The statement is accurate in that both Rosaura from “The Stolen Party” and Njoroge from “The Martyr”
|
|
2 / 524 |
|
|
Brave New World
|
|
4 / 1073 |
|
|
Brave New World
|
|
4 / 1073 |
|
|
Braveheart
|
|
2 / 528 |
|
|
Brendan Behan:Biography
|
|
12 / 3163 |
|
|
British Literature: Past and Present
|
|
9 / 2321 |
|
|
Brotherly love
|
|
10 / 2656 |
|
|
Bus Queue
|
|
4 / 998 |
|
|
Cabaret Information
|
|
49 / 13447 |
|
|
Caesar Info
|
|
40 / 10989 |
|
|
Casablanca
|
|
7 / 1781 |
|
|
Case Study
|
|
5 / 1145 |
|
|
Cassandra as a Tragic Figure
|
|
2 / 414 |
|
|
Catch 22 Vs WWII
|
|
4 / 1017 |
|
|
Censorship of rap music
|
|
2 / 327 |
|
|
Character Construction
|
|
3 / 799 |
|
|
Character Developmrny
|
|
4 / 947 |
|
|
Chaucer
|
|
2 / 313 |
|
|
Chekhov vs. Feminism
|
|
5 / 1142 |
|
|
China coin
|
|
6 / 1580 |
|
|
Chinglish
|
|
14 / 3816 |
|
|
Classroom Issues and Strategies
|
|
1 / 182 |
|
|
Close critical analysis of Coleridge's 'Frost at Midnight'
|
|
6 / 1638 |
|
|
Clueless A Transformation Of Emma
|
|
16 / 4416 |
|
|
Color of Crazy
|
|
3 / 744 |
|
|
Comic Potential and The Lieutenant of Inishmore
|
|
8 / 2085 |
|
|
Comments on Waiting for Godot
|
|
16 / 4374 |
|
|
Community
|
|
3 / 816 |
|
|
Comparative Essay ?V Theme and Characterization
|
|
7 / 1874 |
|
|
Compare 3 Works Using Affect
|
|
7 / 1790 |
|
|
Compare and Contrast the ways in which the writers present the horrors of the war in "Regeneration" and "Journey's End".
|
|
8 / 2103 |
|
|
Compare and contrast The Storm and The Saboter
|
|
5 / 1229 |
|
|
Compare the successes of Troy and Boldwood in courting Bathsheba
|
|
2 / 470 |
|
|
Comparing Productions Of Hamlet
|
|
5 / 1350 |
|
|
Comparing "Girl" and "A&P"
|
|
4 / 1092 |
|
|
Comparing and contrast of 19th century writers
|
|
5 / 1179 |
|
|
Comparing the Contrasting
|
|
6 / 1561 |
|
|
Comparison of Daffodils and The Prelude by Wordsworth
|
|
7 / 1871 |
|
|
Comparison of Van Gogh and Zora Neale Hurston
|
|
5 / 1338 |
|
|
Complete Analysis of Beckett's Endgame
|
|
15 / 4000 |
|
|
Complete Guide to Ethics Management: An Ethics Toolkit for Managers
|
|
38 / 10500 |
|
|
Compression between "Hills like white elephant" and Japanese Quince"
|
|
7 / 1955 |
|
|
Conan the Barbarian Analysis
|
|
11 / 2969 |
|
|
Contrasting The Prose Styles of CS Lewis and William Gibson
|
|
7 / 1880 |
|
|
Corpora for Written Chinese:
|
|
8 / 2182 |
|
|
Crash
|
|
5 / 1307 |
|
|
Crime and Punishment, Fathers and Sons, We
|
|
5 / 1400 |
|
|
Critical Analysis of William Wordsworth and Samuel Taylor Coleridge
|
|
9 / 2370 |
|
|
Critical Lens Essay
|
|
2 / 465 |
|
|
Critical analysis on Huckleberry Finn
|
|
4 / 876 |
|
|
Crucible Act Ii
|
|
2 / 430 |
|
|
Culture and Values Terms
|
|
6 / 1633 |
|
|
DIE FLEDERMAUS
|
|
3 / 751 |
|
|
Darkness
|
|
35 / 9677 |
|
|
Dead Man Walking [movie]
|
|
2 / 377 |
|
|
Death Of A Salesman
|
|
4 / 858 |
|
|
Death as a theme in the writings of Emily Dickinson
|
|
11 / 2937 |
|
|
Defining Life's Purpose Through Hemingways's Eyes
|
|
3 / 743 |
|
|
Defining Nick Bottom In A Midsummer Night’s Dream
|
|
3 / 715 |
|
|
Defining Romanticism
|
|
1 / 171 |
|
|
Demetrius, A Superbly Unique and Difficult Character
|
|
2 / 516 |
|
|
Depression Narratives Intertwined
|
|
8 / 1977 |
|
|
Describing and Analyzing a Transaction
|
|
9 / 2429 |
|
|
Description & Analysis
|
|
4 / 1119 |
|
|
Design
|
|
6 / 1528 |
|
|
Dialects in American Literature
|
|
8 / 2054 |
|
|
Dialogue in William Shakespeare's Macbeth
|
|
2 / 447 |
|
|
Dialouge in Pride and Prejudice
|
|
5 / 1397 |
|
|
Diary Of A Smoker
|
|
3 / 647 |
|
|
Difference Between Romanticism and Transendinlalism in American and British Writers
|
|
6 / 1586 |
|
|
Different Responses to War of Four WW1 Poets.
