Discount applied successfully
Title |
|
Pages / Words |
Save |
A Dolls House
|
|
3 / 819 |
|
A Feminist Analysis of Cloud Nine
|
|
8 / 2144 |
|
A Good Man is Hard to Find
|
|
8 / 2008 |
|
A History of Submissive Women in Literature
|
|
8 / 1973 |
|
A Midsummer Night’s Dream
|
|
11 / 3060 |
|
A Push To Freedom
|
|
5 / 1381 |
|
A Simple Story of Imagery and Irony
|
|
3 / 830 |
|
A Streetcar Named Desire
|
|
8 / 2046 |
|
A Streetcar Named Desire
|
|
5 / 1181 |
|
A Study of a Very Old Man with Enormous Wings
|
|
5 / 1128 |
|
A Tragic Hero Of Just A Tragic Life
|
|
6 / 1508 |
|
A Worn Path
|
|
4 / 1077 |
|
A dolls house
|
|
3 / 824 |
|
A dolls house
|
|
3 / 783 |
|
A very old man with enormous wings
|
|
3 / 742 |
|
A.S. Byatt
|
|
2 / 498 |
|
Abc
|
|
3 / 780 |
|
Admit or Lie
|
|
3 / 663 |
|
Alice
|
|
9 / 2259 |
|
American Literature
|
|
4 / 1075 |
|
American Literature
|
|
4 / 855 |
|
American Naturalism: Romantic Or Realistic?
|
|
16 / 4427 |
|
American Short Fiction
|
|
8 / 2166 |
|
American Writers
|
|
10 / 2764 |
|
An Enemy Of The People
|
|
3 / 646 |
|
An very old man with enormous wings
|
|
19 / 5219 |
|
Analyse the methods used to make the opening battle sequence of ?Saving Private Ryan' both shocking and realistic, and say how effective you find it as an introduction to the film
|
|
11 / 2812 |
|
Analysis Of Doll House Play
|
|
7 / 1873 |
|
Analysis Of The Setting In “Trifles”
|
|
9 / 2268 |
|
Analysis of Jane Eyre
|
|
5 / 1182 |
|
Analysis of The Happy Man by Naguib Mahfouz
|
|
1 / 216 |
|
Analysis of "A Good Man Is Hard to Find"
|
|
5 / 1204 |
|
Andy WARHOLA
|
|
8 / 1990 |
|
Anna Karinna
|
|
5 / 1197 |
|
Anne Bradstreet
|
|
5 / 1129 |
|
Antony and Cleopatra
|
|
7 / 1848 |
|
Arrangement in Black and White
|
|
2 / 483 |
|
Aspects of Postmodernism in "Happy Endings" and "Videotape"
|
|
6 / 1489 |
|
August Wilson's \
|
|
4 / 958 |
|
Balzac
|
|
2 / 525 |
|
Barbarity versus Civility
|
|
6 / 1617 |
|
Baroque
|
|
7 / 1882 |
|
Benjamin Franklin Norris
|
|
2 / 366 |
|
Beowulf
|
|
9 / 2434 |
|
Big Brothe in Australia
|
|
7 / 1916 |
|
Blanche's Psychological Breakdown
|
|
6 / 1449 |
|
Bo's Censorship Paper
|
|
5 / 1123 |
|
Brecht's influence on the glass menagerie
|
|
3 / 589 |
|
Brecht
|
|
8 / 2109 |
|
Bridge to Terabithia
|
|
3 / 672 |
|
Brown: The Last Discovery of America
|
|
5 / 1202 |
|
Brutus and Idealism
|
|
2 / 357 |
|
CATCH 22
|
|
4 / 953 |
|
Catcher In The Rye
|
|
5 / 1239 |
|
Character Traits In A Separate Peace
|
|
2 / 454 |
|
Charles Dickens Biography
|
|
6 / 1445 |
|
Charles Dickens; Reforming From Experience
|
|
13 / 3493 |
|
Chaucer: Its the Man's fault
|
|
8 / 2167 |
|
Childish Behavior
|
|
3 / 821 |
|
Classroom Issues and Strategies
|
|
1 / 182 |
|
Cold War Vs. United States
|
|
5 / 1373 |
|
Coleridge
|
|
5 / 1283 |
|
Comparison Of Apollo From The Portonaccio Temple And Aule Metele
|
|
2 / 337 |
|
Contrasting The Prose Styles of CS Lewis and William Gibson
|
|
7 / 1880 |
|
Cuckoos Nest
|
|
6 / 1632 |
|
Cultural Analysis of Boyz N the Hood
|
|
6 / 1603 |
|
Culture and Values Terms
|
|
6 / 1633 |
|
DOlls House
|
|
6 / 1556 |
|
Dames, Coppers, and Crooks: A L:ook At Film Noir
|
|
11 / 2877 |
|
Death of a Naturalist Analysis
|
|
2 / 448 |
|
Death of a Salesman, Arthur Miller
|
|
5 / 1126 |
|
Death of a Salesman-Is Willy a modern tragic hero?
