Discount applied successfully
| Title |
|
Pages / Words |
Save |
|
How does Ford portray the city of Parma? How might an English audience in the 1630’s respond?
|
|
4 / 1065 |
|
|
How does Miller dramatise the downfall of Eddie Carbone?
|
|
10 / 2743 |
|
|
How does Miller dramatise the downfall of Eddie Carbone?
|
|
10 / 2743 |
|
|
How does Shakepear use dramatic devices in Act3 Scene1 of Romeo and Juliet in order to make it such an intersting, exciting and important scene?
|
|
6 / 1584 |
|
|
How does Shakespeare present love and marriage in ?Much Ado About Nothing' and how might a modern audience respond to the presentation of these themes?
|
|
6 / 1639 |
|
|
How effective is the end of Act III as an ending to this act and as a preparation for the rest of the play?
|
|
12 / 3094 |
|
|
How far is Shylock a character for whom we can feel sympathy?
|
|
6 / 1611 |
|
|
How is the Fool presented in 'King Lear'?
|
|
8 / 2000 |
|
|
How successfully does Forster hang his meta-physical and philosophical ideas on the narrative framework of A Passage to India?
|
|
4 / 969 |
|
|
How to Read Lit like a Prof Notes
|
|
13 / 3445 |
|
|
How to forget an insult
|
|
4 / 1033 |
|
|
Hubris in the Iliad
|
|
3 / 698 |
|
|
Human Characteristics
|
|
4 / 932 |
|
|
Human Nature
|
|
3 / 678 |
|
|
Humanity and Moral in Hamlet
|
|
3 / 589 |
|
|
Humour In Shakespeare
|
|
8 / 2176 |
|
|
Hypocrisy IN the Scarlet Letter
|
|
3 / 598 |
|
|
Hypocrisy In The Scarlet Letter
|
|
6 / 1651 |
|
|
Hysteria and The Crucible
|
|
6 / 1669 |
|
|
I am a Jew
|
|
6 / 1471 |
|
|
Iago of Othello
|
|
3 / 695 |
|
|
Iago's Plan
|
|
3 / 696 |
|
|
Iago's Vengefulness
|
|
2 / 522 |
|
|
Iago's evilness vs Othello's race
|
|
4 / 914 |
|
|
Iago
|
|
5 / 1228 |
|
|
Iago: The Almost Too Perfect Villain
|
|
4 / 998 |
|
|
Iago:The Evil In Othello
|
|
4 / 958 |
|
|
If you don't kill it, it'll kill you.
|
|
4 / 1034 |
|
|
Iliad's conflict
|
|
3 / 678 |
|
|
Iliad, Homer
|
|
3 / 743 |
|
|
Iliad
|
|
8 / 2123 |
|
|
Illiad
|
|
7 / 1792 |
|
|
Illiad
|
|
2 / 554 |
|
|
Imagery In Macbeth
|
|
3 / 617 |
|
|
Imagery In Othello
|
|
6 / 1570 |
|
|
In Cold Blood notes
|
|
25 / 6746 |
|
|
In Mary Shelley's ?Frankenstein', how does the creator's feeling towards the monster change throughout the novel?
|
|
8 / 1966 |
|
|
In Memoriam: reinvention of faith for the scientific age?
|
|
10 / 2662 |
|
|
In The Wild Response Sample
|
|
8 / 2010 |
|
|
In the novel Frankenstein, by Mary Shelley, Victor Frankenstein is the true monster, not the creature himself.
|
|
7 / 1893 |
|
|
Indecisiveness in Hamlet
|
|
3 / 765 |
|
|
Indentity Loss
|
|
3 / 727 |
|
|
Indian Killer
|
|
5 / 1256 |
|
|
Indian lit. in english - Untouchable
|
|
12 / 3336 |
|
|
Influential Attitude Of Hamlet
|
|
6 / 1478 |
|
|
Inheritance
|
|
5 / 1187 |
|
|
Inheritance
|
|
5 / 1146 |
|
|
Innformative speech on Teenage Suicide
|
|
2 / 559 |
|
|
Innocence of a child
|
|
12 / 3151 |
|
|
Insanity and Sanity In Hamlet
|
|
4 / 984 |
|
|
Interpertation
|
|
4 / 945 |
|
|
Introducing Shakespeare
|
|
13 / 3422 |
|
|
Introductory Lecture On Shakespeare's Hamlet
|
|
43 / 12028 |
|
|
Irony
|
|
4 / 889 |
|
|
Is Falling Failure or Freedom?
|
|
5 / 1258 |
|
|
Is George A Failure?
|
|
3 / 663 |
|
|
Is capital punishment defensible?
|
|
6 / 1576 |
|
|
Isolation Within The Scarlet Letter
|
|
4 / 1061 |
|
|
Jackie Robinson
|
|
1 / 214 |
|
|
James Joyce annotated bibliography
|
|
12 / 3352 |
|
|
Jane Austen’s novels and the contemporary social and literary conventions.
