Discount applied successfully
| Title |
|
Pages / Words |
Save |
|
Yellowtail Marine
|
|
18 / 4812 |
|
|
1984 And The Truman Show
|
|
3 / 783 |
|
|
1984 and The Second Coming
|
|
3 / 614 |
|
|
20,000 Leagues Under The Sea
|
|
5 / 1297 |
|
|
20,000 Leagues Under the Sea
|
|
2 / 439 |
|
|
A Comparison Of Beowulf And The Seafarer
|
|
2 / 509 |
|
|
A Farewell To Arms - Imagery Paper
|
|
6 / 1493 |
|
|
A Farewell To Arms Summary
|
|
3 / 644 |
|
|
A Hawaiian Adventure
|
|
5 / 1160 |
|
|
A Look at “Our Nig;” Or, Sketches From the Late Night Sessions of a College Student Pontificating on Racism as it Pertains to a Book With an Extremely Long Title
|
|
5 / 1368 |
|
|
A Malevolent Society in Lord of the Flies
|
|
5 / 1376 |
|
|
A Passage to India - ''The Marabar Wiped'' Discuss
|
|
6 / 1478 |
|
|
A Tale Of Two Cities
|
|
6 / 1478 |
|
|
A Whale Hunt
|
|
4 / 1083 |
|
|
A frequent misconception of poetic language
|
|
3 / 664 |
|
|
A study of Katherine Mansfield's Bliss
|
|
9 / 2478 |
|
|
A study of the Wizard of Oz Phenomena
|
|
9 / 2243 |
|
|
A thousand splendid suns
|
|
4 / 982 |
|
|
Adventures of Huckleberry Finn final essay
|
|
4 / 905 |
|
|
Always Have Always Will
|
|
3 / 766 |
|
|
American Naturalism: Romantic Or Realistic?
|
|
16 / 4427 |
|
|
American Slang
|
|
12 / 3283 |
|
|
American Writers And Their Works: Hawthorne, Poe, And Whitman
|
|
13 / 3634 |
|
|
American Writers
|
|
10 / 2764 |
|
|
An Analysis of "A Great Day" by Frank Sargeson
|
|
4 / 1061 |
|
|
Analyse the methods used to make the opening battle sequence of ?Saving Private Ryan' both shocking and realistic, and say how effective you find it as an introduction to the film
|
|
11 / 2812 |
|
|
Analysis of Lies in Huckleberry Finn
|
|
6 / 1620 |
|
|
Annotation: Dante's Inferno, Page 81, L 31 to Page 82, L 63
|
|
2 / 365 |
|
|
Anthem
|
|
2 / 488 |
|
|
Any journey includes both realities and possibilities
|
|
8 / 1969 |
|
|
Apacolypse Now
|
|
3 / 584 |
|
|
Apocalypse Now And Heart Of Darkness"
|
|
4 / 1108 |
|
|
Arab literature
|
|
2 / 398 |
|
|
Argumentation In The Adventures Of Huckleberry Finn
|
|
2 / 376 |
|
|
Arthur Krystal, Robert Reich And A Personl Look At The Importance Of Money
|
|
5 / 1194 |
|
|
Artist Members Of Society
|
|
4 / 1102 |
|
|
Auden's Museum Of Fine Art
|
|
5 / 1204 |
|
|
Autism
|
|
3 / 678 |
|
|
Away- narrative elements
|
|
16 / 4373 |
|
|
Backyard Paradise
|
|
4 / 936 |
|
|
Ball Eveline and The Rocking Horse Winner
|
|
3 / 588 |
|
|
Banks' "black man and white woman in a dark green rowboat"
|
|
4 / 1031 |
|
|
Barn Burning And Rocking Horse Winner
|
|
4 / 1092 |
|
|
Based On Our Reading And Drama, Evaluate And Analyse The Ways In Which Miller Creates Dramatic Tension For His Audience: Look Specifically At His Chosen Period, The Play'S Setting In Brooklyn, New York And The Carbones' Tenement Flat. Analyse The ...
