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53) He also "employed a narrow melodic range, syllabic setting of words and frequent cadences." (Gregory) Thus, Lully's works are free from secco recitative, and consequently the ornate singing of Italian opera. (Kendall pg. 53)
The zenith of Lully's definitive French style is best reflected in his "tragedies lyriques", the first true form of French opera...
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(Kendall pg. 53)
The zenith of Lully's definitive French style is best reflected in his "tragedies lyriques", the first true form of French opera. "Cadmus et Hermione", France's first "tragedie lyrique" was produced in 1673, with libretti provided by the poet Quinault. (Lewis pg. 1092) This genre is different from "comedies-ballets" because it is entirely set to music...
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