Discount applied successfully
Title |
|
Pages / Words |
Save |
Hamlet Problem Essay
|
|
3 / 804 |
|
Hamlet
|
|
4 / 924 |
|
Hamlet
|
|
3 / 621 |
|
Handmaid's Tale Essay
|
|
6 / 1584 |
|
Handmaids tale. Discuss the Contribution made by ONE major characters in a novel you have studied
|
|
3 / 652 |
|
Hard Times
|
|
5 / 1127 |
|
Harriet Jacobs and Womanhood
|
|
6 / 1522 |
|
Hate and Love in Romeo and Juliet
|
|
6 / 1410 |
|
Heat And Dust
|
|
6 / 1598 |
|
Hedda Gabler
|
|
7 / 1711 |
|
Hegemonic Masculinity In The Jay-Z / Nas Beef
|
|
6 / 1417 |
|
Hemmingway
|
|
24 / 6502 |
|
Hermes: A God of Many Facets
|
|
4 / 1029 |
|
Heroes Of The Crucible And Scarlet Letter
|
|
5 / 1198 |
|
Heroes and Heroines in Pride and prejudice by Jane Austen
|
|
5 / 1373 |
|
Hester Prynne
|
|
4 / 908 |
|
Hills Like White Elephants - Symbolism
|
|
2 / 547 |
|
Hills Like White Elephants
|
|
3 / 791 |
|
Hits and Misses of Frances Ford Coppola
|
|
5 / 1224 |
|
Holiday Customs in Victorian England
|
|
3 / 692 |
|
Holy Sonnet 14
|
|
4 / 956 |
|
Honour in Beowulf, Arthur, and Wife of Bath
|
|
3 / 598 |
|
Hopelessly Hopeful Love
|
|
4 / 971 |
|
Horatio's Speech To Fortinbras
|
|
4 / 881 |
|
How Lust Drove The Great Gatsby
|
|
4 / 970 |
|
How does William Golding create the tensions in The Spire?
|
|
3 / 768 |
|
How effective is the end of Act III as an ending to this act and as a preparation for the rest of the play?
|
|
12 / 3094 |
|
How has James Cameron presented and adapted the true story of the Titanic?
|
|
6 / 1413 |
|
Howard's End
|
|
3 / 715 |
|
Human Characteristics
|
|
4 / 932 |
|
Hunting with a dog
|
|
7 / 1711 |
|
Husbands: The Cause Of Conflict In Literature
|
|
4 / 1053 |
|
Iago Stripped
|
|
2 / 375 |
|
Iago and his overall character
|
|
8 / 2034 |
|
Iago of Othello
|
|
3 / 695 |
|
Iago's True Character
|
|
8 / 2043 |
|
Iago
|
|
5 / 1153 |
|
Iago: The Almost Too Perfect Villain
|
|
4 / 998 |
|
Iago’s Intentions in Shakespeare’s Tragedy, Othello
|
|
3 / 773 |
|
Ibsen's Ghost: A Modern Tragedy
|
|
5 / 1347 |
|
Identity In The Bell Jar
|
|
5 / 1311 |
|
Idylls of the King - Arthur as a Christ Figure
|
|
5 / 1207 |
|
Im Not Scared
|
|
4 / 886 |
|
In The First Three Chapters Of “The Great Gatsby” How Does F. Scott Fitzgerald Introduce His Readers To The Character Of Gatsby?
|
|
3 / 731 |
|
In looking for Alibrandi, several events occur during Josephine's final year at school. What are they and how do these events bring about change in Josephine?
|
|
4 / 863 |
|
Ind Aff
|
|
6 / 1522 |
|
India
|
|
6 / 1663 |
|
Interpretation of "We Wear A Mask"
|
|
7 / 1796 |
|
Introducing Shakespeare
|
|
13 / 3422 |
|
Ironic Cycles
|
|
3 / 726 |
|
Is Bridget jones nothing more than Pride and Prejudice in modern dress?
|
|
5 / 1272 |
|
Is Jay Gatsby Tragic?
|
|
3 / 663 |
|
Is lolita a love story or pornography?
|
|
11 / 2971 |
|
Isolation Within The Scarlet Letter
|
|
4 / 1061 |
|
It's just a dream
|
|
6 / 1457 |
|
Jane Austen’s novels and the contemporary social and literary conventions.
