Discount applied successfully
Title |
|
Pages / Words |
Save |
Story Of An Hour By Cate Chopin
|
|
6 / 1501 |
|
Streetcard Named Desire
|
|
4 / 921 |
|
Strong Females in the work of Miller, and Williams
|
|
6 / 1511 |
|
Struggle of Pity within the Inferno
|
|
5 / 1349 |
|
Styron, William
|
|
10 / 2685 |
|
Sunday in the park.
|
|
4 / 907 |
|
Super Size Me
|
|
1 / 76 |
|
Survivors of the Epic Floods
|
|
5 / 1314 |
|
Swift Modest Proposal
|
|
3 / 820 |
|
Sylvia Plaths Preoccupation With Death [Edge & Lady Lazarus]
|
|
5 / 1338 |
|
Symbolism in The Veil
|
|
6 / 1478 |
|
Symbolism in "A Rose For Emily"
|
|
3 / 568 |
|
Symbols in The Rime of the Ancient Mariner
|
|
9 / 2369 |
|
Sympathy for PIP
|
|
9 / 2496 |
|
Sympathy for Willy Loman - Death of a Salesman
|
|
5 / 1236 |
|
THE MASS HYSTERIA IN SALEM
|
|
2 / 509 |
|
Task: - Explain what act 1 scene 7 tells us about the character of Macbeth and Lady Macbeth. What is troubling Macbeth at the beginning of the scene and how does Lady Macbeth persuade him to go through with the murder of Duncan?
|
|
6 / 1639 |
|
Term Paper
|
|
2 / 288 |
|
Tess of the D'Urbervilles Paper
|
|
4 / 1072 |
|
The Alienation of Emily Grierson
|
|
3 / 699 |
|
The Allegory Of The Cave: Turn Around
|
|
5 / 1396 |
|
The American Dream. Or Nightmare?
|
|
5 / 1268 |
|
The Bull Moose
|
|
3 / 658 |
|
The Castle Of Otranto
|
|
4 / 1018 |
|
The Character of Elizabeth Bennet in Jane Austen's novel Pride and Prejudice
|
|
6 / 1661 |
|
The Color Purple vs. The Joy Luck Club
|
|
4 / 992 |
|
The Crucible (play)
|
|
4 / 919 |
|
The Crucible - Analysis of John Proctor
|
|
2 / 302 |
|
The Crucible - Character Responsibilities
|
|
4 / 883 |
|
The Crucible Act 4
|
|
2 / 284 |
|
The Crucible And McCarthyism
|
|
2 / 517 |
|
The Crucible And The Birthmark - Human Failures
|
|
2 / 408 |
|
The Crucible By Arthur Miller
|
|
9 / 2513 |
|
The Crucible Character comparison essay
|
|
4 / 1066 |
|
The Crucible Essay
|
|
4 / 924 |
|
The Crucible GCSE Coursework
|
|
5 / 1221 |
|
The Crucible Journals
|
|
5 / 1160 |
|
The Crucible Movie Review
|
|
2 / 525 |
|
The Crucible Narrative Essay
|
|
2 / 362 |
|
The Crucible Seminar
|
|
3 / 832 |
|
The Crucible Thematic Essay
|
|
7 / 1685 |
|
The Crucible Theme Essay
|
|
2 / 552 |
|
The Crucible Theme Essay
|
|
2 / 491 |
|
The Crucible ? sample essay on playing Elizabeth Proctor
|
|
8 / 2085 |
|
The Crucible *notes*
|
|
4 / 973 |
|
The Crucible and McCarthy Trials
|
|
2 / 495 |
|
The Crucible by me
|
|
4 / 1009 |
|
The Crucible- Tragic Hero Persuasive Essay
|
|
2 / 538 |
|
The Crucible- fear which shaped society
|
|
3 / 593 |
|
The Crucible. Marriage.
