Discount applied successfully
| Title |
|
Pages / Words |
Save |
|
Symbolism In “Sir Gawain And The Green Knight”
|
|
2 / 478 |
|
|
Symbolism in Hedda Gabler
|
|
5 / 1184 |
|
|
Symbolism in "A Rose For Emily"
|
|
3 / 568 |
|
|
Symbols In The Merchant Of Venice
|
|
3 / 588 |
|
|
Symbols in The Rime of the Ancient Mariner
|
|
9 / 2369 |
|
|
T.S. Eliot 's "The fire Sermon" - a poem analysis focusing on the Elements of nature
|
|
19 / 5043 |
|
|
T.S. Eliot: Inward Pain and Outward Brilliance
|
|
10 / 2585 |
|
|
T.S.Eliot'S The Waste Land
|
|
6 / 1507 |
|
|
TEACHING ENGLISH THROUGH POETRY TO ADOLESCENTS
|
|
12 / 3297 |
|
|
TFA
|
|
18 / 4946 |
|
|
THE GREATEST DAY
|
|
3 / 609 |
|
|
Tartuffe
|
|
4 / 870 |
|
|
Telling The Truth (Ted Hughes, Kurt Vonnegut)
|
|
4 / 1029 |
|
|
Tempest Vs. Where The Wild Things Are
|
|
3 / 624 |
|
|
Tempest
|
|
6 / 1467 |
|
|
Tempory
|
|
116 / 32453 |
|
|
Textual Analysis
|
|
8 / 2141 |
|
|
The Allegory Of The Cave: Turn Around
|
|
5 / 1396 |
|
|
The Apple Of Life: A Critical Analysis Of Robert Frost's "After Apple-
|
|
4 / 1097 |
|
|
The Art of Poetry: Interpretation and Imagination in William Carlos Williams' ?The Red Wheelbarrow'
|
|
4 / 985 |
|
|
The Bluest Eye
|
|
6 / 1542 |
|
|
The Case For Christianity, The World's Last Night
|
|
8 / 2064 |
|
|
The Catcher in the Rye Research Paper
|
|
9 / 2296 |
|
|
The Colours Of Life-Existentialism And The Short Story Form: A Study Of Selected Western And African Short Stories
|
|
15 / 3975 |
|
|
The Comparison Between This And That
|
|
3 / 655 |
|
|
The Crucible Thematic Essay
|
|
7 / 1685 |
|
|
The Crucible
|
|
25 / 6888 |
|
|
The Darkling Thrush
|
|
3 / 619 |
|
|
The Dead by Rupert Brooke (analysis)
|
|
2 / 339 |
|
|
The Eagle Poem
|
|
2 / 399 |
|
|
The Fate of "Design" - Robert Frost
|
|
2 / 303 |
|
|
The Fourth Amendment
|
|
4 / 951 |
|
|
The Generation Gap Within the Joy Luck Club
|
|
6 / 1669 |
|
|
The Great Gatsby- Color Symbolism
|
|
8 / 2082 |
|
|
The Great Gatsby
|
|
5 / 1203 |
|
|
The Grecian Hero Archetype
|
|
6 / 1530 |
|
|
The House Of The Seven Gables- Hawthornes Personal Reflections
|
|
4 / 889 |
|
|
The Importance Of The Setting In Wuthering Heights
|
|
6 / 1603 |
|
|
The Importance of Family
|
|
4 / 1009 |
|
|
The Innocent Adventure
|
|
5 / 1160 |
|
|
The Insufficiency Of Honesty
|
|
2 / 529 |
|
|
The Invisible Man
|
|
173 / 48269 |
|
|
The Many Faces of "La Llorona"
|
|
5 / 1339 |
|
|
The Meaninglessness of Samuel Beckett's Waiting for Godot
|
|
5 / 1290 |
|
|
The Metamorphosis
|
|
7 / 1698 |
|
|
The Metamorphsis
|
|
4 / 1019 |
|
|
The Outsiders
|
|
3 / 745 |
|
|
The Outsiders
|
|
3 / 745 |
|
|
The Outsiders
|
|
3 / 745 |
|
|
The Passing Of Arthur And Excalibur
|
|
4 / 1098 |
|
|
The Psychology of Robert Frost's Nature Poetry
|
|
22 / 6134 |
|
|
The Real World, How It Connects to College
|
|
7 / 1891 |
|
|
The Red Badge
|
|
5 / 1239 |
|
|
The Regrets of Time Gone By
|
|
5 / 1157 |
|
|
The Road Not Taken - An Analysis
|
|
3 / 773 |
|
|
The Road Not Taken -- An Interpretaion Of Robert Frost's Poem
|
|
3 / 751 |
|
|
The Road Not Taken Analysis
|
|
2 / 392 |
|
|
The Road Not Taken Paper
|
|
2 / 549 |
|
|
The Road Not Taken Vs. Mother To Son
|
|
2 / 534 |
|
|
The Road Not Taken
|
|
2 / 549 |
|
|
The Road Not Taken
|
|
2 / 295 |
|
|
The Road Not Taken
|
|
3 / 736 |
|
|
The Road Not Taken
|
|
4 / 937 |
|
|
The Road Not Taken
|
|
6 / 1414 |
|
|
The Road Not Taken
|
|
3 / 757 |
|
|
The Road Not Taken
|
|
3 / 794 |
|
|
