Discount applied successfully
| Title |
|
Pages / Words |
Save |
|
Techincal
|
|
25 / 6838 |
|
|
Telemachus: The True Hero of the Odyssey
|
|
8 / 2050 |
|
|
Tess of the D'Urbervilles
|
|
16 / 4365 |
|
|
Tess of the D'urbervilles
|
|
4 / 1050 |
|
|
The American Dream
|
|
6 / 1428 |
|
|
The Authors
|
|
5 / 1124 |
|
|
The Bane of Life and Beauty: Time
|
|
5 / 1148 |
|
|
The Beat Generation
|
|
3 / 796 |
|
|
The Birds Contrast paper
|
|
5 / 1252 |
|
|
The Blessed Damozel
|
|
3 / 607 |
|
|
The Canterbury Tales
|
|
2 / 552 |
|
|
The Canterbury Tales
|
|
12 / 3148 |
|
|
The Canterbury Tales
|
|
3 / 769 |
|
|
The Canterbury Tales: A View Of The Medieval Christian Church
|
|
12 / 3095 |
|
|
The Changing Face Of Love In English Literature
|
|
6 / 1422 |
|
|
The Complexity of Blanch's character in a StreeCar Named Desire.
|
|
5 / 1382 |
|
|
The Convergence Of The Twain
|
|
2 / 493 |
|
|
The Dirty South
|
|
5 / 1399 |
|
|
The Divine Comedy vs. Paradise Lost
|
|
11 / 3034 |
|
|
The Dolls House by Patricia Grace
|
|
2 / 435 |
|
|
The Dramatic Uses of Intoxication in Shakespeare's play "The Tempest"
|
|
8 / 2128 |
|
|
The Dreadful summer with the knights
|
|
10 / 2522 |
|
|
The Dual Spirit Of Consciousness In The Blues And O’Connor’S “A Good Man Is Hard To Find”
|
|
4 / 1108 |
|
|
The Enemy Outside and Within: Grendel and His Mothe
|
|
5 / 1337 |
|
|
The Facade of Tattoos
|
|
8 / 2104 |
|
|
The Forbidden Paw
|
|
4 / 1017 |
|
|
The Gay Teen Revolution
|
|
8 / 1972 |
|
|
The General Prologue
|
|
3 / 787 |
|
|
The Grapes Of Wrath Synthesis Essay
|
|
3 / 805 |
|
|
The Hour of Star
|
|
7 / 1824 |
|
|
The Ideal of the Self
|
|
12 / 3142 |
|
|
The Inter-Relation of Social and Divine Justice
|
|
6 / 1481 |
|
|
The Journey
|
|
4 / 990 |
|
|
The Knight from Canterbury Taled
|
|
2 / 338 |
|
|
The Ladies Of Missalonghi
|
|
5 / 1234 |
|
|
The Life of Ernest Hemingway
|
|
9 / 2460 |
|
|
The Lottery vs State of Grace
|
|
2 / 553 |
|
|
The Moonstone Essay
|
|
3 / 801 |
|
|
The Moonstone
|
|
8 / 2070 |
|
|
The Night Nurse
|
|
3 / 829 |
|
|
The Pardoner's Art
|
|
9 / 2393 |
|
|
The Parson, in Chaucer's Canterbury Tales
|
|
1 / 267 |
|
|
The Politics of Oppression in the Lyrics of Bob Marley
|
|
5 / 1371 |
|
|
The Portrayal of the Clergy in the Canterbury Tales
|
|
4 / 1110 |
|
|
The Prioress Vs. The WIfe of Bath
|
|
8 / 2094 |
|
|
The Right To Die
|
|
9 / 2284 |
|
|
The Role Of Prejudice In The Merchant Of Venice
|
|
8 / 2208 |
|
|
The Sinister Soliloquy: An indepth look at "Othello" 2:1:308-314
|
|
6 / 1623 |
|
|
The Sound and the Fury
|
|
6 / 1435 |
|
|
The Suppression of the Other and Self-Enlightenment in William Wordsworth's Resolution and Independence
|
|
6 / 1667 |
|
|
The Truth To A Ballad
|
|
3 / 817 |
|
|
The Use Of Time In Poetry: Milton, Shakespeare, Wordsworth
|
|
3 / 787 |
|
|
The White Heron
|
|
5 / 1134 |
|
|
