Discount applied successfully
| Title |
|
Pages / Words |
Save |
|
False Comparisons
|
|
4 / 1029 |
|
|
Fast Break
|
|
3 / 727 |
|
|
Fatalism
|
|
7 / 1693 |
|
|
Fate In Hardy's The Returne Of The Native
|
|
4 / 927 |
|
|
Fate In Oedipus Rex
|
|
3 / 669 |
|
|
Feature Article On Raw
|
|
3 / 819 |
|
|
Federick Douglas
|
|
2 / 414 |
|
|
Feminism in the works Medea and Hedda Gabbler
|
|
7 / 1777 |
|
|
Femme Fatales of English Literature
|
|
13 / 3614 |
|
|
Fern Hill Essay
|
|
5 / 1293 |
|
|
Fiend
|
|
4 / 1014 |
|
|
Fifth Business
|
|
8 / 2091 |
|
|
Figurative Language in the Third Book of Jonathan Swift’s Gulliver’s Travels
|
|
6 / 1561 |
|
|
Filling Station
|
|
2 / 438 |
|
|
Five Ways to Kill a Man
|
|
4 / 926 |
|
|
Flannery O' Connor Story
|
|
3 / 829 |
|
|
Flowered Memories: An Analysis of Ted Hughes' Daffodils
|
|
5 / 1279 |
|
|
Fly away peter
|
|
6 / 1641 |
|
|
Foil And Parallel Characters In Oedipus The King And Antigone
|
|
3 / 595 |
|
|
Fools In _King Lear_
|
|
4 / 1096 |
|
|
For Whom The Bell Tolls(term-paper)
|
|
6 / 1670 |
|
|
For Your World
|
|
6 / 1524 |
|
|
Forget Me "Sonnet 71"
|
|
2 / 547 |
|
|
Formal Commentary On One Hundred Years Of Solitude
|
|
2 / 334 |
|
|
Francis Bacon (Nonfiction, British Author)
|
|
3 / 723 |
|
|
Francisco Goya
|
|
6 / 1564 |
|
|
Frankenstein English Lit Gcse
|
|
4 / 846 |
|
|
Frankenstein Info.
|
|
5 / 1302 |
|
|
Frankenstein Vs. Bladerunner
|
|
12 / 3098 |
|
|
Frankenstein
|
|
2 / 412 |
|
|
Frankenstein
|
|
4 / 841 |
|
|
Frankenstein
|
|
16 / 4289 |
|
|
Frankenstein
|
|
9 / 2458 |
|
|
Frankenstien vs Dr.Jekly and Mr. Hyde
|
|
5 / 1357 |
|
|
Franky
|
|
5 / 1286 |
|
|
Freedom of Choice (oedipus the King)
|
|
3 / 644 |
|
|
Freud's Theory of Development - The Oedipus Complex
|
|
2 / 505 |
|
|
Frost's Life as a Poet
|
|
9 / 2467 |
|
|
GCSE Coursework Assignment
|
|
9 / 2477 |
|
|
GSCE essay on othello and own soliloquie
|
|
7 / 1946 |
|
|
Games At Twighlight
|
|
2 / 291 |
|
|
Gary's Soto's The Pie
|
|
2 / 494 |
|
|
Gatsby's sacrifices
|
|
7 / 1769 |
|
|
Gender Roles In Language
|
|
23 / 6175 |
|
|
Gender-specific Sexual Sanctions of Intimate Relations and Imperially Oppressing Political Sphere
|
|
8 / 2234 |
|
|
Genetic Engineering
|
|
7 / 1755 |
|
|
Genetically Modified Products
|
|
6 / 1431 |
|
|
Genre
|
|
4 / 964 |
|
|
Gilgamesh
|
|
2 / 350 |
|
|
Gilgimesh
|
|
2 / 418 |
|
|
Give Me Liberty, or Give Me Death!
