Discount applied successfully
| Title |
|
Pages / Words |
Save |
|
‘Saying’ as ‘Inventing’
|
|
13 / 3552 |
|
|
1984 vs Brave New World
|
|
5 / 1206 |
|
|
A Cream Cracker Under the Settee
|
|
5 / 1122 |
|
|
A Cream Cracker Under The Settee
|
|
3 / 588 |
|
|
A Doll House
|
|
4 / 1110 |
|
|
A Doll's House (The Transformation of Nora)
|
|
5 / 1204 |
|
|
A Doll's House
|
|
4 / 975 |
|
|
A Revelation of Granny’s Story
|
|
6 / 1440 |
|
|
A Streetcar Named Desire
|
|
6 / 1449 |
|
|
A View from the Bridge
|
|
27 / 7334 |
|
|
An Analysis of Gatsby’s Success and Failure
|
|
4 / 868 |
|
|
An Examination of Southern Dialect
|
|
10 / 2794 |
|
|
An Inspector Calls
|
|
3 / 830 |
|
|
Antigone
|
|
2 / 494 |
|
|
Antigone
|
|
4 / 903 |
|
|
Beowulf vs. Gilgamesh
|
|
2 / 530 |
|
|
Beowulf vs. The 13th Warrior
|
|
2 / 489 |
|
|
Civilization: Savagery, Power, Fear
|
|
5 / 1297 |
|
|
Comparision of Duddy Kravitz and Jay Gatsby
|
|
7 / 1852 |
|
|
Creon: Accused and Accuser
|
|
3 / 754 |
|
|
Crime and Punishment
|
|
4 / 921 |
|
|
Cupidity's Stupidity
|
|
7 / 1842 |
|
|
Different Types of Criticism and Literary Movements in Short Stories
|
|
8 / 2059 |
|
|
Doppleganger Effect
|
|
3 / 685 |
|
|
Dr Faustus - Ambition
|
|
5 / 1236 |
|
|
Dr Faustus and Seven Sins
|
|
6 / 1553 |
|
|
Dr Faustus
|
|
7 / 1849 |
|
|
Duffy “Little Red Cap” poem
|
|
7 / 1802 |
|
|
Educating Rita
|
|
4 / 1050 |
|
|
Ender's Shadow or Ender's Game
|
|
12 / 3149 |
|
|
Exploring the Use of Time as a Manipulative Variable
|
|
4 / 1099 |
|
|
Faustus: Renaissance Martyr or Tragic Hero
|
|
11 / 2899 |
|
|
Forthcoming of American Literature
|
|
5 / 1352 |
|
|
Frankenstein: Shelley Use of Mascuine and Feminine Roles
|
|
8 / 2008 |
|
|
Gregorik Andras
|
|
12 / 3357 |
|
|
Hamlet: Soliloquies
|
|
4 / 1111 |
|
|
Hemingway: Writer or Dreamer?
|
|
28 / 7782 |
|
|
Hierarchy and the Disorder of Separation in the Bible
|
|
5 / 1355 |
|
|
Hope
|
|
4 / 935 |
|
|
How Plot, Setting and Characters Influence Readers Response
|
|
3 / 837 |
|
|
How successful is Dickens in his presentation of female characters?
|
|
4 / 924 |
|
|
Human Consciousness
|
|
7 / 1734 |
|
|
Inspector Calls
|
|
7 / 1818 |
|
|
Ironman
|
|
2 / 374 |
|
|
It's Raining in Mango
|
|
4 / 1110 |
|
|
Ivan Denisovich and Humanity
|
|
4 / 1108 |
|
|
Juliet Capulet
|
|
2 / 442 |
|
|
Kerouac and Tyler, On the Road and Saint Maybe
|
|
8 / 1977 |
|
|
Knowledge in Name of the Rose
|
|
8 / 2015 |
|
|
Les Miserables
|
|
1 / 141 |
|
|
Literature?
|
|
8 / 2078 |
|
|
Lord of the Files
|
|
2 / 484 |
|
|
Lord of the Flies - Savagery
|
|
4 / 929 |
|
|
Macbeth Symbolism
|
|
4 / 939 |
|
|
Masculinity in Hemingway
|
|
5 / 1195 |
|
|
Matrix
|
|
2 / 505 |
|
|
Milton’s Paradise Lost
|
|
15 / 4162 |
|
|
Mr Collins: Character Review
|
|
4 / 1077 |
|
|
Much Ado About Nothing
|
|
13 / 3465 |
|
|
Odysseus: Epic Hero?
|
|
3 / 603 |
|
|
Oedipus MD
|
|
6 / 1635 |
|
|
Oedipus the King
|
|
10 / 2601 |
|
|
Of Mice and Men
|
|
2 / 353 |
|
|
Our Town
|
|
2 / 365 |
|
|
Play called Absent Friends
|
|
5 / 1205 |
|
|
Primal Instinct
|
|
3 / 771 |
|
|
Racism in "Master Harold"
|
|
7 / 1727 |
|
|
Reflections of a Culture Past
|
|
2 / 508 |
|
|
Russian Revolution and Orwell (Animal Farm)
|
|
2 / 519 |
|
|
Say it isn't so...