|
|
46 / 12664 |
|
Jane Eyre
|
|
38 / 10602 |
|
Jane Eyre: A Novel of All Genres
|
|
10 / 2681 |
|
John Proctor's Role In The Crucible
|
|
4 / 1042 |
|
John Proctor- The Crucible
|
|
3 / 670 |
|
John Proctor
|
|
3 / 672 |
|
John Proctor
|
|
3 / 623 |
|
Joseph Conrad
|
|
5 / 1121 |
|
Journalism
|
|
6 / 1549 |
|
Jungle
|
|
6 / 1528 |
|
Junlge Story
|
|
6 / 1527 |
|
Just Junk
|
|
4 / 1038 |
|
KATE CHOPIN: BOLD WRITER ? AHEAD OF HER TIME
|
|
9 / 2377 |
|
Kate Chopin
|
|
6 / 1539 |
|
Kate Chopin
|
|
3 / 672 |
|
Katherine Mansfield and Sexuality
|
|
6 / 1468 |
|
Katherine Mansfield
|
|
22 / 5999 |
|
Katherine Mansfield?¦s Bliss - The pear tree as a symbol for Bertha?¦s life
|
|
6 / 1573 |
|
King Arthur
|
|
15 / 4002 |
|
King Arthur
|
|
4 / 1010 |
|
King Authur
|
|
7 / 1795 |
|
King Lear
|
|
2 / 428 |
|
Knighthood and Courtly Love in the Time of King Arthur
|
|
6 / 1635 |
|
Laci Peterson
|
|
3 / 732 |
|
Lady Chatterley's Lover
|
|
7 / 1816 |
|
Lady with Lapdog
|
|
3 / 661 |
|
Lantana
|
|
8 / 1983 |
|
Last scene in Othello
|
|
3 / 763 |
|
Liberation
|
|
4 / 1075 |
|
Life And Death Of Troy Maxson
|
|
5 / 1242 |
|
Life and Society
|
|
4 / 855 |
|
Light but Sound - Kitsch and Desire in the works of Marguerite Duras and Milan Kundera
|
|
9 / 2509 |
|
Literature
|
|
15 / 4015 |
|
"A Rose for Emily" and "The Storm" Comparison
|
|
2 / 504 |
|
"Be a governess! Better be a slave at once!" - The Governess in the Victorian Age. A comparative analysis of a passage of Agnes Grey by Anne Bronte (1847) and No Name by William Collins (1862), The Governess by Rebecca Solomon (1854) and The Po...
|
|
21 / 5850 |
|
"Death of a Salesman" annotated bibliography
|
|
5 / 1372 |
|
"Each of you helped to kill her." Says the Inspector. Show exactly what part each member of the Birling family (and Gerald Croft). Played in the death of Eva Smith. Do you think that some characters are more guilty than others?
|
|
10 / 2776 |
|
"The plotting of Iago is both incredible and without substance". To what extent do you agree or disagree with his statement?
|
|
5 / 1399 |
|
"You go around raking up the past and sharing it with every Tom, Dick and Harry." ?Mired in his own self-interest, Christopher's father ultimately fails to understand his son.' DO YOU AGREE?
|
|
4 / 874 |
|
a minimum of two
|
|
3 / 631 |
|
alias grace
|
|
2 / 514 |
|
all the kIng's men
|
|
3 / 836 |
|
all the king's men
|
|
5 / 1201 |
|
analysis of "dark swallows will"
|
|
3 / 726 |
|
analysis of cargoes john masefield
|
|
4 / 871 |
|
anaylisis
|
|
7 / 1681 |
|
anne sexton
|
|
3 / 837 |
|
appearance vs. reality
|
|
8 / 2149 |
|
area of study; justice
|
|
3 / 712 |
|
babbitt by Louis Sinclair
|
|
4 / 958 |
|
black orpheus
|
|
4 / 1029 |
|
byatt's possession
|
|
3 / 797 |
|
cabboy2
|
|
3 / 675 |
|
cantebury
|
|
7 / 1924 |
|
canterbury's love
|
|
7 / 1803 |
|
carol ann duffy view on love
|
|
4 / 890 |
|
character plot death of a sales men
|
|
3 / 729 |
|
cheating
|
|
3 / 614 |
|
cloudstreet
|
|
3 / 687 |
|
color symbolism in the great gatsby
|
|
4 / 1020 |
|
critical appreciation
|
|
3 / 737 |
|
crucible
|
|
2 / 349 |
|
crucible
|
|
3 / 712 |
|
daisy's contribution to the great gatsby
|
|
3 / 750 |
|
dead men's path
|
|
6 / 1648 |
|
dead stars
|
|
22 / 5943 |
|
death of a salesman direction
