Discount applied successfully
| Title |
|
Pages / Words |
Save |
|
Dr Faustus - Ambition
|
|
5 / 1236 |
|
|
Duffy “Little Red Cap” poem
|
|
7 / 1802 |
|
|
Emily Dickinson
|
|
13 / 3502 |
|
|
Ender's Shadow or Ender's Game
|
|
12 / 3149 |
|
|
Ernest Hemingway
|
|
4 / 858 |
|
|
Etymology of Court
|
|
4 / 1029 |
|
|
Eveline by James Joyce
|
|
2 / 417 |
|
|
Exploring the Use of Time as a Manipulative Variable
|
|
4 / 1099 |
|
|
Forthcoming of American Literature
|
|
5 / 1352 |
|
|
Frankenstein: Shelley Use of Mascuine and Feminine Roles
|
|
8 / 2008 |
|
|
Friendship Theme in Gilgamesh
|
|
4 / 944 |
|
|
Gregorik Andras
|
|
12 / 3357 |
|
|
Hamlet: Soliloquies
|
|
4 / 1111 |
|
|
Hemingway: Writer or Dreamer?
|
|
28 / 7782 |
|
|
Hierarchy and the Disorder of Separation in the Bible
|
|
5 / 1355 |
|
|
Hitler's Willing Executioners
|
|
2 / 503 |
|
|
Home Schooling
|
|
2 / 530 |
|
|
How successful is Dickens in his presentation of female characters?
|
|
4 / 924 |
|
|
How the Colonization Era affected Authors
|
|
4 / 1044 |
|
|
Human Consciousness
|
|
7 / 1734 |
|
|
Igor Stravinsky
|
|
2 / 476 |
|
|
Immortal Life vs. Immortal Name: Gilgamesh and Beowulf
|
|
5 / 1242 |
|
|
Importance of Fathers
|
|
2 / 366 |
|
|
Innocent Victim of Love
|
|
3 / 678 |
|
|
Inspector Calls
|
|
7 / 1818 |
|
|
Jou Luck Club - Symbol and Image
|
|
2 / 547 |
|
|
Juliet Capulet
|
|
2 / 442 |
|
|
Kerouac and Tyler, On the Road and Saint Maybe
|
|
8 / 1977 |
|
|
Kindergarteners
|
|
4 / 998 |
|
|
Literature?
|
|
8 / 2078 |
|
|
Live at Home
|
|
3 / 568 |
|
|
Logic of the Absurds
|
|
6 / 1452 |
|
|
Lord of the Files
|
|
2 / 484 |
|
|
Lord of the Flies - Savagery
|
|
4 / 929 |
|
|
Maggie Girl of the Streets & Huck Finn - Family Life
|
|
4 / 888 |
|
|
Mary Shelley and Parallels
|
|
4 / 990 |
|
|
Milton’s Paradise Lost
|
|
15 / 4162 |
|
|
Misdirection of Anger
|
|
5 / 1313 |
|
|
Mother Courage and Capitulation
|
|
2 / 427 |
|
|
Mr Collins: Character Review
|
|
4 / 1077 |
|
|
Much Ado About Nothing
|
|
13 / 3465 |
|
|
My Papas Waltz
|
|
1 / 267 |
|
|
Nietzsche on Religion: Rhetorical Devices
|
|
3 / 793 |
|
|
Odysseus: Epic Hero?
|
|
3 / 603 |
|
|
Oedipus
|
|
6 / 1491 |
|
|
On the Unfairness of A Teacher
|
|
7 / 1695 |
|
|
Ordinary Men
|
|
3 / 568 |
|
|
Orwell and Foucault
|
|
5 / 1359 |
|
|
Our Town
|
|
2 / 365 |
|
|
Paid Term Paper Sites Exposed!
|
|
6 / 1513 |
|
|
Play called Absent Friends
|
|
5 / 1205 |
|
|
Primal Instinct
|
|
3 / 771 |
|
|
Racism in "Master Harold"
|
|
7 / 1727 |
|
|
Red Badge of Courage
|
|
3 / 576 |
|
|
Regarding Henry
|
|
2 / 541 |
|
|
Resplendent Rivendel
|
|
3 / 579 |
|
|
Rhinoceros
|
|
2 / 488 |
|
|
Say it, Write it, Defend it and Judge it – in English!
