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First, the focus is the
doomed car driving pulling out of the parking lot, then driving down the street.
Then attention shifts to the other activity on the street, then back to the car,
and then on the entrance of Mr. and Mrs. Vargas. Until the end of the scene,
the Vargases and Linnaker's car battle for attention as they continually pass
each other within the camera's view...
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This shifting of focus keeps the viewer
just that: an observer looking into this world through the camera. Welles also
reinforces this feeling by raising the camera to unhuman points of view above
the action. It eliminates any initial intimacy the viewer could form with the
characters. Therefore, the viewer gets a broad overview of the town, the
atmosphere, and the people before gradually entering this world...
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General points of the essay
Aggressive Driving
Citizen Kane- orson welles
Driving Age 18
Driving "No-No's" 101
Driving age
Driving while black
Orson Welles
Teen Driving
Hello, My Name Is Orson Welles
Orson Welles In Othello and Citizen Kane
Driving is a Privilege, Not a Right
Driving
Drunk Driving
Talking on the Cell Phone While Driving is not like Drunk Driving
War Driving
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