|
|
7 / 1936 |
|
|
Glasgow 5Th March
|
|
5 / 1241 |
|
|
Glass Menagerie, Death of a Salesman, Oedipus Rex theme
|
|
5 / 1336 |
|
|
Goddess
|
|
5 / 1202 |
|
|
Gods vs. Mortals in Oedipus Rex & The Bacchae
|
|
6 / 1426 |
|
|
Going Blind
|
|
15 / 4133 |
|
|
Golding: Lord Of The Flies
|
|
7 / 1887 |
|
|
Gothic, Not Ideal Form In The Hound Of The Baskervilles
|
|
3 / 789 |
|
|
Grapes Of Wrath Project
|
|
2 / 399 |
|
|
Grapes Of Wrath
|
|
10 / 2539 |
|
|
Great Gatsby
|
|
5 / 1398 |
|
|
Greek Theater related to Oedipus
|
|
2 / 519 |
|
|
Grendel: Choosing Grendel's or Beowulf's side
|
|
4 / 1003 |
|
|
Gulliver's Travels: Satire's Paradise
|
|
11 / 3056 |
|
|
HEart Of Darkness
|
|
5 / 1285 |
|
|
HYPNOSIS
|
|
6 / 1407 |
|
|
Hamlet And The Oedipus Complex
|
|
2 / 535 |
|
|
Hamlet Movie Comparison
|
|
4 / 1088 |
|
|
Hamlet Movie Interpretation
|
|
4 / 917 |
|
|
Hamlet Suffering From Oedipus Complex
|
|
2 / 451 |
|
|
Hamlet and the motif of thought
|
|
15 / 4125 |
|
|
Hamlet as a Tragic Hero
|
|
6 / 1562 |
|
|
Hamlet vs. Oedipus
|
|
4 / 859 |
|
|
Hamlet'S Motive
|
|
6 / 1489 |
|
|
Hamlet's Deciet
|
|
12 / 3222 |
|
|
Hamlet's Love For His Mother
|
|
5 / 1222 |
|
|
Hamlet's Relationships
|
|
6 / 1609 |
|
|
Hamlet- Suicide
|
|
9 / 2252 |
|
|
Hamlet
|
|
2 / 380 |
|
|
Hamlet
|
|
19 / 5117 |
|
|
Hamlet
|
|
6 / 1566 |
|
|
Hamlet
|
|
6 / 1506 |
|
|
Hamlet
|
|
5 / 1178 |
|
|
Happiness
|
|
2 / 408 |
|
|
Harlem By Langston Hughes
|
|
2 / 523 |
|
|
Hawthorne's Imagery
|
|
1 / 216 |
|
|
Hawthorne?s "Rappaccini?s Daughter"
|
|
32 / 8880 |
|
|
Hayden carruth
|
|
2 / 383 |
|
|
Heart Of Darknesss
|
|
6 / 1442 |
|
|
Heart of Darkness
|
|
2 / 490 |
|
|
Heart of Darkness
|
|
10 / 2751 |
|
|
Hegemony and Graffiti
|
|
7 / 1784 |
|
|
Help on The Fall of the House of Usher
|
|
2 / 440 |
|
|
Hemmingway
|
|
24 / 6502 |
|
|
Henry David Thoreau
|
|
2 / 413 |
|
|
Henry V
|
|
2 / 418 |
|
|
Henry Wadsworth Longfellow An American Writing Icon
|
|
7 / 1777 |
|
|
Henry's Insomnia
|
|
2 / 358 |
|
|
Hercules
|
|
3 / 757 |
|
|
Heritage
|
|
3 / 831 |
|
|
Hero Archetypes and Epic Conventions in The Odyssey and Beowulf
|
|
11 / 3048 |
|
|
Heroshima
|
|
2 / 290 |
|
|
Hester Prynne
|
|
3 / 708 |
|
|
Hired Man
|
|
1 / 161 |
|
|
Hiroshima
|
|
2 / 468 |
|
|
Hit
|
|
3 / 623 |
|
|
Hitler, Fact or Fiction; Effects of Labels
|
|
3 / 789 |
|
|
Holy Sonnet 14
|
|
4 / 956 |
|
|
Homer's Imagery
|
|
2 / 357 |
|
|
Hope is the thing with feathers
|
|
3 / 613 |
|
|
Hopeless Flee
|
|
6 / 1497 |
|
|
House Of The Seven Gables
|
|
11 / 2916 |
|
|
How Do Textual Features Combine To Convey A Theme Of The Poem?
