Discount applied successfully
Title |
|
Pages / Words |
Save |
To Kill a Mockingbird
|
|
8 / 1995 |
|
To Kill a Mockingbird
|
|
4 / 1006 |
|
To Kill A Mockingbird
|
|
2 / 287 |
|
To Kill A Mockingbird: Brief Analysis of Atticus Bringing up Scout Jem
|
|
2 / 526 |
|
To Kill a Mockingbird: Summary
|
|
30 / 8382 |
|
Touch Wood
|
|
3 / 798 |
|
Two Cities
|
|
4 / 1016 |
|
Why My Lips Don't Want to Kiss Again
|
|
3 / 584 |
|
Witch of Blackbird Pond
|
|
2 / 551 |
|
“Where Are You Going? Where Have You Been?”
|
|
4 / 962 |
|
5.7 Liter Supersport
|
|
3 / 769 |
|
1984 Julia's Story Creative Piece
|
|
3 / 789 |
|
A Decision To Make
|
|
4 / 1077 |
|
A Poetic Journey of Love and Honor
|
|
2 / 464 |
|
A Trip To Egypt
|
|
4 / 999 |
|
Are You Really In Love?
|
|
2 / 349 |
|
Billy Budd
|
|
3 / 579 |
|
Competition is a Bane
|
|
2 / 297 |
|
Daffyd's Journey
|
|
3 / 708 |
|
Detective Story
|
|
16 / 4307 |
|
Don Jose of Merimee’s Carmen
|
|
2 / 535 |
|
Eradication of Corruption
|
|
2 / 543 |
|
Fake Thug Life
|
|
3 / 682 |
|
Family Education
|
|
4 / 986 |
|
Fish Crate Christmas
|
|
3 / 621 |
|
Free from Humans
|
|
2 / 355 |
|
Frends forever
|
|
4 / 1038 |
|
Friends
|
|
3 / 709 |
|
He Loves Me
|
|
2 / 356 |
|
How People Remember Events
|
|
4 / 847 |
|
Impostor of Prosperity
|
|
3 / 827 |
|
Infinity in a Moment
|
|
4 / 916 |
|
Inherit The Wind
|
|
3 / 582 |
|
Learning the Writing Business from Book Agents and Editors
|
|
8 / 2078 |
|
Life is Like…
|
|
3 / 687 |
|
Love Lost
|
|
1 / 210 |
|
Love story set in WWI
|
|
18 / 4942 |
|
Making Career Decision
|
|
13 / 3548 |
|
Mega Rex
|
|
13 / 3402 |
|
My Father's Life
|
|
6 / 1460 |
|
My First Girlfriend
|
|
2 / 541 |
|
My Goals
|
|
3 / 787 |
|
Myth
|
|
2 / 533 |
|
November Rain
|
|
4 / 886 |
|
On Top of the World
|
|
2 / 389 |
|
Oprah Winfrey
|
|
3 / 701 |
|
Poetry and Me
|
|
1 / 264 |
|
Realization
|
|
6 / 1433 |
|
Relationship: Before and After Marriage
|
|
3 / 769 |
|
Six Weeks
|
|
3 / 722 |
|
Slain
|
|
9 / 2265 |
|
Stung by a Wasp
|
|
1 / 264 |
|
The Adventures of Tom Sawyer
|
|
2 / 546 |
|
The Beast is Silent
|
|
14 / 3771 |
|
The Crucible
|
|
2 / 465 |
|
The Duel
|
|
9 / 2512 |
|
The Red Shoes
|
|
3 / 830 |
|
The Rewards of Homeschooling
|
|
2 / 462 |
|
The Secrets of "Hunters in the Snow"
|
|
3 / 778 |
|
The Waiting Room
|
|
11 / 2819 |
|
Through Trials and Tears
|
|
3 / 685 |
|
When the birds hit the windows.
