Discount applied successfully
Title |
|
Pages / Words |
Save |
Fake Thug Life
|
|
3 / 682 |
|
Impostor of Prosperity
|
|
3 / 827 |
|
Journalism, Real Creativity and Reactionary Creativity
|
|
3 / 801 |
|
Katherine Mansfield's "Her First Ball"
|
|
4 / 1052 |
|
Learning the Writing Business from Book Agents and Editors
|
|
8 / 2078 |
|
Love story set in WWI
|
|
18 / 4942 |
|
Misery of Mind
|
|
2 / 487 |
|
My Father's Life
|
|
6 / 1460 |
|
Oprah Winfrey
|
|
3 / 701 |
|
Relationship: Before and After Marriage
|
|
3 / 769 |
|
School On Alert
|
|
2 / 388 |
|
The Beast is Silent
|
|
14 / 3771 |
|
The Crucible
|
|
2 / 465 |
|
The Secrets of "Hunters in the Snow"
|
|
3 / 778 |
|
The Unattended Graveyard
|
|
15 / 3985 |
|
The Waiting Room
|
|
11 / 2819 |
|
Tom Sawyer
|
|
2 / 450 |
|
What Matters?
|
|
2 / 502 |
|
Dance
|
|
2 / 473 |
|
1984 vs Brave New World
|
|
5 / 1206 |
|
A Doll House
|
|
4 / 1110 |
|
A Doll's House (The Transformation of Nora)
|
|
5 / 1204 |
|
A Doll's House
|
|
4 / 975 |
|
A Feminist Approach on Jonathan Swift's "Gulliver Travels"
|
|
7 / 1730 |
|
A Goodness in Humankind
|
|
5 / 1222 |
|
A Streetcar Named Desire
|
|
6 / 1449 |
|
A View from the Bridge
|
|
27 / 7334 |
|
An Analysis of Gatsby’s Success and Failure
|
|
4 / 868 |
|
Andrew Carnegie
|
|
1 / 280 |
|
Antigone
|
|
2 / 494 |
|
Antigone
|
|
4 / 903 |
|
Antigone
|
|
5 / 1189 |
|
Bob Marley
|
|
5 / 1178 |
|
Civilization: Savagery, Power, Fear
|
|
5 / 1297 |
|
Cupidity's Stupidity
|
|
7 / 1842 |
|
Dr Faustus and Seven Sins
|
|
6 / 1553 |
|
Duffy “Little Red Cap” poem
|
|
7 / 1802 |
|
Emily Dickinson
|
|
13 / 3502 |
|
Ernest Hemingway
|
|
4 / 858 |
|
Eveline by James Joyce
|
|
2 / 417 |
|
Frankenstein: Shelley Use of Mascuine and Feminine Roles
|
|
8 / 2008 |
|
Hamlet: Soliloquies
|
|
4 / 1111 |
|
Hemingway: Writer or Dreamer?
|
|
28 / 7782 |
|
Hierarchy and the Disorder of Separation in the Bible
|
|
5 / 1355 |
|
Hitler's Willing Executioners
|
|
2 / 503 |
|
How Plot, Setting and Characters Influence Readers Response
|
|
3 / 837 |
|
How the Colonization Era affected Authors
|
|
4 / 1044 |
|
Immortal Life vs. Immortal Name: Gilgamesh and Beowulf
|
|
5 / 1242 |
|
It's Raining in Mango
|
|
4 / 1110 |
|
Jane Eyre: Religion
|
|
2 / 408 |
|
Kerouac and Tyler, On the Road and Saint Maybe
|
|
8 / 1977 |
|
Kindergarteners
|
|
4 / 998 |
|
Literature?
|
|
8 / 2078 |
|
Loman & the American Dream
|
|
4 / 1022 |
|
MacBeth
|
|
4 / 865 |
|
Maggie Girl of the Streets & Huck Finn - Family Life
|
|
4 / 888 |
|
Masculinity in Hemingway
|
|
5 / 1195 |
|
Milton’s Paradise Lost
|
|
15 / 4162 |
|
Mindless Existence in Fahrenheit 451
|
|
2 / 530 |
|
Mother Courage and Capitulation
|
|
2 / 427 |
|
Much Ado About Nothing
|
|
13 / 3465 |
|
Odysseus: Epic Hero?
