Discount applied successfully
| Title |
|
Pages / Words |
Save |
|
Invisible Man Irony
|
|
11 / 2860 |
|
|
Invisible Man Paper
|
|
6 / 1414 |
|
|
Invisible man
|
|
5 / 1180 |
|
|
Ionesco’S Absurdity Of Language
|
|
2 / 493 |
|
|
Ironic Cycles
|
|
3 / 726 |
|
|
Ironic Dialogue
|
|
1 / 136 |
|
|
Irony In Animal Farm
|
|
0 / 0 |
|
|
Irony In Oedipus Rex
|
|
2 / 424 |
|
|
Irony Of Fate In W.B.Yeats Why Should Not Old Men Be Mad?
|
|
6 / 1460 |
|
|
Irony analysis for \
|
|
4 / 1001 |
|
|
Irony and Abuse in the Story Of an Hour
|
|
2 / 490 |
|
|
Irony in 2 short excerpts in "The Ruined Maid"
|
|
1 / 167 |
|
|
Irony in Canterbury Tales
|
|
3 / 816 |
|
|
Irony in Oedipus Rex
|
|
3 / 592 |
|
|
Irony in Oedipus the King
|
|
9 / 2268 |
|
|
Irony in Oedipus
|
|
2 / 464 |
|
|
Irony in The Story of an Hour
|
|
2 / 422 |
|
|
Irony in \
|
|
2 / 406 |
|
|
Irony in "The Pardoner's Tale"
|
|
2 / 448 |
|
|
Irony of Earthly Power
|
|
5 / 1287 |
|
|
Irony, Arrogance, And Oedipus
|
|
6 / 1571 |
|
|
Irony
|
|
2 / 417 |
|
|
Irony
|
|
4 / 889 |
|
|
Irvings Feminist Approach
|
|
4 / 1024 |
|
|
Is Fate Predtermined?
|
|
5 / 1161 |
|
|
Is The Ending Of The Wall By Jean Paul Sartre Ironic?
|
|
4 / 1002 |
|
|
Is The Relationship Between Othello And Desdemona As It's Presented In
|
|
3 / 737 |
|
|
Is lolita a love story or pornography?
|
|
11 / 2971 |
|
|
Isolation Effects on Melville and Hawthorne characters
|
|
1 / 218 |
|
|
Isolation Through Symbolism in Nathaniel Hawthorne's The Scarlet Lette
|
|
3 / 681 |
|
|
Isolation Within The Scarlet Letter
|
|
4 / 1061 |
|
|
Issue Of Mortality: “naiv Is Bliss And Maturity Is Egocentric”
|
|
7 / 1949 |
|
|
Jack London The Fire
|
|
5 / 1308 |
|
|
James Joyce annotated bibliography
|
|
12 / 3352 |
|
|
James Russell Lowell
|
|
8 / 2012 |
|
|
Jane Austen critical analysis
|
|
8 / 2184 |
|
|
Jane Austen’s novels and the contemporary social and literary conventions.
|
|
46 / 12664 |
|
|
Jane Eyre, Hamlet And Keats
|
|
6 / 1566 |
|
|
Jane Eyre
|
|
5 / 1123 |
|
|
Jane Eyre
|
|
5 / 1381 |
|
|
Japanese Internment
|
|
2 / 519 |
|
|
John Donne Holy Sonnets
|
|
3 / 567 |
|
|
John Donne
|
|
24 / 6511 |
|
|
John Steinbeck Outline
|
|
3 / 830 |
|
|
John Steinbeck
|
|
4 / 989 |
|
|
John Wyndham and George Orwell: Two Peas in a Pod!
