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One of Higson’s main arguments focuses on the idea of films becoming transnational and penetrating the boundaries of the reflectionist ideas of the National Cinema. Higson provides examples including that of Evita (1996), a Hollywood production of an Argentinean hero to prove how problematic framing national cinemas is and to further his idea on the increasing relevance of the term transnationalism...

Higson provides examples including that of Evita (1996), a Hollywood production of an Argentinean hero to prove how problematic framing national cinemas is and to further his idea on the increasing relevance of the term transnationalism. However, Higson stops short of coining the term national cinema obsolete when he says, “to question tradition and embrace cultural difference is not to necessarily to reject the idea of national cinema that can speak eloquently to a multi cultural audience...

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