Discount applied successfully
Title |
|
Pages / Words |
Save |
Whence Reform? A Critique Of The Stiglitz Perspective
|
|
54 / 15097 |
|
Wine Industry
|
|
27 / 7468 |
|
Women In Leadership Roles
|
|
8 / 2082 |
|
Work
|
|
2 / 381 |
|
youth and globalization
|
|
24 / 6627 |
|
27 waggons full of cotton
|
|
17 / 4481 |
|
A 13th Century Blockbuster Hit
|
|
8 / 2118 |
|
A Beautiful Sin
|
|
3 / 806 |
|
A Biography On Lousia May Alcot
|
|
2 / 465 |
|
A Critical Analysis of Hamlet
|
|
7 / 1711 |
|
A Memoir: The Recess
|
|
13 / 3449 |
|
A Personal Anthology
|
|
5 / 1367 |
|
A Stranger In The Wood
|
|
3 / 748 |
|
A positivism of disobedience
|
|
5 / 1178 |
|
ACT I notes: King Lear
|
|
6 / 1541 |
|
Abigail Williams
|
|
1 / 243 |
|
Age Of Reason
|
|
4 / 980 |
|
Age Of Reason
|
|
4 / 980 |
|
Age of Exploration
|
|
6 / 1494 |
|
Ages of Faith, Reason, and Romantics
|
|
3 / 788 |
|
American Colonies
|
|
6 / 1462 |
|
American Dream
|
|
2 / 488 |
|
American Literature
|
|
4 / 855 |
|
American Romantic literature
|
|
5 / 1192 |
|
American Writers And Their Works: Hawthorne, Poe, And Whitman
|
|
13 / 3634 |
|
An Analysis Of The Indomitable Spirit Of Man In Henry Wadsworth Longfe
|
|
6 / 1564 |
|
An Analysis of Anne Bradstreet's "The Prologue"
|
|
6 / 1510 |
|
An Examination of “The Lottery” and How This Disturbing Theme Applies
|
|
9 / 2278 |
|
An Explination of Jealousy in The Crucible
|
|
8 / 1983 |
|
An Interpretation: Who was Anne Bradstreet
|
|
3 / 685 |
|
Analysis Of Necklace
|
|
4 / 1065 |
|
Analysis On Racism In Huck Finn
|
|
6 / 1646 |
|
Analysis of a poem
|
|
4 / 877 |
|
Analysis of the Crucible
|
|
12 / 3278 |
|
Andrew Marvell, “To His Coy Mistress”
|
|
5 / 1393 |
|
Angry God
|
|
2 / 334 |
|
Anne Bradstreet - Feminine but Feminist
|
|
2 / 520 |
|
Anne Bradstreet And Mary Rowlandson
|
|
3 / 590 |
|
Anne Bradstreet Position paper
|
|
2 / 544 |
|
Anne Bradstreet'S Verses Upon The Burning Of Our House
|
|
3 / 657 |
|
Anne Bradstreet
|
|
5 / 1129 |
|
Anne Bradstreet
|
|
3 / 763 |
|
Anne Bradstreet
|
|
3 / 815 |
|
Anne Bradstreet
|
|
4 / 1116 |
|
Arthur Dimmesdale: Tragic Hero Or Merely Tragic?
|
|
5 / 1280 |
|
Audience And Critics Have Said The Crucible Is Deeply Moving And Exciting. Discuss How Millers Stagecraft In Particular At The Begining And Ends Of The Acts Contributes To The Overall Drama Of The Texts
|
|
4 / 1093 |
|
Balance of Payments
|
|
5 / 1215 |
|
Beowulf
|
|
2 / 546 |
|
Biography Of Nataniel Hawthorne
|
|
5 / 1352 |
|
Book Review On Black Boy
|
|
4 / 968 |
|
Brandstreet and Female Identity
|
|
2 / 434 |
|
Bwl
|
|
4 / 973 |
|
Carnival of Mirrors: The Many Layers of Young Goodman Brown
|
|
8 / 1964 |
|
Character Analysis of Hester Prynne
|
|
9 / 2488 |
|
Character Development In Sense And Sensibility
|
|
3 / 712 |
|
Characterization and Allegory in "Young Goodman Brown"
|
|
4 / 942 |
|
Chilling Sins
|
|
3 / 737 |
|
Chillingworth's Views
|
|
3 / 627 |
|
China's One Child Policy
|
|
2 / 529 |
|
Church and State
|
|
6 / 1495 |
|
Colonial American Settlement
|
|
6 / 1443 |
|
Colonization of America
|
|
3 / 739 |
|
Compare and contrast ‘Cousin Kate’ by Christina Rossetti with ‘The Seduction’ by Eileen McAuley.