|
|
8 / 2142 |
|
|
Discuss the differences between Beatrice and Hero in the early scenes of the play
|
|
5 / 1191 |
|
|
Discuss the importance of Act Three, Scene 5. How does Shakespeare use dramatic devices in order to make it such an interesting and important scene?
|
|
6 / 1634 |
|
|
Discuss the role of the inspector in Priestly's 'An Inspector Calls'.
|
|
7 / 1826 |
|
|
Discuss the symbolism of light in the play, particularly the image of the light bulb. It can be argued that scene 9 in which Mitch forces Blanche under the light bulb is the climax of the play. Discuss. Refer to the evolution of Blanche's inner co...
|
|
3 / 824 |
|
|
Discuss"Home Burial" and "Death of the Hired Man" by Frost
|
|
1 / 153 |
|
|
Does Othello have a used by date?
|
|
3 / 608 |
|
|
Dr Jekyll And Mr Hyde
|
|
3 / 739 |
|
|
Dr. Faustus- Ambition
|
|
5 / 1236 |
|
|
Drama In Performance Is Not A Literary Text But Action In Time And Space
|
|
9 / 2278 |
|
|
Dramatic Textual Analysis of Oscar Wilds-The Importance of Being Earnest Act 3
|
|
3 / 803 |
|
|
Dramatic elements in No Sugar
|
|
4 / 884 |
|
|
ESSAY SAMPLE ON "CRITICAL ANALYSIS OF THE FILM THE SHAWSHANK REDEMPTION" The Shawshank Redemption
|
|
5 / 1124 |
|
|
Edgar Allan Poe's 'The Premature Burial'
|
|
2 / 429 |
|
|
Edgar Allan Poe's 'The Premature Burial'
|
|
2 / 324 |
|
|
Edgar Allan Poe
|
|
7 / 1709 |
|
|
Edgar Allan Poe: Strange Dreamer or True Genius?
|
|
10 / 2632 |
|
|
Edgar Allen Poe
|
|
6 / 1652 |
|
|
Edward Scissorhands Connected With To Kill A Mockingbird
|
|
6 / 1424 |
|
|
Effective Communication
|
|
4 / 1054 |
|
|
Emily Bronte's Writing Technique in Wuthering Heights
|
|
4 / 903 |
|
|
Emily's psychology problem
|
|
1 / 272 |
|
|
Emma Clueless
|
|
3 / 626 |
|
|
Emma and Clueless
|
|
15 / 3997 |
|
|
Endgame By Samuel Beckett
|
|
4 / 1017 |
|
|
Ending, Not So Well
|
|
5 / 1257 |
|
|
Eng
|
|
3 / 631 |
|
|
English Comparrison
|
|
7 / 1791 |
|
|
English Literature
|
|
17 / 4588 |
|
|
English Literature
|
|
5 / 1318 |
|
|
English Preromanticism: William Blake
|
|
12 / 3310 |
|
|
English Works
|
|
5 / 1144 |
|
|
English
|
|
6 / 1461 |
|
|
Ernets Hemingway
|
|
5 / 1319 |
|
|
Euripides and Bacchus
|
|
9 / 2443 |
|
|
Every transformed text is responding to the older known text in what it uses and in what it modifies. What has been achieved in 10 Things I Hate About You by such a response?
|
|
4 / 1078 |
|
|
Everything That Rises Must Converge Analysis
|
|
5 / 1131 |
|
|
Everything That Rises Must Converge
|
|
5 / 1300 |
|
|
Examine the ways in which Shakespeare develops the character of Romeo through his use of language.
|
|
4 / 903 |
|
|
Examining Perspective in Literature
|
|
3 / 830 |
|
|
Examples Of Conflict And Dialogues
|
|
2 / 344 |
|
|
Experience Through Language (Image)
|
|
8 / 2105 |
|
|
Explore the Evolution of Pip and Joe's Relationship ? How it Changes and Develops
|
|
8 / 1963 |
|
|
Explore the narrative techniques used by Atwood to portray the inner life of Offered in ?The Handmaid's Tale'.