The Wife Of Bath's Reflexive Contradiction For Sexual Equality In The
|
|
6 / 1477 |
|
|
The Wife Of Bath
|
|
4 / 902 |
|
|
The Wife of Bath
|
|
3 / 738 |
|
|
The Witches In Macbeth
|
|
7 / 1888 |
|
|
The World is a Circus ; Ghost Boy
|
|
6 / 1438 |
|
|
The battle of Agincourt
|
|
16 / 4244 |
|
|
The conscience of a King
|
|
3 / 825 |
|
|
The day i met you
|
|
2 / 467 |
|
|
The development of the concept of love in poetry from Petrarch to Donne
|
|
19 / 5242 |
|
|
The discourses of science and art in Cat's Eye by Margaret Atwood
|
|
5 / 1140 |
|
|
The influence of a short break on the ability of mistakes spotting in non-native speakers’ own writing
|
|
4 / 1107 |
|
|
The plastic thing
|
|
11 / 2828 |
|
|
The problem of macbeth
|
|
12 / 3173 |
|
|
The signifigance of Fishing in The Sun Also Rises
|
|
3 / 774 |
|
|
The treatment of love and marriage in Shakespeare's Much Ado about Nothing
|
|
8 / 2065 |
|
|
Their Eyes Were Watching God
|
|
4 / 915 |
|
|
Theme Of Salvation Through Dostoyevsky
|
|
9 / 2366 |
|
|
Theme of MacBeth: Fair is Foul and Foul is Fair
|
|
2 / 416 |
|
|
Themes of A midSummer Nights dream
|
|
3 / 708 |
|
|
Themes of modernism
|
|
3 / 839 |
|
|
Themes, Motifs, and Symbols
|
|
8 / 2129 |
|
|
Theodore Dreiser And The Use Of Psychological And Sociological Theorie
|
|
7 / 1932 |
|
|
There's One In Every Group
|
|
5 / 1126 |
|
|
Those Winter Sundays
|
|
3 / 666 |
|
|
Three Days To See By Helen Kellar
|
|
4 / 872 |
|
|
Three Honrable Pilgrims
|
|
3 / 758 |
|
|
Tinter Abbey
|
|
10 / 2730 |
|
|
Tis Pity Shes A Whore: "Alas poor creature, he meant no man harm. That I am sure of!" Discuss Fords use of Bergetto in the play, in the light of this quotation.
|
|
3 / 826 |
|
|
To explore and examine the different forms of love within Romeo and Juliet
|
|
7 / 1814 |
|
|
To mercy pity peace and love
|
|
7 / 1788 |
|
|
To the Lighthouse
|
|
5 / 1303 |
|
|
Tom Jones - Structure
|
|
6 / 1591 |
|
|
Tom Jones
|
|
133 / 37185 |
|
|
Tool Of The Devil: Comparing Satan in Paradise Lost and The Golden Compass
|
|
8 / 2030 |
|
|
Trinity of the South
|
|
3 / 707 |
|
|
Truth and Hypocrisy in Animal Farm and The Scarlet Letter
|
|
6 / 1549 |
|
|
Tulips
|
|
2 / 455 |
|
|
Tv Addiction
|
|
10 / 2700 |
|
|
Two Flawlessly Flawed Heroes (The Illiad)
|
|
6 / 1542 |
|
|
Two Types of Satan
|
|
4 / 911 |
|
|
Unanswerable Questions - An Analysis Of Countee Cullen's "Yet Do I M
|
|
4 / 1097 |
|
|
Use Of Contrasts In Act I Of The Tempest
|
|
3 / 675 |
|
|
Use of Gothic Elements in Charlotte Bronte's Jane Eyre
|
|
7 / 1686 |
|
|
Violence Leading To Redemption in Flannery O'Connor's Literature
|
|
6 / 1462 |
|
|
Violence as the highest common denominator in a moment of Grace
|
|
3 / 722 |
|
|
Volvo
|
|
2 / 332 |
|
|
WASHINGTON SQUARE HENRY JAMES
|
|
5 / 1369 |
|
|
Wants
|
|
2 / 349 |
|
|
War
|
|
6 / 1458 |
|
|
What Can We Control?
