Discount applied successfully
| Title |
|
Pages / Words |
Save |
|
Holgrave's challenges
|
|
7 / 1709 |
|
|
Hollow Men ANalysis
|
|
4 / 954 |
|
|
Homer-Comparison And Contrast Of The Gods In Homer's Epics With The G
|
|
11 / 3012 |
|
|
How Does Shakespeare Present Relationship Between Men And Women And How Might A Modern Day Audience Respond?
|
|
7 / 1813 |
|
|
How Does Shakespeare present ophelia
|
|
6 / 1405 |
|
|
How History Changes Southern History & Southern Literature
|
|
12 / 3113 |
|
|
How I Learned To Drive
|
|
2 / 499 |
|
|
How Would You Wrap That?
|
|
4 / 981 |
|
|
How does Willy Russell us the separation of the twins in Blood Brothers to good dramatic effect?
|
|
3 / 586 |
|
|
How has your understanding of the concept of “New Found Lands” been extended by the comparative study of your two texts?
|
|
3 / 597 |
|
|
How is contrast used in ?Two Scavengers in a truck, Two Beautiful people in a Mercedes', compared to the use of contrast in ?Nothing's Changed'?
|
|
6 / 1449 |
|
|
How successful is Chinua Achebe in representing an image of Africa that "writes back" to the European coloniser?
|
|
11 / 2890 |
|
|
How to go broke
|
|
6 / 1560 |
|
|
How to improve your writing
|
|
18 / 4848 |
|
|
Hr Development
|
|
6 / 1656 |
|
|
HuckleBerry Finn
|
|
5 / 1135 |
|
|
Huckleberry Finn development
|
|
7 / 1749 |
|
|
I know why the caged bird sings
|
|
3 / 749 |
|
|
I'M So Bad
|
|
2 / 447 |
|
|
I'm Not Scared
|
|
3 / 699 |
|
|
Ian Crichton Smith
|
|
3 / 708 |
|
|
Identity in Lancelot
|
|
8 / 2018 |
|
|
Ignorance is Knowledge as Knowledge is Power
|
|
4 / 969 |
|
|
Imagery and Allegory
|
|
8 / 2038 |
|
|
In Harry's Name We Pray
|
|
4 / 958 |
|
|
In The Orchard
|
|
5 / 1227 |
|
|
In the Orchard by Muriel Stuart
|
|
2 / 415 |
|
|
In this culture
|
|
4 / 909 |
|
|
Individuality vs. Community
|
|
5 / 1318 |
|
|
Insignificance Of Human Beings To The Passage Of Time
|
|
4 / 936 |
|
|
Interpretation of "We Wear A Mask"
|
|
7 / 1796 |
|
|
Interpretation of ``Ozymandias``
|
|
3 / 619 |
|
|
Intramuros
|
|
2 / 425 |
|
|
Introduction
|
|
2 / 371 |
|
|
Is Anyone Without Sin
|
|
4 / 1115 |
|
|
Is Violence Now the Family Way?
|
|
3 / 787 |
|
|
JR THEME
|
|
4 / 912 |
|
|
JUDE THE SHALLOW
|
|
6 / 1609 |
|
|
Jacqui
|
|
21 / 5754 |
|
|
Jane Eyre, Hamlet And Keats
|
|
6 / 1566 |
|
|
Jane Eyre, One Of The Greatest Love Stories Of All Time?
|
|
8 / 2005 |
|
|
Jane Eyre
|
|
5 / 1381 |
|
|
Jigsaw Dinosaurs
|
|
3 / 634 |
|
|
John Donne Poetry Analysis
|
|
10 / 2665 |
|
|
John Donne's Songs and Sonets
|
|
5 / 1121 |
|
|
Jose Saramago
|
|
7 / 1852 |
|
|
Journey
|
|
7 / 1682 |
|
|
Kids at work ( child labor)
|
|
12 / 3134 |
|
|
King Arthur
|
|
15 / 4002 |
|
|
King Authur
|
|
7 / 1795 |
|
|
King Lear Assignment
|
|
8 / 1973 |
|
|
King Lear vs. The Stone Angel
|
|
6 / 1661 |
|
|
King Lear
|
|
2 / 332 |
|
|
King Lear
|
|
4 / 1057 |
|
|
Labour Unions and General Motors
|
|
6 / 1677 |
|
|
Landscape with the Fall of Icarus
|
|
3 / 614 |
|
|
Langston Hughes And Bob Dylan
|
|
4 / 961 |
|
|
Last Rites For Indian Dead
|
|
4 / 930 |
|
|
Latin
|
|
7 / 1740 |
|
|
Laurence'S &Quot;The Stone Angel&Quot;
|
|
4 / 1078 |
|
|
Le renaissance of the Phoenix
|
|
9 / 2301 |
|
|
Lear
|
|
6 / 1591 |
|
|
Legalization, An Inevitable Solution
|
|
9 / 2328 |
|
|
Levis Strategies
|
|
13 / 3597 |
|
|
Life With Or Without A Television
|
|
3 / 689 |
|
|
Lifes a game - but it's never ending
|
|
4 / 938 |
|
|
Literature In Modern Times
|
|
8 / 2197 |
|
|
"At its best, translation offers us the experience and attitudes of another culture or mentality". What are the limits and advantages of translation?