|
|
7 / 1884 |
|
Dance
|
|
2 / 473 |
|
‘Saying’ as ‘Inventing’
|
|
13 / 3552 |
|
1984 vs Brave New World
|
|
5 / 1206 |
|
A Doll House
|
|
4 / 1110 |
|
A Doll's House (The Transformation of Nora)
|
|
5 / 1204 |
|
A Doll's House
|
|
4 / 975 |
|
A Feminist Approach on Jonathan Swift's "Gulliver Travels"
|
|
7 / 1730 |
|
A Revelation of Granny’s Story
|
|
6 / 1440 |
|
A Streetcar Named Desire
|
|
6 / 1449 |
|
A View from the Bridge
|
|
27 / 7334 |
|
Abortion
|
|
2 / 336 |
|
An Analysis of Gatsby’s Success and Failure
|
|
4 / 868 |
|
Antigone
|
|
2 / 494 |
|
Antigone
|
|
3 / 790 |
|
Antigone
|
|
4 / 903 |
|
Antigone
|
|
5 / 1189 |
|
Beowulf vs. Gilgamesh
|
|
2 / 530 |
|
Bob Marley
|
|
5 / 1178 |
|
Change of Jem and Scout
|
|
3 / 588 |
|
Civilization: Savagery, Power, Fear
|
|
5 / 1297 |
|
Class Consciousness in Pride and Prejudice
|
|
4 / 1060 |
|
Comparision of Duddy Kravitz and Jay Gatsby
|
|
7 / 1852 |
|
Crime and Punishment
|
|
5 / 1281 |
|
Crime and Punishment
|
|
4 / 921 |
|
Cupidity's Stupidity
|
|
7 / 1842 |
|
Dr Faustus
|
|
7 / 1849 |
|
Duffy “Little Red Cap” poem
|
|
7 / 1802 |
|
Emily Dickinson
|
|
13 / 3502 |
|
Etymology of Court
|
|
4 / 1029 |
|
euthanasia
|
|
2 / 412 |
|
Eveline by James Joyce
|
|
2 / 417 |
|
Exploring the Use of Time as a Manipulative Variable
|
|
4 / 1099 |
|
Filthy Food
|
|
3 / 811 |
|
Frankenstein: Shelley Use of Mascuine and Feminine Roles
|
|
8 / 2008 |
|
Frends Forever
|
|
4 / 1038 |
|
Friendship Theme in Gilgamesh
|
|
4 / 944 |
|
Gregorik Andras
|
|
12 / 3357 |
|
Grendel: Apples and Pain
|
|
4 / 883 |
|
Hamlet: Soliloquies
|
|
4 / 1111 |
|
Hemingway: Writer or Dreamer?
|
|
28 / 7782 |
|
Hierarchy and the Disorder of Separation in the Bible
|
|
5 / 1355 |
|
How successful is Dickens in his presentation of female characters?
|
|
4 / 924 |
|
How the Colonization Era affected Authors
|
|
4 / 1044 |
|
Human Consciousness
|
|
7 / 1734 |
|
Human Heart
|
|
4 / 1028 |
|
If You Could Study a Subject of our Choice
|
|
2 / 292 |
|
Importance of Fathers
|
|
2 / 366 |
|
Innocent Victim of Love
|
|
3 / 678 |
|
Ivan Denisovich and Humanity
|
|
4 / 1108 |
|
Jane Eyre: Religion
|
|
2 / 408 |
|
Jou Luck Club - Symbol and Image
|
|
2 / 547 |
|
Journey's End by R.C Sherriff
|
|
3 / 705 |
|
Juliet Capulet
|
|
2 / 442 |
|
Kerouac and Tyler, On the Road and Saint Maybe
|
|
8 / 1977 |
|
Leiningen Versus The Ants
|
|
3 / 578 |
|
Literature?
|
|
8 / 2078 |
|
Logic of the Absurds
|
|
6 / 1452 |
|
Loman & the American Dream
|
|
4 / 1022 |
|
Lord of the Files
|
|
2 / 484 |
|
Love Your Enemies
|
|
2 / 496 |
|
MacBeth
|
|
4 / 865 |
|
Maggie Girl of the Streets & Huck Finn - Family Life
|
|
4 / 888 |
|
Mary Shelley and Parallels
|
|
4 / 990 |
|
Masculinity in Hemingway
|
|
5 / 1195 |
|
Matrix
|
|
2 / 505 |
|
Milton’s Paradise Lost
|
|
15 / 4162 |
|
Misdirection of Anger
|
|
5 / 1313 |
|
Much Ado About Nothing
|
|
13 / 3465 |
|
My Papas Waltz
|
|
1 / 267 |
|
Odysseus: Epic Hero?
|
|
3 / 603 |
|
Oedipus MD
|
|
6 / 1635 |
|
On the Unfairness of A Teacher
|
|
7 / 1695 |
|
Our Town
|
|
2 / 365 |
|
Paid Term Paper Sites Exposed!
