Discount applied successfully
Title |
|
Pages / Words |
Save |
Zara
|
|
21 / 5778 |
|
zara case study
|
|
4 / 875 |
|
1984
|
|
10 / 2612 |
|
1984
|
|
17 / 4692 |
|
1984
|
|
3 / 644 |
|
1st airplane ride
|
|
3 / 669 |
|
A Commentary Of Ted Hughes'S &Quot;Swifts&Quot;
|
|
3 / 795 |
|
A Comparison Between "Traveling through the dark" and "A Noiseless, Pa
|
|
5 / 1130 |
|
A Dream Deferred
|
|
6 / 1607 |
|
A Good Man Is Hard To Find
|
|
4 / 883 |
|
A Good Man Is Hard To Find
|
|
4 / 889 |
|
A Good Man Is Hard to Find and its Influences
|
|
4 / 1083 |
|
A Streetcar Named Desire
|
|
8 / 2046 |
|
A Streetcar Named Desire
|
|
4 / 1088 |
|
A Tale of Two Cities
|
|
6 / 1419 |
|
A Window Between Worlds
|
|
23 / 6173 |
|
A Worn Path
|
|
2 / 505 |
|
A Worn Path: Struggle For Racial Equality
|
|
6 / 1505 |
|
A Worn path
|
|
2 / 524 |
|
A character Analysis of Steven Rojack
|
|
5 / 1266 |
|
A christmas Carol final paper
|
|
7 / 1866 |
|
Academic English
|
|
5 / 1215 |
|
Ads
|
|
4 / 1050 |
|
Aghosh
|
|
39 / 10838 |
|
Alienation in Fahrenheit 451
|
|
8 / 1968 |
|
American Colonies
|
|
6 / 1462 |
|
Analyse the methods used to make the opening battle sequence of ?Saving Private Ryan' both shocking and realistic, and say how effective you find it as an introduction to the film
|
|
11 / 2812 |
|
Analysis Of Bel Air
|
|
3 / 730 |
|
Analysis of Blink And You Miss It
|
|
2 / 543 |
|
Analysis of The Road Not Taken
|
|
3 / 799 |
|
Analysis of "The Cask of Amontillado"
|
|
2 / 452 |
|
Analyzing Emily Dickenson in "Because I Could Not Stop for Death"
|
|
3 / 614 |
|
Ancient Mythology
|
|
3 / 781 |
|
Article Analysis
|
|
4 / 846 |
|
Astrology
|
|
17 / 4520 |
|
Atonement Study Questions
|
|
12 / 3360 |
|
Autobiography
|
|
14 / 3886 |
|
Away- narrative elements
|
|
16 / 4373 |
|
Baderman Island
|
|
3 / 659 |
|
Bali Summer
|
|
2 / 518 |
|
Banning Smoking
|
|
14 / 3703 |
|
Bartleby the Scrivener
|
|
2 / 323 |
|
Beer And Liquor
|
|
5 / 1300 |
|
Bei Dao: Traditions Shattered and Reinvented
|
|
9 / 2384 |
|
Being a parent
|
|
4 / 967 |
|
Beowulf - The Ideal Hero
|
|
7 / 1872 |
|
Big Sur: Paradise and Paradise Lost
|
|
14 / 3678 |
|
Blake: The psychopathic wanderer of London
|
|
6 / 1418 |
|
Bless Me Ultima Response
|
|
1 / 155 |
|
Broken Wings
|
|
3 / 675 |
|
Calm Before Storm
|
|
2 / 494 |
|
Cask Of Amontillado
|
|
3 / 771 |
|
Catch 22
|
|
5 / 1209 |
|
Characterization Of Montressor
|
|
3 / 789 |
|
Chaucer
|
|
3 / 790 |
|
Chekhov vs. Feminism
|
|
5 / 1142 |
|
Children Should Grow Up In Big Cities Rather Than In The Countryside
|
|
2 / 535 |
|
Christian Views in Flanneruy O'Connors work
|
|
6 / 1406 |
|
Cliches
|
|
9 / 2516 |
|
Cloning
|
|
3 / 726 |
|
Come Visit their CRIBS
|
|
3 / 583 |
|
Coming To America
|
|
3 / 815 |
|
Communication
|
|
2 / 478 |
|
Comparisson Essay
|
|
4 / 999 |
|
Computers
|
|
11 / 3004 |
|
Constructs of Reality
|
|
8 / 2187 |
|
Creative Writing: Under The Spell - A Travel Tale By Danny O'brien
|
|
18 / 4952 |
|
Creative Writing: Utopia Z
|
|
11 / 2893 |
|
Critical Analysis Modest Motives
|
|
7 / 1737 |
|
Criticism of ?°to a waterfowl?±
|
|
2 / 544 |
|
Dangerous Desires
|
|
8 / 2029 |
|
Dante’S Inferno And The Swimmer
|
|
3 / 641 |
|
Darkness
|
|
35 / 9677 |
|
Daystar
|
|
5 / 1364 |
|
Dead Poets Society ? O Captain! My Captain!
