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*Pan's Labyrinth (2006) - Guillermo del Toro, Spain*

FIRST SHOT:

Camera Angle: Oblique/Canted

• Camera is tilted to suggest transition & instability

Kind of shot: Close-up shot

• Shows very little background
• Concentrates on Pan’s facial expression
• Allows the viewer to get into her mind
• Viewers can get uncomfortable with this shot

Camera’s movement: CRANE SHOT

• it moves gradually to the left, towards a 90° degree and then to an extreme close-up of Pan’s eye

SECOND SHOT:

Camera Angle: High Angle (left -> right)

• The camera is elevated above the action using a crane to give general overview

Kind of shot: Extreme long shot

• It is the scene setting, the actual establishing shot
• It shows the exterior of Pan’s “Underground Realm”

Camera’s movement: CRANE SHOT + tilt low angle)

• Sort of “Dolly shots” but in the air
• It also moves up, then right, then left – similar to the first shot
• It moves diagonally out of the action

THIRD SHOT:

Camera Angle: Eye level

• Neutral shot; as if a human is observing the view(scene)

Kind of shot: Crane shot

• It shows the image corresponding to the real distance between the audience and the scenario

Camera’s movement: DOLLY SHOT (Tracking shot)

• Camera is placed on a moving vehicle
• Camera moves around to show how Ofelia met the “outside world”

FOURTH SHOT:

Camera Angle: Eye level (low -> high -> extreme long)

• Neutral shot, as if a human is observing the action
• The camera is placed around 5feet from the ground

Kind of shot: Long shot

• Shows the scene approximately as if we would see in real life
• Includes a FULL SHOT of the cars, and the figures inside

Camera’s movement: DOLLY SHOT – possible pan or crane

• Camera is placed on a moving vehicle
• It moves alongside with the action
• It follows the cars

FIFTH SHOT:

Camera Angle: P...

*Pan's Labyrinth (2006) - Guillermo del Toro, Spain*

FIRST SHOT:

Camera Angle: Oblique/Canted

• Camera is tilted to suggest transition & instability

Kind of shot: Close-up shot

• Shows very little background
• Concentrates on Pan’s facial expression
• Allows the viewer to get into her mind
• Viewers can get uncomfortable with this shot

Camera’s movement: CRANE SHOT

• it moves gradually to the left, towards a 90° degree and then to an extreme close-up of Pan’s eye

SECOND SHOT:

Camera Angle: High Angle (left -> right)

• The camera is elevated above the action using a crane to give general overview

Kind of shot: Extreme long shot

• It is the scene setting, the actual establishing shot
• It shows the exterior of Pan’s “Underground Realm”

Camera’s movement: CRANE SHOT + tilt low angle)

• Sort of “Dolly shots” but in the air
• It also moves up, then right, then left – similar to the first shot
• It moves diagonally out of the action

THIRD SHOT:

Camera Angle: Eye level

• Neutral shot; as if a human is observing the view(scene)

Kind of shot: Crane shot

• It shows the image corresponding to the real distance between the audience and the scenario

Camera’s movement: DOLLY SHOT (Tracking shot)

• Camera is placed on a moving vehicle
• Camera moves around to show how Ofelia met the “outside world”

FOURTH SHOT:

Camera Angle: Eye level (low -> high -> extreme long)

• Neutral shot, as if a human is observing the action
• The camera is placed around 5feet from the ground

Kind of shot: Long shot

• Shows the scene approximately as if we would see in real life
• Includes a FULL SHOT of the cars, and the figures inside

Camera’s movement: DOLLY SHOT – possible pan or crane

• Camera is placed on a moving vehicle
• It moves alongside with the action
• It follows the cars

FIFTH SHOT:

Camera Angle: P...

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