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The subject of the fugue is tonic with the tonal answer in the dominant. However, Beethoven then moves to C major is âincorrectâ tonality for the second key area (another joke ()(Levy). Despite C major and D minor have the same enharmonic pitches and closeness of both tonics, these keys are fairly distant regarding modulations (Levy)...
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Beethoven uses a sequence that gets us back into D minor and continues until the development. During the development, we eventually have a dialogue between the woodwinds and timpani, where for the first time timpani are used to trigger a key change to F major. When the recapitulation occurs, the orchestra plays the second key area material in D major while the timpani interjects with the minor third, eventually provoking the entire orchestra back into the original tonic (Levy)...
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General points of the essay
Beethoven's early life
ludwig van beethoven
The Life of Beethoven
Beethoven Critique
Beethoven 2
Analysis of Beethoven's Sonata
Beethoven and Tchaikovsky
Beethoven's Ninth Symphony
Beethoven, Symphony No. 9
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