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In the midst of the divisive political struggles of the late 1960s, it was less likely that filmmakers could construct popular fictions with the originality. The era's convulsive event, the Vietnam War, was largely avoided as subject by American feature filmmakers for over a decade. But the principal exception was "The Green Berets" (1968), directed by Ray Kellog; this film changed the Hollywood's ideology toward Vietnam War...
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But the principal exception was "The Green Berets" (1968), directed by Ray Kellog; this film changed the Hollywood's ideology toward Vietnam War. And the greatest challenge for political cinematography was "Medium Cool" ( 1969). The film combines actuality footage of protests at the 1968 Democratic Party national convention in Chicago with a fictional story of a television cameraman whose perception that his work is simply technical is altered by his discovery of the moving image's ideological power and political complicity...
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