|
|
9 / 2323 |
|
|
Jonathan Swift's \
|
|
4 / 881 |
|
|
Jose Saramago
|
|
7 / 1852 |
|
|
Journal Of Short Stories
|
|
8 / 1997 |
|
|
Journey
|
|
7 / 1682 |
|
|
Judge Pynchion
|
|
2 / 422 |
|
|
Judith Wright
|
|
5 / 1200 |
|
|
Julia
|
|
17 / 4738 |
|
|
Julius Caesar
|
|
2 / 402 |
|
|
Justice in King Lear
|
|
4 / 864 |
|
|
Juvenalian And Horatian Satire
|
|
4 / 1000 |
|
|
Kafka
|
|
18 / 5038 |
|
|
Kate Chopin Story of an Hour
|
|
5 / 1274 |
|
|
Kate Chopin, "The Story of an Hour" on Mrs. Mallard
|
|
7 / 1716 |
|
|
Kate Chopin
|
|
4 / 940 |
|
|
Kate Chopin
|
|
3 / 588 |
|
|
Katherine Mansfield
|
|
22 / 5999 |
|
|
Katherine Mansfield?¦s Bliss - The pear tree as a symbol for Bertha?¦s life
|
|
6 / 1573 |
|
|
Keeping the faith: How hardship led to enlightenment in The Handmaid's Tale
|
|
2 / 543 |
|
|
King Lear essay
|
|
8 / 2003 |
|
|
King Lear
|
|
4 / 959 |
|
|
King Oedipus
|
|
4 / 849 |
|
|
Krapp's Last Tape And The Futility Of Human Existence
|
|
8 / 2220 |
|
|
Langston Hughes
|
|
3 / 612 |
|
|
Langston Hughes
|
|
4 / 940 |
|
|
Last scene in Othello
|
|
3 / 763 |
|
|
Laurence'S &Quot;The Stone Angel&Quot;
|
|
4 / 1078 |
|
|
Learning From Others
|
|
4 / 985 |
|
|
Leda and the Swan
|
|
2 / 486 |
|
|
Letter
|
|
3 / 609 |
|
|
Liberty
|
|
2 / 365 |
|
|
Lies and Deciets During the Plague
|
|
4 / 1059 |
|
|
Life
|
|
6 / 1560 |
|
|
Light but Sound - Kitsch and Desire in the works of Marguerite Duras and Milan Kundera
|
|
9 / 2509 |
|
|
Light vs. Dark Imagery- The Scarlet Letter
|
|
3 / 661 |
|
|
List of Language Devices
|
|
4 / 1032 |
|
|
Literary Analysis of “Survivor Type” by Stephen King
|
|
3 / 776 |
|
|
Literary Devices in Animal Farm
|
|
5 / 1249 |
|
|
Literary Devices
|
|
11 / 2830 |
|
|
Literary Elements
|
|
2 / 466 |
|
|
Literary Terms (got from my teacher but very useful)
|
|
18 / 4863 |
|
|
Literary Terms and Concepts
|
|
3 / 754 |
|
|
Literary elements used by poe
|
|
2 / 355 |
|
|
Literary terms
|
|
2 / 427 |
|
|
Literature
|
|
4 / 967 |
|
|
?A Midsummer Night's Dream' is one of Shakespeare's best-known comedies. With close reference to two scenes, show and discuss the variety of different kinds of comedy possible to be found in the play
|
|
7 / 1857 |
|
|
"Arm Wrestling with My Father" by Brad Manning and "Shooting Dad" by Sarah Vowell
|
|
5 / 1356 |
|
|
"Death of a Salesman" annotated bibliography
|
|
5 / 1372 |
|
|
"Dulce et Decorum Est" or the insanity of the new age.
|
|
4 / 1027 |
|
|
"Each of you helped to kill her." Says the Inspector. Show exactly what part each member of the Birling family (and Gerald Croft). Played in the death of Eva Smith. Do you think that some characters are more guilty than others?
