Discount applied successfully
| Title |
|
Pages / Words |
Save |
|
Knowledge in Name of the Rose
|
|
8 / 2015 |
|
|
Les Miserables
|
|
1 / 141 |
|
|
Live at Home
|
|
3 / 568 |
|
|
Logic of the Absurds
|
|
6 / 1452 |
|
|
Loman & the American Dream
|
|
4 / 1022 |
|
|
Lord of the Files
|
|
2 / 484 |
|
|
Lord of the Flies - Savagery
|
|
4 / 929 |
|
|
Love Your Enemies
|
|
2 / 496 |
|
|
Macbeth Symbolism
|
|
4 / 939 |
|
|
MacBeth
|
|
4 / 865 |
|
|
Milton’s Paradise Lost
|
|
15 / 4162 |
|
|
Misdirection of Anger
|
|
5 / 1313 |
|
|
Much Ado About Nothing
|
|
13 / 3465 |
|
|
Nietzsche on Religion: Rhetorical Devices
|
|
3 / 793 |
|
|
Oedipus MD
|
|
6 / 1635 |
|
|
Of Mice and Men
|
|
2 / 353 |
|
|
On the Unfairness of A Teacher
|
|
7 / 1695 |
|
|
Ordinary Men
|
|
3 / 568 |
|
|
Orwell and Foucault
|
|
5 / 1359 |
|
|
Personal Goals
|
|
2 / 504 |
|
|
Present Provoking Past
|
|
5 / 1327 |
|
|
Racism in "Master Harold"
|
|
7 / 1727 |
|
|
Reflections of a Culture Past
|
|
2 / 508 |
|
|
Rhinoceros
|
|
2 / 488 |
|
|
Romulus and Remus
|
|
3 / 633 |
|
|
Say it, Write it, Defend it and Judge it – in English!
|
|
14 / 3676 |
|
|
Similarities and Difference between Oceania in 1984 and the USA
|
|
6 / 1535 |
|
|
Social Ostracism in Adventures of Huckleberry Finn
|
|
5 / 1126 |
|
|
Stoker and Wilde
|
|
9 / 2336 |
|
|
Strindberg's Miss Julie and Beckett's Waiting for Godot
|
|
9 / 2340 |
|
|
Syllabus vs Curriculum
|
|
15 / 3986 |
|
|
Symbology in Ethan Frome
|
|
1 / 244 |
|
|
The Chosen
|
|
6 / 1581 |
|
|
The Courtroom
|
|
6 / 1449 |
|
|
The Credibility of Expository Texts RE 'Unzipped' - Bronwyn Donaghy
|
|
3 / 760 |
|
|
The Echoing Green
|
|
3 / 705 |
|
|
The Glass Menagerie
|
|
3 / 701 |
|
|
The Great Gatsby
|
|
7 / 1728 |
|
|
The Handmaid's Tale
|
|
4 / 878 |
|
|
The Last of the Mohicans as a Mixture of Genres
|
|
10 / 2573 |
|
|
The Macbeth Witches
|
|
3 / 727 |
|
|
The Moral Maturation of Huckelberry Finn
|
|
5 / 1186 |
|
|
The Paradox of Perfection
|
|
4 / 873 |
|
|
The Participial Adjective Part of English
|
|
5 / 1191 |
|
|
The Poison Wood Bible
|
|
1 / 253 |
|
|
The Scarlet Letter "A": Meanings and Connections
|
|
3 / 612 |
|
|
The Sentiment, Mood, and Philosophy of “The Best Slow Dancer”
|
|
4 / 973 |
|
|
The Storm, The Yellow Wallpaper, Young Goodman Brown
|
|
5 / 1141 |
|
|
The Stranger
|
|
5 / 1131 |
|
|
Things that will Help you through College
|
|
2 / 520 |
|
|
Trip to United States
|
|
5 / 1205 |
|
|
Unzipped
|
|
5 / 1186 |
|
|
Volpone Ben Jonson
|
|
5 / 1123 |
|
|
What Do You Find Interesting About The Ways The Writer Presents?
|
|
4 / 878 |
|
|
What Happens to a Dream Deferred?
