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To further prove the innocence of his building, Scully points out the pictures of his little girl on the wall (Crane 1632). All in all, in contrast to the safe haven of the hotel, the reality is that "hell" turns out to be the red-lighted town saloon where the Swede is eventually murdered.
Another recurring topic in Crane’s writing is the responsibility for a man’s death...
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For not acting upon his knowledge of Johnnie’s sin (his lying and cheating at the card game), the Easterner is portrayed as a betrayer, with guilt eating him inside. At the beginning, no one at the hotel would discuss fear or death with the Swede. Thus, in repentance on his part, the Easterner comments, "Every sin is the result of a collaboration" (Crane 1645)...
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Jan Vermeer (1632 ? 1675)
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