Discount applied successfully
Title |
|
Pages / Words |
Save |
Puritianism and Literary Techniques in "The Scarlet Letter"
|
|
15 / 4024 |
|
The Fall of Chillingworth
|
|
4 / 1012 |
|
Sympathy for Lady Macbeth
|
|
4 / 948 |
|
2pac
|
|
5 / 1357 |
|
A Man's Vision Of Love:
|
|
11 / 2994 |
|
Charlie
|
|
40 / 11124 |
|
Edgar Allen Poe
|
|
5 / 1373 |
|
kkk
|
|
12 / 3083 |
|
Ny Rap
|
|
4 / 988 |
|
Edgar Allan Poe
|
|
5 / 1155 |
|
Edgar Allan Poe
|
|
7 / 1954 |
|
A Critical Appraisal Of: Beowulf And Gilgamesh
|
|
6 / 1614 |
|
Arnold Friend in "Where Are You Going, Where Hare You Been?"
|
|
4 / 1059 |
|
Beowulf
|
|
3 / 637 |
|
Beowulf
|
|
4 / 881 |
|
Beowulf: Short Story
|
|
3 / 823 |
|
black cat
|
|
9 / 2386 |
|
Charlotte's Web
|
|
12 / 3293 |
|
Compare and Contrast how Grendel is portrayed in Grendel and Beowulf
|
|
3 / 780 |
|
Conflict in the Scarlet Letter
|
|
5 / 1235 |
|
Delusional Characters in Shakespeare
|
|
10 / 2589 |
|
Duddy Kravitz
|
|
10 / 2767 |
|
Edgar Allan Poe
|
|
5 / 1205 |
|
essay on beowulf
|
|
2 / 483 |
|
Frankenstein overview
|
|
1 / 241 |
|
Frankenstein
|
|
4 / 984 |
|
Good or Evil: What was the motivation behind the Ripper slayings?
|
|
15 / 3987 |
|
Heathcliff the Byronic Hero
|
|
5 / 1217 |
|
henry james "the turn of the screw"
|
|
40 / 11108 |
|
Iago's Motivation
|
|
5 / 1268 |
|
Jacob Have I Loved
|
|
2 / 512 |
|
John Hale from the Crucible
|
|
4 / 873 |
|
Macbeth "'This.......butcher and his fiend-like queen' can be debated if it is a fair assessment of Macbeth and Lady Macbeth"
|
|
3 / 750 |
|
Macbeth
|
|
19 / 5098 |
|
Macbeth: Macbeth A Murderer?
|
|
3 / 810 |
|
Mary Shelley'S Influences For Writing Frankenstein
|
|
9 / 2434 |
|
Medieval Myths
|
|
15 / 4037 |
|
Mumbo Jumbo
|
|
7 / 1747 |
|
macbeth
|
|
12 / 3155 |
|
Oates' "where Are You Going, Where Have You Been?": Arnold Fiend
|
|
2 / 531 |
|
Othello the Just
|
|
10 / 2769 |
|
Poem "lucifer In The Starlight": New Meanings And Ideas
|
|
3 / 782 |
|
SCARLETT LETTER-3 reasons for whyroger chillingsworth is the most sinful character
|
|
3 / 805 |
|
Scarlet Letter Summaries
|
|
12 / 3224 |
|
soliloquies in the merchant of venice
|
|
3 / 717 |
|
The Black Cat: What Goes Around Comes Around
|
|
5 / 1208 |
|
The Call of The Wild
|
|
6 / 1666 |
|
The Development Of Desire
|
|
13 / 3625 |
|
The Merchant Of Venice: Shylock - Victim Or Villain
|
|
10 / 2710 |
|
The Raven
|
|
4 / 1093 |
|
The Scarlet Letter Analysis With Motif
|
|
5 / 1129 |
|
The Silver Kiss
|
|
5 / 1183 |
|
The representation of the doubleness of selfhood in Charlotte Bronte's Jane Eyre and Jean Rhys's Wide Sargasso Sea
|
|
11 / 2964 |
|
Tom Sawyer
|
|
4 / 1035 |
|
Where Are You Going Where Have You Been
|
|
4 / 954 |
|
Where Are You Going, Where Have You Been?