|
|
2 / 465 |
|
|
Say it, Write it, Defend it and Judge it – in English!
|
|
14 / 3676 |
|
|
Scene Seven
|
|
2 / 379 |
|
|
Stoker and Wilde
|
|
9 / 2336 |
|
|
Strindberg's Miss Julie and Beckett's Waiting for Godot
|
|
9 / 2340 |
|
|
Tess of the D'Urbervilles
|
|
4 / 1083 |
|
|
The Chrysalids
|
|
2 / 552 |
|
|
The Giver: Analysis of Jonas
|
|
2 / 309 |
|
|
The Glass Menagerie
|
|
3 / 701 |
|
|
The Great American Illusion
|
|
3 / 781 |
|
|
The Handmaid's Tale
|
|
4 / 878 |
|
|
The Jilting of Granny Weatherall
|
|
3 / 822 |
|
|
The Last of the Mohicans as a Mixture of Genres
|
|
10 / 2573 |
|
|
The role of the Inspector in 'An Inspector Calls.'
|
|
17 / 4682 |
|
|
The Scarlet Letter "A": Meanings and Connections
|
|
3 / 612 |
|
|
The Sentiment, Mood, and Philosophy of “The Best Slow Dancer”
|
|
4 / 973 |
|
|
Volpone Ben Jonson
|
|
5 / 1123 |
|
|
What Dilemma Did to Him
|
|
4 / 961 |
|
|
What Do You Find Interesting About The Ways The Writer Presents?
|
|
4 / 878 |
|
|
Inspector Calls Coursework
|
|
8 / 1977 |
|
|
Policy Proposal for Economic Reform in Russia
|
|
10 / 2642 |
|
|
The Age of Reason
|
|
3 / 799 |
|
|
The Alamo
|
|
8 / 2126 |
|
|
The Articles of Confederation
|
|
3 / 774 |
|
|
Voltaire: A History That Never Moved
|
|
12 / 3225 |
|
|
Why was Karl Marx so disparaging of the utopian socialists
|
|
8 / 2156 |
|
|
Architecture of Transition and Production of Meaning
|
|
13 / 3593 |
|
|
British Monarchy
|
|
21 / 5772 |
|
|
Cyprus
|
|
14 / 3668 |
|
|
Intellectual Life of the Painters of the Early Renaissance
|
|
8 / 2191 |
|
|
Jean-Louis David + Jean-Jacques Rousseau
|
|
5 / 1357 |
|
|
Tale Of Two Cities
|
|
4 / 898 |
|
|
The Alamo
|
|
8 / 2078 |
|
|
The Roman games
|
|
4 / 1068 |
|
|
Urbanization
|
|
4 / 936 |
|
|
Analysis of Kurdish Geopolitics Past and Present
|
|
8 / 1989 |
|
|
Alienation in Modern Society
|
|
5 / 1263 |
|
|
Analysis of Easy Rider
|
|
4 / 915 |
|
|
Andersonville (the Movie)
|
|
3 / 781 |
|
|
Critique La Ventura
|
|
3 / 813 |
|
|
Critique on Open City
|
|
4 / 1101 |
|
|
General Patton Part III
|
|
1 / 168 |
|
|
If Someone Did You a Favor
|
|
8 / 2115 |
|
|
Lord of the Rings
|
|
3 / 598 |
|
|
Luc Besson
|
|
11 / 2855 |
|
|
Man with a Movie Camera vs Run Lola Run
|
|
12 / 3083 |
|
|
Matrix Reloaded
|
|
14 / 3755 |
|
|
Meet me in St. Louis
|
|
2 / 421 |
|
|
Once Were Warriors
|
|
16 / 4422 |
|
|
Saving Private Ryan
|
|
4 / 1019 |
|
|
Sleepy Hollow: "Heads Will Roll"
|
|
3 / 601 |
|
|
The Breakfast Club
|
|
4 / 921 |
|
|
The Effect of Opening Scenes on Plot Setting and Characters
|
|
3 / 784 |
|
|
The Intent of Forrest Gump
|
|
4 / 932 |
|
|
The Matrix
|
|
31 / 8428 |
|
|
Analysis of "My Papa's Waltz"
|
|
2 / 342 |
|
|
British Poetry
|
|
15 / 4006 |
|
|
Heroism in Beowulf
|
|
2 / 438 |
|
|
Jim Morisson
|
|
24 / 6621 |
|
|
Poems for the Eye
|
|
7 / 1789 |
|
|
Porphyria’s Lover
|
|
16 / 4295 |
|
|
Theme of Beowulf
|
|
3 / 649 |
|
|
To Autumn by John Keates - Critical Analysis
|
|
3 / 575 |
|
|
A View From The Bridge
|
|
10 / 2731 |
|
|
Ambition
|
|
3 / 691 |
|
|
Analysing Shylock's Dual-Role as Villain and Victim
