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                    | Title |  | Pages / Words | Save | 
                
                
                                    
                        | ‘Saying’ as ‘Inventing’ |  | 13 / 3552 |  | 
                                    
                        | 1984 vs Brave New World |  | 5 / 1206 |  | 
                                    
                        | A Cream Cracker Under the Settee |  | 5 / 1122 |  | 
                                    
                        | A Cream Cracker Under The Settee |  | 3 / 588 |  | 
                                    
                        | A Doll House |  | 4 / 1110 |  | 
                                    
                        | A Doll's House (The Transformation of Nora) |  | 5 / 1204 |  | 
                                    
                        | A Doll's House |  | 4 / 975 |  | 
                                    
                        | A Revelation of Granny’s Story |  | 6 / 1440 |  | 
                                    
                        | A Streetcar Named Desire |  | 6 / 1449 |  | 
                                    
                        | A View from the Bridge |  | 27 / 7334 |  | 
                                    
                        | An Examination of Southern Dialect |  | 10 / 2794 |  | 
                                    
                        | An Inspector Calls |  | 3 / 830 |  | 
                                    
                        | Antigone |  | 2 / 494 |  | 
                                    
                        | Antigone |  | 4 / 903 |  | 
                                    
                        | Beowulf vs. Gilgamesh |  | 2 / 530 |  | 
                                    
                        | Beowulf vs. The 13th Warrior |  | 2 / 489 |  | 
                                    
                        | Civilization: Savagery, Power, Fear |  | 5 / 1297 |  | 
                                    
                        | Comparision of Duddy Kravitz and Jay Gatsby |  | 7 / 1852 |  | 
                                    
                        | Creon: Accused and Accuser |  | 3 / 754 |  | 
                                    
                        | Crime and Punishment |  | 4 / 921 |  | 
                                    
                        | Cupidity's Stupidity |  | 7 / 1842 |  | 
                                    
                        | Doppleganger Effect |  | 3 / 685 |  | 
                                    
                        | Dr Faustus - Ambition |  | 5 / 1236 |  | 
                                    
                        | Dr Faustus and Seven Sins |  | 6 / 1553 |  | 
                                    
                        | Dr Faustus |  | 7 / 1849 |  | 
                                    
                        | Duffy “Little Red Cap” poem |  | 7 / 1802 |  | 
                                    
                        | Educating Rita |  | 4 / 1050 |  | 
                                    
                        | Emerson's Individualism |  | 3 / 835 |  | 
                                    
                        | Ender's Shadow or Ender's Game |  | 12 / 3149 |  | 
                                    
                        | Exploring the Use of Time as a Manipulative Variable |  | 4 / 1099 |  | 
                                    
                        | Faustus: Renaissance Martyr or Tragic Hero |  | 11 / 2899 |  | 
                                    
                        | Forthcoming of American Literature |  | 5 / 1352 |  | 
                                    
                        | Frankenstein: Shelley Use of Mascuine and Feminine Roles |  | 8 / 2008 |  | 
                                    
                        | Friendship Theme in Gilgamesh |  | 4 / 944 |  | 
                                    
                        | Gregorik Andras |  | 12 / 3357 |  | 
                                    
                        | Hamlet: Soliloquies |  | 4 / 1111 |  | 
                                    
                        | Hemingway: Writer or Dreamer? |  | 28 / 7782 |  | 
                                    
                        | Hierarchy and the Disorder of Separation in the Bible |  | 5 / 1355 |  | 
                                    
                        | Hope |  | 4 / 935 |  | 
                                    
                        | How Plot, Setting and Characters Influence Readers Response |  | 3 / 837 |  | 
                                    
                        | How successful is Dickens in his presentation of female characters? |  | 4 / 924 |  | 
                                    