|
|
6 / 1609 |
|
|
What are the author's purpose behind the portrayal of Turgenev's Anna Sergeyevna in ?Fathers and Sons', and Chekhov's Natasha Ivanova in ?Three Sisters', and how are they presented?
|
|
6 / 1629 |
|
|
What does the Opening Chapter of the Mayor of Casterbridge reveal to us about the characters, issues to come in the novel and Hardy's style?
|
|
18 / 4916 |
|
|
What would Jesus Do? Canteberry Tales Essay
|
|
7 / 1959 |
|
|
When a Flower Blossoms
|
|
16 / 4332 |
|
|
Which character faces the greatest challenges in the play Twelfth Night ? Defend your answer.
|
|
4 / 991 |
|
|
White Oleander
|
|
3 / 608 |
|
|
Who Is The Nobler Man: Beowulf Or Sir Gawain
|
|
3 / 687 |
|
|
Why Hamlet took to long to kill Claudius?
|
|
4 / 872 |
|
|
Wide Sargasso Sea
|
|
7 / 1866 |
|
|
Wife Of Bath
|
|
3 / 704 |
|
|
Wife of Bath
|
|
7 / 1956 |
|
|
William Shakespear's MacBeth
|
|
36 / 9811 |
|
|
William Wordsworth
|
|
8 / 1995 |
|
|
Women In Ballet
|
|
4 / 1010 |
|
|
Wordsworth and Keats: The Nature-Image
|
|
5 / 1170 |
|
|
Wuthering Heights - Series of Contrasts
|
|
3 / 746 |
|
|
Young Goodman Brown
|
|
4 / 939 |
|
|
Young goodman Brown: attack on puritanism
|
|
7 / 1718 |
|
|
macbeth journel
|
|
3 / 567 |
|
|
macbeth.
|
|
4 / 1062 |
|
|
macbeth
|
|
3 / 581 |
|
|
macbeth
|
|
3 / 626 |
|
|
malcom x
|
|
1 / 280 |
|
|
maya angelou
|
|
4 / 1094 |
|
|
measure for measure notes
|
|
8 / 2093 |
|
|
metaphors
|
|
5 / 1284 |
|
|
milton and his life
|
|
4 / 888 |
|
|
my name is rick
|
|
9 / 2509 |
|
|
my paper
|
|
9 / 2506 |
|
|
olaudah equiano: the interesting incorporation of a slave turned free into a dominant society
|
|
8 / 2088 |
|
|
once were warriors
|
|
2 / 294 |
|
|
othello passage analysis ACT 3, SCENE 3, LINES 163-215
|
|
4 / 1031 |
|
|
othello
|
|
10 / 2714 |
|
|
picture
|
|
2 / 424 |
|
|
pilgrimage
|
|
3 / 675 |
|
|
platos apology
|
|
41 / 11479 |
|
|
power of words
|
|
4 / 1042 |
|
|
psychosocial aspects of the old man and the sea
|
|
25 / 6793 |
|
|
purgatory
|
|
11 / 2931 |
|
|
puritans are...