The Road Not Taken" by Robert Frost , Poetry Explication
|
|
4 / 948 |
|
|
The Road essay
|
|
5 / 1338 |
|
|
The Romantic Imagination in Action
|
|
12 / 3284 |
|
|
The Scarlet Letter Notes
|
|
34 / 9310 |
|
|
The Silken Tent
|
|
3 / 604 |
|
|
The Symbolism of the "Birches"
|
|
3 / 650 |
|
|
The Temoest as a theatrical contribution
|
|
5 / 1182 |
|
|
The Tempest
|
|
4 / 900 |
|
|
The Tempest
|
|
7 / 1891 |
|
|
The Truth of Reality
|
|
6 / 1549 |
|
|
The Unforgettable Christmas
|
|
3 / 784 |
|
|
The Unknown Citizen vs. Departmental
|
|
3 / 776 |
|
|
The Woman Who Had Two Navels
|
|
2 / 357 |
|
|
The Woman Who Had Two Navels
|
|
3 / 579 |
|
|
The Works of Oscar Wilde
|
|
5 / 1236 |
|
|
The Yellow Wallpaper
|
|
4 / 892 |
|
|
The Zembla Condition
|
|
8 / 2057 |
|
|
The character og Iago
|
|
15 / 4017 |
|
|
The factors that contribute to the comprehension of text.
|
|
5 / 1204 |
|
|
The role of Nature
|
|
17 / 4687 |
|
|
The scarlet letter-plant imagery
|
|
3 / 619 |
|
|
The seriousness of the weight and emotions the men carried
|
|
10 / 2740 |
|
|
The tragedy of Emma Bovary
|
|
5 / 1399 |
|
|
The vampire: What boundaries does the vampire threaten? Discuss with r
|
|
33 / 9059 |
|
|
Theme Of The Poem “Stopping By The Woods On A Snowy Evening”
|
|
2 / 333 |
|
|
Themes In Once And Future King
|
|
6 / 1524 |
|
|
Themes In Once And Future King
|
|
8 / 2091 |
|
|
Themes in the Colour Purple
|
|
36 / 9932 |
|
|
There are many critical interpretations of Iago’s character. Was he a ‘skillful villain’? Or perhaps he was a ‘mysterious creature of unlimited cynicism’? Or was he simply a ‘wronged man’? More sinned against than sinning?
|
|
9 / 2517 |
|
|
This Side of Paradise
|
|
6 / 1530 |
|
|
Thistles" and "Tall Nettles
|
|
3 / 700 |
|
|
Those Winter Sundays
|
|
3 / 666 |
|
|
To Build a fire
|
|
3 / 569 |
|
|
To Insanity in Pursuit of Love.
|
|
7 / 1790 |
|
|
To Tame A Shrew
|
|
8 / 1991 |
|
|
To be or not to be
|
|
4 / 863 |
|
|
Transcendentalism
|
|
6 / 1610 |
|
|
Truth Essay on Scarlet Letter and Crucible
|
|
3 / 661 |
|
|
Truth and Hypocrisy in Animal Farm and The Scarlet Letter
|
|
6 / 1549 |
|
|
Turn of The Screw
|
|
10 / 2616 |
|
|
Twain
|
|
15 / 3932 |
|
|
Twinkle, Little Star
|
|
6 / 1499 |
|
|
Two Kinds: The American Dream as a Theme
|
|
3 / 785 |
|
|
Unanswerable Questions - An Analysis Of Countee Cullen's "Yet Do I M
|
|
4 / 1097 |
|
|
Unconditional Love in “The Song of Songs”
|
|
3 / 722 |
|
|
Understanding Characters in Objectively Narrated Stories
|
|
8 / 2065 |
|
|
Use Of Imagery, Structure, Voice, Meaning
|
|
3 / 776 |
|
|
Use of Gothic Elements in Charlotte Bronte's Jane Eyre
|
|
7 / 1686 |
|
|
Using Endgame and Top Girls as your starting point, examine the ways in which departures from theatrical naturalism are used to develop the main themes of these plays.
|
|
7 / 1817 |
|
|
Victory over death in Wordsworth??s ?°Intimations of Immortality Ode?±
|
|
5 / 1325 |
|
|
WWI poems and information
|
|
9 / 2407 |
|
|
Watermelons
|
|
3 / 604 |
|
|
What Is Homeless
|
|
5 / 1227 |
|
|
What Means What
|
|
4 / 1016 |
|
|
What are the author's purpose behind the portrayal of Turgenev's Anna Sergeyevna in ?Fathers and Sons', and Chekhov's Natasha Ivanova in ?Three Sisters', and how are they presented?
|
|
6 / 1629 |
|
|
What boundaries does the vampire threaten?
|
|
33 / 9060 |
|
|
What is literature
|
|
3 / 835 |
|
|
What role might fictional embellishments have on the interpretations of religious doctrines?