|
|
2 / 441 |
|
|
a fork in davids road.a story about my father
|
|
4 / 1077 |
|
|
advertising
|
|
2 / 415 |
|
|
american Transcendentalism & Thoreau
|
|
16 / 4472 |
|
|
analysis
|
|
4 / 1081 |
|
|
araby
|
|
4 / 921 |
|
|
beatles
|
|
4 / 948 |
|
|
beauvoir analysis
|
|
5 / 1310 |
|
|
because i c ould not stop death
|
|
5 / 1226 |
|
|
before i die
|
|
5 / 1286 |
|
|
caliban upon setebos
|
|
6 / 1604 |
|
|
career
|
|
2 / 515 |
|
|
cask of amontilado
|
|
7 / 1850 |
|
|
cask of amontillado
|
|
3 / 621 |
|
|
cathedral
|
|
6 / 1515 |
|
|
chaucer
|
|
14 / 3779 |
|
|
chekhov's inspirations
|
|
5 / 1153 |
|
|
cigarette smoking in the United States
|
|
3 / 800 |
|
|
college papers
|
|
4 / 892 |
|
|
college
|
|
3 / 711 |
|
|
columbine
|
|
15 / 4091 |
|
|
comparative narrative
|
|
5 / 1181 |
|
|
comparison on yeats poems
|
|
3 / 757 |
|
|
critical appreciation
|
|
3 / 737 |
|
|
critism on othello
|
|
8 / 2199 |
|
|
curisity
|
|
4 / 935 |
|
|
da vinci code
|
|
6 / 1422 |
|
|
dead stars
|
|
22 / 5943 |
|
|
death of a toad
|
|
2 / 414 |
|
|
death penalty
|
|
2 / 328 |
|
|
debate and argumentation
|
|
14 / 3808 |
|
|
dickens
|
|
28 / 7740 |
|
|
dickinson
|
|
5 / 1352 |
|
|
downloading music
|
|
6 / 1644 |
|
|
dsfod
|
|
7 / 1857 |
|
|
emily dickinson
|
|
3 / 654 |
|
|
emperor's club
|
|
3 / 827 |
|
|
ethan brand
|
|
4 / 957 |
|
|
ethnography
|
|
5 / 1142 |
|
|
fast food
|
|
10 / 2795 |
|
|
fate human agency n reason
|
|
5 / 1343 |
|
|
fifth business
|
|
3 / 659 |
|
|
gambling
|
|
6 / 1556 |
|
|
globalization
|
|
5 / 1379 |
|
|
gravyard mushrooms
|
|
4 / 949 |
|
|
guest-host relationships within the Odyssey (citations included)
|
|
3 / 775 |
|
|
gun control
|
|
5 / 1364 |
|
|
harry potter banned?