                        | Human Consciousness |  | 7 / 1734 |  | 
                                    
                        | Innocent Victim of Love |  | 3 / 678 |  | 
                                    
                        | Inspector Calls |  | 7 / 1818 |  | 
                                    
                        | Ironman |  | 2 / 374 |  | 
                                    
                        | It's Raining in Mango |  | 4 / 1110 |  | 
                                    
                        | Ivan Denisovich and Humanity |  | 4 / 1108 |  | 
                                    
                        | Juliet Capulet |  | 2 / 442 |  | 
                                    
                        | Kerouac and Tyler, On the Road and Saint Maybe |  | 8 / 1977 |  | 
                                    
                        | Knowledge in Name of the Rose |  | 8 / 2015 |  | 
                                    
                        | Les Miserables |  | 1 / 141 |  | 
                                    
                        | Literature? |  | 8 / 2078 |  | 
                                    
                        | Lord of the Files |  | 2 / 484 |  | 
                                    
                        | Macbeth Symbolism |  | 4 / 939 |  | 
                                    
                        | MacBeth |  | 4 / 865 |  | 
                                    
                        | Masculinity in Hemingway |  | 5 / 1195 |  | 
                                    
                        | Matrix |  | 2 / 505 |  | 
                                    
                        | Milton’s Paradise Lost |  | 15 / 4162 |  | 
                                    
                        | Mr Collins: Character Review |  | 4 / 1077 |  | 
                                    
                        | Much Ado About Nothing |  | 13 / 3465 |  | 
                                    
                        | Odysseus: Epic Hero? |  | 3 / 603 |  | 
                                    
                        | Oedipus MD |  | 6 / 1635 |  | 
                                    
                        | Oedipus the King |  | 10 / 2601 |  | 
                                    
                        | Oedipus |  | 6 / 1491 |  | 
                                    
                        | Of Mice and Men |  | 2 / 353 |  | 
                                    
                        | Our Town |  | 2 / 365 |  | 
                                    
                        | Play called Absent Friends |  | 5 / 1205 |  | 
                                    
                        | Racism in "Master Harold" |  | 7 / 1727 |  | 
                                    
                        | Reflections of a Culture Past |  | 2 / 508 |  | 
                                    
                        | Russian Revolution and Orwell (Animal Farm) |  | 2 / 519 |  | 
                                    
                        | Say it isn't so... |  | 2 / 465 |  | 
                                    
                        | Say it, Write it, Defend it and Judge it – in English! |  | 14 / 3676 |  | 
                                    
                        | Scene Seven |  | 2 / 379 |  | 
                                    
                        | Stoker and Wilde |  | 9 / 2336 |  | 
                                    
                        | Strindberg's Miss Julie and Beckett's Waiting for Godot |  | 9 / 2340 |  | 
                                    
                        | Tess of the D'Urbervilles |  | 4 / 1083 |  | 
                                    
                        | The Chrysalids |  | 2 / 552 |  | 
                                    
                        | The Glass Menagerie |  | 3 / 701 |  | 
                                    
                        | The Great American Illusion |  | 3 / 781 |  | 
                                    
                        | The Great Gatsby |  | 7 / 1728 |  | 
                                    
                        | The Handmaid's Tale |  | 4 / 878 |  | 
                                    
                        | The Jilting of Granny Weatherall |  | 3 / 822 |  | 
                                    
                        | The Last of the Mohicans as a Mixture of Genres |  | 10 / 2573 |  | 
                                    
                        | The Macbeth Witches |  | 3 / 727 |  | 
                                    
                        | The role of the Inspector in 'An Inspector Calls.' |  | 17 / 4682 |  | 
                                    
                        | The Scarlet Letter "A": Meanings and Connections |  | 3 / 612 |  | 
                                    
                        | The Sentiment, Mood, and Philosophy of “The Best Slow Dancer” |  | 4 / 973 |  | 
                                    
                        | The Storm, The Yellow Wallpaper, Young Goodman Brown |  | 5 / 1141 |  | 
                                    
                        | Volpone Ben Jonson |  | 5 / 1123 |  | 
                                    
                        | What Dilemma Did to Him |  | 4 / 961 |  | 
                                    
                        | What Do You Find Interesting About The Ways The Writer Presents? |  | 4 / 878 |  | 
                                    