|
|
16 / 4332 |
|
|
research and analysis
|
|
5 / 1355 |
|
|
retinitis pigmentosa
|
|
2 / 458 |
|
|
role of women in cantebury tales
|
|
5 / 1215 |
|
|
shakespeare
|
|
11 / 2883 |
|
|
shakespeare
|
|
23 / 6198 |
|
|
she walks in beauty
|
|
2 / 420 |
|
|
sonnys blues
|
|
3 / 835 |
|
|
story
|
|
6 / 1511 |
|
|
student
|
|
5 / 1250 |
|
|
student
|
|
5 / 1141 |
|
|
taming of the shrew
|
|
1 / 260 |
|
|
taming of the shrew
|
|
3 / 813 |
|
|
the House of Mirth and the Gilded Age
|
|
4 / 848 |
|
|
the Symbolism of Water
|
|
5 / 1367 |
|
|
the grapes of wrath
|
|
35 / 9573 |
|
|
the pardoner
|
|
4 / 1014 |
|
|
the role of eve in paradise lost
|
|
6 / 1453 |
|
|
the role of teachers in Siddhartha
|
|
5 / 1358 |
|
|
the swirling mind of a moor
|
|
3 / 745 |
|
|
themes of MOV
|
|
2 / 304 |
|
|
underneath the veil
|
|
5 / 1184 |
|
|
unfinished
|
|
3 / 820 |
|
|
what is a hero?
|
|
3 / 628 |
|
|
wide sargasso sea
|
|
3 / 769 |
|
|
wife of bath's tale review
|
|
4 / 1016 |
|
|
will and grace
|
|
4 / 1031 |
|
|
william blake
|
|
4 / 1016 |
|
|
women in shakespeare's plays
|
|
2 / 552 |
|
|
1936 Nazi Olympics
|
|
15 / 4014 |
|
|
1954
|
|
6 / 1597 |
|
|
1954
|
|
6 / 1597 |
|
|
A Brief Essay on Who Is Muhammad?
|
|
10 / 2774 |
|
|
A Court of Action
|
|
1 / 251 |
|
|
ARt History
|
|
30 / 8167 |
|
|
Accommodation of Romanesque Church Architecture to the Pilgrim
|
|
2 / 455 |
|
|
Actors and Actresses of the 50s: Vivien Leigh, Audrey Hepburn, Marlon Brando, Grace Kelly, Bette Davis, Katharine Hepburn, Burt Lancaster, Bing Crosby, Dorothy Dandridge, Judy Garland, Elizabeth Taylor, and Doris Day.
|
|
0 / 0 |
|
|
Adam Smith
|
|
28 / 7588 |
|
|
African American Folklore And Hip Hop
|
|
5 / 1349 |
|
|
Akbar'S Strenghths
|
|
3 / 641 |
|
|
Alexander the Great's ability as a leader
|
|
5 / 1268 |
|
|
Alexander the Great
|
|
7 / 1863 |
|
|
Ancient Sculpture And Architecture And Its Influence On Renaisannce Sc
|
|
4 / 1039 |
|
|
Anglo-Saxon Literature
|
|
3 / 656 |
|
|
Anti-Semitism in the West from Constantine to the expulsion of Jews from Spain
|
|
23 / 6185 |
|
|
Anti-semitism
|
|
4 / 946 |
|
|
Antisemitism in Medieval Europe
|
|
8 / 1974 |
|
|
Architecture
|
|
10 / 2644 |
|
|
Art History
|
|
3 / 655 |
|
|
Asia
|
|
35 / 9734 |
|
|
Asoka
|
|
5 / 1181 |
|
|
Assesing The Curriculum For Special Education
|
|
8 / 2159 |
|
|
Augustne the African
|
|
19 / 5144 |
|
|
Aung San Suu Kyi
|
|
5 / 1273 |
|
|
Auschwitz Research Paper
|
|
6 / 1552 |
|
|
abraham lincoln
|
|
34 / 9472 |
|
|
african civilization
|
|
11 / 2815 |
|
|
architecture as a political device
|
|
3 / 566 |
|
