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Right at that point is one of the best examples of the blending of beauty with violence that Tarantino presents throughout the film. The camera then swoops into a long shot from within the chapel as it becomes a God's eye-shot outside of the chapel as Bill's deadly VIPERS, as his gang members were called, walks in and maims down the attendants of the rehearsal with machine guns...
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As with any of Tarantino's films, it brings one to say, "Can you top that?" He was able to capture the essence of innocent beauty and gayness of a wedding rehearsal, and then skillfully transform the same scene into an unimaginable type of violence that a so-called Tarantinian would laugh with glee as he witnessed what Tarantino had done best, by causing the viewer to repeatedly ask himself, "Can you top that?"
The fact that film noir-ish kung-fu type of film is infused with a variety of genres that comes with their own editing style makes it difficult to pinpoint the exact category of film that Kill Bill falls within, yet the excessive presence of violence and blood anchors it as an action film...
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