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The theatrical rights were unfortunately not available. "So all the work that I had done on that transmogrified into SUPERBIA, which was my own dystopia."
In the earliest drafts of SUPERBIA, a young man with a music box wants to wake up an emotionally numb futuristic society. In later drafts, the hero never gets a chance to make his point...
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This shift seems to echo Jonathan's own experience with mounting a new musical. During the SUPERBIA years, 1985-1991, Larson was chosen for ASCAP and Dramatist Guild development workshops. He lived on the edge of poverty, preferring to work as a waiter rather than divide his concentration with jingle- or copywriting...
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