|
|
7 / 1827 |
|
Young Goodman Brown
|
|
9 / 2416 |
|
Young Goodman Brown: The Downfall Of Young Goodman Brown
|
|
9 / 2418 |
|
Youth of Red Badge of Courage and Youth of Today
|
|
4 / 861 |
|
young goodman brown
|
|
4 / 895 |
|
Pepsi
|
|
4 / 945 |
|
What'ss
|
|
5 / 1279 |
|
&Quot;Black Cat&Quot; Short Story Analysis
|
|
4 / 995 |
|
African American literatury
|
|
3 / 646 |
|
Ambition in Macbeth
|
|
5 / 1121 |
|
An encounter with wild dogs
|
|
2 / 379 |
|
Analys Of The Black Cat
|
|
9 / 2281 |
|
Beowolf Essay
|
|
3 / 682 |
|
Beowulf Christian Or Peagan Influences
|
|
3 / 737 |
|
Beowulf and Christianity
|
|
3 / 831 |
|
Beowulf and Gilgamesh
|
|
8 / 1987 |
|
Beowulf's Origins
|
|
2 / 489 |
|
Beowulf; A True Hero
|
|
5 / 1326 |
|
Beowulf
|
|
5 / 1300 |
|
Beowulf
|
|
3 / 789 |
|
Beowulf
|
|
9 / 2434 |
|
Beowulf
|
|
2 / 388 |
|
Betrayal To Avoid Consequences
|
|
5 / 1143 |
|
Blood Motif
|
|
3 / 599 |
|
Both Mary Shelley's ?Frankenstein' And Bram Stoker's ?Dracula' Are Co
|
|
7 / 1799 |
|
Canterbury Tales
|
|
5 / 1135 |
|
Chan
|
|
3 / 774 |
|
Character Analysis of Roger ChillingWorth
|
|
3 / 621 |
|
Christian Symbolism in Beowulf
|
|
5 / 1376 |
|
Christianity And Lord Of The Rings
|
|
13 / 3384 |
|
Commentary on "Where Are You Going, Where Have You Been"
|
|
6 / 1473 |
|
Commentary on "Where Are You Going, Where Have You Been"
|
|
6 / 1472 |
|
Differences Between the Epic "Beowulf" and John Gardner's Novel "Grendel"
|
|
3 / 604 |
|
Discuss the role of the witches in Macbeth
|
|
8 / 2088 |
|
Downfall of Lady Macbeth
|
|
2 / 554 |
|
Dracula, Culture and Values from Mediums
|
|
6 / 1443 |
|
English
|
|
4 / 1069 |
|
Epic Hero: Beowulf
|
|
4 / 996 |
|
Examine Robert Louis Stevenson’S Use Of Duality In ‘The Strange Case Of Dr Jekyll And Mr Hyde’
|
|
5 / 1387 |
|
Explications Of Poems
|
|
14 / 3891 |
|
Fiend
|
|
4 / 1014 |
|
Frankenstein - short essays
|
|
7 / 1887 |
|
Frankenstein Extensive Notes
|
|
4 / 1027 |
|
Frankenstein Movie To Book 11/11/01
|
|
3 / 752 |
|
Frankenstein as a Cultural Artefact
|
|
7 / 1812 |
|
Frankenstein-value for modern readers
|
|
4 / 921 |
|
Frankenstein
|
|
4 / 939 |
|
Frankenstein
|
|
3 / 621 |
|
Frankenstein
|
|
5 / 1376 |
|
Frankenstein
|
|
13 / 3421 |
|
Frankenstein
|
|
4 / 1042 |
|
Frankenstein
|
|
3 / 838 |
|
Frankenstein
|
|
5 / 1359 |
|
Frankenstein
|
|
2 / 449 |
|
Frankenstein
|
|
16 / 4289 |
|
Frankenstein
|
|
11 / 3053 |
|
Frankenstein
|
|
11 / 3052 |
|
Frankenstein
|
|
9 / 2458 |
|
GRENDEL & FRANKENSTEIN
|
|
9 / 2520 |
|
Good vs. Evil in "The Friar's Tale"
|
|
6 / 1416 |
|
Grendel: Choosing Grendel's or Beowulf's side
|
|
4 / 1003 |
|
How Fiend Like Is Lady Macbeth
|
|
5 / 1128 |
|
How Fiend Like Is Lady Macbeth
|
|
2 / 323 |
|
Howard Roark in The Fountainhead
|
|
3 / 581 |
|
In the novel Frankenstein, by Mary Shelley, Victor Frankenstein is the true monster, not the creature himself.
|
|
7 / 1893 |
|
Just a Bit of Hope
|
|
14 / 3753 |
|
King Lear - How are the women presented in Act IV? Who would disagree with how they are presented?
