Buy custom Bedrich Smetana’s Piano Trio in G Minor, Op. 15

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The strings combine to take over the majority of the melody. The piano plays brief bits of a quiet, peaceful melody that contrast to the strings’.

The piece then transitions back to the original, fast paced theme and suddenly becomes slower and more relaxed in nature for a few measures. As used in the previous movement, Smetana uses a chromatic descent of the fifth to add an air of death and sadness (See Figure 2...

As used in the previous movement, Smetana uses a chromatic descent of the fifth to add an air of death and sadness (See Figure 2.).

Figure 2 (Smetana).

At the end of the movement, the piece crescendos to forte and then decrescendos suddenly to piano within a single measure. The piece ends on a long, drawn out, G major chord creating a positive ending following a feeling of sadness and unbearable pain and suffering...

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