|
|
7 / 1938 |
|
|
F.Scott Fitzgerald's "The Great Gatsby" comparison and contrasted with Jane Austens Pride and Prejudice
|
|
6 / 1620 |
|
|
Fallacious Woman: An Analysis of Max Shulman's Love is a Fallacy
|
|
5 / 1331 |
|
|
Fallen Angels Response Paper
|
|
1 / 270 |
|
|
Family
|
|
7 / 1758 |
|
|
Far and Away
|
|
3 / 827 |
|
|
Father And Son Relationship
|
|
1 / 238 |
|
|
Father/Son Relationship in Henry IV and V
|
|
7 / 1737 |
|
|
Faulkner
|
|
29 / 7923 |
|
|
Faust as a Romantic Hero
|
|
3 / 803 |
|
|
Femme Fatales of English Literature
|
|
13 / 3614 |
|
|
Fenstad's Mother
|
|
4 / 954 |
|
|
Fiancial Crise
|
|
1 / 279 |
|
|
Film Adaptation of Antigone
|
|
2 / 550 |
|
|
Film Analysis
|
|
8 / 2111 |
|
|
Film Noir
|
|
9 / 2295 |
|
|
Film Realism
|
|
4 / 958 |
|
|
Film adaptations of Charlie & the Chocolate Factory
|
|
14 / 3821 |
|
|
Foils In Hamlet
|
|
3 / 771 |
|
|
Foreshadowing in "Wuthering Heights
|
|
3 / 564 |
|
|
Four Genre Outlines
|
|
7 / 1681 |
|
|
Frankenstein Annotated Bibliography
|
|
7 / 1929 |
|
|
Frankenstein Kickass Paper
|
|
9 / 2506 |
|
|
Frankenstein Vs. Bladerunner
|
|
12 / 3098 |
|
|
Frankenstein as a Cultural Artefact
|
|
7 / 1812 |
|
|
Frankenstein's Monster: From Misunderstood Creature to Scientific Breakthrough
|
|
9 / 2492 |
|
|
Frankenstein
|
|
16 / 4289 |
|
|
Frankenstein
|
|
9 / 2458 |
|
|
Frankenstien vs Dr.Jekly and Mr. Hyde
|
|
5 / 1357 |
|
|
Frankenstien
|
|
3 / 839 |
|
|
Franklin
|
|
4 / 1113 |
|
|
Fredrick Douglas
|
|
6 / 1542 |
|
|
From Past to Present:
|
|
7 / 1785 |
|
|
Frost At Midnight
|
|
1 / 227 |
|
|
Fun or Forever
|
|
4 / 947 |
|
|
Gattaca
|
|
2 / 469 |
|
|
Gender Representations in No Sugar
|
|
5 / 1133 |
|
|
Gender-specific Sexual Sanctions of Intimate Relations and Imperially Oppressing Political Sphere
|
|
8 / 2234 |
|
|
Genre
|
|
4 / 964 |
|
|
George Bernard Shaw
|
|
2 / 395 |
|
|
George Gordon Lord Byron: A True Romantic
|
|
8 / 2145 |
|
|
Gish Jen
|
|
5 / 1328 |
|
|
Glen Gary Glen Ross
|
|
8 / 2108 |
|
|
Global-War-On-Terrorism-Religious-War
|
|
36 / 9841 |
|
|
Gnh Comes Home
|
|
2 / 391 |
|
|
Godard
|
|
27 / 7463 |
|
|
Godot And Repitition
|
|
4 / 1097 |
|
|
Godot: Modernity
|
|
2 / 474 |
|
|
Goethe & Vonnegut
|
|
5 / 1394 |
|
|
Good Man is Hard to Find
|
|
4 / 950 |
|
|
Gothic Horror Brainstorming
|
|
3 / 616 |
|
|
Grammar And The Role Of Writing Center Tutors As Teachers Of Grammar
|
|
22 / 6090 |
|
|
Guidelines
|
|
10 / 2577 |
|
|
Guilt in "Spunk" by Zora Neale Hurston
|
|
5 / 1187 |
|
|
HOW TO IMPROVE THE ABILITY OF LISTENING, SPEAKING, READING AND WRITING
|
|
11 / 2942 |
|
|
Hamlet Movie Comparison
|
|
4 / 1088 |
|
|
Hamlet coursework
|
|
7 / 1766 |
|
|
Hamlet's Soliloquy - To be, or not to be
|
|
9 / 2296 |
|
|
Hamlet, A Story for the Ages
|
|
4 / 1011 |
|
|
Hamlet
|
|
19 / 5117 |
|
|
Hamlet
|
|
2 / 548 |
|
|
Hamlet: in Rosencrantz and Gildenstern are Dead
|
|
2 / 308 |
|
|
Heart of darkness
|
|
4 / 848 |
|
|
Hedda Gabler
|
|
3 / 802 |
|
|
Hegemonic Masculinity In The Jay-Z / Nas Beef
|
|
6 / 1417 |
|
|
Hemingway's 'The Handle': Death and Deliverance
|
|
3 / 725 |
|
|
Hemingway
|
|
8 / 2212 |
|
|
Hemmingway
|
|
24 / 6502 |
|
|
Hills Like White Elephants
|
|
7 / 1817 |
|
|
Hills Like White Elephants
|
|
3 / 835 |
|
|
History Of Englsih Language
|
|
12 / 3193 |
|
|
Hitchcock, The Artist
|
|
5 / 1223 |
|
|
Hj
|
|
40 / 10943 |
|
|
Hope or Hopelessness through age and light
|
|
4 / 1016 |
|