|
|
6 / 1476 |
|
|
Analysis of Macbeth
|
|
1 / 176 |
|
|
Analysis of Othello and Iago in Act 1
|
|
3 / 612 |
|
|
Androgyny: Will of Shakespeare's Female Characters
|
|
6 / 1437 |
|
|
Appearance vs. Reality
|
|
4 / 1034 |
|
|
As you like it - Act 1
|
|
5 / 1277 |
|
|
Baz Luhrman?s Version of Romeo and Juliet
|
|
3 / 721 |
|
|
Benedick Transformed
|
|
6 / 1600 |
|
|
Brutus
|
|
7 / 1945 |
|
|
Character Analysis of Macbeth
|
|
4 / 978 |
|
|
Character Profile of Friar Lawrence
|
|
3 / 613 |
|
|
Character Sketch on Juliet
|
|
1 / 90 |
|
|
Classical Imagery in Shakespeare's Much Ado About Nothing
|
|
13 / 3449 |
|
|
Comedy in Shakespeare
|
|
8 / 2176 |
|
|
Evil character of Lady Macbeth
|
|
4 / 1117 |
|
|
Falstaff + Hotspur = Prince Hal: Their Actions on the Battlefield
|
|
4 / 941 |
|
|
Fate on Juliet in William Shakespeare's Romeo and Juliet
|
|
8 / 2240 |
|
|
Fate Playing a Role
|
|
6 / 1642 |
|
|
Fools and Foolishness in King Lear
|
|
6 / 1504 |
|
|
Gender Roles And Macbeth
|
|
7 / 1884 |
|
|
Hamlet
|
|
4 / 1043 |
|
|
Hamlet
|
|
3 / 655 |
|
|
Hamlet: Act II
|
|
2 / 343 |
|
|
Hamlet's Alienation of Characters
|
|
3 / 579 |
|
|
Henry IV Part One
|
|
3 / 645 |
|
|
Honesty: Characters of Othello
|
|
3 / 739 |
|
|
Imagery, and It's Impact in the Play Macbeth
|
|
2 / 369 |
|
|
Julius Caesar : An Analysis of Brutus' Character
|
|
3 / 758 |
|
|
Julius Caesar
|
|
2 / 425 |
|
|
Julius Ceasar
|
|
26 / 7125 |
|
|
King Lear - Childishness, Old Age, Sight, Blindness
|
|
2 / 330 |
|
|
King Lear
|
|
5 / 1219 |
|
|
King Lear
|
|
3 / 728 |
|
|
King Lear
|
|
5 / 1121 |
|
|
King Lear: A Lesson in Loyalty
|
|
3 / 793 |
|
|
King Lear: the Role of the Fool
|
|
3 / 664 |
|
|
Lady Macbeth
|
|
4 / 965 |
|
|
Macbeth Analysis
|
|
1 / 128 |
|
|
MacBeth
|
|
3 / 629 |
|
|
Macbeth
|
|
3 / 595 |
|
|
Macbeth
|
|
4 / 902 |
|
|
Macbeth
|
|
6 / 1467 |
|
|
Macbeth: A Tragic Hero?
|
|
3 / 657 |
|
|
Merchant of Venice
|
|
4 / 946 |
|
|
Merchant of Venice: Shylock, victim or villain?
|
|
3 / 684 |
|
|
Midsummer Night's Dream Act 2 Scene 2
|
|
3 / 764 |
|
|
Much Ado About Dogberry
|
|
2 / 431 |
|
|
Much Ado About Nothing
|
|
2 / 514 |
|
|
Othello
|
|
3 / 729 |
|
|
Othello
|
|
7 / 1853 |
|
|
Romeo and Juliet - Friar Laurence
|
|
4 / 918 |
|
|
Romeo and Juliet Poster Project
|
|
6 / 1586 |
|
|
Romeo and the Impact of Mercutio's Death
|
|
5 / 1185 |
|
|
Shakespeare's Rosalind
|
|
4 / 937 |
|
|
Symbolism-Blood In Shakespeare's Macbeth
|
|
4 / 907 |
|
|
The Forest in Shakespeare's Plays
|
|
7 / 1889 |
|
|
The Hamlet Paradigm
|
|
17 / 4541 |
|
|
The Importance of the Friar and the Nurse in Romeo and Juliet
|
|
3 / 809 |
|
|
The Merchant of Venice: Is Shylock Villain Or Victim?
|
|
9 / 2278 |
|
|
The Nature of Loyalty
|
|
3 / 617 |
|
|
The Role of the Friar in Romeo + Juliet
|
|
4 / 929 |
|
|
The Tempest - Barbarism versus Civilization
|
|
3 / 793 |
|
|
The Theme of Blindness in King Lear
|
|
4 / 872 |
|
|
The Ultimate Disguise
|
|
6 / 1603 |
|
|
Theme of Appearance Vs Reality in Merchant Of Venice
|
|
7 / 1877 |
|
|
Tragedy or Not?
|
|
2 / 410 |
|