|
|
3 / 623 |
|
The Crucible.Marriage
|
|
2 / 327 |
|
The Crucible
|
|
2 / 518 |
|
The Crucible
|
|
1 / 229 |
|
The Crucible
|
|
3 / 570 |
|
The Crucible
|
|
5 / 1275 |
|
The Crucible
|
|
3 / 683 |
|
The Crucible
|
|
4 / 897 |
|
The Crucible
|
|
2 / 410 |
|
The Crucible
|
|
2 / 539 |
|
The Crucible
|
|
2 / 542 |
|
The Crucible
|
|
1 / 265 |
|
The Crucible
|
|
2 / 443 |
|
The Crucible
|
|
5 / 1256 |
|
The Crucible
|
|
3 / 696 |
|
The Crucible
|
|
25 / 6888 |
|
The Crucible
|
|
5 / 1132 |
|
The Crucible
|
|
3 / 811 |
|
The Crucible
|
|
5 / 1311 |
|
The Crucible
|
|
2 / 491 |
|
The Crucible
|
|
3 / 712 |
|
The Crucible
|
|
2 / 451 |
|
The Crucible
|
|
4 / 883 |
|
The Crucible
|
|
2 / 448 |
|
The Crucible
|
|
2 / 396 |
|
The Crucible
|
|
33 / 9013 |
|
The Crucible
|
|
2 / 321 |
|
The Crucible
|
|
2 / 449 |
|
The Crucible
|
|
1 / 251 |
|
The Crucible
|
|
4 / 1096 |
|
The Crucible
|
|
2 / 461 |
|
The Crucible
|
|
1 / 273 |
|
The Crucible
|
|
2 / 519 |
|
The Crucible
|
|
1 / 161 |
|
The Crucible
|
|
1 / 237 |
|
The Crucible
|
|
3 / 677 |
|
The Crucible
|
|
2 / 414 |
|
The Crucible
|
|
2 / 441 |
|
The Crucible
|
|
2 / 472 |
|
The Crucible
|
|
3 / 798 |
|
The Crucible
|
|
3 / 694 |
|
The Crucible
|
|
3 / 758 |
|
The Crucible
|
|
5 / 1297 |
|
The Crucible
|
|
3 / 630 |
|
The Crucible
|
|
1 / 223 |
|
The Crucible
|
|
2 / 473 |
|
The Crucible
|
|
2 / 308 |
|
The Crucible
|
|
3 / 642 |
|
The Crucible: John Proctor's Search for Identity
|
|
3 / 622 |
|
The Crucible: Theocracy Is A Dangerous Form Of Government
|
|
2 / 339 |
|
The Crucible: how is it relevant to today's society?
|
|
3 / 681 |
|
The Dark Romantics
|
|
4 / 925 |
|
The Delusional World of A Young Governess
|
|
9 / 2257 |
|
The Desert
|
|
2 / 380 |
|
The Dramatic Appeal of Human Props in Greek Drama
|
|
9 / 2502 |
|
The Dramatic Significance Of Sick Characters In Ola Rotimi's Plays
|
|
17 / 4537 |
|
The Effects Of The Speeches Of Brutus And Antony
|
|
1 / 277 |
|
The End To Violence Means The Need For Change
|
|
5 / 1151 |
|
The Faces of John
|
|
6 / 1438 |
|
The Feminist Scarlet Letter
|
|
7 / 1695 |
|
The Fish By Elizabeth Bishop
|
|
3 / 833 |
|
The Gathering
|
|
8 / 2180 |
|
The General Prologue
|
|
3 / 787 |
|
The Godlike sciences in Framkenstein
|
|
5 / 1312 |
|
The Good, The Bad, and the Ugly
|
|
5 / 1348 |
|
The Gospel According to Undershaft
|
|
6 / 1598 |
|
The Grasshopper and the Bell Cricket
|
|
5 / 1247 |
|
The Great Gatsby and the tainted American Dream
|
|
9 / 2303 |
|
The Hours
|
|
72 / 19892 |
|
The Iliad
|
|
4 / 985 |
|
The Iliad: Literary Analysis
|
|
6 / 1535 |
|
The Importance of Reputation in Shakespeare's Othello
|
|
3 / 618 |
|
The Importance of a Good Name
|
|
5 / 1222 |
|
The Individual and Society in 19th England
|
|
5 / 1264 |
|
The Influence of Longinus on 18th Century Criticism.
|
|
6 / 1624 |
|
The Invisible Man
|
|
173 / 48269 |
|
The Ironic Secret Adapteur: Hitchcock And Hampton Adapting Conrad’S The Secret Agent
|
|
22 / 5977 |
|
The Lesson
|
|
8 / 2099 |
|
The Long Goodbye summary
|
|
4 / 1060 |
|
The Lost Hoprizon
|
|
4 / 994 |
|
The Lottery: Examples Of Literary Terms, And A Journal Entry
|
|
3 / 699 |
|
The Misconceptions of The Jungle by Upton Sinclair
|
|
3 / 625 |
|
The Poetics by Aristotle & Hamlet by Shakespeare
|
|
5 / 1183 |
|
The Poetry of Judith Wright- An Australian Experience?