|
|
7 / 1811 |
|
|
Bass Fishing 101
|
|
5 / 1189 |
|
|
Bayside
|
|
3 / 751 |
|
|
Becoming The Third Dimension: Cubism In In The Skin Of A Lion
|
|
7 / 1834 |
|
|
Before I say Good=Bye
|
|
2 / 370 |
|
|
Beloved + sun also rises
|
|
7 / 1749 |
|
|
Ben Franklin's Native Americans
|
|
3 / 722 |
|
|
Beowulf and the Anglo Saxon Ideal
|
|
3 / 602 |
|
|
Beowulf
|
|
4 / 875 |
|
|
Beowulf
|
|
2 / 388 |
|
|
Big Black Good MAN
|
|
6 / 1433 |
|
|
Billy Budd
|
|
3 / 779 |
|
|
Biography John F. Kennedy
|
|
2 / 426 |
|
|
Black Men in the Prison System
|
|
7 / 1691 |
|
|
Bottled Water Research
|
|
1 / 223 |
|
|
Brazil and caribbean Culture
|
|
6 / 1553 |
|
|
Breath, Eyes, Memory
|
|
9 / 2291 |
|
|
Byzantium
|
|
4 / 901 |
|
|
Campfire, Adirondacks By Winslow Homer
|
|
3 / 607 |
|
|
Cannery Row
|
|
4 / 844 |
|
|
Catch 22 Vs WWII
|
|
4 / 1017 |
|
|
Character Analysis of Hester Prynne
|
|
9 / 2488 |
|
|
Characters in Beowulf (Beowulf, Unferth & Grendel)
|
|
7 / 1775 |
|
|
Charlotte Temple
|
|
5 / 1176 |
|
|
Childhood Schizophrenia
|
|
9 / 2243 |
|
|
Children of the Sea Critical Essay
|
|
6 / 1673 |
|
|
Chilly Morning.
|
|
3 / 649 |
|
|
Christ Figures: One Flew Over the Cuckoo’s Nest
|
|
2 / 515 |
|
|
Comparative Analysis Of Dante's Inferno And Purgatorio
|
|
11 / 2887 |
|
|
Compare The Two Articles On Henri Paul
|
|
5 / 1359 |
|
|
Compare The Ways In Which Writers Tell Stories In The Following: The N
|
|
8 / 2094 |
|
|
Compare and Contrast The Destructors and The Rocking Horse Winner
|
|
5 / 1198 |
|
|
Compare and contrast protagonists from "The Way Up To Heaven" and "The Story of An Hour"
|
|
5 / 1259 |
|
|
Comparison and Contrast Everyday Use and The Rocking Horse Winner
|
|
3 / 611 |
|
|
Comparison of Genesis and Gilgamesh
|
|
3 / 738 |
|
|
Comparison of The Veldt and The Lottery
|
|
3 / 625 |
|
|
Comparison- Flight/Your Shoes/Chemistry
|
|
10 / 2785 |
|
|
Comparisons and Contrasts Between the Bible and the Koran
|
|
11 / 2976 |
|
|
Complete Analysis of Beckett's Endgame
|
|
15 / 4000 |
|
|
Complete Summary Of The Tempest
|
|
9 / 2284 |
|
|
Conflicts are in the novels
|
|
2 / 319 |
|
|
Counter Argument
|
|
2 / 286 |
|
|
Creative Writing - Feliks Skrzynecki
|
|
2 / 456 |
|
|
Creative Writing: John Griffith Biography
|
|
3 / 734 |
|
|
Creative Writting
|
|
3 / 609 |
|
|
Creative story
|
|
2 / 423 |
|
|
Critical Analysis Modest Motives
|
|
7 / 1737 |
|
|
Criticism of ?°to a waterfowl?±
|
|
2 / 544 |
|
|
Crossroads
|
|
5 / 1153 |
|
|
D.H. Lawrence
|
|
5 / 1172 |
|
|
Damnation of a Canyon
|
|
4 / 1072 |
|
|
Darkness
|
|
35 / 9677 |
|
|
Deadly Unna?