|
|
3 / 603 |
|
Oedipus MD
|
|
6 / 1635 |
|
Oedipus the King
|
|
10 / 2601 |
|
Oedipus
|
|
6 / 1491 |
|
Of Mice and Men
|
|
2 / 353 |
|
On the Unfairness of A Teacher
|
|
7 / 1695 |
|
Play called Absent Friends
|
|
5 / 1205 |
|
Present Provoking Past
|
|
5 / 1327 |
|
Red Badge of Courage
|
|
3 / 576 |
|
Reflections of a Culture Past
|
|
2 / 508 |
|
Regarding Henry
|
|
2 / 541 |
|
Romeo & Juliet
|
|
9 / 2316 |
|
Say it, Write it, Defend it and Judge it – in English!
|
|
14 / 3676 |
|
Similarities and Difference between Oceania in 1984 and the USA
|
|
6 / 1535 |
|
Stoker and Wilde
|
|
9 / 2336 |
|
Symbology in Ethan Frome
|
|
1 / 244 |
|
The Credibility of Expository Texts RE 'Unzipped' - Bronwyn Donaghy
|
|
3 / 760 |
|
The Crucible
|
|
5 / 1222 |
|
The Echoing Green
|
|
3 / 705 |
|
The Giver: Analysis of Jonas
|
|
2 / 309 |
|
The Glass Menagerie
|
|
3 / 701 |
|
The Great American Illusion
|
|
3 / 781 |
|
The Handmaid's Tale
|
|
4 / 878 |
|
The Hound of the Baskervilles - Women of the 18th Century
|
|
2 / 546 |
|
The Last of the Mohicans as a Mixture of Genres
|
|
10 / 2573 |
|
The Macbeth Witches
|
|
3 / 727 |
|
The role of the Inspector in 'An Inspector Calls.'
|
|
17 / 4682 |
|
The Sentiment, Mood, and Philosophy of “The Best Slow Dancer”
|
|
4 / 973 |
|
The Storm, The Yellow Wallpaper, Young Goodman Brown
|
|
5 / 1141 |
|
Volpone Ben Jonson
|
|
5 / 1123 |
|
What Dilemma Did to Him
|
|
4 / 961 |
|
What Do You Find Interesting About The Ways The Writer Presents?
|
|
4 / 878 |
|
British Foreign Relationships
|
|
8 / 2135 |
|
February Russian Revolution
|
|
5 / 1235 |
|
Germany: The answer to an old Question
|
|
9 / 2343 |
|
Greek Cypriot Leaders
|
|
3 / 723 |
|
Inspector Calls Coursework
|
|
8 / 1977 |
|
Lives of Women in the Renaissance
|
|
9 / 2408 |
|
Mary, Queen of Scots
|
|
3 / 756 |
|
Mycenaean Civilization
|
|
6 / 1598 |
|
Policy Proposal for Economic Reform in Russia
|
|
10 / 2642 |
|
The "Phenomenon" of Greece
|
|
20 / 5380 |
|
The Age of Reason
|
|
3 / 799 |
|
The Alamo
|
|
8 / 2126 |
|
Why was Karl Marx so disparaging of the utopian socialists
|
|
8 / 2156 |
|
1960's
|
|
18 / 4933 |
|
Architecture of Transition and Production of Meaning
|
|
13 / 3593 |
|
Australia's Involvement in the Vietnam War
|
|
5 / 1159 |
|
British Monarchy
|
|
21 / 5772 |
|
Causes of WW1
|
|
8 / 2226 |
|
Cyprus
|
|
14 / 3668 |
|
Czarist Regime
|
|
7 / 1934 |
|
Education in the 1800's
|
|
3 / 631 |
|
Iraq War Is Both Necessary and Justified
|
|
6 / 1526 |
|
Muhammad Ibn Abdullah: Good or Bad? You Decide
|
|
6 / 1516 |
|
Tale Of Two Cities
|
|
4 / 898 |
|
The Alamo
|
|
8 / 2078 |
|
The Nation-State, Core and Periphery: A Brief sketch of Imperialism
|
|
7 / 1901 |
|
To what extent is Germany responsible for World War I and II?
|
|
4 / 1094 |
|
Walt Disney and Disneyland
|
|
6 / 1584 |
|
A Small Look Inside Lebanon
|
|
12 / 3244 |
|
From Coexistence to Conflict
|
|
4 / 1023 |
|
Israel P.L.O. Peace Treaty
|
|
12 / 3132 |
|
Israel-Palestine Conflict
|
|
4 / 1091 |
|
The Balkans
|
|
17 / 4737 |
|
Citizen Kane: An Accurate Portrayal of William Randolph Hearst?