|
|
3 / 685 |
|
|
What seem to be the objective features of New Criticism with a particular focus on three poems by Afred Lord Tennyson
|
|
12 / 3126 |
|
|
What will make King Lear continue to be worthy of critical study
|
|
5 / 1135 |
|
|
When I Heard the Learnd Astronomer
|
|
4 / 1038 |
|
|
Why 'The Crucible' Remains Important Today
|
|
4 / 978 |
|
|
William Blake: A marxist Before Marxism
|
|
6 / 1672 |
|
|
William Faulkner & Robert Frost
|
|
4 / 986 |
|
|
Wind and Window Flower
|
|
2 / 281 |
|
|
Winesburg, Ohio
|
|
5 / 1397 |
|
|
With Reference To Two Or Three Poems From Death Of A Naturalist, Explore Heaney’S Treatment Of Nature.
|
|
7 / 1823 |
|
|
Women and Frailty in Shakespeare's Hamlet
|
|
5 / 1293 |
|
|
Working on Common Cross-cultural Communication Challenges
|
|
9 / 2504 |
|
|
Worldview
|
|
4 / 954 |
|
|
Xu Gang's "Red Azalea On The Cliff"
|
|
2 / 515 |
|
|
Yeats
|
|
7 / 1882 |
|
|
You Can Run, But You Can't Hide
|
|
5 / 1151 |
|
|
Young Goodman Brown and His Multiple Characters
|
|
5 / 1342 |
|
|
lord of flies
|
|
41 / 11373 |
|
|
love song
|
|
3 / 784 |
|
|
macbeth; loyal or not
|
|
5 / 1328 |
|
|
many meanings of rain
|
|
3 / 700 |
|
|
medical mariguana
|
|
4 / 1099 |
|
|
miss
|
|
5 / 1296 |
|
|
miss
|
|
7 / 1810 |
|
|
mr
|
|
108 / 30099 |
|
|
mr
|
|
5 / 1352 |
|
|
music effecting change
|
|
5 / 1216 |
|
|
nationalism
|
|
7 / 1793 |
|
|
nature as a common theme in Frost's poems
|
|
5 / 1325 |
|
|
notes on the metamorphosis
|
|
13 / 3378 |
|
|
nothing
|
|
4 / 1003 |
|
|
oh capatain my captain
|
|
4 / 1020 |
|
|
othello
|
|
10 / 2714 |
|
|
owen
|
|
12 / 3087 |
|
|
paper
|
|
4 / 1062 |
|
|
perception
|
|
2 / 558 |
|
|
personal boundaries
|
|
4 / 937 |
|
|
physical journeys; peter skrzynecki and related texts
|
|
7 / 1883 |
|
|
plato
|
|
5 / 1396 |
|
|
poetry
|
|
3 / 788 |
|
|
presentation for billy collins
|
|
5 / 1349 |
|
|
puritans are...
|
|
16 / 4332 |
|
|
reading poetry
|
|
3 / 829 |
|
|
right, or wrong?
|
|
4 / 1069 |
|
|
roaring twentys
|
|
9 / 2287 |
|
|
robert Frost
|
|
5 / 1212 |
|
|
robert frost poems
|
|
4 / 902 |
|
|
robert frost speech and anylisation
|
|
3 / 725 |
|
|
robert frost's poems
|
|
3 / 793 |
|
|
robert frost
|
|
2 / 462 |
|
|
robert frost
|
|
1 / 223 |
|
|
robert frost
|
|
6 / 1412 |
|
|
robert frost
|
|
7 / 1776 |
|
|
schooling vs education
|
|
3 / 801 |
|
|
separation church and state europe
|
|
10 / 2524 |
|
|
sinners
|
|
4 / 867 |
|
|
sonny's blues
|
|
5 / 1211 |
|
|
studying media
|
|
4 / 1060 |
|
|
surface as the key to understanding Moby-Dick
|
|
12 / 3244 |
|
|
taming of the shrew
|
|
2 / 554 |
|
|
tennyson
|
|
4 / 869 |
|
|
the Symbolism of Water
|
|
5 / 1367 |
|
|
the arhument
|
|
11 / 3072 |
|
|
the concept of the individual in literature of the romantic period
|
|
7 / 1720 |
|
|
the darkling thrush poem
|
|
4 / 968 |
|
|
the glass menagerie
|
|
20 / 5443 |
|
|
the grapes of wrath
|
|
35 / 9573 |
|
|
the half huskey
|
|
3 / 604 |
|
|
the handmaids tale
|
|
6 / 1404 |
|
|
the road not taken
|
|
2 / 281 |
|
|
the road not taken
|
|
3 / 726 |
|
|
the sick rose
|
|
1 / 262 |
|
|
the stranger -part II
|
|
4 / 976 |
|
|
the tyger - blake
|
|
5 / 1328 |
|
|
thomas hardy
|
|
2 / 363 |
|
|
to build a fire
|
|
3 / 838 |
|
|
to build a fire
|
|
3 / 832 |
|