|
|
18 / 4863 |
|
Comparing the Contrasting
|
|
6 / 1561 |
|
Comparison Between King Lear and A Thousand Acres
|
|
2 / 497 |
|
Comparison Of Crucible And The Scarlet Letter
|
|
3 / 630 |
|
Conflict In Nathaniel Hawthorne'S The Scarlet Letter
|
|
4 / 973 |
|
Corage In The Crucible
|
|
3 / 801 |
|
Cowardice and Redemption As Seen in The Scarlet Letter
|
|
3 / 838 |
|
Creative Writing: Things And Stuff
|
|
1 / 160 |
|
Criticism of On His Blindnessby John Milton
|
|
1 / 219 |
|
Crucible Effects
|
|
4 / 1005 |
|
Crucible Essay
|
|
3 / 731 |
|
Crucible
|
|
3 / 781 |
|
Cultural differences between Poland and England
|
|
9 / 2451 |
|
DEFOE'S FAILURE TO JUSTIFY PROVIDENCE
|
|
2 / 356 |
|
Damning Of The Masses
|
|
2 / 530 |
|
Dangers Of A Totalitarian Society Exposed In Brave New World
|
|
9 / 2515 |
|
Darkness
|
|
35 / 9677 |
|
Death Of Salesman
|
|
3 / 839 |
|
Death as a theme in the writings of Emily Dickinson
|
|
11 / 2937 |
|
Deception in Twelfth Night
|
|
7 / 1704 |
|
Descriptive Essay
|
|
2 / 539 |
|
Developing The American Identity
|
|
5 / 1163 |
|
Differences between Il Pecorne and A Merchant of Venice
|
|
3 / 706 |
|
Differring Religions In Today's
|
|
5 / 1228 |
|
Discuss the importance of female characters in The Crucible and Snow Falling on Cedars. Compare the ways they are presented.
|
|
12 / 3092 |
|
Discuss “The Duchess of Malfi” as a revenge tragedy.
|
|
5 / 1306 |
|
Downfall of Young Goodman Brown
|
|
7 / 1802 |
|
Drtdrt
|
|
2 / 303 |
|
Early American Literature
|
|
7 / 1811 |
|
Early American Literature
|
|
3 / 827 |
|
Edna,Hester, and Huck
|
|
2 / 398 |
|
Emily Bronte's Writing Technique in Wuthering Heights
|
|
4 / 903 |
|
Emily Dickinson's Poetry
|
|
4 / 1062 |
|
Emily Dickinson
|
|
6 / 1559 |
|
Emily Dickinson
|
|
4 / 1119 |
|
Emily Dickinson
|
|
3 / 832 |
|
Enduring Love By Ian McEwan
|
|
5 / 1364 |
|
English Literature
|
|
17 / 4588 |
|
English My Love And Life
|
|
4 / 852 |
|
English Proverbs
|
|
36 / 9967 |
|
Enlightenment, Transcendentalism, and Puritan Theology
|
|
7 / 1782 |
|
Euthanasia: A Hot Topic
|
|
6 / 1528 |
|
Every Woman Is A Novel :A Jest Of God
|
|
6 / 1615 |
|
EveryKing
|
|
6 / 1466 |
|
Explore The Use Of Disguise And Deception In Twelfth Night
|
|
9 / 2307 |
|
Faith
|
|
2 / 355 |
|
Family: Hamlet and The LIon in Winter
|
|
20 / 5426 |
|
Fate Or Face? Young Goodman Brown
|
|
4 / 986 |
|
Freud, Id, Ego and SuperEgo
|
|
7 / 1770 |
|
Funpix
|
|
77 / 21509 |
|
Gays Without Rights
|
|
7 / 1906 |
|
Genetic meals
|
|
4 / 961 |
|
Gilgamesh
|
|
6 / 1635 |
|
Godard
|
|
27 / 7463 |
|
Good and Evil in The Crucible
|
|
2 / 480 |
|
Great Expectation
|
|
14 / 3681 |
|
Great Expectations- Character Analysis
|
|
37 / 10108 |
|
Great Expectations
|
|
4 / 984 |
|
Great Gasby
|
|
3 / 772 |
|
Great Gatsby
|
|
4 / 999 |
|
Great Gatsby
|
|
7 / 1939 |
|
Great Gatsby
|
|
3 / 830 |
|
Great Gatsby
|
|
5 / 1213 |
|
Greeds Negative Consequences
|
|
5 / 1214 |
|
Gullivers travels
|
|
5 / 1356 |
|
Gunpowder Plot
|
|
4 / 992 |
|
Handmaid's Tale
|
|
9 / 2353 |
|
Hannie rayson - inheritance
|
|
3 / 696 |
|
Hate Crimes
|
|
4 / 909 |
|
Hawthorn Swings, And Misses
|
|
2 / 484 |
|
Hawthorne
|
|
2 / 383 |
|
Hawthorne
|
|
1 / 99 |
|
Heart of Darkness Symbolism
|
|
3 / 679 |
|
Heathcliff: Made A Villain By Love
|
|
4 / 914 |
|
Henry Wadsworth Longfellow
|
|
3 / 731 |
|
Henry Wadsworth Longfellow
|
|
2 / 291 |
|
Here Follows Some Verses
|
|
2 / 429 |
|
Hero of Paradie Lost
|
|
6 / 1617 |
|
Hester Prynne and Henry David Thoreau: Rebels in Society
|
|
5 / 1261 |
|
Hester Prynne: The Search For a More Congenial
|
|
7 / 1690 |
|
Hester as A Self-Reliant Character
|
|
3 / 838 |
|
Hg Wells: The Shape Of Things To Come
|
|
2 / 501 |
|
History of MGM studio
|
|
6 / 1444 |
|
Hj
|
|
40 / 10943 |
|
House Of The Seven Gables
|
|
11 / 2916 |
|
How Does Dickens present the theme of childhood in Oliver Twist.