|
|
7 / 1683 |
|
|
history of England
|
|
25 / 6726 |
|
|
hobbit
|
|
5 / 1190 |
|
|
jack landon
|
|
6 / 1589 |
|
|
joan of arc
|
|
7 / 1935 |
|
|
light in august and symbolism
|
|
5 / 1158 |
|
|
like a rolling stone
|
|
2 / 431 |
|
|
“Disobedience as a Physiological and Moral Problem,”
|
|
4 / 1084 |
|
|
“Some shall be pardoned, and some punished.” -romeo and juliet
|
|
2 / 397 |
|
|
Living the Path Less Traveled
|
|
9 / 2458 |
|
|
Lord Of the Flies: Man's Primitive Face
|
|
5 / 1196 |
|
|
Lottery
|
|
3 / 726 |
|
|
Love One
|
|
5 / 1355 |
|
|
Love One
|
|
5 / 1360 |
|
|
Lust: The moral sucking bite on Society
|
|
5 / 1397 |
|
|
Macbeth
|
|
12 / 3336 |
|
|
Macbeth
|
|
4 / 1020 |
|
|
Macbeth:Concious Villain To Unrepentant Tyrant
|
|
4 / 1011 |
|
|
Machu Picchu
|
|
4 / 898 |
|
|
Majestic Mombasa
|
|
3 / 764 |
|
|
Making Sense Of Hardships
|
|
4 / 897 |
|
|
Marketers and Cool
|
|
4 / 1046 |
|
|
Marketing Environment
|
|
71 / 19636 |
|
|
Mastering Computer Skills
|
|
3 / 759 |
|
|
Material Definitions of a Non-Materialistic Man
|
|
9 / 2347 |
|
|
Medicinal Marijuana
|
|
3 / 762 |
|
|
Melany And The Legend Of Arthur
|
|
7 / 1771 |
|
|
Mending Wall
|
|
8 / 1988 |
|
|
Merchant of Venice: Cost of Alienation
|
|
6 / 1588 |
|
|
Metamorphoses of Women in The Winter's Tale
|
|
12 / 3266 |
|
|
Metamorphoses
|
|
14 / 3753 |
|
|
Metamorphosis
|
|
47 / 13143 |
|
|
Michael Elliot's production of King Lear and how it affects interpretations
|
|
8 / 2131 |
|
|
Michael Harper
|
|
15 / 3962 |
|
|
Michael Jordan
|
|
5 / 1144 |
|
|
Micheangelo
|
|
6 / 1562 |
|
|
MidSummer's Night Dream Play
|
|
61 / 17034 |
|
|
Miguel Cervantes
|
|
4 / 843 |
|
|
Modern Love
|
|
3 / 774 |
|
|
Modern Society As A Reflection Of The Picture Of Dorian Gray By Oscar Wilde
|
|
5 / 1154 |
|
|
Modern Version, Inferno
|
|
4 / 1010 |
|
|
Mother Savage & Desiree's Baby-Compare and contrast
|
|
6 / 1673 |
|
|
Mr.
|
|
6 / 1626 |
|
|
Mr.
|
|
1 / 230 |
|
|
Mr.
|
|
24 / 6697 |
|
|
Mrs. Dalloway Themes
|
|
3 / 695 |
|
|
Ms.
|
|
7 / 1745 |
|
|
Music in the 1970
|
|
5 / 1294 |
|
|
Mythological Realism in Fifth Business
|
|
4 / 919 |
|
|
Neighbor
|
|
7 / 1939 |
|
|
Neighbors
|
|
3 / 625 |
|
|
Neighbors
|
|
2 / 358 |
|
|
New Beginnings
|
|
5 / 1326 |
|
|
New Life
|
|
3 / 827 |
|
|
New Zealand: the Haka
|
|
10 / 2553 |
|
|
News And Newspapers
|
|
6 / 1486 |
|
|
News and Current Affairs
|
|
7 / 1711 |
|
|
Nostalga Memories in "Facing It"
|
|
6 / 1467 |
|
|
Nova Scotia
|
|
11 / 2907 |
|
|
Now Hiring: Must Be Fluent in Spanish
|
|
6 / 1535 |
|
|
Nurse Practitioner
|
|
2 / 500 |
|
|
ON THE DESIGN OF FOREIGN LANGUAGE CURRICULA
|
|
15 / 4110 |
|
|
OZYMANDIAS
|
|
3 / 721 |
|
|
Obasan (Criticism)
|
|
6 / 1613 |
|
|
Odyssey
|
|
3 / 606 |
|
|
Oedipus Tyrannus
|
|
7 / 1732 |
|
|
Oedipus the King
|
|
3 / 824 |
|
|
Oedipus the King: Free Will vs Fate
|
|
4 / 1118 |
|
|
Oedipus the king
|
|
3 / 750 |
|
|
Oedipus; Free will and fate
|
|
4 / 999 |
|
|
Oedipus
|
|
5 / 1293 |
|
|
Of Iron and Men
|
|
11 / 2828 |
|
|
Oh Boy
|
|
9 / 2354 |
|
|
On the Road Essay
|
|
2 / 526 |
|
|
Once ANd Future King
|
|
4 / 1058 |
|
|
Ophelia In Hamlet
|
|
10 / 2781 |
|
|
Original writing coursework GCSE
|
|
6 / 1512 |
|
|
Othello Play
|
|
100 / 27731 |
|
|
Othello V.’S. Macbeth: Battle Of Tragedy
|
|
9 / 2308 |
|
|
Othello, the Romatic Figure
|
|
32 / 8762 |
|
|
Othello-Identty
|
|
6 / 1599 |
|
|
Othello
|
|
3 / 605 |
|
|
Ozimandias
|
|
2 / 306 |
|
|
Ozymandias, words for eternity
|
|
5 / 1131 |
|
|
Ozymandias
|
|
1 / 249 |
|
|
Ozymandias
|
|
3 / 838 |
|
