Discount applied successfully
| Title |
|
Pages / Words |
Save |
|
Frankenstein, Dracula and Spiritualism
|
|
6 / 1591 |
|
|
Frankenstein, The Modern Prometheus?
|
|
5 / 1332 |
|
|
Frankenstein, snow balling revenge
|
|
3 / 603 |
|
|
Frankenstein, the Novel
|
|
6 / 1598 |
|
|
Frankenstein-value for modern readers
|
|
4 / 921 |
|
|
Frankenstein
|
|
4 / 939 |
|
|
Frankenstein
|
|
4 / 1104 |
|
|
Frankenstein
|
|
4 / 1042 |
|
|
Frankenstein
|
|
4 / 1057 |
|
|
Frankenstein
|
|
2 / 490 |
|
|
Frankenstein
|
|
1 / 220 |
|
|
Frankenstein
|
|
4 / 841 |
|
|
Frankenstein
|
|
6 / 1577 |
|
|
Frankenstein
|
|
3 / 745 |
|
|
Frankenstein
|
|
6 / 1495 |
|
|
Frankenstein
|
|
3 / 756 |
|
|
Frankenstein
|
|
2 / 545 |
|
|
Frankenstein
|
|
2 / 490 |
|
|
Frankenstein
|
|
4 / 1096 |
|
|
Frankenstein
|
|
1 / 112 |
|
|
Frankenstein
|
|
2 / 408 |
|
|
Frankenstein
|
|
6 / 1411 |
|
|
Frankenstein
|
|
6 / 1422 |
|
|
Frankenstein
|
|
2 / 424 |
|
|
Frankenstein
|
|
8 / 2171 |
|
|
Frankenstein
|
|
3 / 587 |
|
|
Frankenstein
|
|
6 / 1494 |
|
|
Frankenstein
|
|
4 / 1037 |
|
|
Frankenstein
|
|
5 / 1359 |
|
|
Frankenstein
|
|
2 / 449 |
|
|
Frankenstein
|
|
16 / 4289 |
|
|
Frankenstein
|
|
4 / 1107 |
|
|
Frankenstein
|
|
5 / 1217 |
|
|
Frankenstein
|
|
2 / 526 |
|
|
Frankenstein
|
|
11 / 3052 |
|
|
Frankenstein
|
|
3 / 827 |
|
|
Frankenstein
|
|
3 / 614 |
|
|
Frankenstein
|
|
9 / 2458 |
|
|
Frankenstein: Judgements Faults
|
|
3 / 779 |
|
|
Frankenstein: Less Human Than His Creation
|
|
4 / 948 |
|
|
Frankenstein: Mary Shelleys Educational Opinion
|
|
5 / 1196 |
|
|
Frankenstein: The Memorable Monster
|
|
4 / 1057 |
|
|
Frankenstein: The True Monster
|
|
3 / 727 |
|
|
Frankensteins Innocence
|
|
4 / 909 |
|
|
Frankenstien vs Dr.Jekly and Mr. Hyde
|
|
5 / 1357 |
|
|
Frankenstien
|
|
3 / 839 |
|
|
Franki
|
|
3 / 723 |
|
|
Frankinstine
|
|
4 / 913 |
|
|
Franky
|
|
5 / 1286 |
|
|
Franny Zooey And The Razor's Edge
|
|
14 / 3658 |
|
|
Freedom
|
|
3 / 824 |
|
|
Friar Laurence For Romeo And Juliet (Got Me A B-, Just A Few Tweeks And It Will Be Great =D)
|
|
4 / 1088 |
|
|
Fried Green Tomatoes
|
|
6 / 1467 |
|
|
From Pilate to Pilate and Song to Song
|
|
9 / 2367 |
|
|
From Pleasure to Plague: The Misfortunes of Mary Shelley and Victor Frankenstein
|
|
4 / 1111 |
|
|
From Romantic to Victorian
|
|
3 / 757 |
|
|
Funpix
|
|
77 / 21509 |
|
|
GCSE Coursework Assignment
|
|
9 / 2477 |
|
|
GRENDEL & FRANKENSTEIN
|
|
9 / 2520 |
|
|
Gatsby analysis
|
|
3 / 610 |
|
|
Gatsby's Pursuit Of The American Dream
|
|
3 / 822 |
|
|
Gatsby-biography
|
|
8 / 1987 |
|
|
Gatsby
|
|
2 / 486 |
|
|
Gatsby
|
|
6 / 1420 |
|
|
Gatsy
|
|
2 / 412 |
|
|
Gay Adoption
|
|
12 / 3114 |
|
|
Gay Marriage
|
|
3 / 765 |
|
|
Gay Marriage
|
|
7 / 1797 |
|
|
Gays Without Rights
|
|
7 / 1906 |
|
|
Geisha
|
|
9 / 2414 |
|
|
Gender Dynamics
|
|
8 / 2057 |
|
|
Gender Roles In Language
|
|
23 / 6175 |
|
|
Gender Roles in Twelfth Night
|
|
6 / 1610 |
|
|
Gender and Communication
|
|
9 / 2520 |
|
|
Gender roles in Shakespeare
|
|
3 / 730 |
|
|
Gender-specific Sexual Sanctions of Intimate Relations and Imperially Oppressing Political Sphere