|
|
6 / 1513 |
|
Present Provoking Past
|
|
5 / 1327 |
|
Primal Instinct
|
|
3 / 771 |
|
Racism in "Master Harold"
|
|
7 / 1727 |
|
Reflections of a Culture Past
|
|
2 / 508 |
|
Resplendent Rivendel
|
|
3 / 579 |
|
Romeo & Juliet
|
|
9 / 2316 |
|
Scene Seven
|
|
2 / 379 |
|
Similarities and Difference between Oceania in 1984 and the USA
|
|
6 / 1535 |
|
Smoking
|
|
6 / 1428 |
|
Stoker and Wilde
|
|
9 / 2336 |
|
Strindberg's Miss Julie and Beckett's Waiting for Godot
|
|
9 / 2340 |
|
Sun Bear Bile Extraction
|
|
4 / 915 |
|
Technology
|
|
3 / 743 |
|
The Chosen
|
|
6 / 1581 |
|
The Chrysalids
|
|
2 / 552 |
|
The Courtroom
|
|
6 / 1449 |
|
The Credibility of Expository Texts RE 'Unzipped' - Bronwyn Donaghy
|
|
3 / 760 |
|
The Glass Menagerie
|
|
3 / 701 |
|
The Great American Illusion
|
|
3 / 781 |
|
The Great Gatsby
|
|
7 / 1728 |
|
The Handmaid's Tale
|
|
4 / 878 |
|
The Hound of the Baskervilles - Women of the 18th Century
|
|
2 / 546 |
|
The Jilting of Granny Weatherall
|
|
3 / 822 |
|
The Scarlet Letter "A": Meanings and Connections
|
|
3 / 612 |
|
The Sentiment, Mood, and Philosophy of “The Best Slow Dancer”
|
|
4 / 973 |
|
The Servants of Twilight
|
|
3 / 626 |
|
The Storm, The Yellow Wallpaper, Young Goodman Brown
|
|
5 / 1141 |
|
The Stranger
|
|
5 / 1131 |
|
Tragedy
|
|
8 / 2224 |
|
Unzipped
|
|
5 / 1186 |
|
Volpone Ben Jonson
|
|
5 / 1123 |
|
What Dilemma Did to Him
|
|
4 / 961 |
|
What Do You Find Interesting About The Ways The Writer Presents?
|
|
4 / 878 |
|
Germany: The answer to an old Question
|
|
9 / 2343 |
|
Kissinger, Metternich, Realism
|
|
4 / 887 |
|
Lives of Women in the Renaissance
|
|
9 / 2408 |
|
Mary, Queen of Scots
|
|
3 / 756 |
|
Napoleon
|
|
13 / 3381 |
|
Policy Proposal for Economic Reform in Russia
|
|
10 / 2642 |
|
The "Phenomenon" of Greece
|
|
20 / 5380 |
|
Voltaire: A History That Never Moved
|
|
12 / 3225 |
|
1960's
|
|
18 / 4933 |
|
British Monarchy
|
|
21 / 5772 |
|
Clara Barton
|
|
2 / 518 |
|
Cyprus
|
|
14 / 3668 |
|
Czarist Regime
|
|
7 / 1934 |
|
Italian City
|
|
4 / 1031 |
|
Muhammad Ibn Abdullah: Good or Bad? You Decide
|
|
6 / 1516 |
|
Salem/European Witch Trials Compared to the McCarthy Hearings
|
|
6 / 1606 |
|
Tale Of Two Cities
|
|
4 / 898 |
|
The End of Slavery in Africa
|
|
2 / 290 |
|
The Italian Wars
|
|
7 / 1720 |
|
The Mystery of Dunkeld
|
|
5 / 1349 |
|
Walt Disney and Disneyland
|
|
6 / 1584 |
|
Weapons of the Middle Ages
|
|
2 / 444 |
|
A Small Look Inside Lebanon
|
|
12 / 3244 |
|
Gulf War Syndrome
|
|
1 / 145 |
|
Alienation in Modern Society
|
|
5 / 1263 |
|
Analysis of Easy Rider
|
|
4 / 915 |
|
Citizen Kane: An Accurate Portrayal of William Randolph Hearst?
|
|
14 / 3847 |
|
Critique La Ventura
|
|
3 / 813 |
|
General Patton Part V
|
|
1 / 198 |
|
If Someone Did You a Favor
|
|
8 / 2115 |
|
Luc Besson
|
|
11 / 2855 |
|