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With his left foot wearing boots and a sword in the right hand, he stands triumphantly on Goliath’s decapitated head. David in the statue is typologically a tyrant slayer, a free symbol of Florence, as the inscription engraved on its bases suggests (McHam 32). Such a typological image was unprecedented...
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Such a typological image was unprecedented. In the previous artistic works with David as subject matter, the figure had typologically been “a king, prophet, writer of the Psalme or ancestors of Christâ€. Schneider (213) noted the occurrence of iconographic transformation, arguing that the transformation was connected to the changing political atmosphere of the time in Florence...
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