|
|
3 / 771 |
|
|
British Foreign Relationships
|
|
8 / 2135 |
|
|
Dachau and Auschwitz: A comparsion
|
|
4 / 925 |
|
|
Elizabethan Music, Dance, and Food
|
|
2 / 358 |
|
|
Germany: The answer to an old Question
|
|
9 / 2343 |
|
|
Greece
|
|
6 / 1561 |
|
|
Industrial Revolution
|
|
3 / 747 |
|
|
Industrial Revolution
|
|
4 / 1027 |
|
|
Industrialization Effects on Workers of GB
|
|
2 / 506 |
|
|
Inspector Calls Coursework
|
|
8 / 1977 |
|
|
Joan of Arc
|
|
4 / 967 |
|
|
Kissinger, Metternich, Realism
|
|
4 / 887 |
|
|
Life Changes During the Industrial Revolution
|
|
5 / 1191 |
|
|
Medieval Castles
|
|
6 / 1456 |
|
|
Mycenaean Civilization
|
|
6 / 1598 |
|
|
Revolution
|
|
6 / 1480 |
|
|
The Alamo
|
|
8 / 2126 |
|
|
The Crusades
|
|
4 / 914 |
|
|
The Effect of One Tribe on an Entire Nation
|
|
3 / 764 |
|
|
The Industrial Revolution
|
|
5 / 1283 |
|
|
The Most Effective Absolute Rulers in my Opinion
|
|
4 / 1072 |
|
|
The Reformation of the Church of England
|
|
1 / 128 |
|
|
The Seven Years War
|
|
9 / 2354 |
|
|
Voltaire: A History That Never Moved
|
|
12 / 3225 |
|
|
1960's
|
|
18 / 4933 |
|
|
Ancient Olympics in Greek
|
|
4 / 1041 |
|
|
Architecture of Transition and Production of Meaning
|
|
13 / 3593 |
|
|
British Monarchy
|
|
21 / 5772 |
|
|
Causes of WW1
|
|
8 / 2226 |
|
|
Colonization of America
|
|
3 / 667 |
|
|
Cyprus
|
|
14 / 3668 |
|
|
Czarist Regime
|
|
7 / 1934 |
|
|
Documents Reflect History
|
|
2 / 497 |
|
|
Indutrial Revolution
|
|
4 / 988 |
|
|
Intellectual Life of the Painters of the Early Renaissance
|
|
8 / 2191 |
|
|
Interview with Lenin
|
|
2 / 458 |
|
|
Is it Constitutional to Bare Arms?
|
|
3 / 583 |
|
|
Italian Immigration
|
|
6 / 1509 |
|
|
Jean-Louis David + Jean-Jacques Rousseau
|
|
5 / 1357 |
|
|
Martin Luther King Jr. and Malcolm X
|
|
4 / 852 |
|
|
Muhammad Ibn Abdullah: Good or Bad? You Decide
|
|
6 / 1516 |
|
|
Ramases II
|
|
14 / 3845 |
|
|
Religious Festivals
|
|
5 / 1160 |
|
|
Salem/European Witch Trials Compared to the McCarthy Hearings
|
|
6 / 1606 |
|
|
Somalia vs United States
|
|
6 / 1439 |
|
|
Styal Mill
|
|
4 / 972 |
|
|
Tale Of Two Cities
|
|
4 / 898 |
|
|
The Alamo
|
|
8 / 2078 |
|
|
The End of Slavery in Africa
|
|
2 / 290 |
|
|
The Manhattan Project
|
|
6 / 1570 |
|
|
The Manhattan Project
|
|
6 / 1504 |
|
|
The Roman games
|
|
4 / 1068 |
|
|
To what extent is Germany responsible for World War I and II?
|
|
4 / 1094 |
|
|
Walt Disney and Disneyland
|
|
6 / 1584 |
|
|
Washington D.C: Our Nation’s Capital
|
|
3 / 615 |
|
|
A Small Look Inside Lebanon
|
|
12 / 3244 |
|
|
From Coexistence to Conflict
|
|
4 / 1023 |
|
|
Israel P.L.O. Peace Treaty
|
|
12 / 3132 |
|
|
Lebanese Awakening
|
|
3 / 735 |
|
|
Pakistan
|
|
6 / 1428 |
|
|
The Balkans
|
|
17 / 4737 |
|
|
Alienation in Modern Society
|
|
5 / 1263 |
|
|
All the President's Men
|
|
3 / 586 |
|
|
Citizen Kane: An Accurate Portrayal of William Randolph Hearst?
|
|
14 / 3847 |
|
|
Congo: The Novel and the Movie
|
|
2 / 542 |
|
|
Critique on Open City
|
|
4 / 1101 |
|
|
Heathers and Shame
|
|
9 / 2323 |
|
|
If Someone Did You a Favor
|
|
8 / 2115 |
|
|
Luc Besson
|
|
11 / 2855 |
|
|
Man with a Movie Camera vs Run Lola Run
|
|
12 / 3083 |
|
|
Matrix Reloaded
|
|
14 / 3755 |
|
|
Once Were Warriors
|
|
16 / 4422 |
|
|
Rainman
|
|
4 / 937 |
|
|
Reservoir Dogs
|
|
3 / 624 |
|
|
Save the Last Dance
|
|
4 / 873 |
|
|
Save the Last Dance
|
|
2 / 557 |
|
|
Saving Private Ryan
|
|
4 / 1019 |
|
|
Sleepy Hollow: "Heads Will Roll"
|
|
3 / 601 |
|
|
The Effect of Opening Scenes on Plot Setting and Characters
|
|
3 / 784 |
|
|
The Intent of Forrest Gump
|
|
4 / 932 |
|
|
The Magnificent Ambersons
|
|
9 / 2302 |
|
|
The Matrix
|
|
31 / 8428 |
|
|
At Cooloola
|
|
2 / 469 |
|
|
Beowulf Young and Old
|
|
3 / 675 |
|
|
Beowulf
|
|
3 / 804 |
|
|
British Poetry
|
|
15 / 4006 |
|
|
Compare the Poems “Havisham” and “The Laboratory”.