|
|
8 / 2198 |
|
Death of a Salesman
|
|
4 / 903 |
|
Deception
|
|
7 / 1882 |
|
Detective Fiction
|
|
5 / 1158 |
|
Dialects in American Literature
|
|
8 / 2054 |
|
Dicken'S Oliver Twist Theme Analysis
|
|
4 / 893 |
|
Differences Between 18th Century Literature And Romantic Poetry Seen T
|
|
5 / 1282 |
|
Different Styles In The Grapes Of Wrath
|
|
2 / 476 |
|
Discuss the role of the inspector in Priestly's 'An Inspector Calls'.
|
|
7 / 1826 |
|
Discuss the symbolism of light in the play, particularly the image of the light bulb. It can be argued that scene 9 in which Mitch forces Blanche under the light bulb is the climax of the play. Discuss. Refer to the evolution of Blanche's inner co...
|
|
3 / 824 |
|
Discussion Of Frankenstein.
|
|
5 / 1341 |
|
Discussion Of Local Color In Mark Twain
|
|
4 / 891 |
|
Doll House
|
|
2 / 388 |
|
Doll House
|
|
2 / 504 |
|
Doll House
|
|
2 / 505 |
|
Doll House
|
|
4 / 1015 |
|
Doll's House
|
|
3 / 735 |
|
Doll's House: Themes And Theatrics
|
|
8 / 2086 |
|
Drama In Performance Is Not A Literary Text But Action In Time And Space
|
|
9 / 2278 |
|
Drama: Alive And Well
|
|
5 / 1255 |
|
Dulce et Decorum Est
|
|
3 / 690 |
|
Edar Allan Poe
|
|
4 / 1072 |
|
Edgar Allan Poe's Narrative Style
|
|
5 / 1149 |
|
Edgar Allen Poe
|
|
7 / 1852 |
|
Edith Wharton
|
|
6 / 1535 |
|
Educating Rita
|
|
19 / 5164 |
|
Elements of Maggie (the first two chapters)
|
|
6 / 1488 |
|
Emily Dickinson
|
|
2 / 449 |
|
Emily Dickinson
|
|
6 / 1559 |
|
Eng 327
|
|
6 / 1571 |
|
English Comparrison
|
|
7 / 1791 |
|
English Grammar
|
|
16 / 4450 |
|
English Literature
|
|
17 / 4588 |
|
English Media Coursework (Saving Private Ryan)
|
|
7 / 1929 |
|
English Works
|
|
5 / 1144 |
|
English
|
|
6 / 1614 |
|
Epiphanies In James Joyce's The Dead And Araby
|
|
4 / 975 |
|
Ernest Hemingway Novel In Our Time
|
|
6 / 1452 |
|
Essay on One Hundred Years of solitude
|
|
3 / 807 |
|
Eugene O'Neill
|
|
7 / 1949 |
|
Expatriates
|
|
6 / 1569 |
|
Fairy Story
|
|
6 / 1541 |
|
Feminism in the works Medea and Hedda Gabbler
|
|
7 / 1777 |
|
Feminist or Humanist, the Nature of Henrik Ibsen
|
|
3 / 802 |
|
Film Realism
|
|
4 / 958 |
|
Film studies
|
|
12 / 3337 |
|
Flannery O'Connor - Pride in Woman
|
|
4 / 884 |
|
Flight Simulaters
|
|
3 / 563 |
|
Four Genre Outlines
|
|
7 / 1681 |
|
GOYA
|
|
2 / 463 |
|
Gabriel Gracia Marquez Thesis
|
|
3 / 585 |
|
Garcia Marquez's \
|
|
4 / 862 |
|
Ghosts
|
|
3 / 652 |
|
Glass Menagerie &Amp; A Doll'S House
|
|
2 / 549 |
|
Going After Cacciato
|
|
4 / 944 |
|
Gopin after cacciatri
|
|
4 / 862 |
|
Great Gatsby and the 20's
|
|
7 / 1780 |
|
Gulliver's Travels: Satire's Paradise
|
|
11 / 3056 |
|
HEDDA GABLER
|
|
8 / 1968 |
|
Hamlet
|
|
19 / 5117 |
|
Hamlet
|
|
16 / 4266 |
|
Harriet Beecher Stowe
|
|
4 / 887 |
|
Heart of darkness
|
|
3 / 665 |
|
Hedda Gabler - A Tragic Hero?