|
|
8 / 2234 |
|
|
Gene and Cohn?Alike and Apart
|
|
9 / 2414 |
|
|
Giorgio and Micol
|
|
3 / 633 |
|
|
Girl With A Pearl Earring Journal
|
|
17 / 4635 |
|
|
Gods vs. Mortals in Oedipus Rex & The Bacchae
|
|
6 / 1426 |
|
|
Gone with the Wind plot analysis
|
|
1 / 136 |
|
|
Good Queen Bess
|
|
3 / 811 |
|
|
Gossip and Deceit in Much Ado About Nothing
|
|
6 / 1434 |
|
|
Great Expectaions
|
|
4 / 982 |
|
|
Great Expectations Essay
|
|
3 / 697 |
|
|
Great Expectations continued
|
|
8 / 1978 |
|
|
Great Expectations- Character Analysis
|
|
37 / 10108 |
|
|
Great Expectations
|
|
8 / 2214 |
|
|
Great Expectations
|
|
3 / 655 |
|
|
Great GAtsby
|
|
2 / 320 |
|
|
Great Gatsby-American Dream
|
|
2 / 524 |
|
|
Great Gatsby
|
|
3 / 676 |
|
|
Great Gatsby
|
|
4 / 999 |
|
|
Great Gatsby
|
|
2 / 495 |
|
|
Great Gatsby
|
|
1 / 242 |
|
|
Greed
|
|
7 / 1764 |
|
|
H.G.Wells' "War Of The World" In Retrospect To The Science Fiction Gen
|
|
10 / 2651 |
|
|
Haimon's Covert Scheme
|
|
4 / 912 |
|
|
Hamlet Notes
|
|
16 / 4269 |
|
|
Hamlet Problem Essay
|
|
3 / 804 |
|
|
Hamlet Suffering From Oedipus Complex
|
|
2 / 451 |
|
|
Hamlet as a Tragic Hero
|
|
9 / 2297 |
|
|
Hamlet coursework
|
|
7 / 1766 |
|
|
Hamlet notes
|
|
6 / 1417 |
|
|
Hamlet vs. Laertes
|
|
4 / 902 |
|
|
Hamlet's soliloquy
|
|
3 / 701 |
|
|
Hamlet-identity Crisis
|
|
7 / 1771 |
|
|
Hamlet
|
|
5 / 1364 |
|
|
Hamlet
|
|
6 / 1413 |
|
|
Hamlet
|
|
19 / 5117 |
|
|
Hamlet
|
|
4 / 924 |
|
|
Hamlet
|
|
4 / 950 |
|
|
Hamlet
|
|
4 / 914 |
|
|
Hamlet
|
|
5 / 1187 |
|
|
Hamlet
|
|
16 / 4266 |
|
|
Hamlet
|
|
3 / 575 |
|
|
Hamlet
|
|
7 / 1686 |
|
|
Hamlet
|
|
4 / 992 |
|
|
Hamlet
|
|
5 / 1368 |
|
|
Hamlet: Masks We Wear
|
|
5 / 1132 |
|
|
Hamlet:character Analysis
|
|
4 / 844 |
|
|
Hamleto
|
|
9 / 2432 |
|
|
Hans Christian Anderson's Little Mermaid
|
|
4 / 858 |
|
|
Hapiness And Money
|
|
7 / 1923 |
|
|
Hard Times
|
|
6 / 1656 |
|
|
Hard Times
|
|
7 / 1899 |
|
|
Hard Times
|
|
5 / 1127 |
|
|
Hardy?s Ability To Create Mood And Atmosphere In The Return Of The Nat
|
|
4 / 999 |
|
|
Hastiness In Romeo And Juliet
|
|
7 / 1740 |
|
|
Hate and Love in Romeo and Juliet
|
|
6 / 1410 |
|
|
Hawthorne?s "Rappaccini?s Daughter"
|
|
32 / 8880 |
|
|
Heart of Darkness Info
|
|
3 / 810 |
|
|
Heathcliff: A victim of Villainry
|
|
4 / 887 |
|
|
Heathcliff: Made A Villain By Love
|
|
4 / 914 |
|
|
Hedda Gabler
|
|
7 / 1711 |
|
|
Hektor and Penelope: Virtuous Characters
|
|
4 / 1099 |
|
|
Henry James' Beast In The Jungle
|
|
5 / 1247 |
|
|
Heroes and Heroines in Pride and prejudice by Jane Austen
|
|
5 / 1373 |
|
|
Heroine Apparent
|
|
5 / 1283 |
|
|
Herosim in "Candide" and "The Love Suicides at Amijima"
|
|
2 / 499 |
|
|
Herrick Vs Marvell
|
|
2 / 533 |
|
|
Hit
|
|
3 / 623 |
|
|
Hits and Misses of Frances Ford Coppola
|
|
5 / 1224 |
|
|
Holy Matrimony
|
|
8 / 2032 |
|
|
Homer, The Odyssey
|
|
2 / 390 |
|
|
Homosexuality
|
|
3 / 739 |
|
|
Horse Dealer's Daughter
|
|
3 / 580 |
|
|
Horse Dealers Daughter
|
|
4 / 937 |
|
|
How Does Mary Shelley use Chapters 15 and 16 of "Frankenstein" to Evoke the Reader's Sympathy for the Creature?
