Buy custom The Pianst, Scene 15 (Technical, Thematic, and Personal)
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In the cutbacks, the German
is shot centered in a power shot at a medium close-up. As the dialogue
ends, the German walks off the screen to the right and is also seen
walking away from Szpilman's reaction shot angle.
A lengthy take then beings with a long shot first showing the German
continuing to the right towards a door as the camera pans right,
following him...
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At the German's beckoning, Szpilman hobbles in from the
left creating a two shot. Maintaining the axis of action they turn
through the door, entering a room with a piano where a dolly shot is
employed. The dolly pulls in and everything of the German except is
pistol is lost as the shot focuses and revolves to the right around
Szpilman...
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