|
|
2 / 287 |
|
Demain: Vrai? ou Faux?
|
|
5 / 1375 |
|
Descriptive Analysis
|
|
2 / 331 |
|
Descriptive
|
|
3 / 813 |
|
Dickinson
|
|
6 / 1541 |
|
Dillard and Leopold
|
|
4 / 1007 |
|
Don't Shoot the Messenger
|
|
4 / 932 |
|
Drowsy Drivers
|
|
6 / 1503 |
|
Education in America
|
|
5 / 1276 |
|
Elder Care
|
|
6 / 1454 |
|
Emily Dickinson "Because I Could Not Stop For Death"
|
|
3 / 620 |
|
Emotion vs. Reason
|
|
5 / 1384 |
|
English Proverbs
|
|
36 / 9967 |
|
Enlightenment, Transcendentalism, and Puritan Theology
|
|
7 / 1782 |
|
Entertainment: Motion Pictures 1900-1940
|
|
6 / 1519 |
|
Environment - Energy Resources
|
|
17 / 4557 |
|
Evelina
|
|
16 / 4444 |
|
Evelina
|
|
17 / 4739 |
|
Examine the significance of blank spaces in Conrad's 'Heart of Darkness'?
|
|
10 / 2721 |
|
Expectations
|
|
4 / 941 |
|
Explication of Emily Dickinson's Poem: Because I could not stop for Death
|
|
3 / 641 |
|
Exploring Identity and Time in Here, An Arundel Tomb and The Whitsun Weddings
|
|
7 / 1742 |
|
FIELD OF DREAMS
|
|
2 / 452 |
|
Fate vs. Freedom
|
|
4 / 972 |
|
Ferry Ride
|
|
5 / 1206 |
|
Fifth Business
|
|
6 / 1412 |
|
First Adventure to the Big Apple
|
|
3 / 768 |
|
Flat Tire?
|
|
4 / 913 |
|
Frankenstein
|
|
13 / 3421 |
|
Frankenstein
|
|
6 / 1577 |
|
Frankenstein
|
|
6 / 1422 |
|
Frankenstien vs Dr.Jekly and Mr. Hyde
|
|
5 / 1357 |
|
Freedom of Choice (oedipus the King)
|
|
3 / 644 |
|
Fuel Efficient cars
|
|
2 / 496 |
|
GERONIMO
|
|
12 / 3162 |
|
Garden Party: When heaven and Hell Collide
|
|
4 / 1049 |
|
Gender Bias
|
|
5 / 1266 |
|
Godard
|
|
27 / 7463 |
|
Good Man is Hard to Find
|
|
4 / 950 |
|
Good vs. Evil
|
|
4 / 1065 |
|
Grapes Of Wrath: How It Relates To The Romance Archetype
|
|
6 / 1608 |
|
Gun Laws
|
|
2 / 519 |
|
Hair Today-Memories Tomorrow
|
|
9 / 2276 |
|
Harry Potter and the goblet of fire
|
|
8 / 2193 |
|
Heart of Darkness
|
|
2 / 498 |
|
Heart of Darkness
|
|
4 / 993 |
|
Hemingway
|
|
8 / 2212 |
|
Hereos Paper
|
|
5 / 1293 |
|
Hermes: A God of Many Facets
|
|
4 / 1029 |
|
Higher Education: Learing To Live Or Living To Learn
|
|
5 / 1396 |
|
Homer-Comparison And Contrast Of The Gods In Homer's Epics With The G
|
|
11 / 3012 |
|
How To Make An Ice Cream
|
|
15 / 4045 |
|
How has your understanding of the concept of “New Found Lands” been extended by the comparative study of your two texts?
