Discount applied successfully
| Title |
|
Pages / Words |
Save |
|
The Importance of Ghosts In ‘Wuthering Heights’
|
|
5 / 1181 |
|
|
The Jiliting of Granny Weatherall
|
|
2 / 497 |
|
|
The Lottery
|
|
3 / 715 |
|
|
The Natural World in The Red Pony
|
|
3 / 797 |
|
|
The Old Man and the Sea
|
|
2 / 396 |
|
|
The Outsiders
|
|
3 / 750 |
|
|
The Pardoner's Tale
|
|
2 / 548 |
|
|
The Red Badge of Courage
|
|
6 / 1492 |
|
|
The Scarlett Letter
|
|
11 / 2949 |
|
|
The Signficance of Violence in "The Destructors"
|
|
3 / 720 |
|
|
The Sniper
|
|
3 / 836 |
|
|
The Sniper
|
|
3 / 836 |
|
|
The Stone Angel
|
|
6 / 1644 |
|
|
The Storm
|
|
4 / 933 |
|
|
The Theme of Uncertain Journey in the Bean Trees
|
|
3 / 663 |
|
|
The Themes of Childhoods In 'Jane Eyre' and 'To Kill A Mockingbird'
|
|
5 / 1294 |
|
|
The Turn of A Screw
|
|
2 / 543 |
|
|
The Turn of The Screw - Henry James
|
|
9 / 2293 |
|
|
The Zen of Zinn: A look at the first 3 chapters of A People's History
|
|
8 / 2101 |
|
|
To Kill A Mocking Bird - Boo Radley
|
|
1 / 280 |
|
|
To Kill A Mockingbird
|
|
2 / 388 |
|
|
To Kill a Mocking-Bird Journals
|
|
14 / 3889 |
|
|
To Kill a Mockingbird
|
|
11 / 2856 |
|
|
To Kill A Mockingbird
|
|
3 / 579 |
|
|
To Kill a Mockingbird
|
|
4 / 1006 |
|
|
To Kill a Mockingbird: Summary
|
|
30 / 8382 |
|
|
Treasure Island
|
|
2 / 358 |
|
|
Two Cities
|
|
4 / 1016 |
|
|
“Where Are You Going? Where Have You Been?”
|
|
4 / 962 |
|
|
1984 Julia's Story Creative Piece
|
|
3 / 789 |
|
|
A Warning to Society
|
|
3 / 734 |
|
|
Being My Own Advocate
|
|
2 / 493 |
|
|
Detective Story
|
|
16 / 4307 |
|
|
Don Jose of Merimee’s Carmen
|
|
2 / 535 |
|
|
Eradication of Corruption
|
|
2 / 543 |
|
|
Flowers for Algernon
|
|
2 / 430 |
|
|
Genesis
|
|
19 / 5318 |
|
|
Heroes Must Die
|
|
4 / 941 |
|
|
How People Remember Events
|
|
4 / 847 |
|
|
Hunting is not the Answer
|
|
3 / 607 |
|
|
Journalism, Real Creativity and Reactionary Creativity
|
|
3 / 801 |
|
|
Katherine Mansfield's "Her First Ball"
|
|
4 / 1052 |
|
|
Learning the Writing Business from Book Agents and Editors
|
|
8 / 2078 |
|
|
Love story set in WWI
|
|
18 / 4942 |
|
|
Making Career Decision
|
|
13 / 3548 |
|
|
Myth
|
|
2 / 533 |
|
|
Native Son
|
|
4 / 928 |
|
|
On Top of the World
|
|
2 / 389 |
|
|
Relationship: Before and After Marriage
|
|
3 / 769 |
|
|
Sights and Sounds of America
|
|
2 / 284 |
|
|
The Adventures of Tom Sawyer
|
|
2 / 546 |
|
|
The Beast is Silent
|
|
14 / 3771 |
|
|
The Duel
|
|
9 / 2512 |
|
|
The Ice Cream Incident
|
|
4 / 910 |
|
|
The Red Shoes
|
|
3 / 830 |
|
|
The Secrets of "Hunters in the Snow"
|
|
3 / 778 |
|
|
The Smell
|
|
3 / 804 |
|
|
The Waiting Room
|
|
11 / 2819 |
|
|
To Be Ready or Not to Be Ready?: What a Stupid Question
|
|
2 / 527 |
|
|
Tom Sawyer
|
|
2 / 450 |
|
|
When Is It Stalking
|
|
4 / 1051 |
|
|
‘Saying’ as ‘Inventing’
|
|
13 / 3552 |
|
|
A Doll House
|
|
4 / 1110 |
|
|
A Doll's House (The Transformation of Nora)
|
|
5 / 1204 |
|
|
A Doll's House
|
|
4 / 975 |
|
|
A Feminist Approach on Jonathan Swift's "Gulliver Travels"
|
|
7 / 1730 |
|
|
A Goodness in Humankind
|
|
5 / 1222 |
|
|
A Revelation of Granny’s Story
|
|
6 / 1440 |
|
|
A View from the Bridge
|
|
27 / 7334 |
|
|
Animal farm - Communism
|
|
2 / 315 |
|
|
Animal Farm
|
|
3 / 754 |
|
|
Antigone
|
|
4 / 903 |
|
|
Bats! Flying Creatures of the Night!