|
|
6 / 1493 |
|
|
How Does Shakespeare Represent Same-Sex and Opposite-Sex Relationships in the Much Ado About Nothing and Twelfth Night
|
|
6 / 1496 |
|
|
How I Met My Husband - Literary Essay
|
|
3 / 644 |
|
|
How To Read Literature Like A Professor
|
|
5 / 1376 |
|
|
How do I love Thee?
|
|
3 / 678 |
|
|
How do you prefer to date?
|
|
3 / 649 |
|
|
How does Dickens use the theme of deception in Hard Times?
|
|
6 / 1401 |
|
|
How does Ford portray the city of Parma? How might an English audience in the 1630’s respond?
|
|
4 / 1065 |
|
|
How does Lord Capulet change through the course of the play Romeo and Juliet
|
|
6 / 1498 |
|
|
How does Miller dramatise the downfall of Eddie Carbone?
|
|
10 / 2743 |
|
|
How does Miller dramatise the downfall of Eddie Carbone?
|
|
10 / 2743 |
|
|
How does Shakepear use dramatic devices in Act3 Scene1 of Romeo and Juliet in order to make it such an intersting, exciting and important scene?
|
|
6 / 1584 |
|
|
How does Shakespeare portray the nature
|
|
5 / 1231 |
|
|
How does Shakespeare present love and marriage in ?Much Ado About Nothing' and how might a modern audience respond to the presentation of these themes?
|
|
6 / 1639 |
|
|
How effective is the end of Act III as an ending to this act and as a preparation for the rest of the play?
|
|
12 / 3094 |
|
|
How effectively does the opening chapter of pride and prejudice introduce the reader to the central characters and concerns of the novel?
|
|
5 / 1138 |
|
|
How is honour the driving force with the texts The Godfather and Romeo & Juliet?
|
|
4 / 1060 |
|
|
How to Read Lit like a Prof Notes
|
|
13 / 3445 |
|
|
Huck Finn
|
|
7 / 1933 |
|
|
Huck Finn: Listening to your Heart or Listening to Society
|
|
8 / 1978 |
|
|
Human Destiny - Pygmalion
|
|
2 / 450 |
|
|
Humour In Shakespeare
|
|
8 / 2176 |
|
|
Hurculas Life Story
|
|
8 / 1967 |
|
|
Hymn To Intellectual Beauty
|
|
7 / 1702 |
|
|
IB World Lit Paper 2 Virginity In Chronicle Of A Death Foretold Be Gab
|
|
5 / 1249 |
|
|
IPHIGENIA AT AULIS: VICTIM OF CIRCUMSTANCES
|
|
4 / 1017 |
|
|
Identity in America
|
|
7 / 1685 |
|
|
Illusions and Reality in Great Expectations
|
|
6 / 1537 |
|
|
Imagery In Poems “Daddy” And “Lady Lazarus” By Sylvia Plath
|
|
5 / 1339 |
|
|
In Cold Blood notes
|
|
25 / 6746 |
|
|
In Defense of Abortion
|
|
6 / 1444 |
|
|
In Love and War
|
|
8 / 2040 |
|
|
In Loveing Memory
|
|
6 / 1592 |
|
|
In Mary Shelley's ?Frankenstein', how does the creator's feeling towards the monster change throughout the novel?
|
|
8 / 1966 |
|
|
In What Ways Does Shakespeare Create Sympathy For Romeo And Juliet And Their Relationship?
|
|
4 / 932 |
|
|
In "A New England Nun"
|
|
7 / 1710 |
|
|
In love with Shakespeare
|
|
5 / 1198 |
|
|
In the blood
|
|
4 / 908 |
|
|
In the novel Frankenstein, by Mary Shelley, Victor Frankenstein is the true monster, not the creature himself.
|
|
7 / 1893 |
|
|
Incidents in the life of a slave girl
|
|
6 / 1514 |
|
|
Indecisiveness in Hamlet
|
|
3 / 765 |
|
|
India
|
|
2 / 293 |
|
|
Indolence, Keats's muse of guilt
|
|
16 / 4328 |
|
|
Induction in taming of the shrew
|
|
5 / 1365 |
|
|
Injustice in Tartuffe
|
|
7 / 1763 |
|
|
Inman’s Spiritual Journey in Cold Mountain
|
|
5 / 1149 |
|
|
Insanity and Sanity In Hamlet
|
|
4 / 984 |
|
|
Insignificance Of Human Beings To The Passage Of Time
|
|
4 / 936 |
|
|
Intercultural Marriage
|
|
4 / 969 |
|
|
Interpretation of "We Wear A Mask"
|
|
7 / 1796 |
|
|
Interpretation of ``Ozymandias``
|
|
3 / 619 |
|
|
Interpreter of Maladies-Shukumar Character Analysis
|
|
4 / 918 |
|