|
|
2 / 476 |
|
|
Death Of A Salesman
|
|
5 / 1173 |
|
|
Death Of A Salesman
|
|
4 / 1015 |
|
|
Deception in Twelfth Night
|
|
7 / 1704 |
|
|
Del silencio interior a la libertad creadora.
|
|
14 / 3768 |
|
|
Description of eclipse in "The Eclipse" by "Virginia Woolf"
|
|
3 / 687 |
|
|
Descriptive Essay
|
|
3 / 736 |
|
|
Descriptive paper on Grandfather
|
|
3 / 653 |
|
|
Determinism vs. free will in "Their Eyes were watching God."
|
|
6 / 1402 |
|
|
Different country, Different Worlds
|
|
4 / 1087 |
|
|
Do you agree that "Shakespeare is especially interested in exposing the human frailty and vulnerability of those who wield great political power" in ?Antony and Cleopatra'?
|
|
7 / 1906 |
|
|
Dracula's message and theme
|
|
3 / 836 |
|
|
Dubliners
|
|
3 / 609 |
|
|
Earnest Hemingway
|
|
11 / 2826 |
|
|
Earnest Hemmingway
|
|
6 / 1462 |
|
|
Earnest Hemmingway
|
|
11 / 2932 |
|
|
Economic Standing
|
|
2 / 539 |
|
|
Elizabeth
|
|
4 / 956 |
|
|
Emily Dickinson's use of Language Techniques
|
|
3 / 567 |
|
|
Ender's Game- Unnaccepted
|
|
7 / 1723 |
|
|
English Grammar
|
|
16 / 4450 |
|
|
English Media Coursework (Saving Private Ryan)
|
|
7 / 1929 |
|
|
English Proverbs
|
|
36 / 9967 |
|
|
English
|
|
13 / 3422 |
|
|
Epic of Gilgamesh: A Hero
|
|
6 / 1498 |
|
|
Ernest Hemingway - An American Contemporary
|
|
14 / 3808 |
|
|
Ernest Hemingway
|
|
14 / 3809 |
|
|
Ernest Hemingway
|
|
8 / 1997 |
|
|
Ernest Hemingway
|
|
5 / 1312 |
|
|
Ernest Hemmingway
|
|
11 / 2934 |
|
|
Essay
|
|
19 / 5269 |
|
|
EverQuest
|
|
4 / 877 |
|
|
Evolution, God and Society
|
|
3 / 635 |
|
|
Explication of "Auto Wreck"
|
|
2 / 311 |
|
|
Explore how the character of Prospero develops in the course of The Tempest. How does the Prospero of Act One Scene Two compare to that we hear in the final scene of the play? Compare your interpretation of the play with that of other critics.
|
|
6 / 1609 |
|
|
Eyes of a Blue Dog by Gabriel Garcia Marquez
|
|
9 / 2505 |
|
|
F.Scott Fitsgerald's "The Great Gatsby"-The surface and deeper readings that are presented
|
|
10 / 2565 |
|
|
F.Scott Fitzgerald's "The Great Gatsby" comparison and contrasted with Jane Austens Pride and Prejudice
|
|
6 / 1620 |
|
|
FISHNG WITH DAD
|
|
3 / 832 |
|
|
Family Relationships in “The Moths” and “Saving Sourdi”
|
|
4 / 931 |
|
|
Farwell to Arms
|
|
2 / 523 |
|
|
Fate
|
|
4 / 861 |
|
|
Ferry Ride
|
|
5 / 1206 |
|
|
Ferry
|
|
4 / 1050 |
|
|
Film adaptations of Charlie & the Chocolate Factory
|
|
14 / 3821 |
|
|
Financial Education
|
|
5 / 1240 |
|
|
Finding Nemo
|
|
4 / 1074 |
|
|
