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The transition of the Mozart does a few things other things in the last 5 bars. It produces a deceptive modulation with lots of accidentals. It also anticipate of ideas of the second theme's rhythmic harmony. Lastly, it introduces new material that is contrasting with both the primary and related key sections...
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The second subject starts and ends in F Major. The material in the second subject is different in rhythm and mood from that of the first subject. It is more lyrical and the motion is more constant. The cadences are less frequent in the second subject. They happen but are seen as more then just chords...
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