|
|
3 / 667 |
|
Lady Macbeth
|
|
4 / 1003 |
|
Literary Elements In Romeo And Juliet
|
|
2 / 343 |
|
"There's The Sulphrous Pit": Female Sexuality In King Lear
|
|
4 / 1061 |
|
beowulf
|
|
3 / 750 |
|
beowulf
|
|
4 / 976 |
|
blakes poem
|
|
19 / 5300 |
|
critical notes on macbeth
|
|
2 / 502 |
|
equss vs amadeus by peter shaffer
|
|
5 / 1296 |
|
Long Day's Journey - Significance of Fog
|
|
7 / 1739 |
|
Macbeth As A Tragic Character
|
|
4 / 895 |
|
Macbeth C.E.L
|
|
6 / 1634 |
|
Macbeth Plot Synopsis
|
|
19 / 5092 |
|
Macbeth essay
|
|
5 / 1293 |
|
Macbeth-'this dead butcher and his fiend-like queen'
|
|
3 / 745 |
|
Macbeth-Character Changes
|
|
5 / 1324 |
|
Macbeth
|
|
12 / 3336 |
|
Macbeths Faults
|
|
3 / 835 |
|
McBethand Lady McBeth
|
|
5 / 1301 |
|
Models Of Ministry
|
|
12 / 3134 |
|
Monty Python and the Holy Grail
|
|
2 / 395 |
|
Mr.
|
|
4 / 890 |
|
Mr.
|
|
14 / 3858 |
|
Nas One Mic
|
|
3 / 824 |
|
Not Just for Laughs: Remembering the Porter
|
|
6 / 1672 |
|
Othello Essay
|
|
10 / 2769 |
|
Othello Play
|
|
100 / 27731 |
|
Poetry Discussion
|
|
4 / 1064 |
|
Powder Treason
|
|
6 / 1527 |
|
Relationship between Macbeth and Lady Macbeth
|
|
3 / 777 |
|
Research Paper
|
|
8 / 2122 |
|
Roger Chillingworth
|
|
2 / 320 |
|
Scarlet Letter
|
|
10 / 2543 |
|
Secret Sin
|
|
4 / 929 |
|
Shakespeares character Juliet
|
|
2 / 308 |
|
Sir Gawain and the Green Knight
|
|
3 / 813 |
|
Social Ostracisation Within Frankenstein
|
|
6 / 1619 |
|
The Black Cat
|
|
15 / 3999 |
|
The Case Of The Elusive Car Salesman
|
|
12 / 3276 |
|
The Downfall Of Lady Macbeth
|
|
3 / 578 |
|
The Downfall Of Young Goodman Brown
|
|
9 / 2403 |
|
The Enemy Outside and Within: Grendel and His Mothe
|
|
5 / 1337 |
|
The Fate of a Hero in Beowulf
|
|
7 / 1902 |
|
The Godlike sciences in Framkenstein
|
|
5 / 1312 |
|
The Kite Runner
|
|
4 / 893 |
|
The Monsters in Beowulf
|
|
6 / 1647 |
|
The Origin of Victor Frankenstein’s Catastrophe
|
|
14 / 3824 |
|
The Secret Revealed
|
|
6 / 1639 |
|
Themes of Frankenstein
|
|
12 / 3303 |
|
To what extent do you agree with the idea that King Lear deserves his fate?
|
|
7 / 1765 |
|
To what extent was the monster a benevolent creature when he was born, but became evil due to his treatment?
|
|
2 / 467 |
|
Unwanted Qualities In A Monster
|
|
4 / 945 |
|
Use the passage at the begging of pg 178 to pg 179 "If Mr. Thornton?sheltered behind a woman" as a starting point for a discussion about Gaskell's presentation of Thornton and his development.
|
|
7 / 1718 |
|
Where Are You Going, Where Have You Been? Response Paper
|
|
2 / 365 |
|
Why Are the Homeless Homeless?
|
|
3 / 765 |
|
William Shakespear's MacBeth
|
|
36 / 9811 |
|
Young Goodman Brown and His Multiple Characters
|
|
5 / 1342 |
|
Young Goodman Brown
|
|
9 / 2301 |
|
Young Goodman Brown
|
|
9 / 2417 |
|
Young Goodman Brown
|
|
9 / 2403 |
|
Young Goodman Brown
|
|
9 / 2426 |
|
Young Goodman Brown
|
|
9 / 2315 |
|
macbeth sleepwalking scene
|
|
4 / 1063 |
|
macbeth's Ambition
|
|
2 / 400 |
|
macbeth
|
|
3 / 626 |
|
macbeth
|
|
4 / 1048 |
|
macbeth
|
|
3 / 789 |
|
montana1948
|
|
4 / 862 |
|
on the structure of plot
|
|
19 / 5230 |
|
oyun
|
|
7 / 1713 |
|
research paper devil in Joyce Carol Oates works
|
|
6 / 1624 |
|
the consequences of sin
|
|
4 / 986 |
|
the monk
|
|
11 / 3013 |
|
to his coy mistress
|
|
2 / 524 |
|
Arthurian Figure
|
|
6 / 1418 |
|
Death in Gilgamesh
|
|
4 / 1088 |
|
red scare sample
|
|
6 / 1514 |
|
Homelessness
|
|
10 / 2659 |
|
Beowulf And Sir Gawain As True Heroes.
|
|
7 / 1681 |
|