|
|
46 / 12664 |
|
|
Jane Eyre
|
|
3 / 832 |
|
|
John Keats
|
|
11 / 2995 |
|
|
John Proctor
|
|
3 / 623 |
|
|
Joni Mitchell and William Wordsworth
|
|
3 / 680 |
|
|
Joseph From Genesis & Odyseeus From The Odyssey
|
|
2 / 553 |
|
|
Journal Of Short Stories
|
|
8 / 1997 |
|
|
Journeys- My Place
|
|
3 / 655 |
|
|
Jules verne
|
|
3 / 740 |
|
|
Julius Caesar Flattery
|
|
2 / 552 |
|
|
Julius Caesar SUmmary
|
|
4 / 1096 |
|
|
Julius Caesar Vs Mark Anthony
|
|
4 / 1105 |
|
|
Julius Caesar's Influential Themes
|
|
11 / 2947 |
|
|
Julius Caesar
|
|
11 / 2826 |
|
|
Julius Caesar
|
|
2 / 402 |
|
|
Justice - Persausive speech
|
|
4 / 916 |
|
|
Keeper of the House English Commentary
|
|
4 / 1009 |
|
|
Khaled Hosseini's "the kite runner" demonstrates that hard and unsettled times bring out the best as well as the worst in human nature
|
|
3 / 628 |
|
|
King Arthur
|
|
4 / 1010 |
|
|
King Lear And Hamlet
|
|
2 / 412 |
|
|
King Lear and Hamlet: The Makings of a Tragic Hero
|
|
6 / 1619 |
|
|
King Lear interpersonal relationships between characters illustrated in two different productions
|
|
3 / 812 |
|
|
King Lear summarry
|
|
3 / 631 |
|
|
King Lear-Fortune
|
|
8 / 2001 |
|
|
King Lear
|
|
1 / 223 |
|
|
Kite Runner
|
|
4 / 1054 |
|
|
LA Confidential Corruption: Morality
|
|
5 / 1289 |
|
|
LADY SINGS THE BLUES
|
|
5 / 1376 |
|
|
Langston Hughes And Bob Dylan
|
|
4 / 961 |
|
|
Lear -Christian Vs Nihilist
|
|
7 / 1879 |
|
|
Lewis Carroll
|
|
9 / 2391 |
|
|
Licence To Kill
|
|
8 / 2125 |
|
|
Life Without Parole
|
|
5 / 1219 |
|
|
Light Vs. Dark
|
|
4 / 894 |
|
|
Literature from the Anglo-Saxon period through the Seventeenth Century
|
|
11 / 3040 |
|
|
Literature
|
|
2 / 529 |
|
|
Litreture
|
|
10 / 2793 |
|
|
"In what ways is ?The Taming of the Shrew' an appropriate title for the play?". An exploration of Shakespeare's dramatic presentation of Katherina.
|
|
6 / 1435 |
|
|
"The plotting of Iago is both incredible and without substance". To what extent do you agree or disagree with his statement?
|
|
5 / 1399 |
|
|
"Two Friends" by Guy de Maupassant
|
|
3 / 707 |
|
|
a case for torture
|
|
2 / 295 |
|
|
a midsummer night's dream
|
|
2 / 457 |
|
|
a writing oddysey
|
|
7 / 1684 |
|
|
achilles vs gilgamesh
|
|
5 / 1210 |
|
|
all quiet on the western front notes
|
|
26 / 7167 |
|
|
analysis of Telemachus
|
|
6 / 1530 |
|
|
barn burning
|
|
3 / 631 |
|
|
beowolf
|
|
3 / 606 |
|
|
beowu;f
|
|
2 / 463 |
|
|
best friends and lovers a community of two
|
|
2 / 384 |
|
|
biblical themes in shakespeare's the tempest
|
|
7 / 1697 |
|
|
bluest eye
|
|
8 / 2231 |
|
|
capital punishment
|
|
8 / 2196 |
|
|
capitol punishment
|
|
3 / 675 |
|
|
cask of amontilado
|
|
7 / 1850 |
|
|
casterbridge
|
|
4 / 902 |
|
|
cats eye
|
|
5 / 1154 |
|
|
character flaws and tragedy
|
|
9 / 2265 |
|
|
characterisation of hamlet
|
|
6 / 1564 |
|
|
characterisation of hamlet
|
|
3 / 567 |
|
|
chaucer
|
|
14 / 3779 |
|
|
child abuse
|
|
5 / 1293 |
|
|
chorus role in medea
|
|
3 / 682 |
|
|
clockwork orange
|
|
6 / 1475 |
|
|
cloning
|
|
5 / 1331 |
|
|
compare Hamlet and Faustus
|
|
6 / 1407 |
|
|
crash
|
|
7 / 1943 |
|
|
critical appreciation
|
|
3 / 737 |
|
|
critism on othello
|
|
8 / 2199 |
|
|
crucible
|
|
2 / 349 |
|
|
cultural context in view from a bridge by arthur miller
|
|
7 / 1776 |
|
|
culture and conflict
|
|
6 / 1422 |
|
|
demon lover
|
|
2 / 348 |
|
|
dickenss
|
|
4 / 1063 |
|
|
dora
|
|
46 / 12857 |
|
|
dubus killings
|
|
3 / 742 |
|
|
edgar allen poe
|
|
5 / 1212 |
|
|
evolution
|
|
7 / 1842 |
|
|
examine how John Wyndham in ‘Dumb Martian’ captures the moment when someone’s life changes dramatically.
