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We learn that as an undergraduate at Yale in the late sixties and early seventies, his idols were radial black upperclassmen, Glenn DeChabert and Armstead Robinson. Both were from middle-class families and lived useful lives, but in Gate’s estimation they failed to realize their wondrous potential...

Both did in their 40s, DeChabert a heavy smoker and Robinson stressed and overweight. For Gates, DeChabert and Robinson serve as symbols of the waste of black Yale men through madness, suicide and murder.

Among his collegiate memories Gates threads current social science data reflecting the tragedy of black life at the end of the twentieth century...

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