|
|
5 / 1215 |
|
The Punishment Suits The Crime For Dante
|
|
2 / 401 |
|
The Quiet American Reading Log
|
|
21 / 5688 |
|
The Scarlet Letter
|
|
3 / 781 |
|
The Scarlet Letter: Tales Of Sin And Confession
|
|
6 / 1454 |
|
The Sorrows of Young Werther
|
|
13 / 3431 |
|
The Sound and the Fury
|
|
6 / 1435 |
|
The Southern Social Themes of Barn Burning
|
|
8 / 2074 |
|
The Stone Angel
|
|
4 / 921 |
|
The Strive for Apollonian and Daemonic Balance within Emily Bronte's Wuthering Heights
|
|
5 / 1133 |
|
The Sun Also Rises Critical Essay
|
|
14 / 3774 |
|
The Taming of the Shrew: The Mirror of Film
|
|
17 / 4621 |
|
The Themes of Emily Dickinson's Poetry
|
|
14 / 3844 |
|
The Themes of Medea
|
|
8 / 1973 |
|
The Things They Carried: Courage Or Cowardice
|
|
3 / 774 |
|
The Truth Cannot Set you Free
|
|
3 / 665 |
|
The Uses Of Deception In Twelth Night
|
|
3 / 697 |
|
The Viking
|
|
18 / 4831 |
|
The White Hotel
|
|
10 / 2666 |
|
The Yellow Wallpaper
|
|
4 / 944 |
|
The Yellow Wallpaper
|
|
3 / 827 |
|
The american dream
|
|
5 / 1252 |
|
The bravest of individuals is one who obeys his or her conscience,"
|
|
3 / 729 |
|
The crucible essay
|
|
5 / 1268 |
|
The crucible
|
|
2 / 509 |
|
The crucible
|
|
4 / 1025 |
|
The development of the concept of love in poetry from Petrarch to Donne
|
|
19 / 5242 |
|
The old man and the sea - comparison between the book and the film
|
|
5 / 1350 |
|
The picture of dorian gray
|
|
18 / 4876 |
|
The role and function of the fool in king lear
|
|
11 / 2928 |
|
Their Eyes Were Watching God
|
|
4 / 915 |
|
Theme Of Betrayal
|
|
3 / 620 |
|
Theme Of Salvation Through Dostoyevsky
|
|
9 / 2366 |
|
Theme of Ann Putnam (The Crucible)
|
|
1 / 10 |
|
Themes: The Crucuble and Ethan From
|
|
2 / 541 |
|
There is no such thing as justice ? in or out of court.
|
|
2 / 307 |
|
They Flee From Me
|
|
12 / 3275 |
|
This phenomenon called love
|
|
9 / 2262 |
|
Thomas Hardy As A War Poet
|
|
7 / 1915 |
|
Tis Pity Shes A Whore: "Alas poor creature, he meant no man harm. That I am sure of!" Discuss Fords use of Bergetto in the play, in the light of this quotation.
|
|
3 / 826 |
|
Title acceptation to the Crucible
|
|
3 / 666 |
|
Tituba: "Scenes Of Schizophrenic, Ego Centric, Paranoiac, Prima Donnas"
|
|
2 / 554 |
|
Tkamb
|
|
3 / 830 |
|
To Kill A Mockingbird Analysis
|
|
3 / 825 |
|
To Kill A Mockingbird
|
|
4 / 861 |
|
To Kill A Mockingbird
|
|
54 / 14912 |
|
To What Extent Is Shakespeare’S ‘King Lear’, A Tragedy?
|
|
10 / 2637 |
|
To explore and examine the different forms of love within Romeo and Juliet
|
|
7 / 1814 |
|
To kill a Mockingbird
|
|
4 / 1085 |
|
To mercy pity peace and love
|
|
7 / 1788 |
|
Tom Jones
|
|
133 / 37185 |
|
Tony Soprano vs The Modern Corporation
|
|
7 / 1843 |
|
Tool Of The Devil: Comparing Satan in Paradise Lost and The Golden Compass
|
|
8 / 2030 |
|
Tradegy in Greek Literature
|
|
3 / 686 |
|
Tragedy In Drama
|
|
7 / 1705 |
|
Tragedy In Things Fall Apart
|
|
3 / 636 |
|
Tragic Flaws Of Oedipus
|
|
4 / 920 |
|
Tragic Hero Essay
|
|
3 / 782 |
|
Transformations in Night
|
|
3 / 817 |
|
Transformations in Night
|
|
4 / 887 |
|
Treatment of Children in David Copperfield
|
|
9 / 2445 |
|
Troublesome Sources within Oedipus Rex and The Crucible
|
|
3 / 658 |
|
Truth Essay on Scarlet Letter and Crucible
|
|
3 / 661 |
|
Twelfth Night
|
|
4 / 954 |
|
Twelth Night- Shakespeare - What impressions of the characters do we get in Act 1?
|
|
4 / 956 |
|
Under Construcition
|
|
3 / 783 |
|
Universal truth (Shakespeare)
|
|
7 / 1782 |
|
Up The Coulee
|
|
4 / 915 |
|