|
|
10 / 2776 |
|
|
"My Last Duchess" Analysis
|
|
2 / 286 |
|
|
"No Sugar" Essay
|
|
3 / 655 |
|
|
"Ode on a Grecian Urn" Analysis
|
|
2 / 328 |
|
|
"The Lottery" Overview
|
|
4 / 910 |
|
|
"The Lottery" and Religion
|
|
3 / 760 |
|
|
"The Necklace" by Guy de Maupassant
|
|
3 / 764 |
|
|
"The Story of Hour" Irony Analysis
|
|
4 / 851 |
|
|
"The plotting of Iago is both incredible and without substance". To what extent do you agree or disagree with his statement?
|
|
5 / 1399 |
|
|
"The power of advertising." Explore the nature, purpose and effectiveness of rhetoric as used in some adverts of your choice
|
|
7 / 1804 |
|
|
"the lottery" & its use of Irony
|
|
2 / 500 |
|
|
a good man is hard to find
|
|
4 / 940 |
|
|
a good man is hard to find
|
|
2 / 492 |
|
|
a good man is hard to find
|
|
3 / 762 |
|
|
a hero new ending
|
|
5 / 1243 |
|
|
a modest proposal by jonathan swift
|
|
3 / 770 |
|
|
a night to remember
|
|
5 / 1257 |
|
|
act 1 scene 1 romeo and juliet.
|
|
18 / 5013 |
|
|
all quiet on the western front notes
|
|
26 / 7167 |
|
|
analysis of \
|
|
2 / 455 |
|
|
analysis of anthem for doomed youth
|
|
2 / 315 |
|
|
analysis of transformation of Jane Austen's "Emma" to Amy Heckerling's "Clueless"
|
|
4 / 1014 |
|
|
anaylisis
|
|
7 / 1681 |
|
|
archetypes in frankenstien and the birthmark
|
|
7 / 1929 |
|
|
aristotle's definition of tragedy
|
|
3 / 563 |
|
|
ballad of birmingham
|
|
3 / 709 |
|
|
cantebury
|
|
7 / 1924 |
|
|
canterbury's love
|
|
7 / 1803 |
|
|
capital punishment
|
|
8 / 2196 |
|
|
cask of amontilado
|
|
7 / 1850 |
|
|
chaucer
|
|
14 / 3779 |
|
|
chinese cinderella
|
|
3 / 574 |
|
|
christian Aleegory in the rime of the ancient mariner
|
|
5 / 1340 |
|
|
compare and contrast of Owl creek, Bad boy, and to light a fire
|
|
4 / 1048 |
|
|
comparing two poems
|
|
4 / 989 |
|
|
comparison and contrast of a separate peace and catcher in the rye
|
|
6 / 1488 |
|
|
comparison between "Countess P's Advice for new girls" by Natash tretheway, "Skinhead" by Patricia Smith, and "Negro Hero" by GWendolyn Brooks
|
|
3 / 801 |
|
|
comparison of 2 ethnic groups
|
|
5 / 1147 |
|
|
comparison on yeats poems
|
|
3 / 757 |
|
|
cost of living in soceity
|
|
9 / 2361 |
|
|
critism on othello
|
|
8 / 2199 |
|
|
dead stars
|
|
22 / 5943 |
|
|
death of a salesman
|
|
4 / 1062 |
|
|
defining.
|
|
2 / 481 |
|
|
english
|
|
26 / 7206 |
|
|
examine how John Wyndham in ‘Dumb Martian’ captures the moment when someone’s life changes dramatically.
|
|
2 / 421 |
|
|
explication of "The Man He Killed"
|
|
3 / 704 |
|
|
fate human agency n reason
|
|
5 / 1343 |
|
|
flannery o'conner: queen of irony
|
|
7 / 1752 |
|
|
frontline
|
|
4 / 841 |
|
|
girls in their summer dresses summary
|
|
3 / 601 |
|
|
giving blood
|
|
6 / 1492 |
|
|
good country people
|
|
5 / 1253 |
|
|
grieving mothers
|
|
3 / 621 |
|
|
gulliver's travels: success as a satire?