                        | Inspector Calls Coursework |  | 8 / 1977 |  | 
                                    
                        | The Age of Reason |  | 3 / 799 |  | 
                                    
                        | The Alamo |  | 8 / 2126 |  | 
                                    
                        | Voltaire: A History That Never Moved |  | 12 / 3225 |  | 
                                    
                        | Why was Karl Marx so disparaging of the utopian socialists |  | 8 / 2156 |  | 
                                    
                        | Aboriginal Customary Laws and Australian Contemporary Laws |  | 2 / 551 |  | 
                                    
                        | Architecture of Transition and Production of Meaning |  | 13 / 3593 |  | 
                                    
                        | Intellectual Life of the Painters of the Early Renaissance |  | 8 / 2191 |  | 
                                    
                        | Jean-Louis David + Jean-Jacques Rousseau |  | 5 / 1357 |  | 
                                    
                        | The Alamo |  | 8 / 2078 |  | 
                                    
                        | The Roman games |  | 4 / 1068 |  | 
                                    
                        | Urbanization |  | 4 / 936 |  | 
                                    
                        | Alienation in Modern Society |  | 5 / 1263 |  | 
                                    
                        | Analysis of Easy Rider |  | 4 / 915 |  | 
                                    
                        | Andersonville (the Movie) |  | 3 / 781 |  | 
                                    
                        | Citizen Kane: An Accurate Portrayal of William Randolph Hearst? |  | 14 / 3847 |  | 
                                    
                        | Critique La Ventura |  | 3 / 813 |  | 
                                    
                        | Critique on Open City |  | 4 / 1101 |  | 
                                    
                        | General Patton Part III |  | 1 / 168 |  | 
                                    
                        | Lord of the Rings |  | 3 / 598 |  | 
                                    
                        | Luc Besson |  | 11 / 2855 |  | 
                                    
                        | Man with a Movie Camera vs Run Lola Run |  | 12 / 3083 |  | 
                                    
                        | Matrix Reloaded |  | 14 / 3755 |  | 
                                    
                        | Meet me in St. Louis |  | 2 / 421 |  | 
                                    
                        | Once Were Warriors |  | 16 / 4422 |  | 
                                    
                        | Save the Last Dance |  | 4 / 873 |  | 
                                    
                        | Save the Last Dance |  | 2 / 557 |  | 
                                    
                        | Sleepy Hollow: "Heads Will Roll" |  | 3 / 601 |  | 
                                    
                        | The Breakfast Club |  | 4 / 921 |  | 
                                    
                        | The Effect of Opening Scenes on Plot Setting and Characters |  | 3 / 784 |  | 
                                    
                        | The Intent of Forrest Gump |  | 4 / 932 |  | 
                                    
                        | The Matrix |  | 31 / 8428 |  | 
                                    
                        | The Matrix |  | 2 / 388 |  | 
                                    
                        | "Design" |  | 1 / 276 |  | 
                                    
                        | At Cooloola |  | 2 / 469 |  | 
                                    
                        | British Poetry |  | 15 / 4006 |  | 
                                    
                        | Donne |  | 8 / 1981 |  | 
                                    
                        | Dulce et Deorum Est |  | 8 / 2120 |  | 
                                    
                        | Ginsberg's Howl: A Counterculture Manifesto |  | 14 / 3788 |  | 
                                    
                        | Heroism in Beowulf |  | 2 / 438 |  | 
                                    
                        | I Am Someone |  | 2 / 453 |  | 
                                    
                        | Jim Morisson |  | 24 / 6621 |  | 
                                    
                        | Poems for the Eye |  | 7 / 1789 |  | 
                                    
                        | Porphyria’s Lover |  | 16 / 4295 |  | 
                                    
                        | Resurrection of Nature and Modernity in Merwin's Drunk in the Furnace |  | 6 / 1532 |  | 
                                    