|
|
14 / 3676 |
|
|
Scene Seven
|
|
2 / 379 |
|
|
Similarities and Difference between Oceania in 1984 and the USA
|
|
6 / 1535 |
|
|
Smoking
|
|
6 / 1428 |
|
|
Social Ostracism in Adventures of Huckleberry Finn
|
|
5 / 1126 |
|
|
Strindberg's Miss Julie and Beckett's Waiting for Godot
|
|
9 / 2340 |
|
|
Technology
|
|
3 / 743 |
|
|
Tess of the D'Urbervilles
|
|
4 / 1083 |
|
|
The Chrysalids
|
|
2 / 552 |
|
|
The Courtroom
|
|
6 / 1449 |
|
|
The Credibility of Expository Texts RE 'Unzipped' - Bronwyn Donaghy
|
|
3 / 760 |
|
|
The Echoing Green
|
|
3 / 705 |
|
|
The Great Gatsby
|
|
7 / 1728 |
|
|
The Handmaid's Tale
|
|
4 / 878 |
|
|
The Jilting of Granny Weatherall
|
|
3 / 822 |
|
|
The Last of the Mohicans as a Mixture of Genres
|
|
10 / 2573 |
|
|
The Participial Adjective Part of English
|
|
5 / 1191 |
|
|
The Poison Wood Bible
|
|
1 / 253 |
|
|
The role of the Inspector in 'An Inspector Calls.'
|
|
17 / 4682 |
|
|
The Scarlet Letter "A": Meanings and Connections
|
|
3 / 612 |
|
|
The Sentiment, Mood, and Philosophy of “The Best Slow Dancer”
|
|
4 / 973 |
|
|
The Servants of Twilight
|
|
3 / 626 |
|
|
The Storm, The Yellow Wallpaper, Young Goodman Brown
|
|
5 / 1141 |
|
|
The Stranger
|
|
5 / 1131 |
|
|
The Winslow Boy by Terrance Rattigan
|
|
4 / 906 |
|
|
Trip to United States
|
|
5 / 1205 |
|
|
Understanding Drama!
|
|
1 / 59 |
|
|
Unzipped
|
|
5 / 1186 |
|
|
Vampires
|
|
3 / 701 |
|
|
We the People
|
|
2 / 499 |
|
|
What Are Adjectives?
|
|
5 / 1300 |
|
|
What Do You Find Interesting About The Ways The Writer Presents?
|
|
4 / 878 |
|
|
What Happens to a Dream Deferred?
|
|
3 / 771 |
|
|
A History of Poland
|
|
4 / 986 |
|
|
Berlin Wall
|
|
9 / 2519 |
|
|
Cause and Effect: Industrial Revolution
|
|
1 / 139 |
|
|
Elizabethan Music, Dance, and Food
|
|
2 / 358 |
|
|
February Russian Revolution
|
|
5 / 1235 |
|
|
Germany: The answer to an old Question
|
|
9 / 2343 |
|
|
Greece
|
|
6 / 1561 |
|
|
Impact of the Proposed Devolution for Scotland
|
|
8 / 2217 |
|
|
Inspector Calls Coursework
|
|
8 / 1977 |
|
|
Joan of Arc
|
|
4 / 967 |
|
|
Kissinger, Metternich, Realism
|
|
4 / 887 |
|
|
Lives of Women in the Renaissance
|
|
9 / 2408 |
|
|
Mary, Queen of Scots
|
|
3 / 756 |
|
|
Poland
|
|
4 / 986 |
|
|
Policy Proposal for Economic Reform in Russia
|
|
10 / 2642 |
|
|
Revolution
|
|
6 / 1480 |
|
|
Southern Cyprus
|
|
16 / 4284 |
|
|
Stonehenge
|
|
4 / 964 |
|
|
The "Phenomenon" of Greece
|
|
20 / 5380 |
|
|
The Age of Reason
|
|
3 / 799 |
|
|
The Alamo
|
|
8 / 2126 |
|
|
The Articles of Confederation
|
|
3 / 774 |
|
|
The Corset
|
|
4 / 965 |
|
|
The Crusades
|
|
4 / 914 |
|
|
The Seven Years War
|
|
9 / 2354 |
|
|
Voltaire: A History That Never Moved
|
|
12 / 3225 |
|
|
Why was Karl Marx so disparaging of the utopian socialists
|
|
8 / 2156 |
|
|
1960's
|
|
18 / 4933 |
|
|
Aboriginal Customary Laws and Australian Contemporary Laws
|
|
2 / 551 |
|
|
Architecture of Transition and Production of Meaning
|
|
13 / 3593 |
|
|
Australia
|
|
5 / 1161 |
|
|
Basic Greek History
|
|
6 / 1501 |
|
|
British Monarchy
|
|
21 / 5772 |
|
|
Civil Rights Movement
|
|
0 / 0 |
|
|
Collapse of the Soviet Union
|
|
4 / 933 |
|
|
Cyprus
|
|
14 / 3668 |
|
|
Did the 1920's Roar for Canada?
|
|
7 / 1705 |
|
|
Documents Reflect History
|
|
2 / 497 |
|
|
Formation of the Triple Alliance
|
|
3 / 744 |
|
|
Interview with Lenin
|
|
2 / 458 |
|
|
Is it Constitutional to Bare Arms?