|
|
4 / 1071 |
|
Hedda Gabler'S Last Dance
|
|
4 / 846 |
|
Hedda Gabler
|
|
2 / 342 |
|
Hedda Gabler
|
|
7 / 1711 |
|
Hidden Meaning
|
|
3 / 637 |
|
House of Sand and Fog
|
|
2 / 536 |
|
How I Learned To Drive
|
|
2 / 499 |
|
How I Met My Husband - Literary Essay
|
|
3 / 644 |
|
How Illuminating Is It To Read Ibsen In Feminist Terms
|
|
8 / 2114 |
|
How WW1 Changed British Literature
|
|
6 / 1661 |
|
How does Arthur Miller build tension in Acts 1 and 2 and up to the entrance of George on page 138?
|
|
6 / 1523 |
|
How does Television utilize the components of Drama, Prose, and Poetry?
|
|
3 / 589 |
|
How is the film "One Flew Over The Cuckoo's Nest" different from the book and how does a man loose his life while struggling to change the system in his own way?
|
|
4 / 931 |
|
How to Read Lit like a Prof Notes
|
|
13 / 3445 |
|
How to improve your writing
|
|
18 / 4848 |
|
Hshj kjajah jha
|
|
34 / 9359 |
|
Huck Fin Synthesis
|
|
6 / 1458 |
|
Huck Finn not a racist
|
|
3 / 619 |
|
Huck Finn
|
|
4 / 945 |
|
Huck Finn
|
|
7 / 1710 |
|
Huck Finn
|
|
2 / 362 |
|
Hume's Influences
|
|
36 / 10027 |
|
Hyper realism
|
|
5 / 1371 |
|
Ibsen and Realism
|
|
4 / 926 |
|
Ibsen's Ghost
|
|
3 / 692 |
|
Ibsen's Ghost: A Modern Tragedy
|
|
5 / 1347 |
|
Identity in the Poetry of Langston Hughes
|
|
10 / 2669 |
|
In Cold Blood
|
|
8 / 2079 |
|
Influence of Antigone on A Doll's House
|
|
3 / 565 |
|
Information on Modernism:
|
|
3 / 740 |
|
Interpretation Of Ibsen's "A Doll's House"
|
|
5 / 1288 |
|
Inventing Wonderland- the extern influences on Lewis Carroll
|
|
14 / 3728 |
|
Invisible Man
|
|
5 / 1190 |
|
James Joyce and "The Dead"
|
|
4 / 1054 |
|
James Joyce annotated bibliography
|
|
12 / 3352 |
|
Jane Austen critical analysis
|
|
8 / 2184 |
|
Jane Austen’s novels and the contemporary social and literary conventions.
|
|
46 / 12664 |
|
Jane Eyre and Victorian Era
|
|
11 / 2930 |
|
Jane Eyre, Hamlet And Keats
|
|
6 / 1566 |
|
Jane Eyre
|
|
7 / 1778 |
|
Jane Eyre
|
|
5 / 1381 |
|
John Cheever & Suburban Life
|
|
4 / 960 |
|
Jose Saramago
|
|
7 / 1852 |
|
Journal
|
|
9 / 2409 |
|
Kafka
|
|
18 / 5038 |
|
Kanji
|
|
2 / 344 |
|
Kipling and The Pre-Raphaelites
|
|
2 / 426 |
|
Language of the land
|
|
2 / 433 |
|
Les Miserables
|
|
3 / 623 |
|
Like Water For Chocolate
|
|
3 / 591 |
|
Literary Analysis Essay
|
|
6 / 1408 |
|
Literary Terms (got from my teacher but very useful)
|
|
18 / 4863 |
|
"A Doll's House" by Henrik Ibsen
|
|
6 / 1512 |
|
"All Those Things That 'Aren't Evidence' Are What Convice Me" How G. K. Chesterton's Father Brown Broke the Rules of Detective Fiction
|
|
20 / 5522 |
|
"Disney World: A Controlled Society
|
|
2 / 516 |
|
a doll house & a raisin in the sun
|
|
11 / 2989 |
|
a doll house
|
|
5 / 1123 |
|
a dolls house
|
|
2 / 523 |
|
a dolls house
|
|
3 / 654 |
|
a dolls house
|
|
4 / 894 |
|
a streetcar named desire
|
|
5 / 1222 |
|
american society in death of a salesman
|
|
7 / 1733 |
|
analysis of act 3, dolls house
|
|
2 / 319 |
|
animal poems
|
|
5 / 1162 |
|
bankim
|
|
7 / 1751 |
|
basics of studying literature
|
|
13 / 3381 |
|