|
|
3 / 580 |
|
|
gullivers travels
|
|
2 / 499 |
|
|
hamlet,a tragedy of failure
|
|
4 / 987 |
|
|
hamlet
|
|
7 / 1689 |
|
|
hamlet
|
|
3 / 765 |
|
|
hamlet: critical analysis
|
|
7 / 1711 |
|
|
history of England
|
|
25 / 6726 |
|
|
how does romeo and juliets love scene increase dra,atic irony in this scene
|
|
2 / 443 |
|
|
how hollywood sanitises history using pearl harbour as an example
|
|
4 / 1107 |
|
|
huck finn
|
|
14 / 3806 |
|
|
im not scared
|
|
6 / 1401 |
|
|
imaginative journey
|
|
2 / 453 |
|
|
inspector calls
|
|
4 / 1013 |
|
|
inspector calls
|
|
6 / 1507 |
|
|
ironic story
|
|
2 / 308 |
|
|
irony in the story of an hour
|
|
3 / 628 |
|
|
irony
|
|
2 / 487 |
|
|
jacksonian man of parts
|
|
26 / 7018 |
|
|
james bond book vs movie
|
|
4 / 1039 |
|
|
japanese interment camps
|
|
2 / 451 |
|
|
journeys essay/speech
|
|
4 / 1075 |
|
|
kate chopin
|
|
3 / 698 |
|
|
key terms english
|
|
5 / 1249 |
|
|
king oedipus
|
|
11 / 3064 |
|
|
kiss me kate
|
|
11 / 3020 |
|
|
kubla khan
|
|
1 / 255 |
|
|
lesson 8
|
|
4 / 1027 |
|
|
life
|
|
4 / 952 |
|
|
life
|
|
11 / 2972 |
|
|
literature
|
|
9 / 2491 |
|
|
little romeo
|
|
6 / 1410 |
|
|
‘Everyday creativity is always dialogical in Bakhtin’s sense’.
|
|
7 / 1905 |
|
|
“Desiree’S Baby”
|
|
2 / 479 |
|
|
“Salvation” By Langston Hughes
|
|
2 / 315 |
|
|
“The Mere Fact That Someone Cruelly Destroys A Potentially Happy Marriage Is Sad, Not Necessarily Tragic.” What, Then, Makes Othello A Tragedy?
|
|
5 / 1320 |
|
|
'Tis pity She's A Whore: Remind yourself of act 4 scene 3. What is the importance of this scene in the context of the whole play?
|
|
4 / 888 |
|
|
'the story of an hour' by Kate Chopin
|
|
3 / 770 |
|
|
LONG WORK, SHORT LIFE
|
|
14 / 3700 |
|
|
LORD OF THE FLIES ANALYSIS
|
|
7 / 1808 |
|
|
Local-Color Regionalism in Tennessee's Partner
|
|
3 / 628 |
|
|
Looking closely at Act 5 sc 3 and Act 3 sc 3 how does Shakespeare make Coriolanus into a tragic character?
|
|
7 / 1784 |
|
|
Lord of the Flies by William Golding
|
|
4 / 878 |
|
|
Lord of the Flies
|
|
13 / 3374 |
|
|
Loss Of Identity
|
|
5 / 1308 |
|
|
Loss of Innocence
|
|
5 / 1348 |
|
|
Love For Marriage And Love For Convenience
|
|
10 / 2797 |
|
|
Love and Hate as it pertains to the Scarlet Letter by Nathaniel Hawthorne
|
|
2 / 538 |
|
|
Love and what is needed for it exist as seen in two works
|
|
5 / 1326 |
|
|
Love: suffering or resurrection.
|
|
8 / 1964 |
|
|
Luigi Pirandello War
|
|
4 / 1015 |
|
|
MATERIAL SOCIETY, MATERIAL THOUGHTS
|
|
4 / 996 |
|
|
MacBeth Critical Lens
|
|
5 / 1211 |
|