|
|
3 / 583 |
|
|
Italian Immigration
|
|
6 / 1509 |
|
|
Ramases II
|
|
14 / 3845 |
|
|
Roosevelt's Response to the Great Depression
|
|
5 / 1362 |
|
|
Salem/European Witch Trials Compared to the McCarthy Hearings
|
|
6 / 1606 |
|
|
Tale Of Two Cities
|
|
4 / 898 |
|
|
The "Sans-Cullotes" During the French Revolution
|
|
3 / 673 |
|
|
The Manhattan Project
|
|
6 / 1570 |
|
|
The Nation-State, Core and Periphery: A Brief sketch of Imperialism
|
|
7 / 1901 |
|
|
The Roman Colosseum + Modern Football Stadia
|
|
2 / 350 |
|
|
Walt Disney and Disneyland
|
|
6 / 1584 |
|
|
A Small Look Inside Lebanon
|
|
12 / 3244 |
|
|
From Coexistence to Conflict
|
|
4 / 1023 |
|
|
Israel P.L.O. Peace Treaty
|
|
12 / 3132 |
|
|
Israel-Palestine Conflict
|
|
4 / 1091 |
|
|
Lebanese Awakening
|
|
3 / 735 |
|
|
The Balkans
|
|
17 / 4737 |
|
|
Alienation in Modern Society
|
|
5 / 1263 |
|
|
All the President's Men
|
|
3 / 586 |
|
|
Citizen Kane: An Accurate Portrayal of William Randolph Hearst?
|
|
14 / 3847 |
|
|
Critique on Open City
|
|
4 / 1101 |
|
|
If Someone Did You a Favor
|
|
8 / 2115 |
|
|
Joy Luck Club
|
|
4 / 985 |
|
|
Man with a Movie Camera vs Run Lola Run
|
|
12 / 3083 |
|
|
Matrix Reloaded
|
|
14 / 3755 |
|
|
Meet me in St. Louis
|
|
2 / 421 |
|
|
Once Were Warriors
|
|
16 / 4422 |
|
|
Rainman
|
|
4 / 937 |
|
|
Save the Last Dance
|
|
4 / 873 |
|
|
Save the Last Dance
|
|
2 / 557 |
|
|
Saving Private Ryan
|
|
4 / 1019 |
|
|
Sleepy Hollow: "Heads Will Roll"
|
|
3 / 601 |
|
|
Smoke Signals - Personal Reflection
|
|
2 / 450 |
|
|
The Breakfast Club
|
|
4 / 921 |
|
|
The Intent of Forrest Gump
|
|
4 / 932 |
|
|
The Matrix
|
|
31 / 8428 |
|
|
Analysis of "My Papa's Waltz"
|
|
2 / 342 |
|
|
Beowolf - The Ideal Epic Hero
|
|
3 / 616 |
|
|
Beowulf
|
|
3 / 804 |
|
|
Beowulf
|
|
2 / 412 |
|
|
Beowulf
|
|
2 / 510 |
|
|
British Poetry
|
|
15 / 4006 |
|
|
Difficulties of Identifying Sexual Status in Donne's 'The Flea'
|
|
5 / 1226 |
|
|
Donne
|
|
8 / 1981 |
|
|
Dulce et Deorum Est
|
|
8 / 2120 |
|
|
Ginsberg's Howl: A Counterculture Manifesto
|
|
14 / 3788 |
|
|
Heroism in Beowulf
|
|
2 / 438 |
|
|
Immortal Poetry
|
|
6 / 1453 |
|
|
Inferno
|
|
6 / 1465 |
|
|
Jim Morisson
|
|
24 / 6621 |
|
|
My Life is like A Red Rose
|
|
2 / 522 |
|
|
My Papa's Waltz
|
|
1 / 208 |
|
|
Poetry Intertextual
|
|
9 / 2331 |
|
|
Porphyria’s Lover
|
|
16 / 4295 |
|
|
Quote the Parrot, “Nevermore”
|
|
2 / 558 |
|
|
Resurrection of Nature and Modernity in Merwin's Drunk in the Furnace
|
|
6 / 1532 |
|
|
Revenge of Beowulf
|
|
4 / 1092 |
|
|
Sylvia Path's Daddy
|
|
3 / 755 |
|
|
Sylvia Plath
|
|
8 / 1984 |
|
|
Ted Hughes' 'The Jaguar'
|
|
9 / 2414 |
|
|
The Echoing Green
|
|
3 / 705 |
|
|
The Flea
|
|
3 / 684 |
|
|
The Struggle of Art in Kubla Khan
|
|
4 / 960 |
|
|
The Tatyana-caste
|
|
7 / 1826 |
|
|
Theme of Beowulf
|
|
3 / 649 |
|
|
A View From The Bridge
|
|
10 / 2731 |
|
|
Analysing Shylock's Dual-Role as Villain and Victim
|
|
6 / 1476 |
|
|
Analysis of Othello and Iago in Act 1
|
|
3 / 612 |
|
|
As you like it - Act 1
|
|
5 / 1277 |
|
|
Baz Luhrman?s Version of Romeo and Juliet
|
|
3 / 721 |
|