|
|
3 / 642 |
|
|
Beowulf vs. Gilgamesh
|
|
2 / 530 |
|
|
Beowulf vs. The 13th Warrior
|
|
2 / 489 |
|
|
Biblical Allusions in Lord of the Flies
|
|
3 / 669 |
|
|
Change of Jem and Scout
|
|
3 / 588 |
|
|
Civilization: Savagery, Power, Fear
|
|
5 / 1297 |
|
|
Crime and Punishment
|
|
4 / 921 |
|
|
Different Types of Criticism and Literary Movements in Short Stories
|
|
8 / 2059 |
|
|
Dr Faustus - Ambition
|
|
5 / 1236 |
|
|
Dr Faustus and Seven Sins
|
|
6 / 1553 |
|
|
Duffy “Little Red Cap” poem
|
|
7 / 1802 |
|
|
Educating Rita
|
|
4 / 1050 |
|
|
Ender's Shadow or Ender's Game
|
|
12 / 3149 |
|
|
Exploring the Use of Time as a Manipulative Variable
|
|
4 / 1099 |
|
|
Faustus: Renaissance Martyr or Tragic Hero
|
|
11 / 2899 |
|
|
Gregorik Andras
|
|
12 / 3357 |
|
|
Grendel: Apples and Pain
|
|
4 / 883 |
|
|
Harry Potter
|
|
3 / 651 |
|
|
Heart of Darkness
|
|
4 / 878 |
|
|
Hemingway: Writer or Dreamer?
|
|
28 / 7782 |
|
|
How Plot, Setting and Characters Influence Readers Response
|
|
3 / 837 |
|
|
How successful is Dickens in his presentation of female characters?
|
|
4 / 924 |
|
|
Human Consciousness
|
|
7 / 1734 |
|
|
Human Heart
|
|
4 / 1028 |
|
|
Immortal Life vs. Immortal Name: Gilgamesh and Beowulf
|
|
5 / 1242 |
|
|
Impact of setting on EAP's House of Usher
|
|
2 / 313 |
|
|
Inspector Calls
|
|
7 / 1818 |
|
|
Ironman
|
|
2 / 374 |
|
|
Itchoua
|
|
3 / 732 |
|
|
Jane Eyre: Religion
|
|
2 / 408 |
|
|
Jou Luck Club - Symbol and Image
|
|
2 / 547 |
|
|
Kerouac and Tyler, On the Road and Saint Maybe
|
|
8 / 1977 |
|
|
Knowledge in Name of the Rose
|
|
8 / 2015 |
|
|
Leiningen Versus The Ants
|
|
3 / 578 |
|
|
Les Miserables
|
|
1 / 141 |
|
|
Literature?
|
|
8 / 2078 |
|
|
Loman & the American Dream
|
|
4 / 1022 |
|
|
Lord of the Files
|
|
2 / 484 |
|
|
MacBeth
|
|
4 / 865 |
|
|
Mary Shelley and Parallels
|
|
4 / 990 |
|
|
Masculinity in Hemingway
|
|
5 / 1195 |
|
|
Matrix
|
|
2 / 505 |
|
|
Milton’s Paradise Lost
|
|
15 / 4162 |
|
|
Misdirection of Anger
|
|
5 / 1313 |
|
|
Much Ado About Nothing
|
|
13 / 3465 |
|
|
Oedipus
|
|
6 / 1491 |
|
|
On the Unfairness of A Teacher
|
|
7 / 1695 |
|
|
Orwell and Foucault
|
|
5 / 1359 |
|
|
Personal Statement
|
|
2 / 386 |
|
|
Play called Absent Friends
|
|
5 / 1205 |
|
|
Present Provoking Past
|
|
5 / 1327 |
|
|
Primal Instinct
|
|
3 / 771 |
|
|
Romeo & Juliet
|
|
9 / 2316 |
|
|
Romulus and Remus
|
|
3 / 633 |
|
|
Say it isn't so...
|
|
2 / 465 |
|
|
Say it, Write it, Defend it and Judge it – in English!