|
|
3 / 758 |
|
|
How Does Breyten Breytenbach Show In His Poetry His Wife's Significanc
|
|
5 / 1159 |
|
|
How I Broke My Face
|
|
1 / 246 |
|
|
How I learn to sweep
|
|
3 / 791 |
|
|
How Owen presents wartime experiences
|
|
4 / 873 |
|
|
How Shakespear Makes Act 1 Scene 5 of Rome & Juliet Dramatically Effective
|
|
4 / 846 |
|
|
How To Read Literature Like A Professor
|
|
5 / 1376 |
|
|
How did Arnold deliver the subject/theme of ?°Dover Beach?±
|
|
3 / 757 |
|
|
How does Arthur Miller build tension in Acts 1 and 2 and up to the entrance of George on page 138?
|
|
6 / 1523 |
|
|
How does Dickens use the theme of deception in Hard Times?
|
|
6 / 1401 |
|
|
How does Patrick Kavanagh address the concept of landscape in his poetry?
|
|
6 / 1480 |
|
|
How does Shakespeare present love and marriage in ?Much Ado About Nothing' and how might a modern audience respond to the presentation of these themes?
|
|
6 / 1639 |
|
|
How does Steinbeck's distinctive use of language/ structure/ imagery contribute to the themes in Of Mice And Men?
|
|
4 / 945 |
|
|
How does the play Macbeth follow what is expected in a Shakespearean tragedy?
|
|
5 / 1171 |
|
|
How effective is the end of Act III as an ending to this act and as a preparation for the rest of the play?
|
|
12 / 3094 |
|
|
How has your understanding of the concept of “New Found Lands” been extended by the comparative study of your two texts?
|
|
3 / 597 |
|
|
How is contrast used in ?Two Scavengers in a truck, Two Beautiful people in a Mercedes', compared to the use of contrast in ?Nothing's Changed'?
|
|
6 / 1449 |
|
|
How is evil Portrayed in Macbeth?
|
|
5 / 1143 |
|
|
How is the Fool presented in 'King Lear'?
|
|
8 / 2000 |
|
|
How the Elements of Poetry Indicate Tone
|
|
4 / 1113 |
|
|
How to Analyze Poetry
|
|
7 / 1725 |
|
|
How to Read Lit like a Prof Notes
|
|
13 / 3445 |
|
|
How to write a Body
|
|
4 / 1105 |
|
|
Hshj kjajah jha
|
|
34 / 9359 |
|
|
Huckleberry Finn: A Freudian Perspective
|
|
4 / 1000 |
|
|
Hulga in “Good Country People”
|
|
4 / 1117 |
|
|
Human Characteristics
|
|
6 / 1543 |
|
|
Hunger of memory
|
|
5 / 1248 |
|
|
Hymn To Intellectual Beauty
|
|
7 / 1702 |
|
|
I Have A Dream
|
|
3 / 784 |
|
|
I Like The Look Of Agony
|
|
6 / 1589 |
|
|
I Saw A Chapel Of Gold
|
|
3 / 701 |
|
|
I Started Early-took My Dog
|
|
4 / 914 |
|
|
I have a dream
|
|
3 / 717 |
|
|
I wandered lonely as a cloud
|
|
3 / 671 |
|
|
I, Rigoberta Menchu - Chapter XVI - Issues
|
|
3 / 570 |
|
|
Iago and his overall character
|
|
8 / 2034 |
|
|
Iago's personality
|
|
2 / 329 |
|
|
Ian Crichton Smith
|
|
3 / 708 |
|
|
Identity Essay
|
|
5 / 1185 |
|
|
Identity in King Lear
|
|
5 / 1192 |
|
|
If You Have An Imagination, Let It Run Free.