|
|
2 / 544 |
|
|
Dante's Inferno
|
|
1 / 263 |
|
|
Desert Places - A Journey of a Human Mind
|
|
4 / 844 |
|
|
Donne
|
|
8 / 1981 |
|
|
Dulce et Deorum Est
|
|
8 / 2120 |
|
|
Friendship in Wordsworth's Tintern Abbey
|
|
4 / 975 |
|
|
Ginsberg's Howl: A Counterculture Manifesto
|
|
14 / 3788 |
|
|
If
|
|
2 / 492 |
|
|
Inferno
|
|
6 / 1465 |
|
|
Jim Morisson
|
|
24 / 6621 |
|
|
Poems for the Eye
|
|
7 / 1789 |
|
|
Poems, their subject and purpose
|
|
3 / 639 |
|
|
Poetry Intertextual
|
|
9 / 2331 |
|
|
Quote the Parrot, “Nevermore”
|
|
2 / 558 |
|
|
Ted Hughes' 'The Jaguar'
|
|
9 / 2414 |
|
|
The Echoing Green
|
|
3 / 705 |
|
|
The Flea
|
|
3 / 684 |
|
|
The Struggle of Art in Kubla Khan
|
|
4 / 960 |
|
|
The Tatyana-caste
|
|
7 / 1826 |
|
|
A View From The Bridge
|
|
10 / 2731 |
|
|
Ambition (in general)
|
|
2 / 511 |
|
|
Analysing Shylock's Dual-Role as Villain and Victim
|
|
6 / 1476 |
|
|
Androgyny: Will of Shakespeare's Female Characters
|
|
6 / 1437 |
|
|
Appearance vs. Reality
|
|
4 / 1034 |
|
|
As you like it - Act 1
|
|
5 / 1277 |
|
|
Baz Luhrman?s Version of Romeo and Juliet
|
|
3 / 721 |
|
|
Benedick Transformed
|
|
6 / 1600 |
|
|
Biography and Theatre
|
|
8 / 2043 |
|
|
Brutus
|
|
7 / 1945 |
|
|
Character Profile of Friar Lawrence
|
|
3 / 613 |
|
|
Classical Imagery in Shakespeare's Much Ado About Nothing
|
|
13 / 3449 |
|
|
Comedy in Shakespeare
|
|
8 / 2176 |
|
|
Falstaff + Hotspur = Prince Hal: Their Actions on the Battlefield
|
|
4 / 941 |
|
|
Fate on Juliet in William Shakespeare's Romeo and Juliet
|
|
8 / 2240 |
|
|
Fate Playing a Role
|
|
6 / 1642 |
|
|
Fools and Foolishness in King Lear
|
|
6 / 1504 |
|
|
Gender Roles And Macbeth
|
|
7 / 1884 |
|
|
Gloucester Subplot in King Lear.
|
|
6 / 1452 |
|
|
Hamlet (Use of Minor Characters)
|
|
2 / 516 |
|
|
Hamlet
|
|
4 / 1043 |
|
|
Hamlet
|
|
3 / 655 |
|
|
Horatios Speech to Fortinbras in Hamlet
|
|
2 / 553 |
|
|
Humanity's Fate in King Lear
|
|
7 / 1728 |
|
|
Julius Ceasar
|
|
26 / 7125 |
|
|
King Hamlet: The Devil in Disguise
|
|
5 / 1392 |
|
|
King Lear
|
|
5 / 1219 |
|
|
King Lear
|
|
3 / 728 |
|
|
Lady Macbeth
|
|
4 / 965 |
|
|
Love and Lies
|
|
4 / 886 |
|
|
Love In Midsummer Night's Dream
|
|
3 / 757 |
|
|
Love: Looks or Words?
|
|
4 / 886 |
|
|
Macbeth - What was beyond his control?
|
|
5 / 1174 |
|
|
Macbeth vs. Lady Macbeth
|
|
13 / 3413 |
|
|
Macbeth, King Lear and Much Ado About No
|
|
4 / 926 |
|
|
Macbeth
|
|
3 / 595 |
|
|
Macbeth
|
|
6 / 1467 |
|
|
Macbeth: Not a Play of Fate
|
|
3 / 755 |
|
|
Macbeth: The consequences of Evil
|
|
7 / 1707 |
|
|
Merchant of Venice
|
|
4 / 946 |
|
|
Much Ado About Dogberry
|
|
2 / 431 |
|
