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Thus an analysis which began so promisingly takes a nose-dive in the very next section, and never fully recovers from the mishap.
Greenaway’s film aesthetic is closely allied with that Wagner’s idea of Gesamtkunstwerk, which the composer envisaged as a synthesis of all art forms in one: the opera...
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“There’s a searching, a groping, for new words here – not just by me, but by all of us, I think, as a community – for notions of “mega-cinema,†the complete artwork, which of course has potentially been on the scene for perhaps thirty or forty years, but which still hasn’t reached any useful synthesis...
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Critique of "The Art of National Identity" by John Orr
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