                        | Revenge of Beowulf |  | 4 / 1092 |  | 
                                    
                        | Sylvia Path's Daddy |  | 3 / 755 |  | 
                                    
                        | Sylvia Plath |  | 8 / 1984 |  | 
                                    
                        | Ted Hughes' 'The Jaguar' |  | 9 / 2414 |  | 
                                    
                        | Theme of Beowulf |  | 3 / 649 |  | 
                                    
                        | A View From The Bridge |  | 10 / 2731 |  | 
                                    
                        | Ambition |  | 3 / 691 |  | 
                                    
                        | Analysing Shylock's Dual-Role as Villain and Victim |  | 6 / 1476 |  | 
                                    
                        | Analysis of Macbeth |  | 1 / 176 |  | 
                                    
                        | Analysis of Othello and Iago in Act 1 |  | 3 / 612 |  | 
                                    
                        | Androgyny: Will of Shakespeare's Female Characters |  | 6 / 1437 |  | 
                                    
                        | Appearance vs. Reality |  | 4 / 1034 |  | 
                                    
                        | As you like it - Act 1 |  | 5 / 1277 |  | 
                                    
                        | Baz Luhrman?s Version of Romeo and Juliet |  | 3 / 721 |  | 
                                    
                        | Benedick Transformed |  | 6 / 1600 |  | 
                                    
                        | Biography and Theatre |  | 8 / 2043 |  | 
                                    
                        | Brutus |  | 7 / 1945 |  | 
                                    
                        | Character Analysis of Macbeth |  | 4 / 978 |  | 
                                    
                        | Character Profile of Friar Lawrence |  | 3 / 613 |  | 
                                    
                        | Character Sketch on Juliet |  | 1 / 90 |  | 
                                    
                        | Classical Imagery in Shakespeare's Much Ado About Nothing |  | 13 / 3449 |  | 
                                    
                        | Comedy in Shakespeare |  | 8 / 2176 |  | 
                                    
                        | Evil character of Lady Macbeth |  | 4 / 1117 |  | 
                                    
                        | Falstaff + Hotspur = Prince Hal: Their Actions on the Battlefield |  | 4 / 941 |  | 
                                    
                        | Fate on Juliet in William Shakespeare's Romeo and Juliet |  | 8 / 2240 |  | 
                                    
                        | Fate Playing a Role |  | 6 / 1642 |  | 
                                    
                        | Fools and Foolishness in King Lear |  | 6 / 1504 |  | 
                                    
                        | Gender Roles And Macbeth |  | 7 / 1884 |  | 
                                    
                        | Gloucester Subplot in King Lear. |  | 6 / 1452 |  | 
                                    
                        | Hamlet |  | 4 / 1043 |  | 
                                    
                        | Hamlet |  | 4 / 1002 |  | 
                                    
                        | Hamlet |  | 3 / 655 |  | 
                                    
                        | Hamlet: Act II |  | 2 / 343 |  | 
                                    
                        | Hamlet's Alienation of Characters |  | 3 / 579 |  | 
                                    
                        | Henry IV Part One |  | 3 / 645 |  | 
                                    
                        | Honesty: Characters of Othello |  | 3 / 739 |  | 
                                    
                        | Imagery, and It's Impact in the Play Macbeth |  | 2 / 369 |  | 
                                    
                        | Julius Caesar : An Analysis of Brutus' Character |  | 3 / 758 |  | 
                                    
                        | Julius Caesar |  | 2 / 425 |  | 
                                    
                        | Julius Ceasar |  | 2 / 282 |  | 
                                    
                        | Julius Ceasar |  | 26 / 7125 |  | 
                                    
                        | King Lear - Childishness, Old Age, Sight, Blindness |  | 2 / 330 |  | 
                                    
                        | King Lear |  | 5 / 1219 |  | 
                                    
                        | King Lear Act 1 Scene |  | 5 / 1255 |  | 
                                    
                        | King Lear |  | 3 / 728 |  | 
                                    
                        | King Lear |  | 5 / 1121 |  | 
                                    
                        | King Lear: A Lesson in Loyalty |  | 3 / 793 |  | 
                                    
                        | King Lear: the Role of the Fool |  | 3 / 664 |  | 
                                    
                        | Lady Macbeth |  | 4 / 965 |  | 
                                    
                        | Love and Lies |  | 4 / 886 |  | 
                                    
                        | Love: Looks or Words? |  | 4 / 886 |  | 
                                    
                        | Macbeth - Manhood |  | 3 / 750 |  | 
                                    
                        | MacBeth |  | 3 / 629 |  | 
                                    
                        | Macbeth |  | 3 / 595 |  | 
                                    
                        | Macbeth |  | 4 / 902 |  | 
                                    
                        | Macbeth |  | 6 / 1467 |  | 
                                    
                        | Macbeth: A Tragic Hero? |  | 3 / 657 |  | 
                                    
                        | Merchant of Venice |  | 4 / 946 |  | 
                                    
                        | Merchant of Venice: Shylock, victim or villain? |  | 3 / 684 |  | 
                                    
                        | Midsummer Night's Dream Act 2 Scene 2 |  | 3 / 764 |  | 
                                    
                        | Much Ado About Dogberry |  | 2 / 431 |  | 
                                    
                        | Much Ado About Nothing |  | 2 / 514 |  | 
                                    
                        | Othello |  | 3 / 729 |  | 
                                    
                        | Othello |  | 7 / 1853 |  |