|
|
5 / 1166 |
|
death of a salesman summary
|
|
20 / 5452 |
|
death of a salesman
|
|
18 / 4978 |
|
death of a salesman
|
|
7 / 1916 |
|
death of a salesman
|
|
7 / 1900 |
|
death of a salesman
|
|
4 / 988 |
|
death of a salesman
|
|
3 / 694 |
|
diary of abigail williams
|
|
2 / 301 |
|
dickens
|
|
28 / 7740 |
|
dishonest on purpose
|
|
3 / 625 |
|
dora
|
|
46 / 12857 |
|
dylan thomas- green fuse
|
|
11 / 3051 |
|
elizabethan food
|
|
3 / 637 |
|
english 106
|
|
5 / 1271 |
|
essay
|
|
2 / 532 |
|
eternal sunshine of the spotless mind
|
|
9 / 2363 |
|
failure of american dream
|
|
7 / 1723 |
|
fra leppo lippo
|
|
9 / 2251 |
|
frank
|
|
3 / 803 |
|
from franklin to fitzgerald
|
|
6 / 1636 |
|
gatsby lit
|
|
2 / 452 |
|
gatsby
|
|
3 / 613 |
|
gatsby
|
|
5 / 1387 |
|
gatsby
|
|
3 / 776 |
|
giver
|
|
5 / 1275 |
|
great gastby
|
|
2 / 472 |
|
great gatsby info
|
|
2 / 451 |
|
great gatsby
|
|
3 / 588 |
|
great gatsby
|
|
2 / 387 |
|
gulash
|
|
26 / 7084 |
|
hamlet and ophelia
|
|
5 / 1347 |
|
hemingway's life affected his writing
|
|
14 / 3820 |
|
iago
|
|
3 / 739 |
|
in cold blood
|
|
5 / 1236 |
|
in terpreter of maladies
|
|
3 / 755 |
|
jacksonian man of parts
|
|
26 / 7018 |
|
john proctor
|
|
2 / 346 |
|
king arthur
|
|
2 / 395 |
|
king solomons mines analysis
|
|
9 / 2446 |
|
krista bradford
|
|
2 / 436 |
|
laci peterson
|
|
17 / 4719 |
|
literacy
|
|
3 / 653 |
|
little romeo
|
|
6 / 1410 |
|
‘Jerra And Rachel Nilsam Are Ordinary People Who Battle Against All Odds … But Survive’. Discuss.
|
|
2 / 422 |
|
“Cleopatra is using her devious sexual charms to gain access to the power and privilege of a superpower for her own aggrandizement and to preserve her country’s autonomy.” Discuss.
|
|
7 / 1815 |
|
Lolita
|
|
18 / 4882 |
|
Lord Byron And His Literature
|
|
2 / 284 |
|
Lord Of The Flies With Withered Arm Companionship
|
|
4 / 1099 |
|
Losing Innocence: A Comparative Analysis of Henry James’s The Turn of the Screw and Jack Clayton’s film adaptation, The Innocents
|
|
7 / 1893 |
|
Loss Of Objectivityin Miss Jean Brodie And Madame Bovary
|
|
7 / 1920 |
|
Love In The Time of Cholera
|
|
16 / 4424 |
|
Love and Lust in the Lyrics (Shakespeare's Sonnets)
|
|
5 / 1378 |
|
Love in King Lear.
|
|
4 / 1050 |
|
Love is blind
|
|
4 / 887 |
|
Love portrayal in modern drama
|
|
5 / 1179 |
|
Love
|
|
4 / 1087 |
|
Love
|
|
3 / 581 |
|
Lysitrata
|
|
3 / 619 |
|
M Butterfly
|
|
6 / 1547 |
|
M Butterfly
|
|
4 / 1057 |
|
M. Butterfly
|
|
8 / 2124 |
|
Macbeth
|
|
6 / 1651 |
|
Machiavelli
|
|
6 / 1456 |
|
Madame Bovary
|
|
6 / 1548 |
|
Malcolm X the Tragic Hero
|
|
7 / 1791 |
|
Mansfield Park, the novel, or Mansfield Park the film?
|
|
7 / 1742 |
|
Mansfield's Bliss
|
|
2 / 340 |
|
Many Faces Of Bartelby The Scrivener
|
|
9 / 2320 |
|
Marilyn Monroe
|
|
10 / 2567 |
|
Marriage Ideas in Pride and Prejudice
|
|
6 / 1599 |
|
Marriage
|
|
2 / 441 |
|
Masculinity in Laura and Vertigo
|
|
10 / 2698 |
|
Maybe its you
|
|
3 / 825 |
|
Meaning And Symbolism In The Crucible By Arthur Miller
|
|
9 / 2320 |
|
Medea; element of human passion
|
|
6 / 1413 |
|
Medieval Woman
|
|
6 / 1503 |
|
Medieval Women And Their Resources
|
|
6 / 1574 |
|
Merchant Of Venice
|
|
91 / 25243 |
|
Metamorphoses of Women in The Winter's Tale
|
|
12 / 3266 |
|