|
|
3 / 597 |
|
Huck is a non-conformist
|
|
5 / 1394 |
|
IMPACT OF ISOLATION
|
|
4 / 1017 |
|
Immigrants At Central Station
|
|
4 / 1027 |
|
In An Antique Land
|
|
3 / 697 |
|
In The Skin Of A Lion
|
|
4 / 848 |
|
In The Skin Of A Lion
|
|
5 / 1251 |
|
In the End, the House Always Wins…
|
|
3 / 731 |
|
Influence of Antigone on A Doll's House
|
|
3 / 565 |
|
Interactive Simulation
|
|
3 / 680 |
|
Interview with Joan of Arc
|
|
4 / 1116 |
|
Invisible Man Paper
|
|
6 / 1414 |
|
Iphigenia in Aulis
|
|
5 / 1131 |
|
Ireland Trip
|
|
5 / 1262 |
|
Irony, Arrogance, And Oedipus
|
|
6 / 1571 |
|
Is Beowulf a hero?
|
|
8 / 2089 |
|
Jane Austen’s novels and the contemporary social and literary conventions.
|
|
46 / 12664 |
|
Journey into the Puritan Heart: Nathaniel's Hawthorne's Young Goodman
|
|
12 / 3188 |
|
Journey
|
|
7 / 1682 |
|
Journeys
|
|
3 / 800 |
|
Julius Caesar : Cassius' nobility
|
|
3 / 637 |
|
King Solomon's Mines
|
|
3 / 746 |
|
Kosinski's Allegory of the Television
|
|
5 / 1218 |
|
Kubla Khan
|
|
2 / 377 |
|
Landing
|
|
2 / 456 |
|
Laughter In Crime And Punishment, The Invisble Man And Catch 22
|
|
10 / 2790 |
|
Leadership
|
|
17 / 4547 |
|
Life
|
|
14 / 3863 |
|
Life: The Personal Experience
|
|
3 / 620 |
|
Literatrue
|
|
16 / 4361 |
|
Little Red
|
|
4 / 909 |
|
alcohol problems
|
|
2 / 547 |
|
always a motive
|
|
3 / 796 |
|
basketball
|
|
1 / 264 |
|
because i could not stop for death
|
|
3 / 668 |
|
creative writing
|
|
4 / 1069 |
|
english
|
|
2 / 312 |
|
facts vs imagination
|
|
2 / 396 |
|
fluid self
|
|
3 / 734 |
|
foreshadowing in three dirges
|
|
4 / 1090 |
|
frankenstien
|
|
5 / 1259 |
|
government lies
|
|
10 / 2558 |
|
hamlet
|
|
5 / 1219 |
|
hard times
|
|
2 / 305 |
|
health and fitnes
|
|
5 / 1279 |
|
hemingway's life affected his writing
|
|
14 / 3820 |
|
holiday memories
|
|
3 / 580 |
|
house of seven gables
|
|
2 / 510 |
|
iblical Allusions and Imagery in Steinbeck's The Grapes of Wrath
|
|
5 / 1317 |
|
im not scared
|
|
4 / 971 |
|
journeys
|
|
5 / 1316 |
|
key stages to develop an essay
|
|
13 / 3374 |
|
king solomons mines analysis
|
|
9 / 2446 |
|
langston hughes
|
|
6 / 1432 |
|
literature 101
|
|
6 / 1513 |
|
Lord Of Flies
|
|
12 / 3151 |
|
Manipulation In Othello And Dr. Faustus
|
|
13 / 3623 |
|
Margins
|
|
4 / 845 |
|
Mark Twain
|
|
6 / 1567 |
|
Mark Twain: The Legend
|
|
8 / 2066 |
|
Metho Drinker
|
|
2 / 527 |
|
Michael Gow's Away
|
|
12 / 3356 |
|
Migration Toolkit
|
|
8 / 2076 |
|
Miles To Go Before I Sleep
|
|
2 / 327 |
|
Money is a good servant but a bad master
|
|
2 / 407 |
|
More Than Anything Else, Imaginative Journeys Are About The Process Of Speculation.
|
|
7 / 1872 |
|
Mr.
|
|
39 / 10655 |
|
Mr.
|
|
24 / 6697 |
|
Mr.hyde
|
|
5 / 1357 |
|
Musee des Beaux Arts
|
|
1 / 194 |
|
My Best Holiday
|
|
2 / 334 |
|
My Carcrash Essay
|
|
4 / 996 |
|
My Father: The Person I Admire Most
|
|
4 / 1003 |
|
My First Date- Narrative
|
|
3 / 834 |
|