|
|
14 / 3676 |
|
|
Similarities and Difference between Oceania in 1984 and the USA
|
|
6 / 1535 |
|
|
Snap Shot of a Dog
|
|
3 / 752 |
|
|
Social Ostracism in Adventures of Huckleberry Finn
|
|
5 / 1126 |
|
|
Stoker and Wilde
|
|
9 / 2336 |
|
|
Strindberg's Miss Julie and Beckett's Waiting for Godot
|
|
9 / 2340 |
|
|
Sun Bear Bile Extraction
|
|
4 / 915 |
|
|
Tess of the D'Urbervilles
|
|
4 / 1083 |
|
|
The Chosen
|
|
6 / 1581 |
|
|
The Chrysalids
|
|
2 / 552 |
|
|
The Courtroom
|
|
6 / 1449 |
|
|
The Credibility of Expository Texts RE 'Unzipped' - Bronwyn Donaghy
|
|
3 / 760 |
|
|
The Crucible
|
|
5 / 1222 |
|
|
The Great American Illusion
|
|
3 / 781 |
|
|
The Great Gatsby
|
|
7 / 1728 |
|
|
The Hound of the Baskervilles - Women of the 18th Century
|
|
2 / 546 |
|
|
The Jilting of Granny Weatherall
|
|
3 / 822 |
|
|
The Last of the Mohicans as a Mixture of Genres
|
|
10 / 2573 |
|
|
The Macbeth Witches
|
|
3 / 727 |
|
|
The role of the Inspector in 'An Inspector Calls.'
|
|
17 / 4682 |
|
|
The Storm, The Yellow Wallpaper, Young Goodman Brown
|
|
5 / 1141 |
|
|
The Winslow Boy by Terrance Rattigan
|
|
4 / 906 |
|
|
Truth
|
|
2 / 503 |
|
|
Unzipped
|
|
5 / 1186 |
|
|
What Dilemma Did to Him
|
|
4 / 961 |
|
|
British Foreign Relationships
|
|
8 / 2135 |
|
|
Germany: The answer to an old Question
|
|
9 / 2343 |
|
|
Greek Cypriot Leaders
|
|
3 / 723 |
|
|
Lives of Women in the Renaissance
|
|
9 / 2408 |
|
|
Policy Proposal for Economic Reform in Russia
|
|
10 / 2642 |
|
|
Southern Cyprus
|
|
16 / 4284 |
|
|
The Italian Wars
|
|
7 / 1756 |
|
|
The Reign of Terror
|
|
1 / 212 |
|
|
The Seven Years War
|
|
9 / 2354 |
|
|
Voltaire: A History That Never Moved
|
|
12 / 3225 |
|
|
1960's
|
|
18 / 4933 |
|
|
Architecture of Transition and Production of Meaning
|
|
13 / 3593 |
|
|
Basic Greek History
|
|
6 / 1501 |
|
|
Causes of WW1
|
|
8 / 2226 |
|
|
Interview with Lenin
|
|
2 / 458 |
|
|
Jean-Louis David + Jean-Jacques Rousseau
|
|
5 / 1357 |
|
|
Muhammad Ibn Abdullah: Good or Bad? You Decide
|
|
6 / 1516 |
|
|
Ramases II
|
|
14 / 3845 |
|
|
The Italian Wars
|
|
7 / 1720 |
|
|
The Mystery of Dunkeld
|
|
5 / 1349 |
|
|
The Nation-State, Core and Periphery: A Brief sketch of Imperialism
|
|
7 / 1901 |
|
|
The Roman games
|
|
4 / 1068 |
|
|
Israel P.L.O. Peace Treaty
|
|
12 / 3132 |
|
|
Israel-Palestine Conflict
|
|
4 / 1091 |
|
|
Citizen Kane: An Accurate Portrayal of William Randolph Hearst?
|
|
14 / 3847 |
|
|
Congo: The Novel and the Movie
|
|
2 / 542 |
|
|
Critique La Ventura
|
|
3 / 813 |
|
|
Critique on Open City
|
|
4 / 1101 |
|
|
Glory
|
|
2 / 283 |
|
|
Joy Luck Club
|
|
4 / 985 |
|
|
Luc Besson
|
|
11 / 2855 |
|
|
Man with a Movie Camera vs Run Lola Run
|
|
12 / 3083 |
|
|
Meet me in St. Louis
|
|
2 / 421 |
|
|
Movies
|
|
2 / 463 |
|
|
Once Were Warriors
|
|
16 / 4422 |
|
|
Rainman
|
|
4 / 937 |
|
|
Save the Last Dance
|
|
4 / 873 |
|
|
Saving Private Ryan
|
|
4 / 1019 |
|
|
Sleepy Hollow: "Heads Will Roll"
|
|
3 / 601 |
|
|
The Magnificent Ambersons
|
|
9 / 2302 |
|
|
The Matrix
|
|
31 / 8428 |
|
|
The Matrix
|
|
2 / 388 |
|
|
Bad Apples
|
|
3 / 655 |
|
|
Beowulf Young and Old
|
|
3 / 675 |
|
|
Beowulf
|
|
2 / 510 |
|
|
British Poetry
|
|
15 / 4006 |
|
|
Ginsberg's Howl: A Counterculture Manifesto
|
|
14 / 3788 |
|
|
Heroism in Beowulf
|
|
2 / 438 |
|