|
|
2 / 421 |
|
|
femininity in Euripides’ ‘Medea’ and Jean Rhys’ ‘Wide Sargasso Sea’.
|
|
5 / 1227 |
|
|
frankenstein- suffering of an individual
|
|
6 / 1624 |
|
|
frankenstein
|
|
7 / 1697 |
|
|
gandhi
|
|
5 / 1128 |
|
|
gangs of new york
|
|
4 / 917 |
|
|
gatsby lit
|
|
2 / 452 |
|
|
gatsby
|
|
3 / 613 |
|
|
genesis vs. theogony
|
|
5 / 1209 |
|
|
ghost story narritive
|
|
6 / 1505 |
|
|
gone with the wind
|
|
7 / 1910 |
|
|
gothic in Frankenstein
|
|
4 / 934 |
|
|
gothic
|
|
9 / 2431 |
|
|
great expectations essay
|
|
2 / 501 |
|
|
guest-host relationships within the Odyssey (citations included)
|
|
3 / 775 |
|
|
ha,let vs leartes
|
|
3 / 772 |
|
|
hamlet and macbeth
|
|
5 / 1130 |
|
|
hamlet metaphor
|
|
4 / 962 |
|
|
hamlet research paper
|
|
6 / 1500 |
|
|
hamlet revenge
|
|
1 / 215 |
|
|
hamlet soliloquies
|
|
3 / 626 |
|
|
hamlet,a tragedy of failure
|
|
4 / 987 |
|
|
hamlet
|
|
7 / 1689 |
|
|
hamlet
|
|
2 / 512 |
|
|
hamlet
|
|
3 / 569 |
|
|
hamlet
|
|
6 / 1526 |
|
|
hamlet
|
|
2 / 371 |
|
|
hamlet
|
|
10 / 2549 |
|
|
hamlet
|
|
5 / 1147 |
|
|
hamlet
|
|
4 / 1098 |
|
|
hamlet
|
|
3 / 765 |
|
|
hamlet
|
|
8 / 1994 |
|
|
hamlet
|
|
8 / 2087 |
|
|
hamlet
|
|
5 / 1219 |
|
|
hamlet
|
|
5 / 1148 |
|
|
hamlet
|
|
3 / 731 |
|
|
hamlet
|
|
5 / 1198 |
|
|
hamlet
|
|
6 / 1408 |
|
|
hamlet
|
|
2 / 426 |
|
|
hamlet: critical analysis
|
|
7 / 1711 |
|
|
hamlet: sanity vs insanity
|
|
3 / 761 |
|
|
helen of troy
|
|
10 / 2661 |
|
|
hero
|
|
4 / 1106 |
|
|
hesitant hamlet
|
|
3 / 788 |
|
|
houde of the scorpion
|
|
3 / 640 |
|
|
how does shakespeare use conflict in Hamlet as a way of exploring ideas?
|
|
9 / 2439 |
|
|
how to jerk off
|
|
8 / 2136 |
|
|
huck finn
|
|
7 / 1696 |
|
|
iago's rethoric
|
|
3 / 716 |
|
|
im not scared
|
|
4 / 971 |
|
|
in dubious battle
|
|
2 / 333 |
|
|
is achilles treatment of hector's body conduct unbecoming a knight?
|
|
6 / 1455 |
|
|
jane eyre, a passage to india , and the tempest
|
|
3 / 584 |
|
|
jasmine
|
|
3 / 820 |
|
|
journeys
|
|
5 / 1316 |
|
|
julius caesasr
|
|
3 / 763 |
|
|
little romeo
|
|
6 / 1410 |
|
|
“Some shall be pardoned, and some punished.” -romeo and juliet
|
|
2 / 397 |
|
|
'Romeo And Juliet' - Values And The Human Condition (Also A Bit On Donne'S 'The Sunne Rising')
|
|
4 / 1011 |
|
|
LOYALTY IN ODYSSEY
|
|
3 / 800 |
|
|
Looking closely at Act 5 sc 3 and Act 3 sc 3 how does Shakespeare make Coriolanus into a tragic character?
|
|
7 / 1784 |
|
|
Looking for Alibrandi book review
|
|
3 / 789 |
|