|
|
3 / 689 |
|
How To Read Literature Like A Professor
|
|
5 / 1376 |
|
How Young Goodman Brown Became Old Badman Brown
|
|
6 / 1437 |
|
How effective is the end of Act III as an ending to this act and as a preparation for the rest of the play?
|
|
12 / 3094 |
|
Huck Finn not a racist
|
|
3 / 619 |
|
Huck Finn
|
|
3 / 652 |
|
Huckleberry Finn
|
|
4 / 860 |
|
Huswifery" and "To a Waterfowl
|
|
3 / 571 |
|
Hypocrisy In The Scarlet Letter
|
|
6 / 1651 |
|
Hysteria and The Crucible
|
|
6 / 1669 |
|
Identity in America
|
|
7 / 1685 |
|
Imagers- Scarlet Letter
|
|
2 / 304 |
|
In Bad Blood, find the passage which begins in chapter 8 with ?My mother felt?' (p.125) and finishes in chapter 9 with ?I found a place to hide.' (p.131).
|
|
4 / 1112 |
|
In love with Shakespeare
|
|
5 / 1198 |
|
Inheritance - characters reflecting differences
|
|
3 / 671 |
|
Inheritance
|
|
5 / 1187 |
|
Inheritance
|
|
0 / 0 |
|
Inheritance
|
|
5 / 1146 |
|
Inhertitance
|
|
3 / 621 |
|
Investigative Reporting
|
|
3 / 669 |
|
Island Voices
|
|
6 / 1662 |
|
Isolation Through Symbolism in Nathaniel Hawthorne's The Scarlet Lette
|
|
3 / 681 |
|
Isolation Within The Scarlet Letter
|
|
4 / 1061 |
|
Isolation and the Involvement of Evil
|
|
4 / 955 |
|
James Russell Lowell
|
|
8 / 2012 |
|
Jane Eyre Compared to The Great Gatsby
|
|
5 / 1282 |
|
Jane Eyre(Plot Overview)
|
|
3 / 740 |
|
Jane Eyre, One Of The Greatest Love Stories Of All Time?
|
|
8 / 2005 |
|
Jane Eyre
|
|
6 / 1658 |
|
Jane Eyre
|
|
38 / 10602 |
|
Jane Eyre
|
|
5 / 1138 |
|
Jane Eyre
|
|
9 / 2275 |
|
Jane eyre binary
|
|
2 / 463 |
|
Jean_jacques Rousseau
|
|
5 / 1344 |
|
John Keats
|
|
11 / 2995 |
|
John Proctor's Role In The Crucible
|
|
4 / 1042 |
|
Jose Arcadio Buendia
|
|
5 / 1350 |
|
Journey into the Puritan Heart: Nathaniel's Hawthorne's Young Goodman
|
|
12 / 3188 |
|
Julius Cearer
|
|
8 / 2098 |
|
Justice in King Lear
|
|
4 / 864 |
|
KIng lear
|
|
5 / 1243 |
|
King Lear interpersonal relationships between characters illustrated in two different productions
|
|
3 / 812 |
|
King Lear-Fortune
|
|
8 / 2001 |
|
King Lear
|
|
3 / 650 |
|
King Lear
|
|
7 / 1938 |
|
King Lear
|
|
4 / 1057 |
|
Language and the Social Background
|
|
12 / 3165 |
|
Laws vs. Morals in Huck Finn
|
|
2 / 517 |
|
Learning Shakespeare
|
|
2 / 303 |
|
Life Of Charles Dickens
|
|
6 / 1440 |
|
Life Of Pericles
|
|
3 / 780 |
|
Literature from the Anglo-Saxon period through the Seventeenth Century
|
|
11 / 3040 |
|
"The Crucible" critical analysis
|
|
2 / 353 |
|