|
|
14 / 3847 |
|
Joy Luck Club
|
|
4 / 985 |
|
Lifting Up an African Hero
|
|
2 / 323 |
|
Luc Besson
|
|
11 / 2855 |
|
Man with a Movie Camera vs Run Lola Run
|
|
12 / 3083 |
|
Once Were Warriors
|
|
16 / 4422 |
|
Remember The Titans - On Leadership
|
|
2 / 374 |
|
Smoke Signals - Personal Reflection
|
|
2 / 450 |
|
Star Wars: Episode I: The Phantom Menace
|
|
2 / 331 |
|
The Effect of Opening Scenes on Plot Setting and Characters
|
|
3 / 784 |
|
The Intent of Forrest Gump
|
|
4 / 932 |
|
The Magnificent Ambersons
|
|
9 / 2302 |
|
Analysis of "My Papa's Waltz"
|
|
2 / 342 |
|
Beowulf
|
|
3 / 804 |
|
Difficulties of Identifying Sexual Status in Donne's 'The Flea'
|
|
5 / 1226 |
|
Friendship in Wordsworth's Tintern Abbey
|
|
4 / 975 |
|
Inferno
|
|
6 / 1465 |
|
Jim Morisson
|
|
24 / 6621 |
|
Odyssey
|
|
4 / 1045 |
|
Poetry Intertextual
|
|
9 / 2331 |
|
Porphyria’s Lover
|
|
16 / 4295 |
|
Sylvia Plath
|
|
8 / 1984 |
|
The Echoing Green
|
|
3 / 705 |
|
The Tatyana-caste
|
|
7 / 1826 |
|
A View From The Bridge
|
|
10 / 2731 |
|
Analysing Shylock's Dual-Role as Villain and Victim
|
|
6 / 1476 |
|
Analysis of Othello and Iago in Act 1
|
|
3 / 612 |
|
As you like it - Act 1
|
|
5 / 1277 |
|
Baz Luhrman?s Version of Romeo and Juliet
|
|
3 / 721 |
|
Biography and Theatre
|
|
8 / 2043 |
|
Character Profile of Friar Lawrence
|
|
3 / 613 |
|
Comedy in Shakespeare
|
|
8 / 2176 |
|
Evil character of Lady Macbeth
|
|
4 / 1117 |
|
Fate Playing a Role
|
|
6 / 1642 |
|
Gender Roles And Macbeth
|
|
7 / 1884 |
|
Hamlet - Cultural Identity
|
|
6 / 1669 |
|
Hamlet and Isolation
|
|
5 / 1272 |
|
Hamlet
|
|
3 / 655 |
|
Hamlet: Act II
|
|
2 / 343 |
|
Honesty: Characters of Othello
|
|
3 / 739 |
|
Iago’s opinion of women.
|
|
3 / 773 |
|
Julius Caesar - Was the Murder of Caesar Right?
|
|
2 / 298 |
|
Julius Caesar
|
|
1 / 252 |
|
Julius Caesar
|
|
2 / 425 |
|
Julius Ceasar
|
|
26 / 7125 |
|
King Hamlet: The Devil in Disguise
|
|
5 / 1392 |
|
King Lear
|
|
5 / 1219 |
|
King Lear Act 1 Scene
|
|
5 / 1255 |
|
Lady Macbeth
|
|
4 / 965 |
|
Macbeth - Manhood
|
|
3 / 750 |
|
Macbeth - What was beyond his control?
|
|
5 / 1174 |
|
Macbeth vs. Lady Macbeth
|
|
13 / 3413 |
|
Macbeth, King Lear and Much Ado About No
|
|
4 / 926 |
|
MacBeth
|
|
3 / 629 |
|
Macbeth
|
|
2 / 457 |
|
Macbeth
|
|
6 / 1467 |
|
Macbeth: Not a Play of Fate
|
|
3 / 755 |
|
Macbeth: The consequences of Evil
|
|
7 / 1707 |
|
Merchant of Venice
|
|
4 / 946 |
|
Much Ado About Dogberry
|
|
2 / 431 |
|
Othello - Iago
|
|
2 / 516 |
|
Othello
|
|
3 / 729 |
|
Othello
|
|
7 / 1853 |
|
Othello: All the Makings of a Tragedy
|
|
5 / 1386 |
|
Romeo & Juliet
|
|
3 / 746 |
|
Romeo and Juliet
|
|
3 / 754 |
|
Romeo and Juliet: Act 1 Scene 5
|
|
3 / 733 |
|
Romeo and the Impact of Mercutio's Death
|
|
5 / 1185 |
|
Shakespeare in Love
|
|
2 / 481 |
|
Taming of the Shrew: Male Domination
|
|
4 / 965 |
|
The Hamlet in Me
|
|
2 / 456 |
|
The Hamlet Paradigm
|
|
17 / 4541 |
|
The Internal Conflict of Brutus
|
|
1 / 274 |
|
The Merchant of Venice: Is Shylock Villain Or Victim?
|
|
9 / 2278 |
|