Fishing (Compare And Contrast)
|
|
4 / 1098 |
|
|
Foul
|
|
1 / 238 |
|
|
Four Genre Outlines
|
|
7 / 1681 |
|
|
Frank Kafka
|
|
9 / 2493 |
|
|
Frankenstein
|
|
4 / 948 |
|
|
Frankenstein
|
|
13 / 3421 |
|
|
Frankenstein
|
|
6 / 1495 |
|
|
Frankenstein
|
|
6 / 1494 |
|
|
Frankenstein
|
|
9 / 2458 |
|
|
Frankenstien
|
|
3 / 671 |
|
|
Funpix
|
|
77 / 21509 |
|
|
GAy rights
|
|
9 / 2324 |
|
|
Gatsby
|
|
4 / 855 |
|
|
Gilgamesh Vs. Noah And The Flood
|
|
4 / 1052 |
|
|
Gilgamesh a Hero
|
|
6 / 1610 |
|
|
Gilgamesh
|
|
6 / 1637 |
|
|
Glen Gary Glen Ross
|
|
8 / 2108 |
|
|
Glen The Genius
|
|
40 / 10993 |
|
|
Global Warming Paper
|
|
11 / 2897 |
|
|
Glossolalia
|
|
6 / 1588 |
|
|
Gmat Study
|
|
13 / 3367 |
|
|
Goblin Market - Poetry
|
|
4 / 1007 |
|
|
Going South
|
|
9 / 2519 |
|
|
Good Will Hunting
|
|
4 / 983 |
|
|
Graduation Trip
|
|
7 / 1874 |
|
|
Great Expectations- Character Analysis
|
|
37 / 10108 |
|
|
Growing Up One "Summer"
|
|
1 / 280 |
|
|
Gulliver's change throughout Gulliver's Travels
|
|
4 / 908 |
|
|
Hallow
|
|
6 / 1441 |
|
|
Hamlet composition
|
|
1 / 264 |
|
|
Hans Christian Anderson's Little Mermaid
|
|
4 / 858 |
|
|
Heart Of Darkess
|
|
3 / 698 |
|
|
Heart Of Darkness Compared To Apocalypse Now
|
|
7 / 1757 |
|
|
Heart Of Darkness
|
|
3 / 743 |
|
|
Heart Of Darkness
|
|
2 / 473 |
|
|
Heart Of Darkness/symbolizm
|
|
3 / 649 |
|
|
Heart of Darkness - Summary
|
|
4 / 1047 |
|
|
Heart of Darkness Symbolism
|
|
3 / 679 |
|
|
Heart of Darkness versus Apocalypse Now
|
|
2 / 491 |
|
|
Heart of Darkness, Things Fall Apart and Apocalypse Now Comparison
|
|
8 / 2079 |
|
|
Heart of Darkness
|
|
39 / 10820 |
|
|
Heart of darkness
|
|
3 / 665 |
|
|
Heart of the Ideal (Heart of Darkness)
|
|
6 / 1650 |
|
|
Hello
|
|
3 / 725 |
|
|
Hero Essay
|
|
2 / 331 |
|
|
Hero's Journey
|
|
8 / 2109 |
|
|
Hester Prynne
|
|
4 / 908 |
|
|
High School Students on the Job
|
|
4 / 1007 |
|
|
Hispanic American Diversity
|
|
4 / 1099 |
|
|
Homer in Book 9 of the Odyssey
|
|
3 / 619 |
|
|
How Do Samuel Beckett (“Waiting For Godot”) And Gabriel Garcia Marquez (“Chronicles Of A Death Foretold”) Manage To Break The Chains Of A Circular Novel/Play?
|
|
4 / 877 |
|
|
How Is It Possible
|
|
3 / 648 |
|
|
How Would You Wrap That?
|
|
4 / 981 |
|
|
How does Arthur Miller use dramatic devises
|
|
3 / 653 |
|
|
How does the director, Steven Spielberg, create suspense, and scare the audience in the 1970's film, Jaws?
|
|
10 / 2730 |
|
|
How to Read Lit like a Prof Notes
|
|
13 / 3445 |
|
|
Huck Finn Analysis
|
|
4 / 1010 |
|
|
Huck Finn
|
|
3 / 777 |
|