|
|
8 / 2048 |
|
|
Image Analysis
|
|
3 / 604 |
|
|
Imagery In Macbeth
|
|
3 / 617 |
|
|
Imagery In Macbeth
|
|
5 / 1398 |
|
|
Imagery In Othello
|
|
6 / 1570 |
|
|
Imagery In Poems “Daddy” And “Lady Lazarus” By Sylvia Plath
|
|
5 / 1339 |
|
|
Imagery and Allegory
|
|
8 / 2038 |
|
|
Imagery in Faulkner’s story “A Rose for Emily”
|
|
3 / 836 |
|
|
Imagery in Macbeth
|
|
4 / 1111 |
|
|
Imagery in Macbeth
|
|
4 / 874 |
|
|
Imagery in Macbeth
|
|
5 / 1309 |
|
|
Imagery in T. S. Eliot's "Preludes"
|
|
2 / 426 |
|
|
Imagery
|
|
2 / 398 |
|
|
Immigrants At Central Station
|
|
3 / 695 |
|
|
Importance Of Point Of View In "The Black Cat" By Egar Allen Poe
|
|
5 / 1320 |
|
|
In The Orchard
|
|
5 / 1227 |
|
|
In The Park
|
|
2 / 301 |
|
|
In "A New England Nun"
|
|
7 / 1710 |
|
|
In the skin of a lion
|
|
2 / 486 |
|
|
Ind Aff
|
|
6 / 1522 |
|
|
Indecisiveness in Hamlet
|
|
3 / 765 |
|
|
Induction in taming of the shrew
|
|
5 / 1365 |
|
|
Inspector Calls
|
|
3 / 794 |
|
|
Interest Inventory
|
|
2 / 470 |
|
|
Interpreation of Robert Frost's HOME BURIAL A++
|
|
4 / 1100 |
|
|
Interpretation of Emily Dickinson's Poem The Road Not Taken
|
|
2 / 524 |
|
|
Interpretation of The Love Song of J. Alfred
|
|
2 / 434 |
|
|
Interpretation of "Good Country People" by Flannery O'Connnor through imagery/symbolism.
|
|
5 / 1165 |
|
|
Interpretation of ``Ozymandias``
|
|
3 / 619 |
|
|
Interpretation of the Poem \
|
|
3 / 622 |
|
|
Introductory Lecture On Shakespeare's Hamlet
|
|
43 / 12028 |
|
|
Invisibility in Invisible Man
|
|
5 / 1320 |
|
|
Invisible Man Irony
|
|
11 / 2860 |
|
|
Invisible Man Paper
|
|
6 / 1414 |
|
|
Invisible Man
|
|
4 / 856 |
|
|
Invisible man
|
|
5 / 1180 |
|
|
Irony In Oedipus Rex
|
|
2 / 424 |
|
|
Irony in Oedipus Rex
|
|
3 / 592 |
|
|
Irony in Oedipus the King
|
|
9 / 2268 |
|
|
Irony in Oedipus
|
|
2 / 464 |
|
|
Irony, Arrogance, And Oedipus
|
|
6 / 1571 |
|
|
Is The Truth Always Good?
|
|
1 / 173 |
|
|
Is it Iago, Venetian society, or himself that is to blame for Othello's downfall?
|
|
6 / 1437 |
|
|
Is lolita a love story or pornography?
|
|
11 / 2971 |
|
|
Jabberwocky: Defining a Word
|
|
3 / 725 |
|
|
James Russell Lowell
|
|
8 / 2012 |
|
|
Jane Erye
|
|
8 / 2128 |
|
